The other type of Vintage Port

The beautiful Douro Valley.

I love Port. I just love everything about it. The story, the landscape, the quintas – or wine farms – and the lodges all taken together have a romance perhaps unique in the world of wine. If you have never been to Port country – the Douro Valley in north Portugal – then you have a treat in store. It is simply one of the most beautiful wine regions in the world.

Recently I tutored a very well received Port tasting and I was astonished that most of us – we were all Brits – expected all Port to be deep, dark, full-bodied and opaque. Which of course Vintage Ports, Ruby Ports and Late Bottled Vintage Ports are. However, the first four Ports in my tasting were quite different. We tried Cálem White & Dry – read about it here, the delicious Sandeman 20 Year Old Tawny – read about it here and then some Colheita Ports before we reached the darker and richer stuff – 2009 Quinta do Infantado Late Bottled Vintage – read about it here, 1997 Quinta do Retiro Vintage Port from Weise & Krohn and the magnificent 2011 Sandeman Vintage Port if you are interested.

The Sandeman 20 Year Old Tawny was superb and everyone loved it, but it was the Colheitas that really astonished everyone. A Colheita you see is a Tawny Port from a single harvest. The big difference between a Vintage – apart from the quality of the year – is that a Vintage Port does almost all its ageing in the bottle. This means that the oxygen cannot get to it, so it retains its richness and fruit for much longer and so ages very slowly. A Colheita though is aged in oak barrels, usually of 600 litres and not new, for at least 8 years, so the oxygen can get to the wine and gently oxidise it, so it goes transparent and orange, or tawny in colour. This means that the flavours and complexity of a Colheita develop mainly because of the ageing. You can make a Colheita in pretty much any harvest, whereas a Vintage Port can only be produced in the occasional exceptional vintage – hence the name of the style.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

A faded Cálem sign in the vineyards near Pinhão.

2000 Cálem Colheita Porto
Cálem Porto
Vila Nova de Gaia
Porto
Portugal

Cálem were founded in 1859  and historically most of their business was with Brazil and Portugal and although they make all styles I don’t think it would be unfair to say that they are something of a White Port and Tawny, including Colheita, specialist. Nowadays Cálem is owned by the Sogevinus Group, as are Barros, Kopke and Burmester. The vineyard this wine hails from is the Quinta da Arnozelo near Vila Nova de Foz Côa in the upper reaches of the Douro – the Douro Superior.

This was the only Colheita that came from a generally declared Vintage Port year and that extra concentration showed, added to which it was the youngest Colheita that I showed. The blend was 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was quite deep, more brown than orange and the nose was pretty full on with nuts, coffee and dried fruit notes. There was still some tannin here on the palate and it was pretty mouth-filling with a silky mouthfeel, rich cooked and dried fruit, spices, nuts, espresso and a long finish. It seemed sweeter than the younger wines somehow because the fruit was still quite vibrant – 91/100 points.

Available in the UK for around £35.00 per bottle from Vintage Wine & Port.

The Douro Valley near Pinhão.

1996 Barros Colheita
Barros Porto
Vila Nova de Gaia
Porto
Portugal

I have always had a soft spot for Barros ever since I sold their wines in another life,  so I was really pleased to see how good this was. Originally a small private house founded by Manuel de Almeida in 1913. It eventually took over lots of other smaller Port houses, including Kopke, until it too became part of the Sogevinus Group in 2006.

The blend was again 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was a deep russet, while the nose was smokey, with coffee, spice, dried fruit and buttery caramel notes and a touch of dried and caramelised orange. The palate was just so joyous that we all stopped talking and looked at each other. There was nutty caramel, dried orange, dried fig, strong coffee and even nougat. The texture was so silky it was almost creamy and the finish went on and on – 93/100 points.

It’s funny because 1996 was considered to be a dire Port vintage and yet this wine really shone, which just goes to show that the vintage guides are wrong, or all that time in wood can work wonders!

Available in the UK for around £35.00 per bottle – click here for stockists.
For US stockist information – click here.

The lovely tiled railway station in Pinhão.

1996 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

Kopke – pronounce Cop-key – was founded in 1638 by Germans Cristiano and Nicolaus Kopke and is thus the very oldest Port house of all – the next oldest is Warre’s and that was founded in 1670, some 32 years later. 378 years later Kopke are the leading producer of Colheitas, producing more than 25% of the style. The fruit, much of it from 100 year old vines, all comes from their Quinta São Luiz which is near Pinhão in the heart of the Douro.

The colour is more red this time, like a robin’s red breast. The nose has confided peel, caramelised orange, dried fruit, toasted nuts and a dash of spice. The palate again is smooth and silky with a slight creamy quality, loads of dried fruit and some salted caramel too. This is delicious, really hedonistic and delicious – 93/100 points.

Available in the UK for around £30.00 per bottle from Marks & Spencer.
For US stockist information – click here.

Porto from Vila Nova de Gaia.

1984 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

This showed its age a little I am afraid. It was lovely and it was a treat, but it seemed a little fragile and brittle.  It was very aromatic and had some coffee and nut and orange and dried fruit notes, while the palate was very smooth and light with dried fruit and spice – 90/100 points.

Available in the UK for around £50.00 per bottle – click here for stockists.
For US stockist information – click here.

A Colheita is a lovely style of Port and is perfect with all manner of things at Christmas, mince pies, panforte, Christmas cake, you name it. So I really do recommend that you get some in for the festive season. I certainly will.

Wine of the Week – Cálem White & Dry Port – with tonic to make a lovely Summer drink

The other day I was sent an enticing box that contained a bottle of Cálem White & Dry Port together with some bottles of tonic, elderflower cordial and a pink grapefruit.

I have enjoyed White Port occasionally in the past, but I think that as a drink it really comes into its own on a hot day when mixed with tonic – it’s a fun drink that offers some of the excitement of a cocktail, while being really easy to prepare – as with Gin & Tonic, you don’t even have to be too fussy about the proportions. Certainly it was wonderful to have a lively and refreshing drink in the recent hot weather, so I have made it my Wine of the Week.

The Cálem cellars in the heart of Villa Nova de Gaia – photo courtesy of the winery.

Cálem White & Dry
Cálem Porto
Port
Douro
Portugal

I have always had a soft spot for Cálem Port, it was founded in 1859 by António Alves Cálem, who initially had a simple aim – to export Portuguese table wines to Brazil. However to avoid the ships coming back empty they would bring back wood, which eventually made them start a cooperage company in Villa Nova de Gaia, a suburb of Porto where many of the Port houses are situated. This in turn led them to mature Port wine in their barrels and then to sell Port, again to Brazil. Today, like Burmester, Kopke and Barros, they are most famous for their wonderful Colheita Ports – a sort of single vintage Tawny that is often aged for decades in barrels – I will be writing about this style in the Autumn. Again, like those other Port houses they are now also part of the Sogevinus group of wineries.

This is a very modern White Port, crisper, fresher and drier than some, but still don’t expect it to be properly dry – Port is fortified with the addition of grape spirit during the fermentation, so Port is by definition sweet, as the sugar that would have been converted into alcohol stays as sugar instead. I am told that this is made from the Malvasia Fina grape variety and the nose is richly floral and a little tropical too and it is that which follows through onto the palate. The fruit is rich and exotic with ripe pear, banana, unctuous peach, even some pineapple and a twist of ripe citrus. The acidity is not bad for a White Port, but still on the low side, so chilling it makes it feel fresher and livelier – as does the slice of grapefruit – while the long, rich, finish shows the sweetness and the high alcohol.

The official photograph of Cálem White & Dry with elderflower cordial and tonic, garnished with grapes here rather than pink grapefruit – the grapefruit works very well – photo courtesy of Cálem.

It’s actually a pretty nice drink on its own – chilled, but add 10cl of elderflower cordial to 50cl of the Cálem White & Dry Port, top up with tonic water and add a slice of pink grapefruit, then you have something wonderfully refreshing, deliciously different and great fun. The tonic cuts through the richness, the elderflower accentuates the freshness and the grapefruit adds that touch of the exotic and more zing – it works even better if you put the grapefruit in first and squeeze it a little.

I had meant to photograph the drink that I made, but I drank it so quickly that I forgot, so the official photograph above will have to do, it certainly makes you thirsty looking at it, doesn’t it? I enjoyed it very much – 87/100 points on its own and 92/100 points as a long drink.

Cálem White & Dry Port is available in the UK at £13 a bottle, from Amathus and Ministry of Drinks.

 

Wine of the Week – a fine Tawny Port

Vineyards on the banks of the Douro in Port country.

I am in a real Port mood at the moment. I cannot imagine why as it is spectacularly unseasonal, but I just seem to have tasted a few Ports recently that have fired up my imagination for this wonderful wine style.

I like Port, I have always liked Port and enjoy it very much, but I don’t actually drink very much of it as it can be pretty heady stuff – especially the rich Ruby types – including LBV – and Vintage.

However, there are lighter styles – Tawnies – and it is some these that I have tasted and enjoyed of late. I say enjoyed, I mean loved!

It is always fascinating to taste a range of Ports and recently I was fortunate enough to taste my way through several that really pleased and impressed me. I will write more about some of those soon, but today I have chosen one of my favourites as my Wine of the Week.

Ruby ports ageing in wooden vats at Quinta do Noval.

Sandeman 20 Year Old Tawny
Sandeman
Villa Nova de Gaia
Porto
Portugal

We have all heard of Sandman I am sure. Who can have failed to see the iconic caped figure – The Don – on a label or in advertisement at some point, but many of us might not be aware quite what a venerable company it is. It was founded in 1790 by George Sandeman – a direct descendant, also called George Sandeman, is still involved with the company – a young Scot who quickly made his mark. It helped the development of his business that he served on the Duke of Wellington’s staff during The Peninsular War. The Duke, although a great soldier and fine commander, was a notorious snob who looked down on anyone who was not of the nobility, so tended to fill his staff with the scions of wealthy and titled families. Throughout the long campaign these young men were able to enjoy George’s Ports and I am sure that the preference for Sandeman’s Port stayed with them throughout their lives. Certainly business was good for a long time to come, with Sandman being a byword for quality until well into the twentieth century. There was a bit of a dip in its fortunes for 20 years from 1982 when it was taken over by Seagrams, but in 2001 Sandemans became part of the impressive Sogrape group and its future now seems bright.

Although Sandman produce all the important styles of Port, including some superb vintages and single quinta vintages, they appear to be something of a Tawny specialist. A true Tawny Port is one that has been aged for a long time in wood – the best examples are sold with an indication of age on the label, 10 year old etc. All that time in wood makes the wine paler and more orange – or tawny – and less sweet and more nutty and caramel-like than a Ruby Port or an LBV. They can be served lightly chilled too, which makes them more versatile wines.

It is really the maturing that defines a Tawny’s style. It is a blend of different vintages and vineyards aged for different lengths of time in different wooden vessels, none of them new – they don’t want the oak to dominate. This particular Tawny is a blend of wines varying from between 15 and 40 years old.

Tawnies and Colheitas (single vintage Tawnies) ageing in cask at Quinta do Noval.

The nose offers a lively mix of rose hips, orange, apricot and caramel, while the palate is creamy with a buttery caramel quality and a rich nutty feel. There is plenty of fruit too, but it has evolved into a gentle plum, raisins and dried red fruit together with a dash of spice. It doesn’t really feel that sweet, although it is, as the nutty and slight salty feel dominate the palate giving it an umami feel and the illusion of savoury richness. The alcohol is nicely balanced and is part of the whole, while the finish is long and satisfying, helped I think by a nice seam of freshness. A glass or 2 of this before going to bed would make all feel right with the world. Mind you, lightly chilled it would make a lovely late afternoon tipple too, or after lunch, or elevenses, you get the picture. A glorious example of fine Tawny port – 92/100 points.

Available in the UK at around £30-35 per bottle from Waitrose, Waitrose Cellar, Slurp, Hedonism Wines, Corking Wines and Lea & Sandeman.
For US stockists, click here.

 

 

Wine of the Week 45 – an elegant and delicious Port

I love Port, as well as the unfortified wines of Portugal’s Douro region (do try this one here), and given how reluctant winter is to leave us this year, in the UK anyway, I thought this delicious Port that I discovered recently would be a lovely, warming Wine of the Week.

The beautiful terraced vineyards of the Douro Valley.

Port has long been dominated by the big brands, many of them still with British names, such as Grahams, Dows, Cockburns, Taylors etc., but that has been changing ever since 1986. Until that year, Port had to be taken from the vineyards in the Upper Douro Valley to the Port Lodges in Vila Nova de Gaia, near Porto, where the big Port houses are based. It was these companies who aged and shipped the wine rather than the grape growers. After 1986 though, the growers were allowed to age and ship their own wines direct from their estates or Quintas in the Upper Douro.

This means that more and more Port is now made by the growers on their own estates, which can only add to the romance of the product. It is also in keeping with the rest of the wine world, where it is very common to find estates that have been growing grapes for decades, or longer, who in recent years have stopped selling their grapes to the big local producer, or cooperative and instead have started making the wines for themselves.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

This is exactly what happened with the Quinta do Infantado, which is a delightful family run Port estate near the lovely village of Pinhão in the heart of the Douro. The Roseira family have been in charge here for well over a century, but the Quinta actually dates back to 1816, when it was founded by the Portuguese Crown Prince, or Infante – hence Infantado. Of course, like all the other growers, the Roseiras, and the Infante before them, sold their grapes to the big names shippers until 1986 – which is presumably explains why the Port houses were called ‘shippers’ rather than producers, which was something I always found odd.

The beautiful tiled railway station in Pinhão.

The beautiful tiled railway station in Pinhão.

The Douro is a very beautiful, rugged, wild place with a very hot climate in the growing season. The land slopes dramatically down to the Douro River and so much of the landscape is terraced to allow for efficient agriculture and to stop soil erosion. The soil is schist, which is decayed slate, so everything makes this a hard landscape to work and ensures that pretty much everything still has to be done by hand – and sometimes by foot – just as it always has. Rather wonderfully at Quinta do Infantado they do still tread the grapes in the traditional manner – this gives a rapid extraction of colour in the shallow, stone fermentation tanks called a lagares.

Vineyards are everywhere you look in Pinhão.

Large wooden vats for ageing Port. These are at Quinta do Noval, which is near Quinta do Infantado.

2009 Quinta do Infantado LBV Port
Port
The blend is 30% Touriga Franca, 30% Touriga Nacional, 30% Tinta Roriz (Tempranillo) with 10% of other local grapes. The grapes are trodden and the finished Port is aged for around 4 years in large (25,000) wooden vats that are over 100 years old and so give no wood flavour to the wine, but do soften the tannins. The finished wine is not filtered or fined before bottling. An LBV, or Late Bottled Vintage, is technically a Reserve Ruby Port from a single vintage.

The colour is an enticing intense, vibrant, deep ruby.
The nose is lifted, scented and lively with rich black fruit notes of blackberry and black cherry, warming spice, liquorice, aniseed, clove, smoke and cedar. There is a floral prettiness there too, even a twist of orange peel.
The palate is sumptuous and fresh tasting with delicious sweet black fruit and lots of red fruit too – rich red plum and cherry, gentle sweet spice, some dry spice and a little smoky, fine grain tannin on the finish. This was also a pretty dry style of Port, not dry exactly, but drier than most.
This is joyous, vibrant and beautifully balanced with excellent integration between the fruit and the alcohol, indeed for a Port it carries its 19.5% alcohol very well indeed.
If more affordable Port tasted this fresh and juicy, I would drink more of it – 91/100.

I greatly enjoyed this with some Manchego and Gorgonzola cheese, but it also goes superbly with chocolate.

Available in the UK for around £15 a bottle from The Wine Reserve, Slurp, Eclectic Tastes, The Drink Shop, Little Big Wine, Exel Wines and the Fine Wine Company. Further stockist information is available from the UK distributor, Liberty Wines.
The US distributor is Louis/Dressner Selections / LDM WINES INC and more stockist information is available here.

Do try this if you get the chance, it is utterly delicious without being overly heavy or spirity either, Quinta do Infantado also produce a wide range of other Ports and table wines too. If I get the chance to taste them I will report back on what those are like too.

Hardscrabble & Feasts in the Douro

The Americans have a genius for words that describe exactly what they mean, so that you can understand it even if you have never heard it before.

Hardscrabble is just such a word and means that the land is so difficult to farm and so poor in nutrients that all you can do is to scratch a subsistence living. I first came across the expression at Linden Vineyards, where Jim Law had bought an abandoned “hardscrabble” farm and turned it into one of Virginia’s most exciting wineries. The place was so steep and stoney that Jim even named the vineyard and the wines produced from it “hardscrabble”.

Rugged, unforgiving vineyards are very often the best place for wine grape growing though, as they force the vine to work hard at surviving and so produce a small crop of tiny grapes with concentrated flavours and depth. In fact land like that, steep, stoney, inhospitable, inaccessible and harsh is perfect for wine grapes, but almost useless for any other marketable crop, which is why so many of these places have become famous as vineyard regions. These hard landscapes tend to be a feature of European wine making more than anywhere else and seem to be most frequently found in the Mediterranean world. Roussillon, Cinque Terre, Santorini, Pantelleria, Rapsani and Priorat could all be regarded as “hardscrabble” wine regions.

Portugal and Galicia do not actually have Mediterranean coasts, but surely they are culturally part of that world too, so I would add the astonishing Ribera Sacra to that list and perhaps the most wild and romantic wine landscape of them all – Portugal’s Douro Valley.

The Douro – vineyards and cruise ship.

Terraced vineyards in the beautiful Douro Valley.

Untended vineyards are a common sight in the Douro.

The terraces soften the landscape and look very appealing.

The Douro is the 3rd longest river in Iberia, after the Tagus and the Ebro. In Spain – where it is called the Duero – it flows through Castilla y León, home to Ribera del Duero and Toro. The countryside here is beautiful, but not rugged or particularly harsh, that comes later once we are within sight of Portugal.  Arribes (del Duero) – where the river marks the frontier – is where the dramatic landscapes start, from here to Vila Nova de Gaia, near Porto, major centres of population are scarce and the wild, rugged, steep, hardscrabble hillsides dominate. In Portugal’s Douro Valley these slopes are home to the vineyards that create Port wines and the still / table wines of  D.O.C. Douro.

The Douro is one of the world’s great wine regions, but I had never managed to visit the place for myself until just the other week as a guest of the Discover the Origin campaign. What I saw fascinated me and educated me about the wines from this beautiful place.

New terraces side by side with rubbed out vineyards.

The region is renowned today for the rich, sweet, fortified Ports, but of course it wasn’t always like that. In the middle ages – and before – this valley made normal wine, probably quite ordinary stuff as far as we can make out from the sparse records. It is even possible that the first wines known as Ports to the outside world were more akin to red Vinho Verde – light-bodied, low in alcohol and very acidic. We certainly know that even though Cromwell favoured them these wines did not catch on with English consumers until the early eighteenth century.

In those days the spirit was only added as the wine was being shipped, this was to protect it from turning bad on the voyage, so that ‘Port’ would most certainly have been dry – as long as the alcoholic fermentation was complete. It seems that until well into the 1820s there was no set time to add the spirit and no set amount of spirit either, so wines labelled Port could have varied enormously from dry red wines to something like the Port we know today. From what I have read it would appear that adding the spirit before the fermentation was complete – and creating a sweet wine – was not universal practice until the 1850s.

Even then not everyone approved, the influential Joseph James Forrester – created Baron Forrester in 1855 in recognition of his important work in mapping the Douro wine region – was campaigning against fortification and trying to persuade Port makers to return to making normal, but high quality, red wines.

Looking at the vineyards it really struck me just how much Port some people must drink! I like Port, very much but just cannot drink very much of it and yet, looking at the vast expanse of vineyards, someone must drink it all. Looking at those intensively planted slopes it is astonishing that is took so long for table wine production to catch on here. It was not until 1952 that a serious attempt was made to produce a fine red table wine from the region, the legendary Barca Velha made by Ferreira. It was slow to catch on at first, but gained in reputation until eventually the tide turned and more and more growers started making table wines in the Douro region. Finally in 1979 the Douro Denominacão de Origem Controlada / D.O.C. was created for the dry, still / table wines of the region – Port had already had its production zone defined by charter in 1756, making it probably the earliest such official wine region in the world.

Even today though the wines of this valley remain less famous than Port, which is a shame because many of the wines that I tasted were really good, but then so were the Ports themselves.

I have often wondered why the ‘Port’ region is so far away from the city whose name it takes. Well the reason is simple, near the coast the weather is wetter and more humid, so the grapes are grown further East and inland where they are sheltered from the Atlantic rains and winds by the Marão and Montemuro mountains. This gives the Douro a more continental climate with extremely hot summers and harsh winters – there are some pockets of a Mediterranean climate too the closer you get to the Spanish border.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

Baixo Corgo – the original area where it all began. This westernmost subregion is wetter than the others and is widely regarded as most suitable for the production of the simpler Ruby and Tawny Ports. However, some of the wines that I tried from this area were superb.

Cima Corgo – the heartland of Port production, this is where the majority of the famous Quintas, or grape farms, are located.

Douro Superior / Upper Douro – this is the hottest and driest zone and extends all the way to the Spanish border. Because it is so cut off it is the most recent zone to be cultivated and so is not intensively planted. Much of this zone is used for table wines rather than Ports.

Large terraces at Quinta do Noval.

Classically the vineyards for Port production are on the well drained schist soils – decayed slate – and are terraced to make them easier to farm and to counter soil erosion. The traditional terraces look lovely, either the socalcos – the original type that look like dry stone wall steps, or the bigger nineteenth century type terrace that is a gentle slope contained by a dry stone wall that allows use of horses and mules.

Patamares at front right, terraces behind.

The more modern patamares, with their big earth banks and very low density planting are not nearly so attractive or in keeping with the landscape and I understand they are now out of favour again.

Everywhere you look in the Douro there is a feast for your eyes, it truly is beautiful and you can clearly see why the wines are like they are. It is a place that draws in the heat and almost abuses the vines that grow here by denying them water and nutrients – all so they can produce tiny amounts of deeply flavoured juice that always has a deep mineral character to it. When drinking the wines you can almost imagine that you are tasting these hillsides.

I will write more about some of the wineries I visited and some of the wines I tasted, but here are some of the highlights of my trip, the first of which had nothing to do with wine:

Trainspotting in the Douro
It has long been a dream of mine to travel on the Douro railway, the wonderful meandering train track that opened up this inaccessible valley in the mid to late nineteenth century. Sadly this was a short visit, so that ambition is still to be fulfilled. However, I was able to se the famous railway station in the delightful town of Pinhão. It’s a famous tourist attraction in its own right because of the beautiful tile decorations, which really are worth seeing.

Pinhão Railway Station.

Pinhão Railway Station.

And now for some wine highlights:

Alves de Sousa, Quinta da Gaviosa
The first stop on my visit was at Alves de Sousa, this turned into a real highlight because they made us feel so at home – oh and the wines were really very good indeed.

Tiago Alves de Sousa telling us about his 80 year old Abandonado vineyard.

This is a true family concern run by Domingos Alves de Sousa and his son Tiago. The impression I got was of a really good balance between Domingos, who seemed traditional and old fashioned in all the good ways and Tiago, who clearly loves his land, but would have been equally at home in a New York bar or an architects practice. The family have long owned some superb vineyards, but have only been producing and bottling their own Ports and table wines since 1987.

They own several Quintas, but we were at the beautiful Quinta da Gaviosa near Régua in the Baixo Corgo, which is the hub of their operation and the family home. The slopes are steep and the deep schist soils clearly visible through the thin ground cover.

The 80-100 year old vines in their Abandonado vineyard. It was abandoned and has been nurtured back to productive life.

The Alves de Sousa were among the pioneers of table wine production in the Douro and I thought all their wines were fascinating. Good though their reds and Ports are – and they  are very good – it was a couple of whites that really fired my imagination here.

For their white wines they use traditional white Douro grapes – a mixture of Malvasia Fina, Gouveio, Viosinho and Arinto – from a mixture of very old vines – 60 years old or so – and newer carefully planted vineyards very high up on north facing slopes where the air is cooler and so the grape’s acids are better preserved.

The 2009 Alves de Sousa Branco de Gaivosa Reserva is a beautifully complex, textured, richly fruity, herbal and flavoursome wine, full of flavour and all balanced by a wonderfully crisp acidity – 88/100 points.

The 2007 Alves de Sousa Reserva Pessoal Branco  is an altogether more individualistic sort of wine, full of character and depth. For this dry white they decided to make a wine with some of the personality and intensity of a white Port. To achieve this it was fermented (on the skins for the first 48 hours) in new French oak with hyper-oxidation and hard pumping over and a further 6 months in new French oak. The result is extraordinary, full flavoured, concentrated and quirky with barley sugar, caramelised orange, rich apricot, spices and honey, in fact it sort of tastes like a very rich Sauternes, but is bone dry. It put me in mind of those new wave amphora aged wines and orange wines, but unlike most of those it is utterly delicious  – 93/100 points.

The entrance to Quinta do Noval.

Quinta do Noval.

Quinta do Noval
A wonderful highlight was staying at the beautiful Quinta do Noval, whose Ports and table wines are justifiably famous. It was tremendously exciting to spend a night at this wonderful place surrounded by the neatly ordered terraced vineyards. A comprehensive tasting of their range followed by a stroll around these terraces gave spectacular views – mind you the one from my bedroom took a lot of beating too – and helped get an overview of this amazing place.

The view from my bedroom, the building bottom right is Noval’s winery.

The beautiful terrace at Quinta do Noval.

Later a civilised aperitif of Noval Extra Dry White Port and tonic prepared our palates for a fabulously traditional dinner of roast goat that paired perfectly with the superb Quinta do Noval red table wines. My favourites were:

2009 Quinta do Noval Touriga Nacional

D.O.C. Douro

 

This had a deep and beautiful colour, while the nose was scented, aromatic and herbal with heather, oregano and rosemary, spices and an earthy, rocky, granite minerality.

The palate was savoury and rich with deep sugar plum fruit, earthy and granitic savoury characters, round tannins with just a touch of bite and great length – 89/100 points.

2009 Quinta do Noval

D.O.C. Douro

 

If anything this blend of 80% Touriga Nacional; 20% Touriga Franca was even more exciting, more intense and vibrant.

The colour was a lovely opaque and intense cassis, while the very rich nose offered liquorice, earthy mineral notes, wild herbs, mocha and a hint of spice.

The palate was very smooth and supple with fine grain tannins, fleshy black fruit to the fore, a supple texture and touches of warm granite, clean earth, leather and eucalyptus. I really loved this wine, it was rich, concentrated and pretty full-bodied, but still had plenty of freshness and elegance – 93/100 points

As I say it was only a short trip of a few days, but I was able to visit some wonderful places and try some superb Ports and wines that really made me aware of the great quality and wonderful things that are produced in this astonishingly beautiful valley. It may be a hard place to grow grapes, but the results do seem to make all the hard work worthwhile.

Other delights
I will tell you about some of my other experiences another time, but I will leave you this time with one of the great simple pleasures of Portugal – the coffee.

Coffee is everywhere in Portugal and the bars all announce who their coffee supplier is on their signs, much as pubs here used to indicate their brewery. The coffee in Portugal always seems very high quality to me and much hotter than the strangely cold coffee they serve in Italy. My favoured style is the Café Pingo or sometimes Pingado, the local term for a cortado, noisette or macchiato. I have been told that the same coffee in Lisbon and southern Portugal is a Café Garoto, but some people describe that as a weaker version as well, so order with care.

As well as coffee the Portuguese like their cakes too, and what cakes they have too. My favourite and the signature cake of Portugal is the scrummy pastel de nata – or if you are greedy (yes, yes, like me) the plural is pastéis de nata. Some people translate these as custard tarts, but that is to do them an injustice. Made properly the pastry has a crisp and flaky texture that makes these tarts irresistible when partnered with the rich creamy, eggy custard-like filling.

Pasteis de nata really are delicious…

The lovely city of Porto / Oporto – I can never work out whether it starts with an O or a P! –  has a vibrant café culture and boasts a handful of wonderful cafés from the late nineteenth and early twentieth century, all are worth a visit. So far my favourite is the beautiful fin de siècle Café Majestic.

The beautiful Café Majestic.

A café Pingu.

So, you see the Douro is an amazing place, beautiful, a joy to visit and full of delights. I will tell you a bit more about my trip there and to Porto very soon.

Port and the Douro – perfect for Christmas

In my quest to tell you about some great wine books this Christmas I am currently reading the third edition of Port and the Douro by Richard Mayson. What better subject is there to read about at Christmas?

Richard Mayson

Port and the Douro
by Richard Mayson
with illustrations by Leo Duff
Published by Infinite Ideas at £30.00
Also available from Amazon.com as well as Amazon.co.uk and Waterstones in the UK at around £27.00.

It is a sadness to me that I do not drink very much Port as I am very fond of the stuff and find it fascinating. I also regret the fact that as yet I still have not visited the Douro, although I hope to put that right very soon. In the meantime I will have to experience the region through Richard Mayson’s eyes and writing.

Luckily I am in capable hands. Richard clearly knows his subject and writes well in an authoritative and almost learned style.

Much to my surprise I greatly enjoyed the first section which gives a general history of Portugal as it relates to Port and the Douro, her wars, politics, culture and gastronomy – my only quibble would be the reference to Oliver Cromwell as a ‘Puritan’, which he certainly was not – but that aside I had learnt a great deal of interesting stuff by page 6.

Given the seeming long history of Port drinking and how closely it is associated with the British in our minds, I found it fascinating that Baltic and Hanseatic merchants actually got the trade going before we Brits arrived – even the Scots beat the English to it in the years before the Union.

I was also astonished by the fact that Port was a dry wine until well into the Eighteenth Century and had the English nickname of ‘black-strap‘. As this term is nowadays associated with molasses I had always understood it to be an archaic colloquial word for Royal Navy rum, but apparently it originally referred to Port.

The development of the wine bottle and of the style of Port we know today seem to go pretty much hand in hand and it seems that it was not really until the beginning of the Nineteenth Century that Port as we know it appeared on the scene. The first recorded use of a Port house name – Croft – as a brand did not occur until 1810 and the practice was not commonplace for another eighty years or so – so only around the time my grandfather was born.

After all this wonderful background Richard settles down to inform us about the geography and geology of the region together with sections that detail the grape varieties that they use. There are maps too and profiles of all the estates marked on them.

The chapter that deals with how Port is made is endlessly interesting – the throw away line about the return to the use of lagares in the the 1990s, after they had been pretty much unused since the mid 1970s, and what that has meant for quality I found very illuminating. Surely it can be no coincidence that this overlaps with something of a Port renaissance.

The chapter on Port Types – referring to the wines rather than the people –  is endlessly fascinating fleshing out details on types of wine that I thought I knew and detailing odd little facts on the classifications and all the styles from Tawny to Rosé and Colheita to Vintage by way of White Port and Moscatel do Douro.

Vintage Port enjoys such fame that it deserves and receives a chapter to itself with vintage details going back to 1844. There is also a directory of Port producers and shippers, which I for one will find invaluable.

Add in sections that deal with the Douro’s table wines of the region, the storage and service of Port and what the future may hold for this great wine region, then I think Richard has done the Port proud and may well have produced the definitive book on the subject.

I have only seen an E book version and not the real thing, so have not felt it or flicked through it as I normally would and therefore have no idea if the book is has that undefinable lovely, tactile and pleasurable feeling that a good book should, but I did like the contents very much.

It is an excellent and beautifully illustrated book that covers Port and the Douro in depth and detail. It’s not a light read, but a serious volume for people who are genuinely interested in the subject and those who need a reference book on this fascinating subject.

 

Tawny Port with Food?

I only went because the idea sounded completely bonkers.

The invitation had arrived a few days earlier, for a Japanese food and Sandeman Port matching dinner. Only half paying attention I almost missed how bizarre the concept was and had to read it again just to make sure that I understood.

I had – it really was a Japanese food and Port paring dinner! If you wonder why I thought that was an extraordinary idea, it is because normally I match the weights of food and wine as much as the flavours. So lighter flavoured food tends to work best with lighter weight wines. I would normally expect big flavoured and full-bodied wines to swamp delicate flavours and I think of Japanese cuisine as having very delicate flavours indeed. So I was really surprised that someone was going to pair it with Port. The idea was so daft that I just had to give it a go!

If I had any doubts about going at all, the fact that the tasting was to be at the trendy Aqua Kyoto just off Regent Street in London was a clincher – as was that our host would be the delightful George Sandeman.

George Sandeman – complete with a well deserved halo!