The other type of Vintage Port

The beautiful Douro Valley.

I love Port. I just love everything about it. The story, the landscape, the quintas – or wine farms – and the lodges all taken together have a romance perhaps unique in the world of wine. If you have never been to Port country – the Douro Valley in north Portugal – then you have a treat in store. It is simply one of the most beautiful wine regions in the world.

Recently I tutored a very well received Port tasting and I was astonished that most of us – we were all Brits – expected all Port to be deep, dark, full-bodied and opaque. Which of course Vintage Ports, Ruby Ports and Late Bottled Vintage Ports are. However, the first four Ports in my tasting were quite different. We tried Cálem White & Dry – read about it here, the delicious Sandeman 20 Year Old Tawny – read about it here and then some Colheita Ports before we reached the darker and richer stuff – 2009 Quinta do Infantado Late Bottled Vintage – read about it here, 1997 Quinta do Retiro Vintage Port from Weise & Krohn and the magnificent 2011 Sandeman Vintage Port if you are interested.

The Sandeman 20 Year Old Tawny was superb and everyone loved it, but it was the Colheitas that really astonished everyone. A Colheita you see is a Tawny Port from a single harvest. The big difference between a Vintage – apart from the quality of the year – is that a Vintage Port does almost all its ageing in the bottle. This means that the oxygen cannot get to it, so it retains its richness and fruit for much longer and so ages very slowly. A Colheita though is aged in oak barrels, usually of 600 litres and not new, for at least 8 years, so the oxygen can get to the wine and gently oxidise it, so it goes transparent and orange, or tawny in colour. This means that the flavours and complexity of a Colheita develop mainly because of the ageing. You can make a Colheita in pretty much any harvest, whereas a Vintage Port can only be produced in the occasional exceptional vintage – hence the name of the style.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

A faded Cálem sign in the vineyards near Pinhão.

2000 Cálem Colheita Porto
Cálem Porto
Vila Nova de Gaia
Porto
Portugal

Cálem were founded in 1859  and historically most of their business was with Brazil and Portugal and although they make all styles I don’t think it would be unfair to say that they are something of a White Port and Tawny, including Colheita, specialist. Nowadays Cálem is owned by the Sogevinus Group, as are Barros, Kopke and Burmester. The vineyard this wine hails from is the Quinta da Arnozelo near Vila Nova de Foz Côa in the upper reaches of the Douro – the Douro Superior.

This was the only Colheita that came from a generally declared Vintage Port year and that extra concentration showed, added to which it was the youngest Colheita that I showed. The blend was 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was quite deep, more brown than orange and the nose was pretty full on with nuts, coffee and dried fruit notes. There was still some tannin here on the palate and it was pretty mouth-filling with a silky mouthfeel, rich cooked and dried fruit, spices, nuts, espresso and a long finish. It seemed sweeter than the younger wines somehow because the fruit was still quite vibrant – 91/100 points.

Available in the UK for around £35.00 per bottle from Vintage Wine & Port.

The Douro Valley near Pinhão.

1996 Barros Colheita
Barros Porto
Vila Nova de Gaia
Porto
Portugal

I have always had a soft spot for Barros ever since I sold their wines in another life,  so I was really pleased to see how good this was. Originally a small private house founded by Manuel de Almeida in 1913. It eventually took over lots of other smaller Port houses, including Kopke, until it too became part of the Sogevinus Group in 2006.

The blend was again 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was a deep russet, while the nose was smokey, with coffee, spice, dried fruit and buttery caramel notes and a touch of dried and caramelised orange. The palate was just so joyous that we all stopped talking and looked at each other. There was nutty caramel, dried orange, dried fig, strong coffee and even nougat. The texture was so silky it was almost creamy and the finish went on and on – 93/100 points.

It’s funny because 1996 was considered to be a dire Port vintage and yet this wine really shone, which just goes to show that the vintage guides are wrong, or all that time in wood can work wonders!

Available in the UK for around £35.00 per bottle – click here for stockists.
For US stockist information – click here.

The lovely tiled railway station in Pinhão.

1996 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

Kopke – pronounce Cop-key – was founded in 1638 by Germans Cristiano and Nicolaus Kopke and is thus the very oldest Port house of all – the next oldest is Warre’s and that was founded in 1670, some 32 years later. 378 years later Kopke are the leading producer of Colheitas, producing more than 25% of the style. The fruit, much of it from 100 year old vines, all comes from their Quinta São Luiz which is near Pinhão in the heart of the Douro.

The colour is more red this time, like a robin’s red breast. The nose has confided peel, caramelised orange, dried fruit, toasted nuts and a dash of spice. The palate again is smooth and silky with a slight creamy quality, loads of dried fruit and some salted caramel too. This is delicious, really hedonistic and delicious – 93/100 points.

Available in the UK for around £30.00 per bottle from Marks & Spencer.
For US stockist information – click here.

Porto from Vila Nova de Gaia.

1984 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

This showed its age a little I am afraid. It was lovely and it was a treat, but it seemed a little fragile and brittle.  It was very aromatic and had some coffee and nut and orange and dried fruit notes, while the palate was very smooth and light with dried fruit and spice – 90/100 points.

Available in the UK for around £50.00 per bottle – click here for stockists.
For US stockist information – click here.

A Colheita is a lovely style of Port and is perfect with all manner of things at Christmas, mince pies, panforte, Christmas cake, you name it. So I really do recommend that you get some in for the festive season. I certainly will.

Port and the Douro – perfect for Christmas

In my quest to tell you about some great wine books this Christmas I am currently reading the third edition of Port and the Douro by Richard Mayson. What better subject is there to read about at Christmas?

Richard Mayson

Port and the Douro
by Richard Mayson
with illustrations by Leo Duff
Published by Infinite Ideas at £30.00
Also available from Amazon.com as well as Amazon.co.uk and Waterstones in the UK at around £27.00.

It is a sadness to me that I do not drink very much Port as I am very fond of the stuff and find it fascinating. I also regret the fact that as yet I still have not visited the Douro, although I hope to put that right very soon. In the meantime I will have to experience the region through Richard Mayson’s eyes and writing.

Luckily I am in capable hands. Richard clearly knows his subject and writes well in an authoritative and almost learned style.

Much to my surprise I greatly enjoyed the first section which gives a general history of Portugal as it relates to Port and the Douro, her wars, politics, culture and gastronomy – my only quibble would be the reference to Oliver Cromwell as a ‘Puritan’, which he certainly was not – but that aside I had learnt a great deal of interesting stuff by page 6.

Given the seeming long history of Port drinking and how closely it is associated with the British in our minds, I found it fascinating that Baltic and Hanseatic merchants actually got the trade going before we Brits arrived – even the Scots beat the English to it in the years before the Union.

I was also astonished by the fact that Port was a dry wine until well into the Eighteenth Century and had the English nickname of ‘black-strap‘. As this term is nowadays associated with molasses I had always understood it to be an archaic colloquial word for Royal Navy rum, but apparently it originally referred to Port.

The development of the wine bottle and of the style of Port we know today seem to go pretty much hand in hand and it seems that it was not really until the beginning of the Nineteenth Century that Port as we know it appeared on the scene. The first recorded use of a Port house name – Croft – as a brand did not occur until 1810 and the practice was not commonplace for another eighty years or so – so only around the time my grandfather was born.

After all this wonderful background Richard settles down to inform us about the geography and geology of the region together with sections that detail the grape varieties that they use. There are maps too and profiles of all the estates marked on them.

The chapter that deals with how Port is made is endlessly interesting – the throw away line about the return to the use of lagares in the the 1990s, after they had been pretty much unused since the mid 1970s, and what that has meant for quality I found very illuminating. Surely it can be no coincidence that this overlaps with something of a Port renaissance.

The chapter on Port Types – referring to the wines rather than the people –  is endlessly fascinating fleshing out details on types of wine that I thought I knew and detailing odd little facts on the classifications and all the styles from Tawny to Rosé and Colheita to Vintage by way of White Port and Moscatel do Douro.

Vintage Port enjoys such fame that it deserves and receives a chapter to itself with vintage details going back to 1844. There is also a directory of Port producers and shippers, which I for one will find invaluable.

Add in sections that deal with the Douro’s table wines of the region, the storage and service of Port and what the future may hold for this great wine region, then I think Richard has done the Port proud and may well have produced the definitive book on the subject.

I have only seen an E book version and not the real thing, so have not felt it or flicked through it as I normally would and therefore have no idea if the book is has that undefinable lovely, tactile and pleasurable feeling that a good book should, but I did like the contents very much.

It is an excellent and beautifully illustrated book that covers Port and the Douro in depth and detail. It’s not a light read, but a serious volume for people who are genuinely interested in the subject and those who need a reference book on this fascinating subject.