Colli Berici – an exciting wine region in northern Italy

 

Colli Berici vines at the Pegoraro Estate.

I have recently returned from a trip to the Colli Berici and I was very impressed by what I experienced. It is a place that I had heard of, but had seldom tasted the wines that it produced, so I had almost no idea what to expect from the wines. This is especially so as the region seems to produce pretty much every style of wine there is.

Beautiful vineyards in the Colli Berici.

Located between Vicenza and Padua the Colli Berici are a series of limestone hills with red clay and volcanic, basalt soils. This variety together with the subtle differences in weather patterns – it tends to be pretty dry in the hills, but can vary – allows them to grow an impressive array of grape varieties in this tiny region. As you might expect, the best vineyard sites are on the south facing slopes of these hills and it it is the drier and warmer conditions there that make the Colli Berici such a good red wine region.

Wine map of northern Italy. The Colli Berici is in Veneto between Venice and Verona.

They grow a huge range of black grapes here, Cabernet Franc, Cabernet Sauvignon, Carmenère, Merlot, Pinot Nero and Tai Rosso, the new(ish) name for a grape long believed by the locals to be indigenous, but now known to be Grenache!

The region also makes a wide array of white wines from many different grapes too, Chardonnay, Garganega, Manzoni Bianco, Pinot Bianco, Pinot Grigio, Sauvignon and Tai, the new(ish) name for Tocai in Veneto.

Dal Maso

The first winery that I visited here was real revelation. Dal Maso was founded in 1919 and is now run by Nicola, Silvia and Anna Dal Maso, the 4th generation to run the winery and make wine there. The family originally started making wine in the the Montebello area in the tiny neighbouring DOC / PDO of Gambellara, which is solely for white wine made from Garganega grapes – of Soave fame. Dal Maso still make wine there and I came to like the wines very much. They were surprisingly mineral and came across as really quite Chablis-like.

Like most of the producers around here, they also make some very attractive sparkling wine from the Durella grape that grows just to the north in the Monti Lessini area. This is usually made by the tank – or Charmat – method and to my mind generally has more focus than the ever popular Prosecco.

The beautiful winery at Dal Maso, photo courtesy of the winery.

Nowadays they have a beautifully appointed modern winery and tasting room built into a hillside and surrounded by vineyards. It was a fabulous place to get to grips with this region which was almost entirely new to me.

All the wines that I tasted at Dal Masso were very good quality, but the standout wines for me were these:

2016 Montemitorio Tai Rosso
DOC Colli Berici
Azienda Vinicola Dal Maso

100% Tai Rosso, the local name for Grenache of all things, from their own estate vineyards, de-stemmed and macerated on the skins for 7 days, fermented in stainless steel with regular punchdowns of the skins to keep the juice and skins in contact to help extraction of flavour and colour. The finished wine is aged for 12 months in cement and stainless steel tanks before blending.

The colour is a rich and enticing bright ruby.
The nose offers lovely fresh minty, floral, wild raspberry, plums and – strangely as there is no oak – some mocha notes.
The palate has lovely sweet rich red fruit, soft spices and bright, refreshing acidity making it really really juicy and vibrant. A lovely wine that seems bright and direct, but has plenty of sophistication and elegance too should you chose to think about it. Or you could just enjoy it’s many charms – 88/100 points.
This is a very food friendly wine and would be great with all sorts of food, but lamb would work especially well.

2015 Colpizzarda Tai Rosso
DOC Colli Berici
Azienda Vinicola Dal Maso

A selection of the best Tai Rosso fruit from the Colpizzarda estate. De-stemmed and macerated on the skins for 10 days, fermented in stainless steel with regular punchdowns of the skins to keep the juice and skins in contact to help extraction of flavour and colour. The finished wine is aged for 14 months in oak barrels.

The colour here shows both the quality and the oak ageing as it is an intense earthy ruby.
Great nose, pure and earthy with some vanilla and cream notes as well rich red fruit, a dusting of spice and coffee and cocoa notes.
The palate is very supple and gives a beautiful balance of richness and freshness with lovely acidity. Rich red fruit, together with some darker notes, attractive, integrated oak characters and a beautiful silky texture. This is elegant and very fine with good balance of freshness and richness great finesse – 92/100 points.

 

Tenuta Cicogna, Cavazza Estate

The setting for dinner at Cavazza’s Tenuta Cicogna.

Cavazza’s Tenuta Cicogna.

This is another family run estate that started out in the Gambellara region in 1928. They continue to make their white wines from Garganega grapes grown in the volcanic soils there, but in the 1980s they spread their wings and bought the beautiful Cicogna (stork) Estate in the Colli Berici where they farm their Cabernet Sauvignon, Tai Rosso and Carmenère grapes for their red wines.

Cavazza’s Tenuta Cicogna, note the red soils.

The estate has a beautiful house and cellar on it and sitting out surrounded by the vines on the Cicogna estate enjoying a tasting and then superb dinner was a wonderful experience and a perfect way to immerse oneself in the landscape.

Once again I was very impressed by the wines, but will just focus on the standouts:

2016 Bocara
DOC Gambellara Classico
Azienda Agricola Cavazza

Gambellara is a tiny DOC sandwiched between the Colli Berici and Soave. It only produces white wines and they are made from the Garganega grape that is used for Soave. Part of Soave is on volcanic soil and so is Gambellara. I have to be honest I had never had a Gambellara before this trip, but was very impressed by the wines.

This is grown on the original Bocara vineyard that the family bought back in 1928. It is regarded as one of their finest white wines, so is a top selection of fruit from the 40 year old vines in the vineyard. Bocara faces southwest and is a gentle slope at about 150 metres above sea level. The soil is volcanic with some layers of tuff / tuff, which is volcanic ash.

The grapes are fermented in stainless steel at 16˚ C and the finished wine is aged on the lees for 3 months. 

The nose is very giving and generous, with mineral notes – stony, steely, ash as well – orange blossom, camomile, almonds and a lovely lees, gently creamy quality too. The palate has a lovely combination of softness – creamy and fruity (apricot, nectarine, green plum) – with taut acidity and a slightly salty mineral core. A really beautiful wine that screams class. This would be wonderful with all manner of lighter dishes, but is also perfect with a selection of softer cheeses – 92/100 points.

I had recently come to the conclusion that Verdicchio might be Italy’s finest white grape, but this is right up there, so perhaps Verdicchio and Garganega are the jointly best white grapes of Italy? But then of course there is Fiano?

2013 Cabernet Cicogna
DOC Colli Berici
Azienda Agricola Cavazza

Cabernet Sauvignon has been grown in the Veneto for around 200 years. It is thought to have been introduced at the time of French rule during the French Revolutionary and Napoleonic wars. This is a selection of the best Cabernet fruit from the Cicogna estate, handpicked and carefully sorted. The wine is aged for 12 months in French oak barrels.

This is very concentrated with an opaque purple colour. The nose is aromatic, lifted and fragrant with bright fruit, rich cassis aromas, leafy, mental, herbal notes, cedar and a touch of pencil shavings.
The palate is concentrated, supple and soft, smooth, with wonderful rich blackcurrant and bramble fruit and smooth tannins. There is a delicate mocha character and a lovely paprika spice quality to it.
This is a deliciously vibrant Cabernet – 92/100 points.
It seems a little counter intuitive to drink Cabernet Sauvignon from Italy, but this wine could well win us all round. If you like Claret you would enjoy this, but the brightness also makes it a good alternative to New World Cabernets too.

Cantine dei Colli Berici

Some of the cooperative’s beautiful vineyards.

Cantine dei Colli Berici, winemaking on a huge scale.

Destemming at Cantine dei Colli Berici.

This impressive cooperative is part of the Collis group that also runs cooperative wineries in the Soave, Valpolicella and Prosecco areas as well as the less well known Arcole and Merlara areas, so 5 wineries in total.  It is always rewarding to visit a large cooperative as it is always far too easy to think of a wine region as just the sum of the boutique producers. Actually very often in Europe the wines people will actually drink from a place on a day to day basis are the cooperative wines and so they often constitute the engine for the region. This was a case in point. They operate on a huge scale, producing over 130 million bottles of wine – although most of it is sold without being bottled – and yet it produced some pretty decent wines, even at very cheap price points, less than a Euro a litre.

Andrea Palladio

The region is justly proud of the architect Andrea Palladio who was born in Padua, part of the Venetian Republic, in 1508 and have spent his entire career in the Vicenza / Treviso region. He created amazingly modern buildings that became the blueprint for grand houses for more than 200 years. His name and style is celebrated in the word Palladian used to describe buildings, like the White House, that were built according to his ideas.

Today the City of Vicenza and the Palladian Villas of the Veneto is a World Heritage site that protects the Palladian villas in the region.

Villa Almerico Capra, “La Rotonda” in the Colli Berici just south of Vicenza.

Inama

Marco Inama showing me his new as yet unplanted vineyard, see the red soils.

The Oratorio di San Lorenzo in San Germano dei Berici is right next to Inama’s Carmenère vineyards and a picture of this church adorns the label of their superb Oratorio di San Lorenzo Carmenère Reserve.

Inama’s Carmenère vineyard next to the Oratorio di San Lorenzo.

Inama is really the only well known winery from this region, as far as the UK is concerned anyway. That reputation though is historically for their white wines from Soave, indeed they are a very fine Soave producer indeed. Azienda Agricola Inama was founded by Giuseppe Inama in 1965 and after great success with their white wines they began producing red wines in the Colli Berici made from Cabernet Sauvignon, Merlot and Carmenère in 1997.

My first ever experience of tasting a wine from this area was Inama’s 2006 Carmenère Più, although in those days the wine was simply labelled as an IGT Veneto Rosso as Carmenère was not a permitted grape in the Colli Berici DOC until 2009. In fact the history of the grape is fascinating. Until phylloxera struck in the middle of the nineteenth century, Carmeère was a major Bordeaux grape, but afterwards it was not replanted in a serious way as it is such a late ripening grape. Luckily for us cuttings were taken to Chile, where it was wrongly identified as Merlot, and northern Italy. Here it was widely grown in the Veneto and Friuli, but was originally locally known as “Old Cabernet” and then in 1961 was incorrectly officially identified as Cabernet Franc. It remained Cabernet Franc until it was outed in the 1990s and officially became a permitted grape, indeed one of the speciality grapes, in 2009. It seems that Carmenère is hard to identify.

As expected, I was impressed by all the wines at Inama. We started with their straight Soave and then moved on to taste their entire range of red wines, Carmenère Più, Campo del Lago Merlot, Bradisismo and two vintages of their Oratorio di San Lorenzo Carmenère, which were the stand out wines for me were:

2013 Oratorio di San Lorenzo Carmenère Riserva
DOC Colli Berici Riserva
Azienda Agricola Inama

This wine is made from a selection of the best fruit from the vineyard in the photo above. It faces due south and acts as a sun trap, which must go some way to explaining why Carmenère  can thrive here. The grape alsmot fell out of use in Bordeaux because it takes so long to ripen. Even in Chile, where it has found a new home, it is hard to get right as it is the last grape to ripen even in the Chilean sun.

The grapes were left to dry a little on the vine, to increase concentration, before being handpicked and fermented in stainless steel tanks and then aged in French oak barrels for 18 months, 50% new and 50% second use.

The colour is most attractive with a rich plum colour and a little earthy garnet look from the ageing.
The nose is very satisfying too, quite lifted blueberry, cedar, pepper and mocha notes while the palate is concentrated, smooth and silky with soft, rich fruit, slightly spicy and a savoury, earthy richness. There is also a lovely balancing freshness that makes the winery drinkable indeed and pulls all the parts together. A beautiful wine that carries its 15.5 very well indeed  – 92/100 points.

2007 Oratorio di San Lorenzo Carmenère Riserva
IGT Veneto Rosso
before 2009 Carmenère was not allowed in the DOC, so the wine could only labelled as an IGT
Azienda Agricola Inama

This older vintage was more bricky as you would expect and the nose had that meaty mature aroma together with more obvious pepper and vanilla.

The palate was wondrously silky with smooth tannins and that sweet dried fruit character just beginning to emerge. It was very stylish and still had lots of freshness and even some bright dark fruit – 91/100 points.

 

 

 

Pegoraro Estate

The Pegoraro Estate in Massano.

Arriving at the beautiful Pegoraro Estate.

The stunning terrace at the Pegoraro Estate, those lucky nuns.

This was a magical visit. They were all great, but this had something special. For a start we walked there along a wonderful trail in the commune of Massano, that crisscrosses a beautiful stream that powers 12 ancient water mills. Then when we arrived the winery was housed in a medieval nun’s rest home that dates from 1200 and it was the most astonishingly beautiful location and building. What’s more the wines were seriously good and the lunch was superb.

The Pegoraro family have been here since 1927 and they seem very proud of their land and the wines they create. Today Enrico runs the winery while his brother Alessandro is the winemaker. They are both very assured and passionate about what they do, although their father Pasquale is still around to give advice if needed. I really enjoyed the wines here. They were honest wines, immensely drinkable and not showy at all and I respect that. I greatly enjoyed their Tai (Tocai in the old days), their Cabernet (this blend of Cabernets Sauvignon and Franc was served lightly chilled), but the wines that impressed me most were these:

2013 Pegoraro Tai Rosso Spumante
DOC Colli Berici Spumante
Pegoraro Societa Agricola Semplice

A traditional method sparkling wine made from Tai Rosso / Grenache. I had just tasted their Charmat (tank method) rosé sparkler also made from Tai Rosso grapes and it was very nice, but this was rather finer and more sophisticated. They claim to be the only winery to make this style and I certainly did not come across any others.

It is a pale rosé with zero dosage and aged for 36/40 months on the lees before disgorging.

The blood orange colour was most enticing, as was the nose of dried orange, apple strudel and cinder toffee.

The palate was delicious with dried orange flavours giving freshness and acidity, butterscotch giving the richness together with some bright red fruit showing the grape variety and then a lovely yeasty quality like a fresh panatone. The finish was very long and it had a mousse that was persistent and firm, with awn almost brittle feel – a dear friend of mine once rather wonderfully described a mousse on a Champagne as “brittle” and I have finally worked out what she meant. This is a terrific wine that makes a very classy aperitif or would go with any lighter dishes and I really regret not buying a bottle – 92/100 points.

2016 Pegoraro Tai Rosso
DOC Colli Berici
Pegoraro Societa Agricola Semplice

100% Tai Rosso fermented and aged in stainless steel tanks to preserve the freshness.

The colour was an attractive pale red, almost a rich rosé, but they were adamant that it was not a rosé, but a traditional style of red to the region. The nose balanced bright cherry and strawberry with a touch of spice and savoury, earthy notes and rose hips.

The palate gave bright cherry, strawberry and raspberry fruit flavours together with some spice, gentle tannins, lively cherry acidity and a nice touch of spice. A lovely, honest wine that goes beautifully as with just about anything and can be served chilled too – 89/100 points.

Piovene Porto Godi Estate

 

The family house at Piovene Porto Godi.

The ancient and atmospheric cellars at Piovene Porto Godi.

Yet another extraordinary experience. This estate has been owned by the Piovene Porto Godi family since 1500 and is exactly how you imagine a wealthy farm to have been in the past. The house and winery is walled all the way round like a small fortress and apart from the 220 hectares of land it also consists of landscaped gardens, a mansion and an extensive collection of outhouses, cellars and stables where the winemaking goes on. As well as grapes the estate grows cereal crops and olives too. Although the estate has made wine for centuries, it is the current generation who have become really ambitious for the place and produce bottled, rather than bulk, wine to a very high standard. To achieve this they have in recent years replanted much of the vineyard and revamped the winery too.

We were treated to a comprehensive tasting and these were my my stand out wines:

2016 Garganega Vigneto Riveselle
DOC Colli Berici
Societa Agricola Piovene Porto Godi Alessandro

I think this was the only Garganega that I tasted from the Colli Berici and it was fabulous. It is a limited production wine from the best fruit of a single vineyard – Riveselle – that is south facing on chalky soils at 70 metres above sea level. It was fermented in stainless steel and although I have not been told that it was aged on the less, I am sure that it was.

The nose pleased me straight away. It was peppery like olive oil and rocket / arugula. There was also something almond-like with some smoky notes (lees ageing?), something herbal and lemon rind too. I found the nose rather additive actually.

The peppery and herbal qualities come back on the palate too together with the camomile flavour that I associate with the grape variety. It was also gently creamy and lightly smoky with some dashes of orange and nectarine. It was juicy with a long finish, cleansing acidity and that peppery note all the way through.

A super wine that I kept coming back to and would enjoy with a cold buffet or a selection of soft cheeses – 92/100 points.

2015 Campigie Sauvignon
IGT Veneto
Societa Agricola Piovene Porto Godi Alessandro

This is a style that I enjoy greatly, but sadly most Brits do not – oaky Sauvignon.

The fruit is from the Campigie vineyard which is south facing with a chalky clay soil. The grapes are late harvested to concentrate the sugars and flavour and they are fermented in a mixture of stainless steel and oak barrels. The wines is also aged for 8 months in barrel.

The nose is a mixture of fat and restraint. The oaky richness is obvious but not dominating with as light, attractive resiny character.

The palate is round and smoky, but again not too oaky. The grape’s natural freshness, stony quality and blackcurrant flavours really come out together with something tropical like pineapple and a touch of creaminess.

The finish is very long and satisfying. I would love this with a tuna or swordfish steak – 91 /100 points.

2013 Thovara Tai Rosso
DOC Colli Berici
Societa Agricola Piovene Porto Godi Alessandro

A single vineyard Tai Rosso that is one of the top wines of the estate. Again the vineyard is south facing on chalky soils. The grapes were fermented in stainless steel and the wine was aged for 15 months in French oak tonneaux – each one contains 900 litres, the equivalent of 4 barriques or barrels. This larger oak vessel means the oak flavour is less overt, but oxygen still gets into the wine through the wood to soften it.

The nose was smokier, deeper and full of darker fruits than I normally expect from Grenache. There were touches of leather and coffee too.

The palate was joyfully supple with rich raspberry, plum and liquorice characters all viewing for attention together with light touches of mocha and exotic tagine spices. A fascinating wine that has a delicacy and freshness competing with rich fruit and 14% alcohol. I liked this wine a lot and found it very food friendly and drinkable, yet there was good complexity and tension – 92/100 points.

 

Colli Berici

For me it is always a joy tasting wines from new regions and it pains me every time I see consumers in supermarkets buying from such a narrow range of wines. I have thought about this a lot and it is a terrible thing that so many British people who drink wine have absolutely no idea what variety and excitement is out there if they just opened their minds and stopped drinking the same old thing. There is so much more to life than Pinot Grigio, Sauvignon Blanc, Rioja and Shiraz.

In fact it seems that the wine world is just full of exciting places where talented and passionate people are working hard to make wines that might just be your new favourite – if you ever get to taste them. I was thrilled by the wines that I found in the Colli Berici – and in neighbouring Gamberella – and wish they were better represented on the shelves of wine shops and supermarkets in the UK.

Wine of the Week – a Delicious Petit Verdot from South Africa

Vineyards in Stellenbosch.

I have become very keen on South African wine. The country delivers high quality and great value in my opinion and to continue with this gross generalisation, it also makes wines that are less definitively New World in style than the likes of Australia and California. There is always something drier and more savoury about South African than most other New World wines, and they also have more fruit than the traditional leaner and drier French wines.

Another wonderful thing about South African wine is that they use an eclectic palate of grape varieties and so produce an amazing array of wine styles. I would also add that it is a great wine producing country to visit from the UK as the time difference is only an hour, so there’s no chance of jet-lag, and the wine regions are so compact. Almost all South African wine is produced in the Western Cape and the majority of producers are within a couple of hours of Cape Town Airport. What’s more they are superbly geared up for wine tourism with restaurants and bars, as well as some of the most beautiful scenery in the world.

Anyway, I recently tasted some wines made by the KWV and I thought they were all pretty good. KWV wines were widely available when I first started in wine. Their Roodeberg blend, Pinotage and Steen (aka Chenin Blanc) were to be found in pretty much every wine shop, offered great value for money and were very popular.

Vineyards in Stellenbosch.

The KWV – Koöperatieve Wijnbouwers Vereniging van Suid-Afrika – was originally created in 1918 as a wine producing cooperative. From the 1920s onwards it became an official organisation that regulated wine and brandy production in the Cape as an official arm of the government. After the introduction of democracy KWV became a private company and for a while the wines lost their way rather – however the brandies and fortified wines did not. For quite a few years I have been convinced that they are back on form with an impressive line up of wines. Recently I have tried quite a few of their wines and have been seriously impressed.

Wine map South Africa’s Western Cape – click for a larger view.

Their 2016 Walker Bay Sauvignon Blanc – available from Morrison’s for £8.50 – is from a cool coastal zone of South Africa (Walker Bay) and is crisp, elegant and very drinkable with lovely citrus freshness and something mineral about it too (88/100 points). Their 2016 Grenache Blanc – available from the Co-op for £7.99 – is a bit more me actually with a textured richness and herbal quality. It feels broad a soft where the Sauvignon is lean and fresh and it is a little creamy too making it a nice introduction to this delicious grape (87/100 points).

In particular though I have been impressed by their The Mentors range which are very good wines indeed. I have enjoyed quite a few from this range including the Cabernet Franc, Cabernet Sauvignon, Pinotage and The Orchestra Bordeaux Blend. However recently I tasted their Petit Verdot and I loved it, so I made it my Wine of the Week.

Vineyards in Stellenbosch.

2014 KWV The Mentors Petit Verdot
W.O. Stellenbosch
South Africa

Petit Verdot is a Bordeaux grape variety, but is historically hard to ripen in France – which is how it got the name Little Green, as it could be under ripe with green tannins – so has been relegated to a blending role in Red Bordeaux. Many winemakers believe that a little Petit Verdot adds some elegance and class to a Claret, especially on the Left Bank. So, in order to fulfil the grape’s potential, it has been taken up by producers in hot countries, especially California, Spain, in Jumilla especially, and South Africa. All of these have a Mediterranean climate and that long hot summer help ripe the shy Petit Verdot to perfection.

This is basically a single vineyard wine grown in low vigour shale soils. The heat is tempered by the south-easterly winds, which slows the growing season down and ensures the grapes have a slow build up of sugars and a lot of flavour. The yields are very low too – 8 tons per hectare – which ensures good concentration and also helps the flavour profile. Added to that, this wine is made from a careful selection of the best fruit. There is a cold maceration to extract flavour and colour before the fermentation. It was fermented in stainless steel tanks with pump overs for good colour extraction and then sent to barrel – 60% new – where malolactic took place and the wine was aged for 18 months.

The wine has a dense, opaque black cherry colour that is bright and inviting.
The nose is rich with black cherry and plum together sith a dusting of tobacco, cocoa, pencil shavings and spice.
The palate is smooth, velvety, succulent, rounded and juicy with barrowloads of ripe dark fruit, red and black, giving lovely primary fruit sweetness, and there is a balancing fresh acidity and lovely fine grain tannins giving just a little edge to the wine.
The oak gives a spiciness while the ripe fruit makes it a hedonists delight. It still has its soft, juicy pupy fat but there is some good structure and complexity underneath all that primary pleasure and I would love to taste it again in 5 years or so – 93/100 points.
Frankly right now this wine will go with anything. It is even supple enough to be drunk on its own if that is your thing, but would be absolutely perfect with steaks and venison and roast beef.
Available in the UK for around £15 per bottle from Ocado, Slurp, SH Jones, Perold Wine Cellars & Amazon.

Castello di Brolio – the resurgence of a great Chianti estate

I seem to have become a bit obsessed by Italian wine of late and there is nothing wrong with that. The country has a great deal to offer, hundreds of indigenous grape varieties, dozens of wine producing areas, every imaginable style – some uniquely Italian – and everything from  honest, everyday wine to some of the grandest fine wine producers in the world.

In the last couple of years I have enjoyed many trips to Italy and tasted many good – and great – wines. However recently I was invited to a wonderful wine dinner and tasting in London as a guest of Baron Francesco Ricasoli, one of the grandest Italian producers of them all.

Brolio Castle and some of its vines.

The Ricasoli family are very old and emerged as feudal lords from Lombardy in the times of Charlemagne. They settled in Tuscany in the area now known as Chianti – perhaps it was then too as the name is thought to be that of an Etruscan family – more specifically what is now the Chianti Classico. The family took ownership of Brolio Castle in 1141 and have been there ever since, which makes them officially the oldest winery in Italy  – quite an achievement when you consider that the castle marked the border between Florence and Siena. I found it extraordinary to be having dinner and chatting away with a man whose direct ancestors would have had dealings with the Medici family and be involved in the intrigue and violent politics of Florence in the Renaissance.

From a wine point of view though his most important ancestor, in modern times anyway, was Bettino Ricasoli, 2nd Baron Ricasoli. Born in 1809, Bettino eventually became the Tuscan Minister of the Interior and was instrumental in pushing for the union of Tuscany with the Kingdom of Sardinia (Piemonte) that took place in 1860 and established the Kingdom of Italy. He went on to serve two terms as Prime Minister of the newly unified Italy.

As if that was not enough for one lifetime, Bettino also made an enormous contribution to the history of Chianti.

Wine map of Tuscany showing the location of Brolio Castle – click for a larger view.

The wine had been around for centuries, indeed Henry VIII was known to drink it, but originally it was only made in the area called the Chianti Hills just to the north of Siena. Indeed the Grand Duke of Tuscany, Cosimo III de’Medici, issued an edict creating the boundaries of the region which today broadly correspond with those of modern Chianti Classico. Brolio is at the heart of this region, in Gaiole in Chianti some 10 km north east of Siena.

The idea of what constituted a Chianti wine seemed to be somewhat fluid in those days. Indeed there is some evidence, as with Rioja, that it was a white wine in the past. It was not until Bettino had finished his stint as Prime Minister that he was able to bring some clarity to what Chianti actually was. He had worked very hard at restoring the Brolio estate, replanting and experimenting with what grape varieties really suited the land and making the best expression of Chianti that he thought possible. In the end he settled on a blend of three grapes, Sangiovese, Canaiolo and Malvasia, or Sangioveto, Canajuolo and Malvagia as they were known back then and sometimes still are locally.

Just as an aside, in those days it was normal to grow lots of grapes together, to pick them together and to vinify them together too as a field blend. Such wines that included white grapes were much paler and lighter than most red wines of today. I was fortunate enough to taste a wine made in this fashion at Thomas Jefferson’s estate in Monticello, Virginia and it was a real eye opener to wines of the past.

So after decades of research and winemaking Bettino finally wrote down what he had learned and sent it in a letter to Professor Cesare Studiati at the University of Pisa in 1872:

‘…I verified the results of the early experiments, that is, that the wine receives most of its aroma from the Sangioveto (which is my particular aim) as well as a certain vigour in taste; the Canajuolo gives it a sweetness which tempers the harshness of the former without taking away any of its aroma, though it has an aroma all of its own; the Malvagia, which could probably be omitted for wines for laying down, tends to dilute the wine made from the first two grapes, but increases the taste and makes the wine lighter and more readily suitable for daily consumption…’

I find it fascinating that even then he knew the Malvasia diluted the wine – softening it to make it drinkable – and could be left out if you wanted to age the wine instead. Malvasia is no longer a permitted grape for Chianti – although it is still grown in the region for other wines – all the grapes used in Chianti must now be black.

Today the estate is the largest in Chianti Classico – 12000 hectares in total with 236 hectares of vines and olive trees and it might all seem rosy, but that is only because of a great deal of hard work and foresight.

The charming Baron Francesco Ricasoli.

In the 1960s the Ricasoli family sold their name, their brand, to Seagrams. They managed the vineyards and sold the wine to Seagram who marketed it around the world. It may seem strange today, but at the time it made total sense. Many fine wine regions were struggling, astonishingly both Chablis and Côte Rôtie almost disappeared at that time, and Chianti was going through a hard time too. The wines had lost their reputation for quality and many producers had lost confidence in their grapes and their land – this was the time when some Chianti makers saw their future in Cabernet and Merlot and the ‘Super-Tuscans’ were born.

The Seagrams deal saved them at the time, but undermined their history and reputation. Baron Francesco Ricasoli took over the family business in 1990 and decided to put that right. The first thing he did was extensive replanting to ensure the quality came right in the vineyard. Then when Seagrams sold out to Hardy’s in 1993 he was able to buy the family brand back. From then on the focus has been on quality and re-establishing the prestige of their brand.

Brolio Castle.

Francesco was not a winemaker by trade, but a professional photographer, so since 1990 has been operating outside his comfort zone in many ways – although frankly it doesn’t show. He is assured, charming, deeply knowledgeable about his land and I could have listened to him forever. He introduced his wines with modesty and was keen to emphasise that he had built a team to make this project work, but you could hear the pride in his voice when he told us that in 20 years Ricasoli went from being almost forgotten to being regarded once more as a great estate.

Key to the progress they have made with their wines is their zoning project. This is a study in collaboration with the Experimental Institute for the Study and Protection of the Soil in Florence, which is mapping each parcel of vineyards by soil and climate to ensure that the correct grapes varieties are planted where they should be and on the most suitable rootstock.

The tasting was held at Pied à Terre in Charlotte Street in London and the food was an exquisite backdrop to these wonderful wines.

The aperitif:

2015 Torricella
Barone Ricasoli
IGT Toscana

This was our aperitif and it was a  blend of 75% Chardonnay blended with 25% Sauvignon Blanc. The Chardonnay was aged for 9 months in used barriques and tonneaux on the lees. the sauvignon was aged on the lees in stainless steel for 9 months.

This was a terrific wine with a lovely, beguiling, balance of richness and texture with freshness, acidity and minerality. I have had a few wines over the years that blend these two grape varieties together and they always seem good to me, so I often wonder why more people don’t don’t do it. This example is very fine – 91/100 points.

Available in the UK for around £17 per bottle from:
Fareham Wine Cellar and Slurp.

Served with Roasted quail, baby beetroots and wild mushrooms:

2013 Casalferro
Barone Ricasoli
IGT Toscana

A single vineyard Super-Tuscan wine that has been produced since 1993. It was originally pure Sangiovese, but is now 100% Merlot. The vineyard is south facing and the soil is chalky clay. The different blocks were aged for between 18 and 21 months in French oak barriques and tonneaux before blending.

I am not always a fan of Merlot, but this was delicious stuff. The colour was deep, vibrant and plummy, while the lifted nose offered mocha, chocolate, plums and coffee with a touch of earth and even a whiff of the Mediterranean. The palate was smooth, creamy almost with light grainy tannins, vanilla, rose hips, plums and a dusting of cocoa. The flavours really build in the mouth and it is very long. It was a great match – 92/100 points.

Available in the UK for around £40 per bottle from:
Tannico and Just in Cases.

2006 Casalferro
Barone Ricasoli
IGT Toscana

This was the last vintage that blended 30% Merlot and 70% Sangiovese together, from 2007 Casalferro has been pure Merlot. The wine was aged for 18 months in French oak barriques.

Beginning to show its age with a tawny rim and a briny, balsamic dominated aroma together with leather, earth, dried fruits and strong coffee. The palate was very soft, yet savoury and earthy with something almost medicinal about it. The tannins and the fruit were smooth and velvety and the acidity, presumably from the Sangiovese, kept it youthful and bright. This was magnificent with the quail meat, especially the crispy roast quail legs – 93/100 points.

Available in the UK for around £40 per bottle from:
Hedonism Wines.

Served with venison, celeriac, watercress, sprouts and chestnuts:

2013 Chianti Classico Gran Selezione
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

This wine, now labelled as Gran Selezione – the first eligible vintage was 2010, is the Grand Vin of the estate. Gran Selezione is an attempt to firm up the quality credentials of top Chianti Classico. Historically the Riserva wines were the pinnacle of production, but normal Chianti Classico could be aged longer in wood and be labelled as a Reserve, so nothing really set the wines apart as being great quality.

Gran Selezione wines must be made from estate grown fruit, not bought in. The minimum alcohol must be 13% compared to 12.5% for Riserva. The wine must be aged for 30 months, compared to 24 months for Riserva. There is some controversy around the adoption of this new system, but I can see the point of it.

This 90% Sangiovese, 5% Cabernet Sauvignon and 5% Petit Verdot blend is made from a very careful selection of the best fruit on the estate, fermented in stainless steel then aged for 21 months in French oak barriques and tonneaux – 20% new.

The nose offered bright plums and pomegranates together with rich earth and mocha notes. The palate was supple, youthful, joyous and delicious with fine grain tannins, sweet red fruit and a harmonious feel. I could drink it now, but it really needs time – 94/100 points.

Available in the UK for around £40 per bottle from:
Waitrose Cellar, Tannico and Millésima.

2008 Chianti Classico
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

This 80% Sangiovese, 10% Cabernet Sauvignon and 10% Merlot blend is made from a very careful selection of the best fruit on the estate, fermented in stainless steel then aged for 28 months in French oak barriques and tonneaux – 20% new.

2008 is not considered a great vintage, but Francesco is very fond of it and wanted to share it with us. I am glad he did, I thought it was terrific.

The age is beginning to show here with more toffee, caramel and balsamic, soy sauce and general umami note The palate was very supple, very smooth with nice freshness, dried fig fruit, mushrooms, smoky coffee and caramel flavours. The finish was long, savoury and saline with a touch of mocha and cedar too. A beautiful wine ageing gracefully – 93/100 points.

2003 Chianti Classico
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

One of the hottest vintages to date, this was a blend of  Sangiovese with a little cabernet sauvignon. The wine was aged for 18 months in French oak barriques – 65% new.

The age shows here, but it is very good. the nose is earthy, mushroomy, truffles, meaty, dried figs and rich coffee, even a touch of stout on the nose. The palate is again very supple with sweet dried figs, almost no tannins and a meaty, savoury richness that makes it great with food – 93/100 points.

Served with the cheese course:

2013 Colledilà Chianti Classico Gran Selezione
Barone Ricasoli
DOCg Chianti Classico

This wine is a site specific, pure Sangiovese Chianti Classico that is now labelled as a Gran Selezione. In effect it is a Cru from a vineyard on the estate that sits at 380 metres above sea level and faces south west. 

100% Sangiovese made from a very careful selection of the best fruit on the estate on the Colledilà block, fermented in stainless steel then aged for 21 months in French oak barriques and tonneaux – 40% new.

I am not always wowed by the top wines of an estate, but this really seduced me. What’s more it was from a difficult vintage with lots of hail. It was fragrant, floral, perfumed with sweet red fruit, mocha and a touch f tobacco. The palate was smooth, supple, smoky with fine grain tannins, ripe red fruit and a beautifully fresh, lightly flesh and succulent mid weight to it. This was stunning wine and I would add that the label is utterly beautiful too – 95/100 points.

Available in the UK for around £50 per bottle from:
Hedonism and Millésima.

2010 Colledilà Chianti Classico
Barone Ricasoli
DOCg Chianti Classico

100% Sangiovese made from a very careful selection of the best fruit on the estate on the Colledilà block, fermented in stainless steel then aged for 18 months in French oak barriques and tonneaux.

Showing some lovely bottle age, this is much more savoury and meaty with dried fruit, walnuts and coffee aromas, even some toffee. The palate is wonderfully cohesive with an underlying freshness balancing the richness and binding it all together. The tannins are supple and there is a dried fruit and savoury, earthy flavours and a sense of purity about it that makes it sing. It was magnificent with the Comté – 93/100 points.

Available in the UK for around £32 per bottle from:
Vintage Wine & Port.

Served with the petit fours:

2007 Vin Santo
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

This blend of Malvasia and  Sangiovese is made from late harvested grapes that are then dried over the winter to concentrate the sugars further.  The juice is then fermented and the wine then aged for 4-5 years in French oak barriques.

This was the colour of Malt Whiskey and had a nose of cinder toffee, caramel, oranges, dried apricots together with a whiff of old books, leather, pipe tobacco and coffee. The palate is a wonderfully sumptuous blend of sweet and sour with chestnut, coffee, dried fig, maple syrup and concentrated apricot fruit. The finish is firm and surprisingly unsweet with great acidity and balance. The end is almost savoury and salty with reminders of Sherry, Sauternes and Madeira on the nose and plate – 93/100 points.

Available in the UK for around £33 per half litre from:
Hennings Wine.

The whole evening was a memorable experience of good company, excellent food and magnificent wines. If you want to see what Chianti can be, do try one of the wines from Castello di Brolio Barone Ricasoli, they are quite a revelation.

The wines that I have written about here are the pinnacle of Barone Ricasoli’s production. If you want to dip a toe in the water and try their wines without quite such a large price tag, then they make many other wines including their superb Barone Ricasoli Brolio Chianti Classico Riserva, their excellent Brolio Chianti Classico  – also here – and the Waitrose in Partnership Chianti Classico, which is very good and great value for money.

Barone Ricasoli wines are imported into the UK by John E Fells.

Barone Ricasoli wines are imported into the US by Domaine Select & Liber Selections,

Chilied red wines

As it’s Summer I thought that I would write about something that I like, but it seems to me that many people resist the idea, in the UK anyway – chilled red wine.

In the UK it seems to be a cultural fixation that the only acceptable way to serve a red wine is at the temperature of the room that you happen to occupy. Because that is what ‘room temperature’ is – right?

We seem to all be taught that red wine should be served at ‘room temperature’, and most people that I meet interpret that to mean that you should serve it pretty warm. I have even heard more than one self appointed wine expert in a pub or restaurant telling people that red wine is better served as warm as possible.

Well the truth is that this fabled ‘room temperature’ concept long predates modern central heating. In the eighteenth and nineteenth century the sorts of houses that had decent wine in them were large and unheated, therefore they wouldn’t have been hot by our standards at all, unless you were standing right by the fire.

The Wine and Spirit Education Trust, who are the leading wine education body in the world, deem room temperature to be between 15˚ and 18˚C, much cooler than most centrally heated rooms today.

As far as I can discover this focus on room temperature, like so many ‘traditional’ things is a purely Victorian invention. The Victorians loved to bring rules into things, perhaps to make it easier to spot who was socially acceptable and who was not.

I was always taught that the reason we serve red wine on the warm side is that if you have cool red wine it makes the tannins more aggressive and if you warm it, the tannins are smoother.

And up to a point that is true, but like so much to do with wine, it isn’t totally true.

Even the purists admit that you can lightly chill light-bodied red wines – the likes of Beaujolais or Valpolicella, but personally I would go further than that.

Go to Spain and chilled red wine – even fine red wine, is completely normal. I well remember several years ago attending a tasting of superb Spanish wines from the Grandes Pagos de España group of producers. It was led by the wonderful Carlos Falcó, the Marques de Griñon himself and he carefully brought his own wines from his hotel in order to be able to serve them as he wanted to. These are some of the finest and most expensive wines of Spain and the bottles were frosted with moisture. These were cold, not just lightly chilled – and they were perfect that way too.

Many years ago I was in Belthazar’sthat most marvellous wine bar in Cape Town’s V&A Waterfront complex and trying two different examples of Syrah from South Africa. They were both excellent wines, but served at the traditional temperature in Cape Town’s Summer heat they tasted like a bowl of soup and were pretty heavy going.

I have found that, for me anyway, red wines are best served a little cooler than is traditionally thought to be wise. I always like the bottle to feel cool to the touch, whereas when I was younger I wanted the bottle of a red wine to feel a little warm. For me this touch of coolness accentuates the freshness of the wine, and I like freshness. It prevents the wine from feeling gloopy and soupy and so keeps it drinkable.

As for cool red wines being more obviously tannic, well I don’t always find that to be the case. It does depend on the wine though and the food I am eating and the situation. The warmer the weather the cooler I want the wine.

Having said all that, I am not inclined to chill an overly tannic red wine. Left bank Bordeaux for instance does not work with chilling at all, even for me. Which makes me wonder if that is where the concept came from originally, as Bordeaux was the first modern fine wine region – hence its reputation. So the lighter choices are still the best ones, but for me, but the list is much longer than just Beaujolais and Valpoicella.

Personally I really like chilled Cabernet Franc from the Loire, especially the lighter and unoaked versions. Chinon works especially well in my opinion – try this lovely example as long as the wine is light with the emphasis on the crunchy red fruit, rather than oak and structure, then it will work nicely. Like so many of these chilled red wines, serve it with charcuterie, crusty bread and pickled cornichons, with the vinegar drained out, for a delicious combination.

Be careful with expanding this concept to new world Cabernet Franc as these tend to be more akin to red Bordeaux in structure, so are probably best not chilled.

Another grape variety that works chilled is Pinot Noir – even the purists accept that Burgundy should be served at cellar temperature. The soft tannins of Pinot lend themselves very well to being served cool as there is plenty of acidity to make the wine feel fresh. Great Pinots to be chilled include the lovely, bright fruity versions from Alsace or red Sancerre, but perhaps the best ones are from New Zealandthis example would work particularly well chilled. These bright, seductively fruity wines are silky with very little tannin and are lovely chilled and paired with salmon or summery chicken dishes – or enjoyed at a barbecue.

The great value Pinot Noirs from Chile, Romania – and here – and southern Germany are absolutely perfect for chilling too. They have soft, silky tannins and bright, vivid fruit all held together by refreshing acidity that makes the wines feel juicy and fresh, everything that works best in a chilled red wine.

Bardolino is another light red wine from northern Italy that is good chilled. It comes from the shores of Lake Garda, very close to Valpolicella in fact, and is at its best when chilled. There is very good Bardolino around, but even a basic one will be more attractive served cool. This example is joyfully fruity, direct and pleasurable – just the thing for an alfresco meal or a barbie.

Italy actually has quite an array of lighter red wines, perhaps more than anywhere else. The bright, light, fresh style of Barbera from Piemonte can fit the bill perfectly too. Don’t chill an expensive one, that will be oaky and fine, but a standard one that will be all about sour cherry fruit and refreshing acidity with soft, low tannins.

The Italians often like their red wines to be juicy and refreshing and a good starting point for chilled red wine can be Lambrusco. This fascinating wine style with its bright purple foam has its detractors, but the real thing – it should only be red and has a Champagne style cork – is so delicious and slips down with so many foods, especially the rich fatty cuisine of its native Emilia-Romagna. However it is also a good with a smoky barbecue, curry – yes really – or cold cuts and cheese. Try this one, this one, this one and this one to to see what you have been missing.

Another exciting Italian wine that is light and extravagantly fruity is a Frappato from Sicily. You don’t come across them every day, but they can be delicious, bursting with red fruit and have refreshing acidity. It’s a style of wine that probably explains why the Sicilians like red wine and fish so much. Try this one chilled with any al fresco meal, or even pizza.

 

Central European reds are sometimes not as popular as they ought to be in the UK, but Blaufränkisch can be utterly delicious. It is principally known as an Austrian grape and like Pinot Noir can produce lovely wines as a rosé, light red or something finer and more structured. The Germans, and Americans call it Lemberger – not Limberger, which is a cheese from the the Belgian/German/Dutch border – while in Hungary they call it Kékfrankos. It makes great wines in Slovenia too, where it is usually known as Modra Frankinja.

Another Austrian grape that I like to drink chilled is Zweigelt, which is especially good with the sorts of grilled food that I enjoy in summer. It is actually a cross made from Blaufränkisch and St Laurent and at its best leans in a sort of spicy but not quite Syrah and soft but not quite Pinot kind of way. Try this, this or this example.

Still in central Europe, there is a grape called Trollinger. It originated in the South Tyrol – hence the name Trollinger / Tirolinger – but has become mainly associated with the Württemberg region of Germany, where it grows on some of the most beautiful vineyards in Europe. The wines can be very pleasant, although I much prefer the other local speciality, Schwarzriesling. This, of course, means Black Riesling, which is the local term for Pinot Meunier. The reds made from this are deliciously fruity, but savoury too and again the lighter versions are lovely chilled – you can read about some here if you scroll to the bottom of the story. There is a good one available here too.

Trollinger is still grown in the Alto Adige / Sud Tirol and Trentino regions where it is known as Vernatsch or Schiava. The wines are quite extraordinary and very scented, but can be delicious, light, fruity – strawberry – and a little smoky, so again good with grilled food and barbecue when chilled. Like Beaujolais these wines are usually made in a way to emphasise the fruit and not tannin, so you also often get those candy floss and bubblegum characters that you get in many Beaujolais wines.

If you are looking for something a tad more serious, but still lovely chilled, then perhaps a Poulsard might do the trick. This grape is mainly grown in France’s tiny but fascinating Jura region – click here for the definitive guide to the wines of Jura with maps drawn by yours truly. Like Pinot Noir, Poulsard is thin skinned, so gives light red wines in terms of colour, tannin and body, so a Pinot lover should like them. I find them to have red fruit, spice and to be somewhat earthy and rustic, but in a really nice way, which makes them perfect food wines and something a little different. Try this one or this one.

I am sure that there are plenty more red wines that are good served chilled – in fact Spanish Garnacha with hearty meat dishes or a barbecue – but that is surely enough for now? I just wanted to propose some things that were a little different to help push the idea of chilled red a little.

The best thing is to experiment with it and find out what temperature you like best – it’s your wine after all.

The Marche – a region awakes: Part 2 – the red wines

A few weeks ago I was on a wonderful trip to the Marche region of Italy, some of you will have read Part 1 of my thoughts on the trip, well here is Part 2 and it focuses on a couple of producers whose red wines really stood out for me.

Beautiful vineyards in the Marche.

I saw so much that excited me on my trip to the Marche, it is a beautiful landscape with much to enjoy and incredible variety, borne out by the many different wine styles. However it is the quality of the DOC Verdicchio dei Castelli di Jesi whites and the lesser known, in the UK anyway, Cònero Rosso DOC and Cònero Riserva DOCG that must be the region’s vinous calling cards.

I was hugely impressed by the modern examples of Verdicchio dei Castelli di Jesi, they were totally different from the thin and harshly acidic wines of my youth.

In truth I had no idea what to expect from the reds, so really enjoyed the experiences of tasting the wines. They were so varied, from deliciously fruity and modern wines, to rich and powerful examples and refined elegant wines. It seems there is something for everyone here.

We tasted good red wines at pretty much every where we went, but these are the ones that moved me the most.

Wine map of the Marche – click for a larger view.

The main grape in the Marche for red wines is Montepulciano and the most important wine that it is used for is Rosso Cònero DOC and it’s big brother the Cònero Riserva DOCG. Both of these must contain at least 85% Montepulciano and can have up to 15% Sangiovese.

Montepulciano is a grape that struggles with its image I think. For a start there are the cheap and cheerful wines from Montepulciano d’Abruzzo. I know there are good wines made down there, but most of the examples that we get are somewhat jammy and easy drinking. Well most of the Rosso Cònero and Cònero Riserva wines that I tried were nothing like that. They were very enjoyable to drink, but they were layered and complex wines that really excited me.

The other problem for Montepulciano, which can cause confusion, is that in Tuscany there is a town of that name that produces a wine called Vino Nobile di Montepulciano from Sangiovese grapes.

I was really astonished by how good these Cònero wines were and very disappointed that are very hard to come by in the UK.

Cònero DOCG covers the same area, but has lower yields and is aged for at least 2 years.

Fattoria La Terrazze

Fattoria La Terrazze from the air showing the proximity to the sea – photo courtesy of the winery.

My second winery visit in the Marche was to Fattoria La Terrazze in the Rosso Cònero area. The setting is so lovely, 10 km or so to the south of Ancona and only a kilometre or so inland from the Adriatic Sea and Mount Conero which gives this small wine area its name. The mountain is a promontory to the south of Ancona (there is a slight bulge out into the sea on my map) and is the only high point on the east coast of Italy and at 572 metres it really stands out. In ancient times it must have been a welcoming marker to tell sailors that they had made it safely to Ancona.

Antonio Terni.

The estate has been here since 1882 and is still owned by the founding Terni family, although its reputation is all recent. Today it is run by Antonio Terni and his charming English wife Georgina. I liked them, their beautiful winery and all the wines. Antonio is something of a music fan and his rosé is rather memorably called ‘Pink Fluid’. We even tried his bulk wine that is sold to the locals by the litre – they bring their bottles and jars to be filled. The red was a Montepulciano and the white was a Chardonnay and they were very nice, drinkable wines, however, some of his finer products really stood out.

2014 Rosso Cònero
DOC Rosso Cònero
Fattoria La Terrazze

100% Montepulciano grapes are fermented in stainless steel and then aged in huge, 2000-4000 litres wooden barrels for 15 months.

The colour was a mixture of damson and dark cherry, while the nose gave off wild fruit of the forest and light smoke notes together with something a little salty or soy sauce-like. The palate is medium weight with nice acid balance, herbal flavours, salty, mineral and spicy flavours and some coulis like brambles fruit together with a very long finish. I liked this a lot. It was my first wine of the region that I can remember tasting and it was pretty impressive, a worthy alternative to Chianti or something like that – 89/100 points.

The road to Fattoria La Terrazze, that is Monte Cònero and the sea in the distance..

2013 Sassi Neri
DOCG Cònero Riserva
Fattoria La Terrazze

This wine is named after a beach below Monte Cònero which is called black or neri because it is covered in mussels.

This is also 100% Montepulciano grapes that are very carefully selected for this wine, picked later and riper are fermented in stainless steel and then aged in 225 litres wooden barrels for 18-24 months depending on the parcel of fruit. It is also aged for a further 6months in bottle before release.

The colour was attractive, deep, and plummy. The nose was earthy, smoky and savoury in a really attractive way. Then the palate was rich and intense with smoke, herbs, sweet liquorice, a sweet and sour umami thing, rich cooked dark fruit, spice and some pretty big, drying chalky tannins in a good way. My I liked this, it really is beautifully made  – 91/100 points.

Antonio also shared bottle of the 1998 Sassi Neri with us. This was much more developed with more prune-like fruit, fig notes, dried raspberry, as well as rich umami, coffee,muchroom and salty flavours on the lovely finish.

Some of the Fattoria La Terrazze wines are available in the UK from Tannico.co.uk and Italvinus.

Azienda Agricola Moroder

Aerial view of Azienda Agricola Moroder -photo courtesy of the winery.

Azienda Agricola Moroder is another winery in a magnificent setting. It’s in the middle of Conero National Park, just 5 km inland from the Adriatic Sea and the glorious Mount Conero which gives this small wine area its name.

Mattia and Marco Moroder.

The estate today is run by Marco and Mattia Moroder whose family have owned the site since the late eighteenth century, but who turned it into a dedicated winery in 1837. The winery is still in the cellar of the beautiful original farmhouse. The Moroder name is actually Ladin and Germanic and originates in the South Tyrol, indeed the brothers told us that Giorgio Moroder is a relative. They also explained that the name came from bands of fighting men who were left behind, making it strikingly similar to ‘marauder’ in English.

The cellar dates back to 1700 and was originally used as an ice store and to keep food in good condition. Although they have a long history here, their reputation is much more recent and Marco and Mattia’s parents, Alessandro and Serenella Moroder can pretty much be credited with revitalising the red wines of the area.

Azienda Agricola Moroder.

The estate has a huge terrace with beautiful views out over the vineyards making it seem very restful. It covers some 120 hectares, but only 50 are planted with vines. The rest being forest, olives and fruit trees, all of which helps with bio-diversity and other products like oil, jam and truffles. The brothers are keen to have a light impact on nature and since 2010 the estate has been certified organic.

Azienda Agricola Moroder.

We tasted a wide range of their wines, including a sparkling, but it was the reds of the Cònero Rosso DOC and Cònero Riserva DOCg that really got to me. All of these are made from 100% Montepulciano grapes.

They produce a comprehensive range too starting with two very different Cònero Rosso DOC. The fresh, unoaked Aiòn was a great start, but the botti aged Moroder Cònero Rosso was a real step up in complexity.

Botti in the cellar of Azienda Agricola Moroder.

2013 Rosso Cònero
DOC Rosso Cònero
Azienda Agricola Moroder

100% Montepulciano long macerated on the skins to give good colour and flavour, then aged for 24 months in botti, large barrels of 2700 litres.

The nose is lovely with one leafy notes, chocolate and ripe red fruit. The palate is beautifully structured with delicate oak, ripe fruit and tamed tannins. There is plenty of fruit with earthy and mineral flavours. I loved this wine and think many others would too if we could just buy it – 89/100 points.

2004 Rosso Cònero
DOC Rosso Cònero
Azienda Agricola Moroder

100% Montepulciano aged for 24 months in botti, large barrels of 2700 litres.

As you might expect this was much more developed than the 2013 version. The fruit had turned much more savoury, earthy and leathery with a meaty and tomato stem quality. It was a splendid wine, a bit of a treat really, but needed food. The younger, brighter wine was more for me – 89/100 points.

2012 Cònero Riserva
DOCG Cònero Riserva
Azienda Agricola Moroder

This is their standard Cònero Riserva DOCG, the grapes are carefully selected, with low yields and the wine is aged for 30 months in oak, half in 10,000 litre botti and the other 50% in barrels.

The nose is gorgeous, with lifted damsons, sweet cherry and smoky, coffee / mocha notes. The palate is full, smooth and rich with some intense dried fruit characters, fresh acidity and a lovely earthy, savoury character leading to a very long finish. I was hugely impressed by this wine, it was concentrated and intense, with lovely mineral, earthy notes and a wonderful backbone of fresh acidity – 90/100 points.

Azienda Agricola Moroder.

2011 Dorico
DOCG Cònero Riserva
Azienda Agricola Moroder

This is their top wine, a Cònero Riserva DOCg called Dorico in celebration of the Greeks who brought grape growing to the Italian peninsula. This cuvée is made by a very careful selection of the best fruit that is left on the vine for 2 extra weeks to get even riper. The wine is aged for 36 months in barriques, 225 litre barrels.

The nose is gorgeous, with lifted damsons, sweet cherry and smoky, coffee / mocha notes. The palate is full, smooth and rich with some intense dried fruit characters, fresh acidity and a lovely earthy, savoury character leading to a very long finish. I was hugely impressed by this wine, it was concentrated and intense, with lovely mineral, earthy notes and a wonderful backbone of fresh acidity. It was one of my two favourite reds of the trip, beautifully balanced with tension between the richness of the fruit and the grapes natural acidity and the minerality of the style. Again the tannins of this famously tannic grape were very well tamed – 93/100 points.

Some of the Moroder wines are available to be shipped to the UK – until Brexit ruins everything – by Uvinum.

Umani Ronchi

Massimo and Michele Bernetti.

Umani Ronchi is one of the really famous names from this part of Italy, but despite the scale on which they operate, everything of theirs that I tasted was very good indeed. The company was created and is still owned by the Bernetti family. Michele Bernetti is the CEO while his father Massimo is the chairman. It’s a pretty large estate run on several different sites as they produce Verdicchio wines and wines in neighbouring Abruzzo as well as in Cònero and all their vineyards are farmed organically.

Some of Umani Ronchi’s Cònero vineyards.

2016 Serrano
DOC Rosso Cònero
Umani Ronchi

85% Montepulciano with 15% Sangiovese fermented in stainless steel aged in stainless steel to preserve the juicy fruit.

Everything about this wine is fresh, juicy and lively. The colour is vibrant like liquified raspberry. The nose gives bright, fresh lively raspberry fruit together with a touch of herb and pepper. The palate is plump, chunky, smooth and supple with loads of bright, rich fruit and a light touch of chalky tannins on the finish. This is a happy wine that is very modern, very fruity and beautifully made – 89/100 points.

The Umani Ronchi barrel cellar in Cònero.

2011 Campo San Giorgio
DOCG Cònero Riserva
Umani Ronchi

100% Montepulciano grapes carefully selected from the San Giorgio vineyard which was planted around 2000 and is trained into bush vines in order to stress the plant and produce small yields. Everything is done by hand in this vineyard and everything is done to ensure a small crop of concentrated fruit. The grapes are fermented whole, but without the stalks, using the natural yeast to give a spontaneous fermentation. The wine is aged in new oak barriques for 12-14 months depending on the parcel the barrel. They only make around 4000 bottles of this wine. 

The ageing and the maturity really show here, it has an earthy, garnet colour. The nose delivers salty, tangy, earth,  sweet cherry and raspberry notes.
The palate is lovely and supple with a fresh, breezy feel, the oak makes it mocha infused and there is a wonderful concentration of fruit. All in all it has a lovely balance between lightness and richness. There are nice fine grain tannins on the finish, while the minerality and freshness give it great elegance. A very fine and very beautiful red wine – 94/100 points.

I also tasted the 2010 Campo San Giorgio which was also very good, but I thought the 2011 just had the edge – although I would happily drink either.

Some of the Umani Ronchi wines are available in the UK from Tannico.co.uk.

It does seem very strange to me that these are so rarely available in the UK. They deserve to be more widely seen here as the general quality seemed to be very high indeed. The style struck me as being very accessible and would prove popular with anyone who enjoys Chianti, Rioja or Bordeaux. There was nothing odd, rustic or quirky about these wines, they deserve to be widely known and enjoyed and not just treated as an obscure oddity. As you can see I liked some of these very much, the best of these red wines were as good as anything I have tasted this year.

I will leave it at that for now, but I have more to say about the wines of the Marche, some more producers and styles to mention, so will return to the region soon.

 

Wine of the Week – a lovely red wine for Summer

The beautiful south facing slopes at Domaine de Noblaie.

I know we are all supposed to drink rosé wines in summer, and why not, there are some superb rosés around, but even in hot weather you shouldn’t ignore reds completely.

All sorts of red wines are suitable for summer drinking, sparkling reds for instance and smooth fruity red wines with a barbecue, but the most fun style is light red wines.

A lot of people rather poo-poo light red wines, in the UK anyway. Too many people buy into the theory that unless a wine beats you up as you drink it then it isn’t any good. Which is a great shame as lighter red wines can be utterly delightful.

There are many more light and lightish red wines than you might think too, Beaujolais of course, but Valpolicella, Bardolino, Rioja Joven, Swiss Dôle and Gamay, Touraine Gamay, Alsace Pinot Noir, Austrian reds, German reds, red Vinho Verde (if you dare), red Mâcon and a lot of the world’s Pinot Noir.

Any, or all of those, especially New Zealand Pinot Noir, can be perfect in summer. Serve them with lighter food and lightly chilled and you will have a lovely time.

I say lightly chilled, but it depends on the day really. WSET say light reds can be chilled down to about 13˚C, but on a 34˚C day, you might want it cooler than that. It’s up to you.

Recently I was presenting a red wine to big group of people and I really liked it and so did they. It was a Chinon made from Cabernet Franc grapes in the Touraine district of the Loire Valley and although it was pretty light in body, it was very fruity and delicious. What’s more it was a very hot day and so I served it chilled and it went down a storm. I liked it so much that I have made it my Wine of the Week.

Wine map of the Loire Valley – click for a larger view – non watermarked PDF versions are available by agreement.

In my experience the three best appellations for red wines made from Cabernet Franc in the Loire are Saumur-Champigny, St Nicolas de Bourgueil and Chinon. The last of the three actually makes white wines from Chenin Blanc grapes too, but only in tiny quantities, so it is the red wines that we actually see in the shops. Red Chinon has long been a favourite of mine as it is pretty reliable and very good value for money. Chinon is something of a secret in the UK, most consumers simply don’t know about it, but there is usually one on the wine list of any decent French bistrot or brasserie, whether here or in France, and I always order it.

Chinon castle where Joan of Arc met the Dauphin and persuaded him to let her lead the French army against the English.

Although it is in the Loire region, the town of Chinon sits on the north shore of the Vienne River. It is surrounded by 18 other communes (villages) that can make wines that are labelled as Chinon. These estates are on both sides of the Vienne, Domaine de La Noblaie is on the south bank.

It is worth mentioning that Chinon is a delightful town to visit. It is a very beautiful place with lovely little streets, half-timbered buildings, bustling squares lined with cafés, fabulous restaurants and much to see. The Castle sits on the hill above the town and you really do feel as though you have stepped back in time. A visit to the castle is a must. It was once home to Richard I – who together with Henry II and Eleanor of Aquitaine is buried at the nearby Fontevraud Abbey, which is stunning and even boasts a fine restaurant – it was also where Joan of Arc met with the French Dauphin and there is a museum dedicated to her. Rabelais was once mayor of Chinon and they are rightly proud of him. He was born nearby at La Devinière, where there is a museum dedicated to him and his writings.

2014 Le Temps de Cerises
Domaine de La Noblaie
AC / PDO Chinon
Touraine
Loire Valley

This is an old domaine. The site was originally home to some crusaders and was a taxing station used to finance the Crusades. The current house was built in the fifteenth century and it commands a hilltop site some two and a half kilometres south east of Chinon itself. The rock is a chalky limestone called tuffeau and the property has old cellars duck into this rock, perfect for ageing wine. They still use a vat carved into the stone in the 16th century, so wine has clearly been made here for a long time. Further proof is in the name of the hamlet, Le Vau Breton. Breton is the old local name for the Cabernet Franc grape, so it is called Cabernet Franc Valley.

Jérôme Billard.

The grapes are carefully hand harvested, with ruthless selection of the fruit first. The bunches are then carefully laid in plastic hods so as not to bruise or damage the grapes.

Today four generations farm here, but the estate is run by Jérôme Billard who is considered to be one of the great, young talents of Chinon. For a young guy he has quite a career, with stints at Château Petrus, Dominus in California and Sacred Hill in New Zealand before going home to run the family property. They have been certified organic since 2005 and all harvesting is done by hand. Fermantations are spontaneous with the indigenous yeast and the fermentations vary between stainless steel, barrel and that chalk, limestone vat.

That stone vat, used exclusively for his top red cuvée Pierre de Tuf.

The cellars carved into the limestone hillside at Domaine de Noblaie.

Le Temps de Cerises is Jérome’s lowest tier wine, his calling card if you will. It is made from 30 year old vines blended from across the estate. The grapes are hand picked and rigorously selected by the harvesters and everything is done to keep that Cabernet Franc ‘greeness’ at bay, but to preserve the freshness and vitality. The wine is fermented at low temperatures in stainless steel tanks and aged in them on the fine lees for 8 months.

I love this wine, it is delightfully fresh and appealing. It smells of fruit, cherries especially – it has to live up to its name after all – and raspberries with perhaps a dash of blackberry in the mix. There is something leafy and herbaceous there too, but not too much, just enough for interest. On the palate it is juicy and ripe with loads more cherry, some plums and raspberries, a light touch of tannin, fresh acidity and a leafy quality. Overall it feels very smooth, soft and supple, silky even. Serve it cool and enjoy it with almost anything inside or out this summer. It is especially good with cheeses and charcuterie. This is a delicious and very accomplished, simple, little wine that delivers a lot of pleasure – 89/100 points.

Available in the UK for around £10-£13 per bottle from:
The Wine Society (2015 vintage), Hayes Hanson & Clark, Adnams, Frazier’s, Hawkshead Wines, Gusto Wines, Slurp.co.uk.

For US stockists contact European Cellars.

Wine of the Week – A Bit of Australian Hedonism

South Australia vineyards.

Australia is a great and exciting wine producing country and I discovered lots of amazing things on my tour there last year. One of the refreshing things going on down under is groups of independent, young, fearless winemakers making boutique wines in rented winery space in unlikely corners of Australia’s vineyards. In many ways they resemble the bands of hip craft brewers that seem to roam east London, New Zealand and the US.

These are often made in unusual styles and from grape varieties not normally associated with Australian wine. I tasted a good few of that sort of thing, for instance there is quite a fashion nowadays for Spanish and Italian grape varieties from Australia. I have tried some excellent Tempranillo and Garnacha from the Barossa Valley, Fiano from the McLaren Vale, Vermentino from all sorts of places and most recently a delicious Montepulciano from Riverland in South Australia.

In fact it was so delicious that I made it my Wine of the Week.

Map of South Eastern Australia, this wine comes from eastern Riverland, near the state border – click for a larger view – non watermarked PDF versions are available by agreement.

2016 The Bullet Dodger Montepulciano
Delinquente Wine Company
Riverland
South Australia

Not a grape you often see in Australia, but the the guys at Delinquente – pronounced ‘dellin-qwentay’, it’s Italian for delinquent – seem to like being different. The driving force is the wonderfully named Con-Greg Grigoriou. They use Italian grapes and one of their team, Jason Ankles, draws their striking, if somewhat disturbing labels.

Riverland is not a glamorous wine region. It is one of the big irrigated regions of Australia that traditionally produces work horse wines rather than the boutique wines, Berri Estates, Banrock Station and Angove’s are all nearby. However, Con-Greg loves the place. He grew up here by the Murray River and is utterly convinced that it can makes wines as good as anywhere else in the country – on this showing I would have to agree.

Con-Greg Grigoriou amongst his Riverland vines.

Montepulciano is widely grown in Italy, in fact it can be used in over 40 different DOCs or DOCgs. The most famous wine it makes though is Montepulciano d’Abruzzo on the Adriatic coast of Italy. These are usually attractively fruity, inexpensive, easy drinking wines with soft tannins, but there are more ambitious versions produced as well as some impressive Montepulciano and Sangiovese blends from the Conero DOCg in the Marche region near Ancona.

The fruit is all from a single vineyard, owned by Bassham Wines in Barmera. It was originally planted with Chardonnay, but was top grafted- i.e. in situ – in 2009 with more adventurous grape varieties and it is farmed organically. It is fermented in stainless steel and sees no wood at all. The aim appears to be to capture the pure, vivid, ripe fruit and he succeeds in that. The palate is succulent, juicy, creamy and generous like a smoothie of rich plum, black cherry and blackberry together with a little spice. The tannins are very soft, so the wine has no astringency and I defy anyone not to enjoy it. This is utterly delicious and comforting in a richly hedonistic way – 92/100 points.

Available in the UK from £14 per bottle from: The Good Wine Shop, Forest Wines, Kwoff, Unwined in Tooting. More Information is available from Indigo Wines, the UK distributor.

I’m not very good at drinking red wine without food, but this could do the trick. It would also be perfect with a barbecue, or almost any meaty or rich food actually, but I enjoyed my bottle with a curry, it was a great match.

Normally with my Wine of the Week, I talk about a specific wine, but use it to inform my readers about that region and style, so that they can try other wines from that place or grape regardless of whether they can find the specific wine. With this it is bit more tricky and I suppose the real message here is to drink widely and to experiment.