Wine of the Week – a delicious Riesling

A Happy New Year to you all.

My first piece of 2020 is a Wine of the Week. It is also a bin end bargain, so grab it quick!

Clare Valley vineyards in South Australia.

As many of you will know, I – and most people in the wine trade – love Riesling. I think it is the combination of delicate, hinted flavours, purity, minerality and acidity that draws me back to Riesling time after time. It also partners the sort of Asiatic and Mediterranean flavours that I like to eat. If that sounds counterintuitive, try a dry Riesling with Spaghetti Vongoli, it is a great combination.

The other day I tasted a really delicious Riesling that I think may of you would enjoy. I showed it in a tasting class and was very impressed. When I saw the price I was amazed and then I saw that it was reduced even further!

Map of South Eastern Australia, Clare Vally is north of Adelaide in South Australia – click for a larger view – non watermarked PDF versions are available by agreement.

2017 Baily & Baily Folio Riesling
Clare Valley
South Australia

I know very little about Baily & Baily, except their Folio range is a brand that aims to produce a complete portfolio of Australian wines by concentrating on the most important grape variety from each region. To that end they produce a Barossa Valley Shiraz, Margaret River Chardonnay and this Clare Valley Riesling.

Clare is a fascinating place that creates some wonderful wines but is quite hard to get to grips with. Because its most famous speciality is Riesling it is often thought to be a cool place, but then it can also ripen Merlot and even Cabernet Sauvignon, so the truth is more nuanced – like most things.

What I do know is that big diurnal variation – temperature drops at night of almost 40˚C in the growing season are not uncommon – slows down the growing season and preserve acidity in the grapes. Afternoon maritime breezes have a similar effect and are especially good for the Rieslings. 

Clare Valley Vines at Taylors Wine. Photo courtesy of Taylors Wines.

This is a very friendly, happy and accessible wine. It is dry and the acidity is high and refreshing, but it is not astringent. The fruit is ripe giving touches of mango richness that is balanced and kept bright by the powerful lime-like flavours. An easygoing, but delicious Riesling that is just beginning to show that classic oily texture – 90/100 points.

Available in the UK at £6.99 per bottle from Waitrose Cellar – just £5.99 if you get your order in today

Friuli Delights

It’s been quite a year for extending my understanding of Italian wines. Recently I visited parts of the Prosecco production area in the Veneto region, but earlier in the year I was part of a study tour of a fascinating wine region called Friuli Isonzo.

This wine region is a Denominazione di Origine Controllata, or DOC – or a PDO in overarching EU parlance – and can be found in the extreme north east of Italy. It stretches from near Monfalcone – where you find Trieste Airport – to Goriza on the border with Slovenia. It is all flat land, the neighbouring DOC of Carso has the mountains and Collio the hills – it even means hills in Italian. So basically the whole DOC of Friuli Isonzo is an alluvial plain with the mountains to the north and east, beyond Goriza and Trieste. It is warm and sunny, but tempered by the winds and sea breezes and the effects of the Isonzo River (the Soča in Slovenia).

I was seriously impressed by what I found and enjoyed the experience very much. This is a culturally rich and varied part of Italy because the outside influences are very strong. Nearby is the amazing ancient Roman city of Aquileia which was the ancient capital of Friuli-Venezia Giulia. The cohesion of the area was destroyed by the collapse of the Roman Empire with the Franks and the Lombards settling in the western part of the region while Alpine Slavs made their homes in the eastern part of Friuli near Trieste. This difference was reinforced by Friuli becoming part of the Venetian Republic in 1420 while the former free city states of Trieste and Goriza became part of the Hapsburg Empire at roughly the same time.

This border of course remained until 1797 with Napoleon’s destruction of the Venetian Empire and the whole of Friuli-Venezia Giulia was ceded to Austria. Eventually the wars for Italian unification led to the great majority of the region, the Italian parts, joining the Kingdom of Italy in 1866. The new border however left the more Slovene parts in the Austrian Empire. After the First World War the whole place was taken by Italy and the previously Austrian port of Trieste became an Italian city.

The Second World War shook things up yet again and Tito’s Partisans not only liberated Yugoslavia, but also Trieste. Tito had hopes of absorbing the city and it’s surrounding region into Yugoslavia, however it was not to be and the area was awarded to Italy again in 1954. In turn of course Slovenia declared itself independent of Yugoslavia in 1991 and so the region now borders Slovenia, now a democracy and member of the EU.

Wine map of northern Italy. Friuli is in the north east, between Veneto and Slovenia.

Sketch wine map of Friuli-Venezia-Guilia, click for a larger view.

This history shows in the wines with a wide range of grape varieties and blends that sometimes echoes the styles produced over the border – and vice versa of course.

The principal white grape varieties are Chardonnay, Friulano, Gewürztraminer, Malvasia, Moscato, Pinot Bianco, Pinot Grigio, Riesling, Sauvignon Blanc, Verduzzo and Welschriesling (Riesling Italico).

Varietally labelled wines – those with a grape variety as the most important piece of information on the label – must contain 100% of that grape, while blends – labelled as “blanco” can contain any blend of the grapes listed above.

The red grapes are Cabernet Franc, Cabernet Sauvignon, Franconia (Blaufränkisch), Merlot, Moscato Rosa, Pignolo, Pinot Nero, Refosco and Schioppettino and again the varietals must contain 100% of that grape and red blends – “rosso” can contain any proportions of the above grape varieties.

There are also rosé wines, which can be made from any permitted grape other than Gewürztraminer, and a separate DOC for rosés made from the Moscato Rosa grape.

The region also makes some excellent sparkling wines (Spumante in Italian) – as most Italian regions do – including Chardonnay Spumante with a minimum of 85% Chardonnay and a maximum of 15% Pinot Nero / Pinot Noir blended in.
There is also Moscato Giallo Spumante, Moscato Rosa Spumante, Pinot Spumante made from any proportions of Pinot Bianco, Pinot Grigio and Pinot Nero / Pinot Noir, Verduzzo Spumante from 100% Verduzzo and Rosso Spumante which follows the same rules as still Rosso.

Fundamentally the soils are a mixture of ponka (a sandstone-marl mixture) along with more alluvial gravel and clay with some limestone and the land is flat with good sun exposure and good cooling from the air draining down the mountains. This results in wines that can be anything from quite austere and mineral to moderately rich and fruity.

Here are a few of the wines and wineries that really impressed me on the trip:

Borgo San Daniele

This thrilling winery is run by brother and sister Alessandra and Mauro Mauri. Their father had converted their mixed farm to a vineyard and bought some more vineyards and they both trained as winemakers in nearby Cividale – meaning they are steeped in the local traditions – and their first vintage was in 1991.

They farm 18 hectares spread over a wide area, giving them lots of different sites and conditions as well as grape varieties. They are certified organic and farm biodynamically, so do not use use any pesticides or herbicides and plant their vines at high density and seek low yields and are quite happy to wait for full ripeness – for weeks in necessary. Winemaking is totally traditional and yet new wave too, with long maceration on the skins for the whites, spontaneous fermentations and long lees ageing in wood.

I loved their Friulano and Malvasia, but what excited me the most were their blends.

2015 Arbis Blanc
IGT Venezia Giulia

This is a single vineyard wine from a site called San Leonardo and is a blend of 40% Sauvignon, 20% Chardonnay, 20% Pinot Bianco and 20% Friulano. The different varieties are picked separately when fully ripe, then the musts are blended together and fermented together – it is a variation on a traditional field blend. The wine is then aged on the lees in large, 2000 litre, Slavonian oak casks. Confusingly Slavonia is not in Slovenia, but is a region in neighbouring Croatia.

In effect this is a solera aged blend as 30% is from the 2014 vintage which also contains some older components, and so on. That is why it has to be labelled as a humble IGT rather than DOC. Arbis means herb in the local dialect and is called that because of the cover crops that grow between the rows and temper the vigour of the vines.

The nose is wild, enticing and exotic with peachy and apricot fruit, dense citrus, waxy hibiscus, shortbread, accacia and light honey. There is jasmin, blossom and a mineral note of wet stones.
The palate has lovely weight and integration and a texture that flows wonderfully across the palate with a succulent feel, a deep flavour of rich lemon, cooked apple, melted butter, sage and something. It is very long, delicious and really interesting – 94/100 points.

2013 Arbis Ròs
DOC Friuli Isonzo

This is also a single vineyard wine from a site called Ziris and is 100% Pignolo. The grape has hardly been cultivated at all since WWII as it produces such tiny crops, but of course that suits the new wave of boutique wine growers who have supplanted the large production wineries of the 1960s to 1990s. Pignolo is a very rare grape now with just 60 hectares in Friuli and so the world.

The wine spends 3 years in oak of various sizes before being blended in tonneau – which are 550 litre in Italy – and then aged for another year in Slavonian oak barrels.

The lovely deep ruby colour is enticing.
The nose delivers bright cherry notes together with freshly turned earth, red dust, Lapsang souchong and five spice.
The palate has a sensual, silky, velvety feel, mid weight, nice freshness with cherry fruit and acidity, rich plums, chocolate and violets on the finish. The finish is long with this intense cherry with a bit of blood orange too – 94/100 points.

Castello di Spessa

This amazing winery is a beautiful castle and country house set in a beautiful landscape. The house is a luxury hotel and golf resort, while the winery is based around the medieval cellars. They farm 55 hectares in both DOC Friuli Isonzo and DOC Collio.

The amazing cellars at Castello di Spessa – photo courtesy of the winery.

Again I really liked a lot of their wines, the Pinot Grigio was very good, as was the unoaked Chardonnay and somewhat austere Sauvignon. However the standout for me was the Friulano:

2016 Castello di Spessa Friulano
DOC Friuli Isonzo

Friulani used to be called Tocai – that is no longer allowed to save confusion with actual Tokaji from Hungary and Slovakia – and has been part of the viticultural landscape in Friuli for centuries.

This is a single vineyard wine, called Capriva del Friuli, and is made from 25 year old vines in a totally normal manner. The grapes are crushed and fermented in stainless steel tanks. The wine is then aged on the lees for a further 6 months in 5000 litre stainless steel tanks.

In the past I have really struggled to see the joy in Friulano, but this wine helped open my eyes to what it can do. It delivered very attractive aromas of fresh peach and apricots together with orange blossom and toasted almonds. There is something a little salty and mineral here too.
The palate is bone dry, round and fresh and fleshy with good richness, cooked apple, some pastry and bread flavours and high acid on the finish. I love the generosity, the bitter almonds and the touch of sea air about it and think it would be perfect with all sorts of nibbles and ham and cheese – 93/100 points.

I Feudi di Romans

I like this winery and am always impressed by the wines. They make a large range of very stylishly crafted wines that tend to be very seductive and charming. The winery itself sits on the flat land of the region just near the banks of the Isonzo river.

Looking across the Isonzo to the mountains.

2016 Sontium
DOC Friuli Isonzo

Friulani used to be called Tocai – that is no longer allowed to save confusion with actual Tokaji from Hungary and Slovakia – and has been part of the viticultural landscape in Friuli for centuries.

Sontium by the way is the Latin name for the Isonzo River.

This is a single vineyard wine, called Capriva del Friuli, and is made from 25 year old vines in a totally normal manner. The grapes are crushed and fermented in stainless steel tanks. The wine is then aged on the lees for a further 6 months in 5000 litre stainless steel tanks.

In the past I have really struggled to see the joy in Friulano, but this wine helped open my eyes to what it can do. It delivered very attractive aromas of fresh peach and apricots together with orange blossom and toasted almonds. There is something a little salty and mineral here too.
The palate is bone dry, round and fresh and fleshy with good richness, cooked apple, some pastry and bread flavours and high acid on the finish. I love the generosity, the bitter almonds and the touch of sea air about it and think it would be perfect with all sorts of nibbles and ham and cheese – 93/100 points.

Drius

Mauro Drius creates a big range of varietal wines, and the odd blend, on his family estates near Cormòns. He farms about 15 hectares on the flatlands as well as the slopes of Mount Quarin.

2016 Pinot Bianco
DOC Friuli Isonzo

Pinot Blanc is the unsung hero of the Pinot family for me and I think it deserves to be more widely appreciated – I would almost always rather drink Pinot Blanc than Pinot Gris!

The wine was fermented in stainless steel tanks and 80% was then aged in stainless steel tanks. 20% of it though was aged in large two year old Slavonian oak vats. Both components had regular bâtonnage.

The nose delivers lovely, clean and pure aromas of butter, toast, nuts, light peach, orange and something floral.

The palate is very soft, round, gentle and attractive with a almost a little caramel and some nuts and ripe orange and peach. Medium acidity gives some nice freshness and makes the wine feel very drinkable indeed – 91/100 points.

 

Tenuta di Blasig

This was my second visit to this estate and it is a beautiful spot. It is very near Trieste Airport, in Ronchi dei Legionari. The name of the town was originally Ronchi Monfalcone and was only changed in 1925 to commemorate the fact that nationalist, war hero, poet and proto fascist, Gabriele D’Annunzio‘s legionnaires set off from here in 1919 to seize the port of Fiume / Rijeka (now in Croatia) from the newly created Kingdom of Serbs, Croats and Slovenes, soon to be called Yugoslavia. D’Annunzio wanted Fiume to be part of Italy, as was the rest of Istria at the time. His occupation of the city lasted for 16 months and made him a national hero. D’Annunzio was a friend of the Blasig family and actually stayed in the house before sailing to Fiume and a whole wall near the kitchen is covered in amazing photographs of D’Annunzio and his men.

Elisabetta Bortolotto Sarcinelli talking about her beloved Malvasia.

Tenuta di Blasig was founded by Domenico Blasig in 1788 with the aim of making fine Malvasia wine and Malvasia remains the focus. The charming Elisabetta Bortolotto Sarcinelli is the eighth generation of the family to manage the estate and she seems to do a vey good job, producing wines of elegance and depth. They farm 18 hectares, but the vineyards are spread out and often found surrounded by suburban buildings – Trieste Airport is very close indeed and the winery is right next to the town hall.

I really like the wines here. The Friulano with a light touch of oak is a wonderful example of the type, while the Merlot, that has no oak at all, and the Rosso Affreschi Merlot and Refosco blend were both lovely wines. However the standouts for me were:

2016 Malvasia
DOC Friuli Isonzo

This Malvasia is a single vineyard wine from the nearby village of Vermegliano. It is cold fermented in stainless steel and aged on the lees for 6 months.

The nose is fresh, but not that aromatic with melon and floral blossom notes.

There are also little glimpses of orange nuts and a saline note.The palate is medium-bodied and slightly fleshy with a little succulence and almond and toffee and a little salty minerality too, like a fine Chablis.

That orange comes back, giving a soft, citric twist, while the weight and the salty minerality dominate the finish, which is pretty long.

This is a very complex wine that shows just how good Malvasia can be – 91/100 points.

 

2014 Elisabetta Refosco dal Peduncolo Rosso
DOC Friuli Isonzo

I am a big fan of Refosco and think it is brilliant with almost all Italian dishes. There are at least two Refoscos, this is the one with red stems and is quite prevalent in Friuli. This wine is only fermented in stainless steel and has no oak at all.

The nose has a lovely heady mix of plums, dark cherry, milk chocolate and prune.

The palate is smooth with medium body, highish acid, nice purity, brightness and drinkability. The flavours are cherry, blueberry, plum, milk chocolate, tea, herbs and light spice as well as that very Italianate bitterness of almonds and cherry stones, that sounds weird but is actually delicious – 92/100 points.

 

 

Borgo Conventi

An aerial view of the Borgo Conventi estate – photo courtesy of the winery.

Another beautiful estate that produces both DOC Collio and DOC Friuli Isonzo wines. Founded in 1975 in an area that contained monasteries – Borgo Conventi means “hamlet monastery” – since 2001 it it has been owned and completely overhauled by the Folonari family’s Ruffino estate in Tuscany.

Again this estate produces a large range. They directly own around 20 hectares in the Collio and Friuli Isonzo regions, but also control and manage lots of other vineyards that they do not own. I enjoyed all the wines, especially the Sauvignon among the whites, but the standouts here were the reds:

2016 Merlot
DOC Friuli Isonzo

100% Merlot grown in pebbly clay soil, a bit like St Emilion.

The vines are around 30 years old and the wine is fermented and stainless steel vats and aged in stainless steel tanks on the lees for 6 months.

They want this wine to be fresh and fruity, so the maceration is short and there is no oak.

The colour is an enticing, shining, bright plum.
The nose is direct with lifted sweet fruit making it vibrant and lively. There are brambles and plums and blueberries and some herbal and earthy notes.
The palate is vibrantwith fresh plums and cherries, strawberry even. This makes it lively and pure with silky tannins and a little acidity to give nice freshness.

A nice medium bodied, supple red that is easy drinking and interesting – 90/100 points.

The beautiful winery at Borgo Conventi – photo courtesy of the winery.

2012 Schioppettino
IGT Venezia Giulia

This near extinct grape is a speciality of the region and likes the cool areas with coastal influence or cool draining mountain air. The grape is sometimes known as Ribolla Nera and Pocalza in Slovenia. The grape has high acidity and a somewhat peppery character.

The harvest is done by hand with several passes through the vineyard to pick individual ripe grapes. A further selection of the grapes takes place inside the winery. 20% of the grapes are partially dried, like Amarone  to improve the concentration. Fermentation is in wooden vats with refrigeration gear to keep the temperature low. This takes about 15 days with regular pump overs for extraction.The wine is then aged in second fill, new wood would give a more obvious oak character, French oak barriques (225 litre) for 12 months

The colour is a lovely ruby to pale terracotta red.

The nose gives earthy notes, cooked plums, bitter cherry, raspberry and herbs together with black pepper, cloves and cinnamon.

The palate is very smooth with high acid, sweet dried red fruit, medicinal notes, herbal notes.

Silky tannins and high acid make the wine soft and supple but refreshing and intrigueing. It’s not a big wine, in fact it is quite Pinot Noir like (with a bit of peppery Syrah in the mix for good measure) so it is medium bodied, but it is very savoury and tasty with some delicate chocolate and espresso on the finish from the oak. I love this wine, it is  delicate but rich and long – 94/100 points.

Simon di BrazzanI found this winery to be utterly fascinating. Friuli – and neighbouring Slovenia – is pretty much the epicentre of the Orange Wine movement – skin fermented white wines. Now I like these wines, but never because they are Orange, but because the wines that I like are good. Orange wines are very popular with Sommeliers right now and all sorts of people in the wine business and one hears all sorts of claims about them – and their near relations, “Natural Wines” – that they are the only wines worth drinking. Well I do not take that view, when I like them, I like them. When they are undrinkable then I don’t.

Daniele Drius farms a small estate that he inherited from his grandfather and over the last few years has converted it to organic and biodynamic viticulture. To me he seems to produce the best of both worlds, “fresh” tasting Orange wines and serious, complex “fresh” wines – just like my friend Matjaž Lemut at his Tilia Estate and Aleš Kristančič at his Movia Estate. Both of these are in Slovenia and these two dynamic – and talkative! – winemakers were school friends together.

2016 Blanc di Simon Friulano
DOC Friuli Isonzo

100% Friulano one third fermented in barrel on the skins with the rest fermented in stainless steel and left on the lees for a further 6 months.

It was fermented using the indigenous yeast.

The nose is quite developed with bees wax and honey notes as well as dried apricot, white pepper and something mineral.

The palate has lovely concentration with an abundance of ripe peach, peach skin, red apple, orange, something floral, something mineral and nice, balanced acidity just oiling the wheels.

I loved this and bet it goes down a treat with the local Prosciutto di San Daniele – 93/100 points.

 

2012 Blanc di Simon Friulano Tradizion
DOC Friuli Isonzo

100% Friulano fermented in 8 year old 2500 litre wooden vats with skin contact.

The wine is then aged in those vats for 30 months.

The staves are a mixture of French oak and Slavonian oak.

This has a beautiful, rich golden colour and a lovely nose, rich and lifted, with apricots, candied fruit, coffee and chopped nuts – especially almonds.

The palate is rich, viscous and heady with ripe stone fruit, orange, rich lemon, apple compote, honey, maple syrup, malt and caramel.

The finish is very long, silky and refined. This is a very enticing wine, full of flavour and bursting with energy – 94/100 points.

 

I really enjoyed my time in Friuli Isonzo. The place is very lovely and steeped in history. I met some remarkable winemakers and enjoyed some wonderful hospitality. It a place that seems full of wine. What’s more that wine is incredibly varied. There are many different grape varieties and a huge array of possible blends as well as very different styles and approaches to winemaking.

This is a region that will repay some experimentation. Who knows, your new favourite wine might be from Friuli Isonzo.

Wine of the Week – a Scintillating Riesling

Some of Pfaffl’s vineyards at Stetten – photo courtesy of the winery.

I love Riesling and while I know that many of you do not, I am just going to on and on about it until you change your mind – well it worked for Bill Cash and Nigel Farage!

Riesling comes in many different guises, the delicate off-dry Mosel style is possibly my favoured option, but then the mineral and slightly bolder Alsace versions also excite me, as do the lime-drenched Australian ones and the vivacious offerings from New Zealand, Chile, South Africa, Washington State and New York. However I also have a new favourite – Austria.

I am always excited by Austrian wines. That feeling of pristine, Alpine purity in the wines speaks to me – indeed I love Swiss, Slovenian, Northern Italian and even Gallician wines for the same reason. Austrian Riesling tends to be more full in style than German examples, dry, yet somehow steelier and more vibrant than those from Alsace – certainly at lower price points anyway.

Well I recently tasted a lovely Austrian Riesling and so with the better weather I thought it would make a great Wine of the Week.

Wine map of Austria – Pfaffl are marked by a red dot a little north of Vienna.

Roman Josef Pfaffl in the Vienna vineyards – see the city in the background – photo courtesy of the winery.

2017 Riesling Neubern
Qualitätswein Trocken/dry
Pfaffl
Niederösterreich/Lower Austria
Austria

I really like Pfaffl. I visited their winery once and they make good wines that to me feel very Austrian. They are precise, they are pure and exciting too. Pfaffl are based in Stetten some 15 km or so north of Vienna. Their vineyards are spread around the village on 10 sites and they also have vineyards in Vienna.

Vienna is the only capital with proper commercial vineyards in it and it even has its own style, the Wiener Gemischter Satz DAC. These are field wines that must contain at least 3 grape varieties grown together, harvested, pressed and fermented together. The permitted grapes Grüner Veltliner, Riesling, Chardonnay and Pinot Blanc and the wines are traditionally served in the Heurigen, seasonal taverns in Vienna that sell that years wine.

Pfaffl also make a more modern style blend from Vienna, their Pfaffl 1 which has 60% Riesling blended after fermentation with 20% each of Grüner Veltliner and Pinot Blanc. I love Pfaffl 1 but have yet to taste their field blend.

Heidi and Roman Josef Pfaffl are a brother and sister with Roman being the winemaker and Heidi the administrator. Roman crafts a largish range of wines, with many single vineyard Grüners and different Rieslings, as well as beautifully drinkable reds made from Pinot Noir and Zweigelt and a stunning sparkling Grüner Veltliner. Altogether they farm around 110 hectares and craft some superb wines from single vineyard sites as well as some bigger production blended across the estate.

My Wine of the Week is one of their bigger production numbers and it is utterly delightful. The nose is fresh and lively with lemon and lime notes, the richer input of apple and pear and some scintillating floral characters too, jasmine and orange blossom. The palate is light, lithe and refreshing with lots of flavour and a clean ethereal presence on your senses. The citrus and apple is there together with a deeper tang of apricot. All in all the wine is poised and elegant with a light touch to it. I liked it a lot, especially with a Thai meal – 88/100 points.

Available in the UK from Lidl for £8.99 per bottle.

Drink this on a warm Spring day, a Summer picnic, on its own as an aperitif, with a cold collation or with spicy and oriental cuisine.

Wine of the Week – Aussie Riesling personified

Larry Cherubino’s Panoo Vineyard in Porongurup.

As regular readers will know, I love Riesling. There is something so fascinating, mysterious and beguiling about this grape. It is hard to pin down. The flavours and aromas seem to come and go and to give you unformed sketches rather than fully formed pictures – much like Pinot Noir does for red wine.

I find Riesling to be very versatile – I will happily drink it on its own and it is equally good wth most light dishes as well as being perfect with Mediterranean dishes – it seems to really compliment olive oil and garlic. Riesling is also perfect with spicy cuisine – especially Thai, south east Asian and Keralan (southern Indian). What’s more the wine is usually quite low in alcohol – rarely more than 12% – so it never takes the same toll of my few remaining brain cells that a red wine does. Add to that the high acidity makes it not only clean and – hopefully – vibrant, but refreshing too.

Wine map of Western Australia – click for a larger view – non watermarked PDF versions are available by agreement

Well, the other day I tasted a stunning Riesling from the Great Southern region of Western Australia that was delicious and hugely enjoyable. So much so in fact that I made it my Wine of the Week.

Larry Cherubino’s Riversdale North Vineyard in Frankland River.

2015 Robert Oatley Signature Series Riesling
Robert Oatley Vineyards
Great Southern
Western Australia

Robert Oatley was an amazing man who had many business interests and passions. He famously owned the racing yacht Wild Oats XI and created Hunter Valley’s Rosemount Estate in 1968, making him a true Australian wine pioneer. After he sold Rosemount, Robert and his family set up Robert Oatley Vineyards in 2009 by purchasing the old Craigmoor Estate, which was founded in 1858 and was the first winery in Mudgee. They are based there, but also farm and make wine from grapes grown in the Barossa Valley and McLaren Vale in South Australia, the Mornington Peninsula and Yarra Valley in Victoria and Pemberton, the Great Southern and Margaret River regions of Western Australia. They aim to show the diversity of Australian winemaking and all the wines that I have tried show that their quality is very high. Sadly Robert died last year, but the winery that bears his name lives on and from what I can see makes some very good wines.

We see quite a lot of wines from the Margaret River region in this sparsely populated state, but not much from the other wine making areas. The Great Southern and its sub zones is a pretty impressive wine region – the largest Geographical Indicator in the world at 150 km north to south and 100 km east to west – and seems to be producing some very high quality wines, especially Riesling, but also Cabernet, the Mediterranean grapes – Fiano, Tempranillo, Grenache, Mencia, Counoise and even a little Pinot Noir. Broadly speaking the climate is Mediterranean, although more continental as you move inland and this wine is made from fruit grown in the Porongurup, Frankland River and Mount Barker zones.

Larry Cherubino’s Riversdale South Vineyard in Frankland River.

The great Larry Cherubino is the chief winemaker for Robert Oatley wines. Larry produces his own wines too and his vineyards are all in Western Australia, especially the Great Southern and Margaret River.

The wine making for this wine is simple, as befits Riesling, leaving the fruit to speak for itself. Only free run juice is used, cold fermented with neutral yeast.

The wine has an alluring pale lime and silvery hue, while the nose is bright, but pure, stony and taut with a waft of lifted lime, dry honey and the merest hint of Riesling’s trademark kerosene – don’t let that put you off though, it’s lovely.

The palate sings with this cleansing feel of high, lime-drenched acidity making it feel pure, like a mountain spring. There is however an underlying richness and texture to the wine that balances that freshness beautifully. A real triumph with a long clean finish bursting with zesty lime flavours – 91/100 points.

Available in the UK for around £13 per bottle from the Cambridge Wine Merchants (currently 2014 vintage), The Halifax Wine Company (currently 2014 vintage), Hailsham Cellars (currently 2014 vintage), Wine Direct (currently 2014 vintage), Bon Coeur Fine Wines (currently 2013 vintage).

 

A Craving for Crémant – Exciting French Sparkling Wines

The beautiful landscape in Savoie.

I really like sparkling wine and so I jumped at the chance to attend the 26th National Crémant Competition in France. This was held in Savoie in the French Alps, a region that I had never visited before, and hosted by the (French) National Federation of Crémant Growers and Producers.

Crémant (pronounced cray-mon) is a term that defines certain sparkling wines made outside France’s Champagne region, but uses the same method, the traditional method, to make them fizzy. I think Crémant is a lovely word that describes sparkling wines perfectly as it sounds so deliciously creamy and frothy.

I loved the landscape of Savoie.

This organisation oversees the production of all the different Crémant sparkling wines that are produced in France; Crémant d’Alsace, Crémant de Bordeaux, Crémant de Bourgogne, Crémant de Die, Crémant de Jura, Crémant de Limoux, Crémant de Loire and the new appellation contrôlée of Crémant de Savoie, that was only created in 2015. Luxembourg also has the right to use the term Crémant for its sparkling wines and examples of Crémant de Luxembourg were included in the competition.

Crémant must be made using the traditional method, so the second fermentation – that makes it fizzy – takes place inside the bottle that you buy. The wine then has to be aged on the lees – the yeast cells left over from the second fermentation – for at least 9 months and this allows some of the biscuity, brioche aromas and flavours to develop, making the wine more complex. Also the grapes for Crémant must be picked by hand and they are normally picked about 2 weeks before the grapes for still wine as you need high acidity for sparkling wine.

Some of these areas have pretty big production and so are widely seen, while others are only produced in tiny amounts and so very rarely encountered. Overall around 80 million bottles of French Crémant are produced a year, with roughly 70% of that being drunk in France itself, which makes sense as we do not often see it over here in the UK.

The big production is in Alsace, 35 million 75cl bottles in 2016, Bourgogne with 18 million and the Loire with 15 million. Bordeaux produces around 8 million bottles of Crémant, Limoux around 5 million, Savoie 380,000 and Die (in the Rhône) just 216,000 bottles in 2016.

Grape Varieties

Champagne of course is made from Chardonnay, Pinot Noir and Pinot Meunier grapes, but a wider palate of grape varieties is used for the Crémant wines.

The dramatic vineyards of Savoie.

Crémant de Bourgogne wines have to include at least 30% of Chardonnay and Pinot Noir and are usually made from those grapes, but Pinot Blanc, Pinot Gris, Gamay, Aligoté, Melon Blanc and Sacy are also permitted. Rather confusingly the area of production for Crémant de Bourgogne includes Beaujolais, which nowadays is normally regarded as a separate region.

Crémant d’Alsace is usually made from Pinot Blanc and the rosé versions from Pinot Noir, but Riesling, Pinot Gris, Auxerrois and Chardonnay are also permitted. In fact Chardonnay is only grown in Alsace for use in Crémant.

Crémant de Loire, as you might expect, is chiefly made from Chenin Blanc and Cabernet Franc, but Chardonnay and Pinot Noir can be used as can Grolleau Noir, Grolleau Gris, Pineau d’Aunis and the very rare Orbois (also called Arbois).

Crémant de Bordeaux is made primarily from Sémillon with Sauvignon Blanc and the rosé examples include Cabernet Sauvignon and Merlot.

Crémant de Limoux, in the Languedoc, is made from Chardonnay and Chenin Blanc, while the local Mauzac and Pinot Noir are also allowed.

Crémant de Jura is usually made from Chardonnay, Pinot Noir and Trousseau, while Poulsard makes an appearance in the rosés.

Crémant de Savoie mainly uses the traditional Savoie varieties of Jaquère and Altesse, but Chasselas, Chardonnay, Pinot Noir and Gamay can also be used.

Crémant de Die is pretty much only made from the underrated Clairette grape, while Aligoté and Muscat can also be used.

Crémant de Luxembourg can be made from Pinot Blanc, Chardonnay, Pinot Noir, Riesling, Auxerrois, Rivaner (Müller-Thurgau) and Elbling.

In total some 707 wines were entered into the National Crémant Competition, including 80 entries from Luxembourg, and 222 medals were awarded, 129 gold, 74 silver and 19 bronze.

Wine map of France – this shows all the regions mentioned, except Luxembourg – click for a larger view.

Prix de la Presse

It was the job of people like me to blind taste the top rated wines in the competition again and to choose the very best to award the Prix de la Presse for each Crémant region. The winners were:

Brut Cattin
Domaine Joseph Cattin
Crémant d’Alsace

A blend of Pinot Blanc and Auxerrois and aged for 15 months on the lees.

Cattin was established in 1720 and 11th generations of the Cattin family have run the estate.

They are based in the village of Vœgtlinshoffen, near Colmar and farm 60 hectares in the area.

As far as I can tell this wine is not available in the UK. Another excellent Crémant d’Alsace is the one made by Bruno Sorg – click here.

Cuvée Prestige Brut
Maison Remy Breque
Crémant de Bordeaux

100% Sémillon aged minimum of 9 months in the underground cellars of Maison Remy Breque.

The company is based a little north west of Libourne and the cellars were where the stone was quarried for building the city of Bordeaux.

The company was created by Remy Breque in 1927 and is now run by his grandson and great grandsons.

As far as I can tell this wine is not available in the UK. Another great value Crémant de Bordeaux is the one made by Calvet – click here.

Balard Rosé Brut
Cave Saint Pey de Castets
Crémant de Bordeaux

60% Merlot and 40% Cabernet Franc.

This cooperative is a little south west of Castillon-la-Bataille.

As far as I can tell this wine is not available in the UK.

Pinot Noir Brut 
Bailly Lapierre
Crémant de Bourgogne

This cooperative is based in Saint-Bris-le-Vineux near Auxerre in the north of Burgundy. It has 10 acres of amazing cellars cut in to the rock , where they age the Crémants.

This is 100% Pinot Noir, so is a Blanc de Noirs, or white wine made from black grapes. It is aged for 18 months on the lees.

Available in the UK from Tannico.co.uk. – click here.
Another very fine Crémant de Bourgogne is the one made by Albert Bichot – click here.

Carod Blanc Brut
Cave Carod
Crémant de Die

Principally Clairette with some Aligoté and Musact, this is aged on the lees for 12 months.

Cave Carod were a family company making sweetish sparkling Clairette de Die and are managed by the 4th generation of the Carod family tone involved, although it has been owned by Les Grands Chais de France since 2008.

As far as I can tell this wine is not available in the UK, however I would recommend the lovely example made by Domaine Achard-Vincent – click here.

Marcel Cabelier Vintage Brut
La Maison du Vigneron
Crémant de Jura

The Maison du Vigneron is the largest negotiant and producer in Jura and is now part of Les Grands Chais de France. I have tried their wines quite often and they can be very good. This is a blend of Pinot Noir and Poulsard grapes.

As far as I can tell this wine is not available in the UK, however I would recommend the lovely example made by Domaine de Montbourgeau – click here and the one by Domaine Jean-Louis Tissot – click here.
I would also recommend the great value Crémant de Jura sold by Aldi, it is good quality and astonishing value – click here.

Rosé Brut
Caveau des Byards
Crémant de Jura

A blend of Pinot Noir and Trousseau.

This is the smallest cooperative in Jura and is run more like an estate. They farm using sustainable agriculture and 50% of their production is their range of four highly respected Crémants.

As far as I can tell this wine is not available in the UK.

Jura wines are quite fascinating and well worth getting to know. The definitive book on the wines of the Jura is ‘Jaura Wine’ by Wink Lorch and yours truly drew the maps for the book – it can be purchased here and here.

Première Bulle Brut
Sieur d’Arques
Crémant de Limoux

A blend of Chardonnay, Chenin Blanc and Mauzac aged 18 months on the lees.

Sieur d’Arque’s Limoux vineyards, April 2016.

Sieur d’argues is a cooperative producer that makes a wide range of wines, some of them very fine indeed, but who really specialise in sparkling. This is because the first intentionally sparkling wine in the world is believed to have been made by the Benedictine monks of the St Hilaire Abbey, a village close to Limoux in 1531. What is more it was by the traditional method and so that method predates Champagne itself.  Blanquette de Limoux is the traditional local sparkling wine made from the local Mauzac / Blanquette grape, while the more modern Crémant de Limoux has to be blend of  Chardonnay and Chenin Blanc with just a little Mauzac.

Available in the UK from Tesco Wine by the case – click here. Sieur d’Arques also make this excellent Crémant de Limoux – click here.
I would also highly recommend the superb Crémant de Limoux made by Domaine J. Laurens – click here.

Domaine de la Gachère Brut
Alain & Giles Lemoine
Crémant de Loire

100% Chardonnay with 12 months ageing on the lees.

Domaine de la Gachère is some 20 km south of Saumur and is run by twin brothers Alain and Gilles Lemoine. They are very impressive winemakers.

As far as I can tell this wine is not available in the UK, however it is fairly easy to buy Crémant de Loire in the UK. Try Prince Alexandre Cremant de Loire from Waitrose or Sainsbury’s Taste the Difference Crémant de Loire.
I would also highly recommend the Crémant de Loire made by Domaine de Saint-Just, it is not available in the UK, but it remains one of the finest non Champagne sparkling wine that I have ever drunk.

Domaine Cep d’Or Brut
Domaine Cep d’Or
Crémant de Luxembourg

70% Pinot Noir blended with 30% Auxerrois.

This estate in the beautiful Luxembourg Moselle vineyards is farmed by the Vesque family who have been vigneron in the Grand Duchy since 1762. They grow Auxerrois, Pinot Blanc, Pinot Gris, Pinot Noir, Riesling, Chardonnay and Gewürztraminer and make their Crémants out of Pinot Blanc, Auxerrois and Riesling as well as Pinot Noir.

Map of Luxembourg’s vineyards – click for a larger view

As far as I can tell this wine is not available in the UK and it is very hard to find Crémant de Luxembourg wines over here, however Tanners stock a fine one called Lmeaax – click here.

Crémant de Savoie Extra Brut
André et Michel Quenard
Crémant de Savoie

100% Jacquère from a wonderful, steep and stony 22 hectare estate whose wines I loved. It is run by Michel’s sons Guillaume and Romain and is among the best known and respected producers in the region. Certainly I liked everything that I tasted, they have a wonderful Alpine purity to them that find appealing and exciting.

Vineyards and a lovely mountain stream right by Domaine André et Michel Quenard.

As far as I can tell this wine is not available in the UK and it is very hard to find Crémant de Savoie wines over here, however Yapp Brothers stock a fine one from Domaine de L’Idylle, also see here, whose wines I liked very much – click here. It is also available at the excellent Streatham Wine House.

All in all it was a terrific trip that enabled me to see a new place and to taste a huge raft of sparkling wines,many of which were completely new to me. So, the next time you want some good fizz, it doesn’t have to be Champagne, Cava or Prosecco, there are plenty of alternatives.

New Zealand Spreads its Wings – 5 Wines of the Week and something rather special

Don’t only drink Sauvignon Blanc from New Zealand – there is so much more to enjoy.

I don’t know what it is with me. Perhaps I have a low boredom threshold when it comes to wine, but I love variety. The very thing that makes wine exciting to me is the infinite variety available. Which seems to put me out of kilter with many wine drinkers here in the UK who would appear to only drink the same few wine styles all the time.

If that is you, please, please branch out, experiment, try something new – what’s the worst that can happen?

Which brings me to my theme – New Zealand. Please remember to click all the links.

Marlborough vineyards – photo courtesy of Villa Maria.

I have long admired New Zealand wines and well remember my first taste of a wine from that far off country and it excited me very much. It was 1984, I had recently joined the trade and the company I worked for introduced three extraordinary sounding new wines to the range, one wine each from Australia, New Zealand and Lebanon.

They all seemed exotic beyond belief. You have to realise that the wine revolution had not yet happened and such things were not widely available. The Lebanese wine was Château Musar 1977, the Australian was Berri Estates South Australian Cabernet-Shiraz and the New Zealand wine was a Gewürztraminer made by an estate called Matawhero in the Gisborne region of North Island. I remember it as being really good and wish that I could still buy it over here.

I had recently fallen for the charms of the Gewürztraminer grape and drank a lot of it at the time – I hardly ever do now as the examples from Alsace seem much sweeter nowadays.

So my first taste of New Zealand wine would now be regarded as  a slightly left field offering, but I did not realise that then. Sauvignon Blanc did exist in New Zealand in those days, but it was early days. There wasn’t very much and it was far from being the most popular or dominant grape. Indeed the now ubiquitous Kiwi ‘Sav’ (why do they miss the U out when they pronounce it?) would have been the oddity then. What’s more the Marlborough region barely produced any wine at all. It is the now largest wine region in the country and produces something like 60% of New Zealand wine, while around 60% of production is made from Sauvignon Blanc.

Over the years I have seen New Zealand wines proliferate on this market and sweep all before them. Everyone now drinks New Zealand wine. Or New Zealand Sauvignon Blanc anyway. That is the dominant grape and most widely produced and consumed style.

Which has bugged me for quite a long time.

I like many Kiwi Sauvignon Blancs and can see the attraction, but I want other things too and so wish that wine drinkers would experiment with all the other lovely wines that New Zealand produces. Of course it would help if the major outlets got a little more creative and actually stocked some of the other exciting wines coming out of New Zealand. However, things are getting better, it’s slow, but a wider range of New Zealand wines is beginning to be available.

To make my point I recently put on a tasting of the more unusual wines coming out of New Zealand at the moment. It wasn’t exhaustive by any means, but I managed to find some real variety and excellent wines that many people would enjoy. Collectively they are my Wines of the Week.

The White Wines

New Zealand is a cool climate wine producing country and so the production is overwhelmingly white. Although there are some warmer places and Pinot Noir of course performs well in the cool conditions of South Island, it just isn’t hot enough to ripen black grapes to make red wines in most of the country. My line up of white wines was really good, they all showed well and had that classic Kiwi clean brightness to them that  that I can only sum up as a feeling of purity.

Vineyards in Gisborne – photo courtesy of Villa Maria.

2015 Left Field Albariño
Te Awa Collection
Gisborne

Albariño is a Spanish grape from the north western region of Galicia, where it is most famously used to make the often delicious wines of Rias Baixas. They are amongst the best Spanish white wines and are great with seafood. The grape is also grown over the border in Portugal, where it is known as Alvarinho. This is the second vintage of this wine that I have tasted and I have loved them both. Te Awa are a wonderful winery, who produce some terrific wines and created the Left Field label specifically for the less widely seen styles of wine. I am thrilled that Albariño might be breaking through as a popular and international grape variety – it certainly deserves to.

The aromas are floral and scented with delicate, but ripe peach and zesty citrus aromas. The palate is bright, fresh and lively with mandarin and nectarine characters and a twist of lime on the finish. This is a light, fresh, crisp style that is really, really good and would be gorgeous with some seared scallops or just on its own. It feels pristine, bright and pure as a mountain stream, surely anyone who likes Sauvignon Blanc would appreciate this – 89/100 points.

Available in the UK for around £12 per bottle from The Wine Reserve – for more stockists click here.

Yealand’s Seaview Vineyard – photo courtesy of Yealands estate.

2014 Yealands Estate Single Vineyard Grüner Veltliner
Yealands Estate
Awatere Valley, Marlborough

Yealands is an impressive producer and is the brainchild of the engaging Peter Yealand who in his time has farmed mussels and deer as well as wine. Most of their production is from a large single block of vines – the largest single parcel of vines in the county – in the Awatere Valley, the cool south eastern part of Marlborough. It is right by the sea and is called the Seaview Estate as it looks out over Cook Strait.

Grüner Veltliner is the signature white grape of Austria, where it makes some tremendous wines. Much like Albariño, I get the feel that Grüner Veltliner might be on the cusp of breaking through as an international grape and again I think that is an excellent thing. 15% was fermented in second and third use French oak barrels and the wine spent 3 months on the lees with lees stirring to help the complexity and the texture.

Another wine with a lovely aromatic nose that is delightfully floral and gently spicy with a dash of white pepper. Again that purity shines through and the palate is gorgeously silky and lightly textured, being gently creamy like coconut – presumably helped by the oak. There is plenty of discrete apricot like fruit too as well as refreshing citrus acidity giving plenty of zing. Again I cannot imagine anyone that likes Kiwi Sauvignon Blanc not enjoying this, but it is deliciously different – 89/100 points.

Available in the UK for around £13 per bottle from Great Western Wine – for more stockists click here.

2014 Villa Maria Cellar Selection Sauvignon Gris
Villa Maria
Wairau Valley, Marlborough

Sauvignon Gris is thought to be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and makes fatter and less aromatic wines than its more famous relation. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape and others clearly agree as there appears to be renewed interest with this ancient grape in Graves and parts of the Loire. Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose, as the skins are pink.
This wine is from Fletcher’s Vineyard which is in the famed Golden Mile, which is a strip of stony ground close to the Wairau River land in the sub-region of Rapaura.

The nose is fresh and enticing with pear, delicately smoky peach and some mineral notes.
The palate is by turns stony and mineral, pear-like and peachy with a rippled texture of occasional fleshy succulence, nectarine lingers on the finish together with blackcurrant leaf and some tropical passionfruit and mandarin too. There is a leesy texture here too giving a gentle smokiness and a lightly ‘mealy’ quality that is very attractive.
It is dry with a freshness of acidity and little cut of citrus too, but acidity is much less dominant than in Sauvignon Blanc, indeed in many ways it is like a bigger, fatter Sauvignon Blanc. A lovely wine with real finesse and elegance that will go with almost any fish or lighter dish perfectly – 89/100 points.

Available in the UK for around £14 per bottle from The Pip Stop and The New Zealand House of Wine.

2013 Esk Valley Verdelho
Esk Valley Estate
Hawkes Bay

I am very fond of Verdelho as it is a lovely grape and I wonder why we don’t see it more often. Just to be clear, it is not the same as Verdejo or Verdicchio or any of the other similarly named varieties that people often assume are the same. It is actually the Madeira grape, but put to a very different use here. Some authorities think Verdelho might be a long lost clone of Riesling, but they say that about Albariño too.

Esk Valley is a wonderful estate that is much more famous for producing some of New Zealand’s finest red wines, but they also make some marvellous whites, including some excellent Chenin Blanc and Riesling. Selected from two vineyards in Hawke’s Bay and was mainly cold fermented in tank, with some being fermented using the natural yeast in large – 600 litre – French oak casks.

Delightfully aromatic and floral with a real zing of lime and a mineral edge together with a touch of oiliness. On the palate the texture marries beautifully with the freshness and the minerality. The oak just gives a dollop of cream and a bit of complexity, but never dominates, while some tropical fruit and citrus flavours of mandarin and lime make it utterly delicious – 89/100 points.

The 2014 vintage is available in the UK for around £13 per bottle from The Oxford Wine Company and The New Zealand House of Wine – for more stockists click here.

The Red Wines

Being a cool climate country, New Zealand is nowhere near as famous for its reds as its whites and only a small proportion of the country’s production is red. Pinot Noir is by far the most dominant grape and is the main one used in South Island – by some margin. However, other grape varieties do get a look in and, just as with the whites, the number of grape varieties used is increasing and becoming more exciting. Hawkes Bay – or Hawke’s Bay – in North Island is home to the greatest concentration of red wine production in New Zealand – apart from Pinot Noir which is mainly from South Island. It is warmer here, with well drained soils, so it can produce some good concentrated red wines. The Gimblett Gravels is the most prestigious sub-zone and home to many of the country’s finest red wines. Traditionally it’s Merlot and Cabernet country, but Syrah is quickly becoming pretty mainstream, while Mediterranean grapes like Tempranillo, Montepulciano and even Grenache are beginning to get noticed.

Vidal Estate vineyard in the Gimblett Gravels district – photo courtesy of Vidal Estate.

2014 Left Field Malbec
Te Awa Collection
Hawkes Bay

Malbec has been used in some of the Cabernet-Merlot blends of Hawkes Bay for quite a number of years, just as it is used in Bordeaux, but often with a higher proportion. I have only once before had a single varietal Malbec from New Zealand though and that was in the 2003 vintage (I think) when Esk Valley made one because their Merlot and Cabernet were not up to the mark and so all they had left was Malbec. This version is completely unoaked.

The colour was an extraordinary vivid, deep purple – you could paint with this. The nose gave off rich plum, blueberry and blackberry, together with rich cocoa and some pungent spice notes. The palate was fresh and juicy, with chunky rich fruit and a deep inky feel. There is liquorice and pepper together with black fruit and a dryness from the – artfully tamed – tannins that gives the wine a sappy, briar-like flavour. I love the upfront and juicy quality of this. It feels fresher and cooler than its Argentinian cousins and would go very nicely with a barbecue or a steak, I would enjoy it chilled too – 88/100 points.

Available in the UK for around £17 per bottle from The New Zealand Cellar and The New Zealand House of Wine.

2014 Trinity Hill Tempranillo
Trinity Hill Estate
Gimblett Gravels, Hawkes Bay

Trinity Hill is a great producer – right up there with Craggy Range – that produces some of the best Syrah in the country, as well as many other great wines. One of the best ways to taste their wines in the UK is by visiting the excellent Bleeding Heart restaurant, which is part owned by John Hancock who owns Trinity Hill. The Tempranillo was fermented in stainless steel and then aged in a mixture of tank and French and American oak barrels for a short time.

Again this youthful wine had a bright and vivid purple colour. The nose was earthy and a bit spicy with juicy plum aromas and the sweeter note of dried currants. The palate was sumptuously fruity with lots of black fruit, a touch of red fruit and a sort of sweet and sour thing going on with a touch of drying tannins. This is totally unlike the Rioja style of Tempranillo, being more fruity and less savoury in style. It might not reach the same heights of excellence as Trinity Hill’s Syrah, but is is a lovely wine with vivid, ripe, chunky fruit – 87/100 points.

Available in the UK for around £18 per bottle from The New Zealand Cellar and The New Zealand House of Wine.

2010 Staete Landt Estate Arie Syrah
Staete Landt Estate
Rapaura, Marlborough

Staete Landt was the brainchild of a charming Dutch couple called Ruud and Dorien Maasdam. In Marlborough’s early wine days they bought an old apple orchard and turned it into one of the most respected wine estates in the country. The estate name is a reference to Dutch explorer Abel Tasman who discovered what we now call New Zealand in 1642 and named it ‘Staete Landt’, land for the Dutch state. I like them and I love their wines. They and their wines always have something to interesting to say. In the early days, late 1970s and early 1980s, plenty of people planted Cabernet and Merlot in Marlborough and then discovered that they just cannot ripen properly, so apart from Pinot Noir and the odd maverick, you come across very few black grapes in Marlborough. So, finding someone brave enough to make premium Syrah in the cool conditions of Marlborough is a real thrill.

Just as with the Sauvignon Gris above, the estate is in the ‘Golden Mile’ strip of stony ground close to the Wairau River land in the Marlborough sub-region of Rapaura. Ruud has conducted in-depth soil analysis on his vineyard and identified 24 different blocks which are treated as individual vineyards in effect. Since 2005 Syrah has been planted on two of them, but the 2010 comes just from the Arie block. The grapes were hand-picked and de-stemmed. They had a pre-ferment cold soak for seven days and a long post fermentation maceration as well. These techniques help colour and flavour extraction while not extracting tannin. The wine spent 20 months in French oak barrels, 40% of which were new.

The maturity and class of this wine really showed. The nose was smoky, spicy and earthy with rich cherry, blackberry (some dried, some fresh fruit) and some dark chocolate. The palate was svelte with fine, sweet tannins, some leather and herbs as well as black fruit and some mushroom and truffle from age. It had lovely freshness running all the way through it and was very stylish and fine with a long finish – 92/100 points.

The 2011 is available in the UK for around £22 per bottle from Hedonism Wines.

Which could have been a great end to the tasting, but I had dug deep into my cellar and unearthed a wonderful treasure for the finale:

Vidal Estate in the 1920s – photo courtesy of Vidal Estate.

1998 Vidal Estate Joseph Soler Cabernet Sauvignon
Vidal Estate
Hawke’s Bay

I have always been fascinated by the Vidal Esate for as long as I have known about it. Founded in 1905 it is the oldest NZ winery that was just a winery and not a mixed farm as well. Spaniard José Sole, had been making wine in New Zealand since 1865 and had anglicised his name to Joseph Soler. His nephew, Anthony Vidal, arrived in New Zealand from Spain in 1888 to help his uncle at his winery in Wanganui on the West coast of North island. Eventually Vidal wanted to set up his own winery and he bought an old stables and half a hectare of land near Hastings in the southern part of Hawke’s Bay, which was warmer and drier that Wanganui and boasted well drained stony soils. Today Vidal is part of the Villa Maria group and one of their best vineyards in Hawke’s Bay is named in honour of Joseph Soler.

I am always in awe of them when I think what drive and what determination the pair of them must have had to go all that way around the world in sailing ships to an isolated place with a tiny population and an uncertain future. 

This wine was a rigorous selection from a single block of the Soler vineyard, which had only been planted in 1993, so was very young. The grapes were hand-picked and fermented in open vats with hand plunging four times a day to extract colour and flavour. It was pressed after two weeks post ferment maceration and then aged for 21 months in a mixture of French and American oak barrels. 1998 was a great vintage in Hawke’s Bay and perhaps the first to serve notice that this is a great red wine region.

The colour was quite gamey and brown, like Brown Windsor Soup, and a great deal of tannin had adhered to the inside of the bottle. The nose was vivacious and alive with currants, leather, cocoa, gamey / meaty, espresso and mint notes. The palate was very smooth with those currants again, dried blackcurrants, a savoury, meaty character, rich coffee, figs, fine milk chocolate and the merest touch of ripe, fine grain tannins. It had great complexity and concentration and was still vibrant and delicious with a wonderful decayed sweetness like rich dried fruit. I loved the wine and would like to try it with an old fashioned saddle of mutton or steak and kidney pudding, luckily I still have another bottle – 94/100 points.

This is no longer available anywhere that I am aware of, unless you want to offer me a lot of money for my last remaining bottle!

It was an excellent tasting, even though I say so myself, and gave a little snapshot of some of the new styles and interesting things coming out of this dynamic wine producing country – and not a Sauvignon Blanc in sight.

So the next time you drink something from New Zealand, try a different grape variety or style. I think you’ll enjoy it.

Wine of the Week 27 – amazing value dry Riesling

I love Riesling. It is one of the best white grapes in the world and it produces such a wonderful variety of wines that it pains me that more consumers do not love it as I do. It still seems to evoke laughable images of the 1970s and Liebfraumilch for many people, but what those people have to remember is that all the things they find funny about the 1970s now, were not funny then. Their younger selves – or their parents – actually liked wearing safari jackets and flares, eating chicken kiev and drinking Blue Nun – get over it I say.

It also might interest you to know though that Blue Nun never had any Riesling in it and most Liebfraumilch and cheap German wine was – and is – made from Müller-Thurgau grapes and not Riesling at all.

Riesling can be stylish, classy, refined and elegant and what’s more a great many are dry. If you want dry wines made from Riesling, then drink Riesling from Alsace, Austria, Washington State or Chile. All these places are produce some superb dry Riesling, but my Wine of the Week this week is cracking dry Riesling from the Clare Valley in South Australia. If the delights of Riesling have so far eluded you, but you enjoy Grüner Veltliner or Albariño, do give this wine a try, you might well enjoy it.

Clare Valley Vines at Taylors Wine. Photo courtesy of Taylors Wines.

Map of South Eastern Australia – click for a larger view – non watermarked PDF versions are available by agreement.

2013 Aldi The Exquisite Collection Riesling
Clare Valley
South Australia
Riesling was once the work horse white grape of Australia and it is still widely grown. However, two areas of South Australia have really made a speciality of it and now produce superb premium Riesling in their own unique style, although many other grape varieties are planted there too. These wine regions are the Eden Valley and the Clare Valley.
Clare is probably the most famous and produces the iconic style of Australian Riesling, dry, medium-bodied and with lots of fruit balancing the grape’s natural acidity. They normally appear richer than their European counterparts and often have an oily character to them.
If you read the small print on the label you will see that this wine is made by Taylors Wines, who are a large, but very good quality family run producer that exports under the Wakefield label to avoid confusion with the Port house. 

Strangely the Clare Valley is not that cool, it actually has a Mediterranean climate, but the nights are cool and together with the height of the vineyards – around 350-400 metres above sea level – this ensures the wines retain their freshness, acidity and balance. It is an area of gently rolling hills in fact and not strictly speaking a valley at all, but it is very beautiful.

The nose is enticing and glorious with the freshness of lime and lime zest, some grapefruit and tangerine too and there is something mineral and stony about it as well. It smells fresh, vibrant and pristine, but has a little oily, waxy richness too.
The palate has lots of zing and fat, ripe fruit too. It has lovely, mouthwatering acidity making it clean, and crisp, as well as a juicy quality to the fruit; apples, pears and white peach, together with lemon and lime zest on the finish and some steely minerality.
Really good stuff that is just perfect as an aperitif or with light meals, fish dishes, shellfish and it is really good with most Asian cuisine – anything you dip into sweet chilli sauce in fact  – 88/100 points, this scores high for value and tastes much more expensive than it is.

I don’t like the label of this wine or The Exquisite Collection name Aldi have given the range, it’s a pretty terrible name, but who cares if the wine is this good?

 Available in the UK at £6.99 per bottle from Aldi.

I will certainly make sure that I have some of this on hand over Christmas, it is utterly delicious and a bargain at that.

Wine of the Week 24 – tasting País without Prejudice

The world is full of delicious wines and fascinating wines. They aren’t always the same ones mind you, but when they are that is when the real fun starts. Chile is quite rightly seen as a source of lovely everyday drinking wines as well as increasingly a finer wine producing country too. Chile’s producers are also starting to fashion good wines from a wider and wider range of interesting grapes. The days of Chilean wine only being made from Sauvignon Blanc, Chardonnay, Merlot and Cabernet Sauvignon are well and truly over.

It is now possible to get world class Chilean Pinot Noir, Syrah, Grenache, Pinot Gris, Riesling, Gewürztraminer and Roussanne amongst many other interesting grape varieties.

However, wine had already been made in Chile for hundreds of years before the use of international grapes, like Cabernet Sauvignon, made Chilean wines more visible on the world market. Ever since the Spanish Conquistadors arrived, Chilean farmers were growing grapes and making wines for local consumption. Mostly this was from a grape that has long been called the ‘common black grape’ and until recently we had no idea what it was, but research has now shown it to be the Palomino Negro / Listan Prieto which now pretty much only grows in the Canary Islands.

Eventually this mutated into the País grape and for two or three hundred years País was, along with Moscatel, the work horse grape of Chile. Eventually it was supplanted, for quality wines, by the likes of Cabernet Sauvignon and relegated to an invisible rural existence. In the main País has soldiered on in the more remote areas where the vineyards are smaller in scale and owned by peasant farmers who do not have the resources to follow modern trends.

Miguel Torress at dinner in 2012.

Miguel Torres originally arrived in Chile like a whirlwind, breathing new life into the wine industry there in the late 1970s. He brought modern winemaking techniques with him and for 35 years Chilean wine has been mainly modern and cutting edge. In recent years though I have been fascinated to see some producers beginning to hark back to older techniques and times past.

The wonderful De Martino for instance are fermenting some of their wines in huge earthenware vats called tinajas, much as rural Spanish producers did in the past.

Torres Chile is based in Curicó, rather closer to this rural idyll than some of the other big names of Chilean wine, so they seem to have paid attention to the growers there as well as those further south in Maule. For these farmers it is very hard to make a decent living as they cannot afford to replant their vineyards with the new grapes the market demands. Instead they are left with old vine, dry farmed País like their ancestors used to make the local wine. Miguel Torres Chile saw it as a challenge to turn this into an opportunity rather than a problem. They helped to make sure the grapes were well grown and the vines healthy, they ensured the viticulture was all organic – relatively straightforward in Chile’s dry climate – then they needed to turn those grapes into a great product that would ensure the growers made a decent living. Although the project is run by a large and successful company, it is a fair trade project, so there is something cooperative-like about it and what’s more they use sustainable viticulture – so what’s not to like.

It really is a wonderful and virtuous concept and much in keeping with the ethos I heard whilst spending a week with Miguel Torres a couple of years ago. The first wine they made from these País grapes was a pink sparkler called Santa Digna Estelado Rosé and it really is a great product – try it if you get a chance.

Now they have also made a red wine from these amazing vines and the second vintage of it is my Wine of the Week:

2013 Reserva Del Pueblo País
Miguel Torres Chile
Curicó, Chile
Named for the old village wines, or everyday wines of the pueblos of Chile’s past this is a rare – but not unique – pure País wine and as such gives us a glimpse into Chile’s vinous past. Only a glimpse though as this is beautifully made. 40% of the wine is fermented by carbonic maceration, which tames País’s rustic drying tannins without tipping it over into bubblegum characters.
The colour is verging on deep purple, while the nose is an enticing mix of cooked blackberry, plums, cassis and fragrant herbs.
The palate is immediate and juicy with fresh acidity, deep, sweet black cherry and blackberry fruit that feels fresh and lively, together with a little firmness from the tannins. I had no idea what to expect from this wine at all, but it really is delicious and slips down rather easily. This has something of Beaujolais and rustic Pinot Noir about it, but is more richly fruity and I found it best slightly chilled. It goes with pretty much anything and nothing – 89/100 points. Marked high for the sheer pleasure it gives.

Available in the UK at £7.50 from The Wine Society.
Miguel Torres Chile wines are distributed in the US by Ste. Michelle Wine Estates. 

País is not often a grape that springs to mind when you are trying to decide what to drink, but trust me, this is a deliciously drinkable wine and a real bargain too.

Wine of the Week 9 – a winning Riesling

Columbia Valley / Ancient Lakes, Washington State.

Many of you regular readers will know that I love the Riesling grape. For me Riesling produces some of the very best white wines in the world and, in my opinion even a modest example can deliver a huge amount of pleasure. I am well aware though that many people do not love Riesling as I do and that many wine drinkers who have excellent taste in all other respects often lose all reason when it comes to Riesling.

Some of the people I serve Riesling too tell me it is too sweet, even when I pour them a dry wine. Others just seem to think it is a passé 1970s thing to be locked away in a vault along with the equally dubious and hilarious safari suits, bell bottoms and wing mirrors – when was the last time you saw an old-fashioned wing mirror on a car?

Riesling is frequently damned as being the grape that gave us Liebfraumilch, a wine people loved to drink in the 1970s, but now like to pretend was only ever drunk by others. In actual fact Liebfraumilch and all those other cheap German wines – Niersteiner Gutes Domtal, Piesporter Michelsberg etc. – that have almost, but not quite, disappeared from the supermarket shelves were never made from Riesling, but the lesser quality Müller-Thurgau. By the way it is possible to make good wines from that under appreciated grape too.

The other day I wanted a white wine with some intrinsic purity, minerality and elegance to go with my rather wonderful home made spaghetti alle vongole – special ingredient here & here  and amazingly simple recipe at the bottom of this article here. My thoughts turned initially to those lovely white wines from the slopes of Etna in Sicily. Sadly the branch of Marks and Spencer I was in did not stock their Etna Bianco and so I had to rethink my plan.

At first glance they did not seem to stock many wines that did what I wanted. Last week’s Wine of the Week would have been a great match with my spaghetti and clams too, but they didn’t have that either, so I had to get creative. Focussing on the wine style rather than origin and grape variety I eventually chose a Riesling from Washington State in America’s Pacific North West. In my mind a wine like that would be a more natural partner with Pacific Rim and spicy Asian cuisine, but my spaghetti had a similar purity to it as well as a little kick of red chilli in true Sicilian style – and hey isn’t spaghetti a type of noodle?

Sadly I have never been to that part of the world, but I do know that the climate is much cooler than California, so delicate grapes perform very well there.

2013 The Honourable Riesling
Charles Smith Wines
Washington State, USA

Charles Smith has become a sort of rock star wine maker since his first vintage in 2001. Originally from central California, where wine would have been all around him, he travelled the world managing bands and music tours before catching the bug and settling in Seattle to retail wine. That same year on a trip to Walla Walla, an important wine growing area in Washington, the itch became more serious and he soon settled in the area and started to make wine. His first vintage was the 2001 and he released just 330 cases. Well that small acorn has grown and Charles now commands a loyal following as a committed, passionate and self-taught wine maker and original marketeer of his wines, much like Randall Graham in California. He makes a wide range of wines, but can be regarded as something of a Riesling specialist, one of his most famous wines is Kung Fu Girl Riesling.

Evergreen Vineyard from the air – photo from Milbrandt Vineyards.

This wine is actually a single vineyard wine from the Evergreen Vineyard which is owned by the Milbrandt Brothers, Butch and Jerry, not David and Ed by the way. Also a source of fruit for Kung Fu Girl Riesling, Evergreen is situated in the far north of Washington’s Columbia Valley A.V.A. and since 2012 the area has had it’s own Ancient Lakes A.V.A.. Although Seattle is famously wet, this far inland the area is very dry. What’s more the place is high, cool and windy, which together with plenty of sun delivers ripe flavours at lower sugar levels, which hopefully makes balanced wines. The thin rocky soils ensures the vines have to work hard and produce concentrated grapes with good minerality, which suits Riesling very well.

The man himself, Charles Smith looking suitably rock & roll.

I assumed that I would like this wine, but it is very, very good in a seductively easy drinking style. The nose is aromatic, lifted, richly floral and full of tropical tinged citrus, lime drenched in fact. This limey character goes on to the palate too and while the acidity is refreshingly high and keeps the wine clean and pure, it is not tart at all. In fact the acidity has a soft sweetness to it – the wine though is dry – like lime curd or a rich key lime pie. The flavours pull off a great balancing act between being vibrant and powerful, while the whole thing is actually rather elegant, pure and laced with cleansing acidity and complex mineral characters. The Honourable Riesling delivers a huge amount of pleasure and if you are anything like me you will find it just slips down – 91/100 points. I gave it an extra point for the sheer pleasure it gave!

A lovely wine to drink on its own, with spicy food, Asian food, Pacific Rim cuisine and yes it was perfect with my spaghetti alle vongole, I would like to have it with tapas too.

Available in the UK from Marks & Spencer at £12 per bottle.

If you are one of those people who have failed to find the joy that Riesling can offer, then this might well be the wine – give it a go, I think you will enjoy it.

 

 

Wine of the Week 6 – a great dry white wine & great value too

Trimbach vineyards in Ribeauvillé, courtesy of Maison Trimbach.

I presented a wine at a tasting last night that had all the criteria to be my wine of the week. It is delicious to drink, stunning quality and great value for money – what more could you ask for?

Well, for me nothing, but it will leave a great many people cold because this wine is a Riesling. Riesling – pronounced Reez-ling – is one of my absolute favourite grapes. It is a grape that, when it’s good, shows such diversity of styles and yet always maintains a purity and a minerality which makes the wines feel poised, fine and elegant.

Most UK consumers seem to resist the delights of Riesling because they think that they shouldn’t like it, just as they shouldn’t like Chardonnay anymore, because they now drink Pinot Grigio and Sauvignon Blanc. Many UK consumers assume that all Riesling is sweet and even when they taste a dry one often pull a face and pronounce it to be sweet. I find the resistance to Riesling in this country to be very odd, I love dry Riesling and I also love Riesling with some sweetness – what’s not to like about a wine with a little sweetness?

Anyway, my wine of the week is a dry Riesling from the wonderful French region of Alsace. Despite being in the north east of the country Alsace is one of the driest, warmest and sunniest spots in France and that is why they can produce fully ripe, dry Rieslings.

With the Vosges mountains, its half timbered houses and walled medieval villages it is also one of France’s most beautiful regions, although it’s Germanic culture does set it apart from the rest of the country. The people speak a Germanic language and much of the superb cuisine has a German slant to it. It is that Germanic culture that has given them both of their most important grape varieties – Riesling and Gewurztraminer.

2011 Trimbach Riesling
Maison Trimbach
Ribeauvillé
A.C. Alsace

Founded in 1626 Trimbach is one of the great old wine houses of Alsace and 12 generations on is still family run in the delightful town of Ribeauvillé. They produce a wide range of wines including all the famous Alsatian grapes, but are something of Riesling specialists as they produce two of the most iconic examples in their Riesling Clos Sainte Hune and Riesling Cuvée Frédéric Emile.

This example though is their most humble Riesling from their ‘classic’ range, but it is a splendid example of just how delicious Alsace Riesling can be.

This wine is bone dry with an elegant, stony and apply nose. The palate is wonderfully concentrated with some fresh and cooked apple notes, lemons and dry honey. It also has pure, fresh, clean acidity and minerality that keeps it lively, crisp and taut. The finish is refreshing, thrilling and long with some apple and pear skin succulence to it too.

This is a superb dry white wine that everyone should try as it is delicious and versatile. I would expect anyone who likes Sauvignon Blanc would enjoy it if they are open  index enough to give it a taste. It is wonderful as an aperitif, with fish or light meals and even with Thai cuisine – 89/100 points, it scores high marks for being such great value.

Available in the UK from The Wine Society for £10.95 per bottle and £11.99 per bottle from Majestic. Other UK stockists are available here.
US stockists are available here.

So, please do try this wine, it is a great dry white for summer that will go with all sorts of food, it’s salads and goat’s cheese as well as fish, white meat and spicy food. What’s more if you don’t finish the whole case, the high acidity ensures that it ages well too, so there’s no hurry to drink it all.