Castello di Brolio – the resurgence of a great Chianti estate

I seem to have become a bit obsessed by Italian wine of late and there is nothing wrong with that. The country has a great deal to offer, hundreds of indigenous grape varieties, dozens of wine producing areas, every imaginable style – some uniquely Italian – and everything from  honest, everyday wine to some of the grandest fine wine producers in the world.

In the last couple of years I have enjoyed many trips to Italy and tasted many good – and great – wines. However recently I was invited to a wonderful wine dinner and tasting in London as a guest of Baron Francesco Ricasoli, one of the grandest Italian producers of them all.

Brolio Castle and some of its vines.

The Ricasoli family are very old and emerged as feudal lords from Lombardy in the times of Charlemagne. They settled in Tuscany in the area now known as Chianti – perhaps it was then too as the name is thought to be that of an Etruscan family – more specifically what is now the Chianti Classico. The family took ownership of Brolio Castle in 1141 and have been there ever since, which makes them officially the oldest winery in Italy  – quite an achievement when you consider that the castle marked the border between Florence and Siena. I found it extraordinary to be having dinner and chatting away with a man whose direct ancestors would have had dealings with the Medici family and be involved in the intrigue and violent politics of Florence in the Renaissance.

From a wine point of view though his most important ancestor, in modern times anyway, was Bettino Ricasoli, 2nd Baron Ricasoli. Born in 1809, Bettino eventually became the Tuscan Minister of the Interior and was instrumental in pushing for the union of Tuscany with the Kingdom of Sardinia (Piemonte) that took place in 1860 and established the Kingdom of Italy. He went on to serve two terms as Prime Minister of the newly unified Italy.

As if that was not enough for one lifetime, Bettino also made an enormous contribution to the history of Chianti.

Wine map of Tuscany showing the location of Brolio Castle – click for a larger view.

The wine had been around for centuries, indeed Henry VIII was known to drink it, but originally it was only made in the area called the Chianti Hills just to the north of Siena. Indeed the Grand Duke of Tuscany, Cosimo III de’Medici, issued an edict creating the boundaries of the region which today broadly correspond with those of modern Chianti Classico. Brolio is at the heart of this region, in Gaiole in Chianti some 10 km north east of Siena.

The idea of what constituted a Chianti wine seemed to be somewhat fluid in those days. Indeed there is some evidence, as with Rioja, that it was a white wine in the past. It was not until Bettino had finished his stint as Prime Minister that he was able to bring some clarity to what Chianti actually was. He had worked very hard at restoring the Brolio estate, replanting and experimenting with what grape varieties really suited the land and making the best expression of Chianti that he thought possible. In the end he settled on a blend of three grapes, Sangiovese, Canaiolo and Malvasia, or Sangioveto, Canajuolo and Malvagia as they were known back then and sometimes still are locally.

Just as an aside, in those days it was normal to grow lots of grapes together, to pick them together and to vinify them together too as a field blend. Such wines that included white grapes were much paler and lighter than most red wines of today. I was fortunate enough to taste a wine made in this fashion at Thomas Jefferson’s estate in Monticello, Virginia and it was a real eye opener to wines of the past.

So after decades of research and winemaking Bettino finally wrote down what he had learned and sent it in a letter to Professor Cesare Studiati at the University of Pisa in 1872:

‘…I verified the results of the early experiments, that is, that the wine receives most of its aroma from the Sangioveto (which is my particular aim) as well as a certain vigour in taste; the Canajuolo gives it a sweetness which tempers the harshness of the former without taking away any of its aroma, though it has an aroma all of its own; the Malvagia, which could probably be omitted for wines for laying down, tends to dilute the wine made from the first two grapes, but increases the taste and makes the wine lighter and more readily suitable for daily consumption…’

I find it fascinating that even then he knew the Malvasia diluted the wine – softening it to make it drinkable – and could be left out if you wanted to age the wine instead. Malvasia is no longer a permitted grape for Chianti – although it is still grown in the region for other wines – all the grapes used in Chianti must now be black.

Today the estate is the largest in Chianti Classico – 12000 hectares in total with 236 hectares of vines and olive trees and it might all seem rosy, but that is only because of a great deal of hard work and foresight.

The charming Baron Francesco Ricasoli.

In the 1960s the Ricasoli family sold their name, their brand, to Seagrams. They managed the vineyards and sold the wine to Seagram who marketed it around the world. It may seem strange today, but at the time it made total sense. Many fine wine regions were struggling, astonishingly both Chablis and Côte Rôtie almost disappeared at that time, and Chianti was going through a hard time too. The wines had lost their reputation for quality and many producers had lost confidence in their grapes and their land – this was the time when some Chianti makers saw their future in Cabernet and Merlot and the ‘Super-Tuscans’ were born.

The Seagrams deal saved them at the time, but undermined their history and reputation. Baron Francesco Ricasoli took over the family business in 1990 and decided to put that right. The first thing he did was extensive replanting to ensure the quality came right in the vineyard. Then when Seagrams sold out to Hardy’s in 1993 he was able to buy the family brand back. From then on the focus has been on quality and re-establishing the prestige of their brand.

Brolio Castle.

Francesco was not a winemaker by trade, but a professional photographer, so since 1990 has been operating outside his comfort zone in many ways – although frankly it doesn’t show. He is assured, charming, deeply knowledgeable about his land and I could have listened to him forever. He introduced his wines with modesty and was keen to emphasise that he had built a team to make this project work, but you could hear the pride in his voice when he told us that in 20 years Ricasoli went from being almost forgotten to being regarded once more as a great estate.

Key to the progress they have made with their wines is their zoning project. This is a study in collaboration with the Experimental Institute for the Study and Protection of the Soil in Florence, which is mapping each parcel of vineyards by soil and climate to ensure that the correct grapes varieties are planted where they should be and on the most suitable rootstock.

The tasting was held at Pied à Terre in Charlotte Street in London and the food was an exquisite backdrop to these wonderful wines.

The aperitif:

2015 Torricella
Barone Ricasoli
IGT Toscana

This was our aperitif and it was a  blend of 75% Chardonnay blended with 25% Sauvignon Blanc. The Chardonnay was aged for 9 months in used barriques and tonneaux on the lees. the sauvignon was aged on the lees in stainless steel for 9 months.

This was a terrific wine with a lovely, beguiling, balance of richness and texture with freshness, acidity and minerality. I have had a few wines over the years that blend these two grape varieties together and they always seem good to me, so I often wonder why more people don’t don’t do it. This example is very fine – 91/100 points.

Available in the UK for around £17 per bottle from:
Fareham Wine Cellar and Slurp.

Served with Roasted quail, baby beetroots and wild mushrooms:

2013 Casalferro
Barone Ricasoli
IGT Toscana

A single vineyard Super-Tuscan wine that has been produced since 1993. It was originally pure Sangiovese, but is now 100% Merlot. The vineyard is south facing and the soil is chalky clay. The different blocks were aged for between 18 and 21 months in French oak barriques and tonneaux before blending.

I am not always a fan of Merlot, but this was delicious stuff. The colour was deep, vibrant and plummy, while the lifted nose offered mocha, chocolate, plums and coffee with a touch of earth and even a whiff of the Mediterranean. The palate was smooth, creamy almost with light grainy tannins, vanilla, rose hips, plums and a dusting of cocoa. The flavours really build in the mouth and it is very long. It was a great match – 92/100 points.

Available in the UK for around £40 per bottle from:
Tannico and Just in Cases.

2006 Casalferro
Barone Ricasoli
IGT Toscana

This was the last vintage that blended 30% Merlot and 70% Sangiovese together, from 2007 Casalferro has been pure Merlot. The wine was aged for 18 months in French oak barriques.

Beginning to show its age with a tawny rim and a briny, balsamic dominated aroma together with leather, earth, dried fruits and strong coffee. The palate was very soft, yet savoury and earthy with something almost medicinal about it. The tannins and the fruit were smooth and velvety and the acidity, presumably from the Sangiovese, kept it youthful and bright. This was magnificent with the quail meat, especially the crispy roast quail legs – 93/100 points.

Available in the UK for around £40 per bottle from:
Hedonism Wines.

Served with venison, celeriac, watercress, sprouts and chestnuts:

2013 Chianti Classico Gran Selezione
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

This wine, now labelled as Gran Selezione – the first eligible vintage was 2010, is the Grand Vin of the estate. Gran Selezione is an attempt to firm up the quality credentials of top Chianti Classico. Historically the Riserva wines were the pinnacle of production, but normal Chianti Classico could be aged longer in wood and be labelled as a Reserve, so nothing really set the wines apart as being great quality.

Gran Selezione wines must be made from estate grown fruit, not bought in. The minimum alcohol must be 13% compared to 12.5% for Riserva. The wine must be aged for 30 months, compared to 24 months for Riserva. There is some controversy around the adoption of this new system, but I can see the point of it.

This 90% Sangiovese, 5% Cabernet Sauvignon and 5% Petit Verdot blend is made from a very careful selection of the best fruit on the estate, fermented in stainless steel then aged for 21 months in French oak barriques and tonneaux – 20% new.

The nose offered bright plums and pomegranates together with rich earth and mocha notes. The palate was supple, youthful, joyous and delicious with fine grain tannins, sweet red fruit and a harmonious feel. I could drink it now, but it really needs time – 94/100 points.

Available in the UK for around £40 per bottle from:
Waitrose Cellar, Tannico and Millésima.

2008 Chianti Classico
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

This 80% Sangiovese, 10% Cabernet Sauvignon and 10% Merlot blend is made from a very careful selection of the best fruit on the estate, fermented in stainless steel then aged for 28 months in French oak barriques and tonneaux – 20% new.

2008 is not considered a great vintage, but Francesco is very fond of it and wanted to share it with us. I am glad he did, I thought it was terrific.

The age is beginning to show here with more toffee, caramel and balsamic, soy sauce and general umami note The palate was very supple, very smooth with nice freshness, dried fig fruit, mushrooms, smoky coffee and caramel flavours. The finish was long, savoury and saline with a touch of mocha and cedar too. A beautiful wine ageing gracefully – 93/100 points.

2003 Chianti Classico
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

One of the hottest vintages to date, this was a blend of  Sangiovese with a little cabernet sauvignon. The wine was aged for 18 months in French oak barriques – 65% new.

The age shows here, but it is very good. the nose is earthy, mushroomy, truffles, meaty, dried figs and rich coffee, even a touch of stout on the nose. The palate is again very supple with sweet dried figs, almost no tannins and a meaty, savoury richness that makes it great with food – 93/100 points.

Served with the cheese course:

2013 Colledilà Chianti Classico Gran Selezione
Barone Ricasoli
DOCg Chianti Classico

This wine is a site specific, pure Sangiovese Chianti Classico that is now labelled as a Gran Selezione. In effect it is a Cru from a vineyard on the estate that sits at 380 metres above sea level and faces south west. 

100% Sangiovese made from a very careful selection of the best fruit on the estate on the Colledilà block, fermented in stainless steel then aged for 21 months in French oak barriques and tonneaux – 40% new.

I am not always wowed by the top wines of an estate, but this really seduced me. What’s more it was from a difficult vintage with lots of hail. It was fragrant, floral, perfumed with sweet red fruit, mocha and a touch f tobacco. The palate was smooth, supple, smoky with fine grain tannins, ripe red fruit and a beautifully fresh, lightly flesh and succulent mid weight to it. This was stunning wine and I would add that the label is utterly beautiful too – 95/100 points.

Available in the UK for around £50 per bottle from:
Hedonism and Millésima.

2010 Colledilà Chianti Classico
Barone Ricasoli
DOCg Chianti Classico

100% Sangiovese made from a very careful selection of the best fruit on the estate on the Colledilà block, fermented in stainless steel then aged for 18 months in French oak barriques and tonneaux.

Showing some lovely bottle age, this is much more savoury and meaty with dried fruit, walnuts and coffee aromas, even some toffee. The palate is wonderfully cohesive with an underlying freshness balancing the richness and binding it all together. The tannins are supple and there is a dried fruit and savoury, earthy flavours and a sense of purity about it that makes it sing. It was magnificent with the Comté – 93/100 points.

Available in the UK for around £32 per bottle from:
Vintage Wine & Port.

Served with the petit fours:

2007 Vin Santo
Castello di Brolio
Barone Ricasoli
DOCg Chianti Classico

This blend of Malvasia and  Sangiovese is made from late harvested grapes that are then dried over the winter to concentrate the sugars further.  The juice is then fermented and the wine then aged for 4-5 years in French oak barriques.

This was the colour of Malt Whiskey and had a nose of cinder toffee, caramel, oranges, dried apricots together with a whiff of old books, leather, pipe tobacco and coffee. The palate is a wonderfully sumptuous blend of sweet and sour with chestnut, coffee, dried fig, maple syrup and concentrated apricot fruit. The finish is firm and surprisingly unsweet with great acidity and balance. The end is almost savoury and salty with reminders of Sherry, Sauternes and Madeira on the nose and plate – 93/100 points.

Available in the UK for around £33 per half litre from:
Hennings Wine.

The whole evening was a memorable experience of good company, excellent food and magnificent wines. If you want to see what Chianti can be, do try one of the wines from Castello di Brolio Barone Ricasoli, they are quite a revelation.

The wines that I have written about here are the pinnacle of Barone Ricasoli’s production. If you want to dip a toe in the water and try their wines without quite such a large price tag, then they make many other wines including their superb Barone Ricasoli Brolio Chianti Classico Riserva, their excellent Brolio Chianti Classico  – also here – and the Waitrose in Partnership Chianti Classico, which is very good and great value for money.

Barone Ricasoli wines are imported into the UK by John E Fells.

Barone Ricasoli wines are imported into the US by Domaine Select & Liber Selections,

Australia’s wine dark sea

Go into any supermarket or wine shop and browse the shelves of New World wines and you could be forgiven for thinking that there are only about 6 different grape varieties in existence.

The French role model for wine is so embedded that it is the classic grapes from that country that are most widely used and the styles of France that are emulated around the world.

It therefore comes as quite a shock to learn that most of the wine regions in countries outside Europe have climates very different from those in the classic regions of France, be it Bordeaux or Burgundy.

The harvest at d’Arenberg in the McLaren Vale, perhaps the most Mediterranean-like region of Australia.

Time after time the climates of the wine making zones in Chile, South Africa, California and Australia are described as Mediterranean, and yet most producers in these places grow Chardonnay, Cabernet sauvignon and Merlot. Traditionally only the mavericks and the odd obsessive seem to have actually grown grape varieties that originate in the Mediterranean.

Actually I am nor sure that is entirely true. Very often viticulture in these places began with a wide range of grape varieties, but in modern times the focus has been on the famous ones – which usually turns out to be the French grapes – rather than grape varieties that are associated with less well known and less admired wine types from Europe. Very often all sorts of grapes are grown, often in the most unlikely places, but they do not catch on for all sorts of reasons, be they fashion or snobbery.

Well, I detect a change.

I have experienced that change in Chile  – see here and here – as well as South Africa – see hereCalifornia and even New Zealand, but I found the change most marked in my recent trip to Australia.

I took this photograph at Tyrrell’s in the Hunter Valley. All the wines were superb here and I was thrilled to take this photo, but had to wait ages for her to look up so that I could see the joey in the pouch.

Time after time in wine shops, restaurants and wineries I found Australian wines made from an exciting array of grape varieties, quite unlike the relatively narrow range that fills the shelves of the Australian section in wine shops and supermarkets in the UK. There was a huge variety just presented as normal over there and most of the more intriguing grape varieties originated in Mediterranean countries.

As a consequence of the exciting wines that I found in Australia I have recently put on a few very well received tastings of these wines – in the main you have to seek them out, but the work is worth it.

Map of South Eastern Australia – click for a larger view – non watermarked PDF versions are available by agreement.

White Wines

I am always saddened that so few consumers – even in the countries make them –  have caught on to the delights of the white wines from Mediterranean countries. To my mind some of the most exciting white wines around come  from Italy, Spain, Portugal and even Greece – or are made from the grapes that hail from those places. It shouldn’t surprise us really as the cuisine of the Mediterranean tends to go much better with white wine than red. However historically it was much more difficult to make good white wines in hot places until well into the twentieth century, so the white wines of that part of the world were pretty much written off as no good and that reputation has become embedded in our memory.

The Eden Valley, the cool part of Barossa.

2014 Peter Lehman H&V Verdejo
Peter Lehman
Barossa Valley
South Australia

I have long been a fan of Verdejo (Ver-deh-ho) it is a lovely grape that is native to Castilla y León and to my mind makes Spain’s most reliable white wines in the little wine region of Rueda. The grape has travelled a little bit, I have had good Verdejo from Virginia – click here –  for instance, but I was thrilled to find it producing excellent whites in Australia too. Normally Verdejo makes wines that are very much in the mould of a Sauvignon Blanc, but the vine can cope with much hotter conditions that Sauvignon, so it could be a big part of the future of white wine in Australia.

Sadly I rather get the impression that this is the only vintage ever made of this wine. If that is so, they really should rethink as I have shown this at 2 tastings now and people have absolutely loved it.

Interestingly it is quite different from a Spanish Verdejo. It is much lighter, fresher – even at 3 years old – and more zingy. The colour is very pale, while the nose gives lime and tangerine with just a touch of something salty.

The beautiful southern end of the Eden and Barossa Valleys.

The palate is pure, mineral and and light – it is 11.5% abv – with a tiny touch of petillance, clean citrus and light stone fruit. It is very refreshing and quite delicious. The style leans more towards a fine Vinho Verde or Txakoli than Rueda and while it is not like nothing else produced in Australia – except some of the fabulously taut and lean Eden Valley Rieslings – it is a real triumph in my opinion. If you can find any, try it with some garlic prawns, grilled fish or barbecued sardines – 89/100 points.

I can no longer find any stockists for this lovely wine, so contact Peter Lehman wines for information.

Many times on the trip I enjoyed some simply cooked prawns, Moreton Bay Bugs or clams with garlic and oil and lemon together with a glass of white wine made from a suitably Mediterranean grape variety – my favourite place for such delights was Sydney Fish Market or Claypots Evening Star in South Melbourne Market and my favourite grape to accompany them was Fiano which seems to be becoming very popular down under.

The busy but tiny kitchen at Clay Pots Evening Star, a great place for seafood and wine.

2016 Hancock & Hancock Home Vineyard Fiano
Hancock & Hancock
McLaren Vale
South Australia

I like Fiano. It is a fabulous white grape from Campania in southern Italy. Campania is a great region, centred on Naples it produces some of Italy’s most exciting wines, using a palate of high quality indigenous grapes including Fiano. The best examples are widely considered to be those from vineyards on the volcanic slopes around the town of Avellino. Fiano di Avellino is a DOCg and is a prestigious, fine and mineral dry white, while other examples from Campania, grown on non-volcanic soils, tend to be softer and easier to drink.

Fiano is an ancient variety that is believed to have been used to make the famous Apianum wine in Roman times. Back then the grape was known as Vitis Apiana beacuse it apparently attracted bees (apis). Of all Campania’s whites I find the best Fiano to be the most refined and most balanced in terms of fruit and acidity.

Fiano is also found in other parts of Campania, including the Sorrento peninsula, and Puglia – the heel of Italy. I was vaguely aware that a few people grew the grape else where. Jenny Dobson makes one at Bush Hawk Vineyards in New Zealand’s Hawkes Bay, but it seems that Australia has really taken this, slightly exotic grape, to its heart and around 70 producers have now started making examples of Fiano – which is hardly surprising as Italian food and Mediterranean style is big down under, so Fiano would be a perfect accompaniment.

Chris Hancock.

Chris and his brother John Hancock have owned their Home Vineyard in McLaren Vale for over 10 years now. They farm some 80 year old Grenache and Shiraz, together with Cabernet and Touriga, as well as having a 2 hectare plot of Fiano that was head grafted, in situ, onto Chardonnay in 2012. Chris Hancock, who is an honourary Master of Wine, worked with Robert Oatley for many years and Chris is still involved with the Robert Oatley company which distributes his Hancock & Hancock wines.

Hancock & Hancock Home Vineyard – photo courtesy of the winery.

A part of this was fermented in neutral, old, oak barrels to give roundness and volume rather than flavour, but most was fermented in stainless steel at low temperatures.

To look at the wine has a crystalline purity about it, then on the nose it has nectarine and white peach together with some lemon zest, dry honey and herbs. On the palate there lots of fruit giving a juiciness which is then balanced by freshness and a little taut minerality in the background. The texture is succulent, ever so slightly creamy even which together with the lemon, stone fruit and touch of herbs makes it delicious and very drinkable.

It is light and crisp enough to be refreshing, yet juicy enough and succulent enough to feel interesting and more complex. In a kind of way it shows the ripeness of the place it is from and some the beguiling minerality of the grape, which gives it an inbuilt tension. Lovely with fish, chicken, Mediterranean food, or just to drink on its own – 91/100 points.

Available in the UK for around £14 per bottle from:
The Oxford Wine Company, Farnham Wine Cellar, Flagship Wines, The Wine Reserve, Drinkfinder, Amazon.co.uk, Eynsham Cellars, Luvians Bottleshop, Ann et Vin, Warren Wines & Amp Fine Wines. More stockist information is available from Hatch Mansfield, the distributor.

2016 Jim Barry Assyrtiko
Jim Barry Wines
Clare Valley
South Australia

The wonderful Assyrtiko grape is the main grape variety used on the island of Santorini in Greece. This amazing grape is responsible for producing some of the very finest dry white wines – and great dessert wines too – of the entire Mediterranean world. At their best these wines are bright, mineral and refreshing and there is nothing better with a bit of fish or some calamares. If you like crisp, dry, taut white wines, along the lines of Sancerre or Chablis, then you would certainly like a dry white Santorini.

Sue and Peter Barry in the Lodge Hill Vineyard August 2012.

Peter Barry certainly does. He is the third generation winemaker at his family’s Jim Barry winery in South Australia’s Clare Valley. In 2006 he and his wife Sue were on holiday on Santorini and they were astonished by the quality of the local wines. Their bracing acidity reminded them of the Rieslings that they made back home, but they had something extra too. That something extra was probably minerality, which is what the combination of the Assytiko grape and the volcanic soils delivers.

Peter had got the bug and returned to the island in 2008 in order to collect some cuttings of Assyrtiko from the always excellent Ktima Aryros, Argyros Estate. After a period of quarantine the vines were eventually planted at their beautiful Lodge Hill Vineyard. Peter was convinced that although the soils were very different, the other conditions would really suit Assyrtiko.

Lodge Hill Vineyard.

There is nothing fancy about the winemaking here, just perfectly ripe grapes cold fermented at low temperatures in order to retain all the freshness and delicate flavours of the grape.

The nose is lovely, floral, citric and lifted with some richer notes of apricot and pear and even a hint of sage. The palate is gorgeous, bright, fresh, pure and pristine with a lovely little touch of silky succulence balancing the high acidity. There are lime, orange, pear, apricot and nectarine flavours together with a little chalky minerality. It balances purity and freshness with fruit and texture beautifully. It’s quite a beguiling wine, but in the end delivers a wonderfully vibrant wine with crisp acidity, pure minerality and delicious fruit. It is a tad richer and softer than a Santorini, but that just adds to the sensation of trying something totally new. This is a fine white wine – 93/100 points.

This is a perfect wine to serve with some clams in white wine and garlic, seared scallops, grilled prawns, moreton bay bugs, some sea bass, sea bream, swordfish or tuna, or try it with spaghetti all vongole

By the way, they only made around 3,000 bottles, so grab it while you can!

Available in the UK for around £20 per bottle from:
Corking Wines, Noel Young Wines, The Solent Cellar, D Vine Cellars, Eagle’s Wines,Vagabond and House of Townend.

Red Wines

The reds are just as exciting and more prolific too. Everywhere I went there were delicious Mediterranean grapes on offer, even places that didn’t release one often had them to taste. The wonderful restaurant at Innocent Bystander in the Yarra Valley offered litres of Sangiovese straight from the barrel, but did not sell it to take away. It went superbly with their fabulous pizzas and local meats.

2015 La La Land Tempranillo
Wingara Wines
Murray Darling
Victoria

Tempranillo is of course famous as the main grape of Rioja. In Rioja the style of wine is as much about the ageing in wooden barrels as anything else, so the fruit is not always the most important character of the wine. Elsewhere in the Iberian Peninsula you get Rioja look alikes as well as wines with brighter fruit and less obvious oak ageing. Very often in Iberia Tempranillo goes by other local names such as; Ull de Llebre (Catalunya), Cencibel (La Mancha), Tinto Fino, Tinto del Pais, Tinto del Toro (Castilla y León), Aragonez (southern Portugal) and Tinta Roriz (northern Portugal, especially the Douro).

Although there are some plantings of Tempranillo in Argentina, Chile, California, New Zealand and South Africa I have always been surprised that the grape has not yet really broken through to be a proper mainstream international grape variety. Well, there was a lot of it in the wine shops in Australia, so perhaps its time has come?

Wingara are a big company who make huge volumes of wine, they also own the Deakin Estate and the Katnook Estate in Coonawarra, and this wine comes from their vineyards in the Murray Darling Sunraysia region, which straddles the border between New South Wales and Victoria near the border with South Australia. The vineyards are in Mildura, right on the border with New South Wales. This is a huge region that is irrigated and geared up for volume. However Australia often shows that volume and quality often go hand in hand and this is a terrific wine that is aged for some 8 months in used American oak.

You have to put Rioja out of your mind with this wine. It gives aromas of plums, rich, jammy strawberries, vanilla and sweet spice. The palate soft, juicy and fleshy with sweet red fruit and sweet, ripe tannins, a twist of something darker, vanilla and a light dusting of spice.

This is unashamedly a crowd pleaser of a wine and it certainly pleased my crowds and I know from experience that it goes with almost anything, even chilled at a barbecue – 88/100 points.

Available in the UK for £9.99 per bottle from:
Majestic Wine Warehouse.

2016 The Bullet Dodger Montepulciano
Delinquente Wine Company
Riverland
South Australia

Not a grape you often see in Australia, but the the guys at Delinquente – pronounced ‘dellin-qwentay’, it’s Italian for delinquent – seem to like being different. The driving force is the wonderfully named Con-Greg Grigoriou. They use Italian grapes and one of their team, Jason Ankles, draws their striking, if somewhat disturbing labels.

Riverland is not a glamorous wine region. It is one of the big irrigated regions of Australia that traditionally produces work horse wines rather than boutique wines, Berri Estates, Banrock Station and Angove’s are all nearby. However, Con-Greg loves the place. He grew up here by the Murray River and is utterly convinced that it can makes wines as good as anywhere else in the country – on this showing I would have to agree.

Con-Greg Grigoriou amongst his Riverland vines.

Montepulciano is widely grown in Italy, in fact it can be used in over 40 different DOCs or DOCgs. The most famous wine it makes though is Montepulciano d’Abruzzo on the Adriatic coast of Italy. These are usually attractively fruity, inexpensive, easy drinking wines with soft tannins, but there are more ambitious versions produced as well as some impressive examples from the Conero DOCg in the Marche region near Ancona.

The fruit is all from a single vineyard, owned by Bassham Wines in Barmera. It was originally planted with Chardonnay, but was top grafted- i.e. in situ – in 2009 with more adventurous grape varieties and it is farmed organically. It is fermented in stainless steel and sees no wood at all. The aim appears to be to capture the pure, vivid, ripe fruit and he succeeds in that. The palate is succulent, juicy, creamy and generous like a smoothie of rich plum, black cherry and blackberry together with a little spice. The tannins are very soft, so the wine has no astringency and I defy anyone not to enjoy it. This is utterly delicious and comforting in a richly hedonistic way – 92/100 points.

Available in the UK from £14 per bottle from:
The Good Wine Shop, Forest Wines, Kwoff, Unwined in Tooting. More Information is available from Indigo Wines, the UK distributor.

I’m not very good at drinking red wine without food, but this could do the trick. It would also be perfect with a barbecue, or almost any meaty or rich food actually, but I enjoyed my bottle with a curry, it was a great match.

2014 Robert Oatley Signature GSM
Robert Oatley Wines
McLaren Vale
South Australia

Perhaps this is not as unusual or surprising as the other wines in the line up, but it’s really good and fits the theme perfectly. Australian GSM blends – Grenache-Shiraz-Mourvèdre have been with us for quite a while and are gaining popularity. Who knows they may well have kick started the whole Mediterranean grape wave in Australia.  Mourvèdre by the way is the same grape as  Mataro and Monastrell. Of course the blend is a nod towards the style of Côtes-du-Rhône and Châteauneuf-du-Pape.

The late Robert Oatley.

Bob Oatley was one of the great characters of Australian wine who founded the famous Rosemount Estate nearly 50 years ago. Rosemount was immensely successful and it grew from a tiny boutique estate into a giant winery and Robert eventually sold it in 2001. However by this time he had also bought the venerable Craigmoor Winery in Mudgee in New South Wales and set up Oatley Vineyards there. This slowly became the hub of an enterprise that makes wine right across the premium vineyard sites of Australia and has cellar doors and restaurants in the Mudgee and Margaret River regions. In the 1990’s Robert Oatley was the first person to make a wine as a ‘GSM’.

This wine is a blend of 50% Grenache, 45% Shiraz and 5% Mourvèdre from southern McLaren Vale, which has a distinctly Mediterranean climate and a gentle maritime influence. The blend is matured in French oak barrels for 9 months.

It’s a wine that always goes down well, with warm aromas of mixed red fruit, rich strawberry and cherry, spices and a touch of leather. The palate is juicy, mouth-coating and sumptuous with concentrated red fruit, liquorice, sweet spice and savoury, gamey, earthy notes and all the while it has that hallmark South Australian softness. All in all a delicious and very, very drinkable wine – 90/100 points.

Serve it with slow cooked lamb, venison, kangaroo, lamb kebabs cooked on rosemary twigs, shepherd’s pie or just about anything hearty.

Available in the UK for around £15.00 per bottle from:
The Oxford Wine Company, The Halifax Wine Company, Just in Cases, Fareham Wine Cellar, Winedrop & the Clifton Cellars. More stockist information is available from Hatch Mansfield, the distributor.

2012 Alpha Box & Dice Xola Aglianico
Alpha Box & Dice / Viottolo Vineyards
McLaren Vale
South Australia

Aglianico (Ali-ani-coe) is yet another great Italian grape variety. Like Fiano it comes from Campania in the south where it makes all sorts of red wines, and the odd rosé, but is most famous for producing Taurasi GOCg in central Campania and Aglianico del Vulture in the wild landscape of Basilicata.

I love Taurasi. At its best it can be one of the very best red wines of Italy, but the grape is very tannic and very acidic – it’s often called the Barolo of the south, although it is much more full-bodied – so it is best to drink it from a producer who really knows what they are doing. Some of the best examples that I have ever tasted are made by the wonderful Raffaele Guastaferro of Cantine Guastaferro – he uses 200 year old vines! – the wonderful Feudo di San Gregorio and the lovely Milena Pepe who makes a huge range of fabulous wines at Tenuta Cavalier Pepe.

Because it can be such a hard grape, I was very excited to find Aglianico in Australia and hoped that the longer growing season and more sun would tame the grape’s wild nature. I was not disappointed.

Alpha Box & Dice cellar door.

Alpha Box & Dice is a little like Delinquente in that they present themselves to the world in a very modern way rather like craft beer producers do. Indeed much like craft beer you will struggle to find any actual information on their labels, just striking artwork and strange mottos for life. The place is quite extraordinary with a very relaxed feel and lots of mismatched furniture at the cellar door, but the wines are breathtaking.

The farming here is all biodynamic and while the labels seem cool and amusing you get the feel that the winemaking is taken very seriously indeed – I think you have to with a grape like Aglianico.

The grape is a very late ripener and even in Australia it is not picked until the very end of the season in late April. Once the grapes have been de-stemmed, to help reduce tannin, and the fermentation has taken place the wine is aged in used oak barrels for 36 months. This allows the air to trickle in and soften the tannins in the wine.

Oh my I loved this, it looks quite earthy and garnet with an amazing nose of flowers, balsamic, umami, liquorice, dried fruit and spice with some coffee thrown in. The palate is a shock, even here in Australia it is very acidic – in a good way – with rich cherry, some blackberry, plum, dry, peppery spice, leather, coffee, meat and lovely supple, ripe tannins that just nibble at your gums. A heady wine indeed that needs chargrilled meat or some really good beef – 93/100 points.

Available in the UK for around £20 per bottle from:
All About Wine, Vincognito, Drinkmonger and WoodWinters. More stockist information is available from Boutinot, the distributor.

2010 D’Arenberg The Cenosilicaphobic Cat Sagrantino-Cinsault
D’Arenberg
McLaren Vale
South Australia

Sagrantino is an amazing grape variety that is nowhere near as well known as it ought to be. It comes from Umbria in Italy where it is used to make the Sagrantino di Montefalco DOCg wines and the Montefalco DOC wines that blend it with at least 70% Sangiovese to soften the tannins.

I love D’Arenberg, they are quirky and inventive and never afraid to put themselves out there. The Osborn family have owned it since 1912 and d’Arenberg Osborn – d’Arry – and his son Chester have achieved great things over the last 50 years or so. They actually released the first successful table wine in South Australia as recently as 1955. This was d’Arry’s Original, then called a Red Burgundy, now labelled as Shiraz-Grenache! Their range is large and idiosyncratic, but never disappoints.

Chester & d’Arry Osborn.

This particular wine was new to me this year and I am thrilled by it. 85% Sagrantino is tamed by 15% of light, spicy Cinsault and the South Australian sun. Some of the wine is trodden by foot, it is basket pressed and aged for 2 years in old French and American oak barrels, just to let the air soften those hard ‘gritty’ tannins. Cenosilicaphobic by the way means the fear of an empty glass!

Foot treading the Sagrantino at d’Arenberg.

This is another full on wine with aromas of dried cherry, chocolate, plums, earth, mocha and something wild and floral about it – possibly from the Cinsault. The palate is full and rich with a nice combination of soft, voluptuous richness and hard edged richness. There’re rich fruit, liquorice, balsamic, spices, coffee, chocolate and while there are plenty of tannins they are not aggressive and they have been tamed. A wonderful wine to enjoy with stews and pies – 92/100 points.

Available in the UK for around £20 per bottle from:
Quality Wines, ND John, Auswinesonline.co.uk, Drink Finder. More stockist information is available from Enotria & Coe, the distributor.

I would also add that the Wine Society has a wonderful range of own label Australian wines called Blind Spot and that too includes some wines made from some less well known grape varieties. As you can probably guess some of these excellent wines are made from grapes from the Mediterranean world. These include Garganega – a white Italian grape variety famously used to make Soave – and a Barbera – a black grape more normally associated with Piemonte, both from King Valley in north east Victoria near the border with New South Wales. Then there is a delicious Old Vine Mataro – also known as Mourvèdre and Monastrell – from McLaren Vale in South Australia. In my opinion everyone in the UK who is interested in wine should be a member of the Wine Society, as their range is superb and beautifully put together.

So you see there is a great deal of variety available from Australia, even though they might not be in every supermarket. Australia can do so much more than Cabernet, Shiraz and Chardonnay and can bring its own style to a whole raft of grape varieties more normally associated with the Mediterranean world. What’s more all these wines are absolutely delicious and really food friendly too.

The Marche – a region awakes: Part 2 – the red wines

A few weeks ago I was on a wonderful trip to the Marche region of Italy, some of you will have read Part 1 of my thoughts on the trip, well here is Part 2 and it focuses on a couple of producers whose red wines really stood out for me.

Beautiful vineyards in the Marche.

I saw so much that excited me on my trip to the Marche, it is a beautiful landscape with much to enjoy and incredible variety, borne out by the many different wine styles. However it is the quality of the DOC Verdicchio dei Castelli di Jesi whites and the lesser known, in the UK anyway, Cònero Rosso DOC and Cònero Riserva DOCG that must be the region’s vinous calling cards.

I was hugely impressed by the modern examples of Verdicchio dei Castelli di Jesi, they were totally different from the thin and harshly acidic wines of my youth.

In truth I had no idea what to expect from the reds, so really enjoyed the experiences of tasting the wines. They were so varied, from deliciously fruity and modern wines, to rich and powerful examples and refined elegant wines. It seems there is something for everyone here.

We tasted good red wines at pretty much every where we went, but these are the ones that moved me the most.

Wine map of the Marche – click for a larger view.

The main grape in the Marche for red wines is Montepulciano and the most important wine that it is used for is Rosso Cònero DOC and it’s big brother the Cònero Riserva DOCG. Both of these must contain at least 85% Montepulciano and can have up to 15% Sangiovese.

Montepulciano is a grape that struggles with its image I think. For a start there are the cheap and cheerful wines from Montepulciano d’Abruzzo. I know there are good wines made down there, but most of the examples that we get are somewhat jammy and easy drinking. Well most of the Rosso Cònero and Cònero Riserva wines that I tried were nothing like that. They were very enjoyable to drink, but they were layered and complex wines that really excited me.

The other problem for Montepulciano, which can cause confusion, is that in Tuscany there is a town of that name that produces a wine called Vino Nobile di Montepulciano from Sangiovese grapes.

I was really astonished by how good these Cònero wines were and very disappointed that are very hard to come by in the UK.

Cònero DOCG covers the same area, but has lower yields and is aged for at least 2 years.

Fattoria La Terrazze

Fattoria La Terrazze from the air showing the proximity to the sea – photo courtesy of the winery.

My second winery visit in the Marche was to Fattoria La Terrazze in the Rosso Cònero area. The setting is so lovely, 10 km or so to the south of Ancona and only a kilometre or so inland from the Adriatic Sea and Mount Conero which gives this small wine area its name. The mountain is a promontory to the south of Ancona (there is a slight bulge out into the sea on my map) and is the only high point on the east coast of Italy and at 572 metres it really stands out. In ancient times it must have been a welcoming marker to tell sailors that they had made it safely to Ancona.

Antonio Terni.

The estate has been here since 1882 and is still owned by the founding Terni family, although its reputation is all recent. Today it is run by Antonio Terni and his charming English wife Georgina. I liked them, their beautiful winery and all the wines. Antonio is something of a music fan and his rosé is rather memorably called ‘Pink Fluid’. We even tried his bulk wine that is sold to the locals by the litre – they bring their bottles and jars to be filled. The red was a Montepulciano and the white was a Chardonnay and they were very nice, drinkable wines, however, some of his finer products really stood out.

2014 Rosso Cònero
DOC Rosso Cònero
Fattoria La Terrazze

100% Montepulciano grapes are fermented in stainless steel and then aged in huge, 2000-4000 litres wooden barrels for 15 months.

The colour was a mixture of damson and dark cherry, while the nose gave off wild fruit of the forest and light smoke notes together with something a little salty or soy sauce-like. The palate is medium weight with nice acid balance, herbal flavours, salty, mineral and spicy flavours and some coulis like brambles fruit together with a very long finish. I liked this a lot. It was my first wine of the region that I can remember tasting and it was pretty impressive, a worthy alternative to Chianti or something like that – 89/100 points.

The road to Fattoria La Terrazze, that is Monte Cònero and the sea in the distance..

2013 Sassi Neri
DOCG Cònero Riserva
Fattoria La Terrazze

This wine is named after a beach below Monte Cònero which is called black or neri because it is covered in mussels.

This is also 100% Montepulciano grapes that are very carefully selected for this wine, picked later and riper are fermented in stainless steel and then aged in 225 litres wooden barrels for 18-24 months depending on the parcel of fruit. It is also aged for a further 6months in bottle before release.

The colour was attractive, deep, and plummy. The nose was earthy, smoky and savoury in a really attractive way. Then the palate was rich and intense with smoke, herbs, sweet liquorice, a sweet and sour umami thing, rich cooked dark fruit, spice and some pretty big, drying chalky tannins in a good way. My I liked this, it really is beautifully made  – 91/100 points.

Antonio also shared bottle of the 1998 Sassi Neri with us. This was much more developed with more prune-like fruit, fig notes, dried raspberry, as well as rich umami, coffee,muchroom and salty flavours on the lovely finish.

Some of the Fattoria La Terrazze wines are available in the UK from Tannico.co.uk and Italvinus.

Azienda Agricola Moroder

Aerial view of Azienda Agricola Moroder -photo courtesy of the winery.

Azienda Agricola Moroder is another winery in a magnificent setting. It’s in the middle of Conero National Park, just 5 km inland from the Adriatic Sea and the glorious Mount Conero which gives this small wine area its name.

Mattia and Marco Moroder.

The estate today is run by Marco and Mattia Moroder whose family have owned the site since the late eighteenth century, but who turned it into a dedicated winery in 1837. The winery is still in the cellar of the beautiful original farmhouse. The Moroder name is actually Ladin and Germanic and originates in the South Tyrol, indeed the brothers told us that Giorgio Moroder is a relative. They also explained that the name came from bands of fighting men who were left behind, making it strikingly similar to ‘marauder’ in English.

The cellar dates back to 1700 and was originally used as an ice store and to keep food in good condition. Although they have a long history here, their reputation is much more recent and Marco and Mattia’s parents, Alessandro and Serenella Moroder can pretty much be credited with revitalising the red wines of the area.

Azienda Agricola Moroder.

The estate has a huge terrace with beautiful views out over the vineyards making it seem very restful. It covers some 120 hectares, but only 50 are planted with vines. The rest being forest, olives and fruit trees, all of which helps with bio-diversity and other products like oil, jam and truffles. The brothers are keen to have a light impact on nature and since 2010 the estate has been certified organic.

Azienda Agricola Moroder.

We tasted a wide range of their wines, including a sparkling, but it was the reds of the Cònero Rosso DOC and Cònero Riserva DOCg that really got to me. All of these are made from 100% Montepulciano grapes.

They produce a comprehensive range too starting with two very different Cònero Rosso DOC. The fresh, unoaked Aiòn was a great start, but the botti aged Moroder Cònero Rosso was a real step up in complexity.

Botti in the cellar of Azienda Agricola Moroder.

2013 Rosso Cònero
DOC Rosso Cònero
Azienda Agricola Moroder

100% Montepulciano long macerated on the skins to give good colour and flavour, then aged for 24 months in botti, large barrels of 2700 litres.

The nose is lovely with one leafy notes, chocolate and ripe red fruit. The palate is beautifully structured with delicate oak, ripe fruit and tamed tannins. There is plenty of fruit with earthy and mineral flavours. I loved this wine and think many others would too if we could just buy it – 89/100 points.

2004 Rosso Cònero
DOC Rosso Cònero
Azienda Agricola Moroder

100% Montepulciano aged for 24 months in botti, large barrels of 2700 litres.

As you might expect this was much more developed than the 2013 version. The fruit had turned much more savoury, earthy and leathery with a meaty and tomato stem quality. It was a splendid wine, a bit of a treat really, but needed food. The younger, brighter wine was more for me – 89/100 points.

2012 Cònero Riserva
DOCG Cònero Riserva
Azienda Agricola Moroder

This is their standard Cònero Riserva DOCG, the grapes are carefully selected, with low yields and the wine is aged for 30 months in oak, half in 10,000 litre botti and the other 50% in barrels.

The nose is gorgeous, with lifted damsons, sweet cherry and smoky, coffee / mocha notes. The palate is full, smooth and rich with some intense dried fruit characters, fresh acidity and a lovely earthy, savoury character leading to a very long finish. I was hugely impressed by this wine, it was concentrated and intense, with lovely mineral, earthy notes and a wonderful backbone of fresh acidity – 90/100 points.

Azienda Agricola Moroder.

2011 Dorico
DOCG Cònero Riserva
Azienda Agricola Moroder

This is their top wine, a Cònero Riserva DOCg called Dorico in celebration of the Greeks who brought grape growing to the Italian peninsula. This cuvée is made by a very careful selection of the best fruit that is left on the vine for 2 extra weeks to get even riper. The wine is aged for 36 months in barriques, 225 litre barrels.

The nose is gorgeous, with lifted damsons, sweet cherry and smoky, coffee / mocha notes. The palate is full, smooth and rich with some intense dried fruit characters, fresh acidity and a lovely earthy, savoury character leading to a very long finish. I was hugely impressed by this wine, it was concentrated and intense, with lovely mineral, earthy notes and a wonderful backbone of fresh acidity. It was one of my two favourite reds of the trip, beautifully balanced with tension between the richness of the fruit and the grapes natural acidity and the minerality of the style. Again the tannins of this famously tannic grape were very well tamed – 93/100 points.

Some of the Moroder wines are available to be shipped to the UK – until Brexit ruins everything – by Uvinum.

Umani Ronchi

Massimo and Michele Bernetti.

Umani Ronchi is one of the really famous names from this part of Italy, but despite the scale on which they operate, everything of theirs that I tasted was very good indeed. The company was created and is still owned by the Bernetti family. Michele Bernetti is the CEO while his father Massimo is the chairman. It’s a pretty large estate run on several different sites as they produce Verdicchio wines and wines in neighbouring Abruzzo as well as in Cònero and all their vineyards are farmed organically.

Some of Umani Ronchi’s Cònero vineyards.

2016 Serrano
DOC Rosso Cònero
Umani Ronchi

85% Montepulciano with 15% Sangiovese fermented in stainless steel aged in stainless steel to preserve the juicy fruit.

Everything about this wine is fresh, juicy and lively. The colour is vibrant like liquified raspberry. The nose gives bright, fresh lively raspberry fruit together with a touch of herb and pepper. The palate is plump, chunky, smooth and supple with loads of bright, rich fruit and a light touch of chalky tannins on the finish. This is a happy wine that is very modern, very fruity and beautifully made – 89/100 points.

The Umani Ronchi barrel cellar in Cònero.

2011 Campo San Giorgio
DOCG Cònero Riserva
Umani Ronchi

100% Montepulciano grapes carefully selected from the San Giorgio vineyard which was planted around 2000 and is trained into bush vines in order to stress the plant and produce small yields. Everything is done by hand in this vineyard and everything is done to ensure a small crop of concentrated fruit. The grapes are fermented whole, but without the stalks, using the natural yeast to give a spontaneous fermentation. The wine is aged in new oak barriques for 12-14 months depending on the parcel the barrel. They only make around 4000 bottles of this wine. 

The ageing and the maturity really show here, it has an earthy, garnet colour. The nose delivers salty, tangy, earth,  sweet cherry and raspberry notes.
The palate is lovely and supple with a fresh, breezy feel, the oak makes it mocha infused and there is a wonderful concentration of fruit. All in all it has a lovely balance between lightness and richness. There are nice fine grain tannins on the finish, while the minerality and freshness give it great elegance. A very fine and very beautiful red wine – 94/100 points.

I also tasted the 2010 Campo San Giorgio which was also very good, but I thought the 2011 just had the edge – although I would happily drink either.

Some of the Umani Ronchi wines are available in the UK from Tannico.co.uk.

It does seem very strange to me that these are so rarely available in the UK. They deserve to be more widely seen here as the general quality seemed to be very high indeed. The style struck me as being very accessible and would prove popular with anyone who enjoys Chianti, Rioja or Bordeaux. There was nothing odd, rustic or quirky about these wines, they deserve to be widely known and enjoyed and not just treated as an obscure oddity. As you can see I liked some of these very much, the best of these red wines were as good as anything I have tasted this year.

I will leave it at that for now, but I have more to say about the wines of the Marche, some more producers and styles to mention, so will return to the region soon.

 

The Marche – a region awakes: Part 1 – the whites

A few weeks ago I was on a wonderful trip to the Marche region of Italy. This lovely region is in central Italy on the Adriatic coast and the capital is the bustling port city of Ancona. The name of the place, Le Marche, has always intrigued me. It’s pronounced Mar-Kay – and comes from the plural of the word March, which is an archaic term for a borderland. Orginally there was the March of Ancona, the March of Camerino and the March of Fermo, together they were described as Marca or Marche. So when they were put together to form a single region that is the name it was given – Marche or the marches.

The beautiful countryside of Marche.

The region has interested me for quite a long time, but life has prevented me from actually getting there before, so I was quite excited to see the place for myself. Of course I was primarily there for the wine and I was very pleased to be there too, because I had the feeling it was going to be an exciting place.

I wasn’t wrong. The Marche is an exciting wine region. In fact it seemed to me that the whole place is a bit of a sleeping giant that is only just beginning to get really ambitious and to realise just what a good wine region it can be. The wines might not be as well known as those from Tuscany, but I rather think they should be.

For quite a while now I had been convinced that the wines were worth reappraising. That is because all the books still describe the most famous wine from here – Verdicchio dei Castelli di Jesi – as it was 30 years or so ago, light acidic and bland, but in truth they aren’t actually like that – not anymore.

Staffolo, a hilltop town near Cantina Cológnola.

The countryside is very beautiful and very varied too and well worth a visit if you would like a more unusual corner of Italy to explore. Inland the landscape is very attractive and gentle – not unlike Tuscany – with appealing hilltop towns and villages standing guard over the valleys.

The coast at Sirolo some 10km south of Ancona.

Sirolo.

The coastline too is attractive, with a rugged and wild quality as the beaches are usually at the bottom of coastal cliffs, while the seaside towns are delightful places to stroll around – I was there in May, but I was warned that they are very busy in the summer.

Of course I was there for the wine and there is a lot of wine going on in the Marche. It is a region where a lot of PDOs / appellations / DOCs – call them what you want – overlap each other and cover much of the same territory. I know this as I have just drawn a wine map of the region and it took some working out as it is very complicated.

Wine map of the Marche – click for a larger view.

From an export point of view the 2 most visible wines are both white and made from the Verdicchio (pronounced Ver-dick-ee-oh) grape variety. Verdicchio dei Castelli di Jesi is the most famous and enjoys the biggest production, so is the wine that you will come across more than any other. The other leading white wine is Verdicchio di Matelica, which only produces a tenth of the amount of the other Verdichio, so tends to be more artisan production.

Verdicchio is a grape that has really captured my imagination in recent years. It is somewhat written off by most wine books, certainly the ones that I have, but deserves to be taken much more seriously. From my experience, even cheap versions of Verdicchio dei Castelli di Jesi have more about them than most books and wine courses let on. I am sure this is because the wines, like so many, have improved out of all recognition over the last 15 years or so. They are no longer pale, lemony and thin, but have some texture and weight to them and the cheaper versions can often be very inexpensive and pretty good quality too – click here for an example.

Beautiful vineyards in Verdicchio dei Castelli di Jesi.

The finer bottles of Verdicchio dei Castelli di Jesi and Verdiccio di Matelica are very different though. I found them to be quite beguiling with taut, crisp acidity and minerality, with mouthfeel and texture showing good weight of fruit, although they are fresh rather than fruity, and complexity. They were seriously exciting wines and the best ones that I tasted are as good as a good Chablis and very much in that style. What’s more, again like a good Chablis, fine examples of Verdicchio are not just fresh, crisp wines, they can be aged to develop more complexity and character. Ian D’Agata, in his book Native Wine Grapes of Italy, states his belief that ‘Verdicchio is arguably Italy’s greatest native white grape variety’ – which is high praise indeed as there is some serious competition from the likes of Fiano and Greco. Verdicchio is also used to make Lugana near Lake Garda, another excellent Italian white wine.

Beautiful vineyards in Verdicchio dei Castelli di Jesi.

Verdicchio dei Castelli di Jesi is a Denominazione di Origine Controllata / DOC for white wines only. They have to be made from at least 85% Verdicchio grapes with the rest being most likely Malvasia or Trebbiano, although most that I have tasted are 100% Verdicchio.

Verdicchio dei Castelli di Jesi Classico, shown in deep yellow on my map, comes from the historic area of production and has to be made with lower yields than the wines labelled purely as Verdicchio dei Castelli di Jesi.

Verdicchio dei Castelli di Jesi Superiore wines are also made using lower yields and can be made anywhere in the region, while Verdicchio dei Castelli di Jesi Classico Superiore are made from lower yields in the Classico zone.

Verdicchio dei Castelli di Jesi Spumante are sparkling wines from the region and can be very good indeed, as can the dessert wines made from dried grapes, Verdicchio dei Castelli di Jesi Passito.

The pinnacle of production is Castelli di Jesi Verdicchio Riserva. These wines have enjoyed the superior classification of Denominazione di Origine Controllata e Garantita / DOCG since 2010. They are produced in the Classico zone with lower yields and have to be aged for at least 18 months before release – this does not have to be in oak, but some are oak aged.

The soils here seem to be a mix of sandy, chalky, stony and limestone which together with the sea breezes and cold north easterly winds from the Balkans makes for wines with fresh acidity and a note of minerality, which sort of defines the finer wines here.

Inland there is another Verdicchio area. Verdicchio di Matelica DOC is a much smaller zone of production and is away from the coastal influence, so has a continental climate that is cooled by the winds coming down the valley from the north. In order to refresh the grapes further, they are planted high up at 500 metres above sea level. Again sweet, Passito, versions are made, as are sparkling, Spumante. Verdicchio di Matelica Riserva DOCG is made using lower yields and with longer ageing.

Sadly we only tasted a handful of wines from the Matelica zone and they did not stand out. However I would recommend this one, this one and especially this one, which is an especially good wine.

For me the standout producers and wines from Verdicchio dei Castelli di Jesi were the following:

Cantina Cológnola – Tenuta Musone

Cantina Cológnola – Tenuta Musone.

My first visit got off to a very good start at Cantina Cológnola – Tenuta Musone. The estate is a few kilometres south west of Jesi, roughly where the ‘e’ in dei is on my map. It’s owned by the charming Darini family and the winemaker is the very humble, but clearly gifted Gabrielle Villani, who kept saying that he just wanted to make better and better wine.

2016 Via Condotto
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Cantina Cológnola – Tenuta Musone

I really liked this bright, fresh and focussed wine. The colour was bright – it was sealed with a screw cap – honey tinged straw, while the aromas offered rich lemon zest, floral notes and straw. There was no malolactic, so the acidity was vibrant and forthright. It is aged for a few months in tank before release and it has lovely natural balance between nicely textured palate and the freshness. A terrific wine with an incredibly long finish – 88/100 points.

Interestingly when I asked Gabrielle why it was so very different from the bland and dull Verdicchios of my youth he explained that they now do not use Trebbiano – this was 100% Verdicchio, as were most of the others I tried, they use much lower fermentation temperatures in stainless steel tanks, so keep the wine fresh, they age the wine for less time, they site the vineyards more cleverly for freshness, they plant with lower density, use lower yields and harvest later. So that combination of things reduces the yields and increases the concentration of the grapes, so adding flavour, while the fermentation techniques and the site selection adds freshness and balance. The result is a wine that bears no relation to the Verdicchios of the past.

2016 Ghiffa
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Cantina Cológnola – Tenuta Musone

Much as I liked the Via Condotto, and I did, this really made me sit up. It is also 100% Verdicchio, but picked later, to let the sugars build, then a rigorous selection of the fruit makes it more concentrated to start with and then it was aged for 12 months on the less. The lees are the yeast sediment left over from fermentation and give the wine more complexity and can give it a richer texture too.

This had a deeper colour from all that ageing, a lemon curd, creamy and herbal aroma, while the palate was textured and succulent, with peach, apricot, honey and even nougat flavours, while the acidity and saline minerality really gave freshness and balance. This is a serious wine, rich and tangy with a stony mineral finish – 91/100 points.

Gabrielle also makes 2 excellent quality sparkling Verdicchio wines that I enjoyed very much indeed:

Gabrielle Villani.

2014 Musa Brut
DOC Verdicchio dei Castelli di Jesi Spumante
Cantina Cológnola – Tenuta Musone

This is 100% Verdicchio grapes made sparkling by the Traditional Method, as used for Champagne. The wine was aged on the lees for 9 months.

The colour is quite golden while the aromas give a biscuity note as well as ripe each and apples. The palate was surprisingly rich, but balanced with lively, fresh acidity – 89/100 points.

Cantina Cológnola – Tenuta Musone.

2012 Darina Brut
DOC Verdicchio dei Castelli di Jesi Spumante
Cantina Cológnola – Tenuta Musone

This is also 100% Verdicchio grapes made sparkling by the Traditional Method, but this richer wine wine was aged on the lees for 24 months.

This is a very serious sparkling wine with a rich colour and has a powerfull, leesy, biscuity, flaky pastry sort of aroma with nuts, caramel, cooked apples and cooked peach. The palate is soft and rich with a rounded mouthfeel balanced by refreshing acidity. The wine is rich and complex and tasting it blind I would never have imagined it was from a region so unknown for sparkling wines  – 91/100 points.

Some of the Cantina Cológnola – Tenuta Musone wines are available in the UK from Tannico.co.uk.

Società Agricola La Staffa di Baldi Riccardo

The entrance to La Staffa.

This beautiful little estate is near Staffolo, so not far from Cantina Cológnola and is universally known as La Staffa. The Baldi family started it in 1994, because of the rising reputation of the local wines, but it is now run by the charming, energetic and remarkably assured Riccardo Baldi. Riccardo is only in his twenties but clearly understands this piece of land and how to make wines from it. The estate is now 7 hectares with some vines going back to the 1970s and Riccardo farms biodynamically with no use of chemical herbicides, pesticides or fertilizers. It is a wonderful place, very peaceful and utterly lovely. Standing there it felt very much like being in Chablis, but a Chablis vineyard that had somehow been plonked down in the Mediterranean – which is very much how the wines feel too.

Interestingly the wines all have a salty, mineral quality. All the water used in the vineyard comes from a well on the site and I got to taste that water and it was salty.

La Staffa.

If you have never tried a Verdicchio, or have not had one for a while, Riccardo’s wines may well be the best place to start as they are exemplary.

2016 La Staffa
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Società Agricola La Staffa

100% Verdichio from 12 year old vines fermented in a mixture of stainless steel and cement tanks with a spontaneous fermentation using the wild yeast, 12.5% abv.
The colour is very pale and pure, slightly silver.
The nose gives salty peach skin aromas and the palate is juicy, there is a lovely sweetness of ripe fruit there making it surprisingly surprisingly succulent.
However it feels very fresh with a long salty, pretzel like finish with lively citrus acidity and a mineral quality. The acidity is on the high side, but not too dominating. This is a beautiful wine, pure and lively, but with some weight too. I loved this wine – 89/100 points.

The wonderful Riccardo Baldi.

2011 Rincrocca
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Società Agricola La Staffa

Rincrocca is the name of a hill next to the winery. This wine is 100% Verdichio from 45 year old vines fermented in cement tanks with a spontaneous fermentation using the wild yeast. It was aged in concrete tanks on the lees for 12 months –  14% abv.
Very rich amber honey colour shows the development.
The nose is salty and mineral with apple compote and some mushrooms that again show the development.
The palate is full, rich, honeyed and creamy with mealy texture – but bone dry. The salty purity of the young wine returns on the long, long finish and there is plenty of fruit, peach, peach skin, apple and even some rich citrus like tangerine. Oh I loved this wine, it is quite magnificent like a really good Premier Cru Chablis – 93/100 points.

Some of the stainless steel tanks at La Staffa.

I was also fortunate enough to taste this:

Some of the cement tanks at La Staffa, they are quite old and came from another winery.

2013 Rincrocca (from magnum)
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Società Agricola La Staffa

As you might expect this was not quite so developed, but it was superb. The colour was honeyed, the nose gave complex herbal, camomile, sage, sea salt, sweet dried apricots, toffee and orange zest notes.
The palate was fabulous, round and succulent with ripe peach, peach skin, dessert apples, herbs, honey, caramel and then smoke and salt. The finish was incredible, it just went on and on like a prog rock drum solo – 94/100 points.

These were magnificent white wines that can hold their heads up in any company.

Some of the La Staffa wines are available from Berry Bros & Rudd and Amazon.

Casa Vinicola Gioacchino Garofoli Spa

Frankly I feel a bit mean putting Garafoli here as they make wonderful red wines too, but it was the whites and sparkling that especially captured my heart. They are a big producer for the region as they farm 50 hectares and they make many of the different wine styles found in Marche.

Daria Garofoli showing me some of their wines.

They were founded in 1901 and are still owned and managed by the Garofoli family. My tasting here was led by the charming Daria Garofoli who is charge of exports and she claims that they were the first commercial producers of Marche wines. I can well believe that as for most of Italy – apart from Tuscany and some Piemonte wines – selling bottled wine is almost entirely a post WWII enterprise in most of Europe.

Today they have a winery in the Verdicchio dei Castelli di Jesi zone that makes those white wines and a winery in Cònero that makes everything else.

Daria explained that until well into the 1970 yields remained high and the wines were quite ordinary from here, often with other very bland grapes blended in with the Verdicchio. In those days, and to some degree it continues formally of the more everyday wines, the wines were bottled in a special amphora shaped bottle. Garafoli were one of the very first to bottle wines here and to export their wines. They were also among the first to realise the great potential for quality here, by more carefully siting vineyards, lowering yields and focussing on the mineral quality that Verdicchio can bring.

An old amphora shape bottle of Garofoli’s Verdicchio, it’s from 1964, so even older than me.

2010 Podium
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Casa Vinicola Gioacchino Garofoli Spa

This is a premium selection of 100% Verdicchio grapes that are picked slightly overripe. The wine is aged in stainless steel tanks for 15 months on the lees.

As you might imagine, the colour is a little deep with a peach skin hue. The aroma is wonderfully lifted with creamy, leesy notes competing with fresh citrus, salty sea shore notes, a stony tang and some peach and peach skin. The palate has a lovely succulence and a creamy, mealy feel. There is a salty, mineral quality, rich citrus and a wonderful intensity that balances the lithe freshness and vice versa. A great white wine – 93/100 points.

Beautiful Verdicchio vineyards.

2008 Podium
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Casa Vinicola Gioacchino Garofoli Spa

This is a premium selection of 100% Verdicchio grapes that are picked slightly overripe. The wine is aged in stainless steel tanks for 15 months on the lees.

Another stunning white wine with an amazing balance between the fresh and the linear and the richer and weightier. There is more salinity here and creamer, curdy texture with rich lemon and almost a touch of beeswax – 93/100 points.

That beautiful rainswept beach.

2012 Garofoli Brut Riserva
DOC Verdicchio dei Castelli di Jesi Spumante
Casa Vinicola Gioacchino Garofoli Spa

This is a premium selection of 100% Verdicchio grapes that are picked slightly underripe. The wine is made fizzy by the traditional method and is aged on the lees for 48 months.

This was either really, really good, or I really really wanted some fizz at the end of a long day. We were tasting this at a beautiful, if rainswept beach and it was a great experience. The wine had a lovely peachy, apricot, citrus and biscuity aroma, while the palate was silky and refined – 90/100 points.

Some of the Garofoli wines are available in the UK from Tannico.

So, there you are, a little snap shot of some of the white wines and sparkling wines that stood out for me on the trip. There were a few more producers of Verdicchio dei Castelli di Jesi, but I think that is quite enough for now, so I will return to the subject.

You never really hear anyone extolling the virtues of Verdicchio, but I think they should, because as you can see the wines can be very high quality indeed. So, the next time you want a sappy, saline, mineral, dry white wine with real complexity and character, try a Verdeicchio dei Castelli di Jesi. I think you’ll like it.

Loire Valley – a short travel guide

With Summer just over the horizon I thought you might enjoy another one of my travel articles, this time it’s about Anjou-Saumur and Touraine in the Loire Valley.

Angers and the Loire from the ramparts of Angers Castle.

The Loire Valley encapsulates everything I think of when daydreaming about France. As Ratty said, ‘there is nothing – absolutely nothing, half so worth doing as – simply messing about in boats!’ As a confirmed landlubber of course I stretch the principle somewhat to include messing around near boats. Life always seems more pleasurable and peaceful near a river and the Loire is one of the most tranquil and picturesque rivers that I have ever seen. It meanders through gorgeous places and seems to cast a spell over all of them. Buildings that would seem quite ordinary elsewhere, exude an enticing charm. Luckily a great many of them are cafés and restaurants whose gardens and terraces provide tranquil views of the Loire or one of its many tributaries.

Chinon with Chinon Castle above. This where Joan of Arc met the dauphin of France.

Wine map of the Loire Valley – click for a larger view – non watermarked PDF versions are available by agreement.

Think of the Loire Valley and it isn’t long before castles spring to mind, there are over 80 châteaux here and they are key to the region’s image. In fact they were the main reason that Unesco gave the Loire Valley World Heritage status in 2000. They range from true medieval defensive structures like the wonderful castles at Angers and Chinon to the more flamboyant 17th Century confections, such as the Château de Cheverny that was Hergés inspiration for Marlinspike Hall in his Tintin books.

Château de Cheverny.

Make sure you see the Château de Chenonceau, it is simply breathtaking. This exquisite building acts as a bridge that spans the River Cher not far from Vouvray, amazingly it marked the border between Vichy and Occupied France and was the scene of much clandestine border crossing during the war. The gardens, complete with a maze, are equally lovely and they have a couple of restaurants and a wine cellar if you need some refreshment. Equally sublime is the early renaissance Château Azay-le-Rideau near Chinon, and it must not be missed.

The exquisite Château de Chenonceau.

The beautiful Chateau-Azay-le-Rudeau.

 

The imposing main gate of Angers Castle.

Strolling through the narrow lanes and bustling squares of Anger’s old town is time well spent, and make sure you take a tour round the castle that dominates this attractive city. Once home to Catherine de Medici and where the future Duke of Wellington received his military education, the harsh defensive exterior does not prepare you for the haven of peace inside. It is a delightful place complete with rampart walk, gardens, orchards and even a small vineyard. Most famously though, it houses the incredible Apocalypse Tapestry which really is one of the jewels of early French culture. As you might imagine, Angers is heaving with eateries, but Mets & Vins is both a stylish restaurant and excellent wine shop. It has no wine list, instead you browse the shelves and see what takes your fancy.

La Croisette, try the Sandre for a taste of local tradition, or (strangely) some of the best calamares I have ever tasted.

Leaving Angers, head south to where the Maine and Loire rivers meet. The river is wide here and there are lots of islands which add to that sense of tranquility. Savennières is a good place to explore before finding lunch in a traditional Guinguette, which is a casual riverside restaurant, often looking like a riverside beach bar. My favourite is La Croisette which is on the river bank on an island in the Loire, make sure you try the local speciality of Sandre, a fish known as Pike-Perch in English.

From here it’s fun to follow the Layon river as it winds through the beautiful villages of Anjou and the Coteaux du Layon. The village of Saint-Lambert-du-Lattay houses the Vine and Wine Museum of Anjou-Saumur which is well worth a visit. If hunger strikes then head for La Table de la Bergerie. This delightful modern restaurant is set amongst vines in the middle of the countryside, making it a magical place to sit outside and enjoy your aperitif.

Louresse-Rochemenier.

The evocative cellars at the wonderful Domaine de Bablut in Anjou.

Nearby is the village of Louresse-Rochemenier, which is fascinating with its troglodyte dwellings cut into the tuffeau cliff face. In the past this stone was excavated and used to build the châteaux and wealthy towns of the region. In turn, the local poor moved in to the holes left behind and they were lived in until the 1930s. Many such caves are also used as cellars as they provide perfect conditions to age wines.

The charmingly eccentric Château de Brissac.

Another view of the Château de Brissac.

Next, head up to Brissac-Quincé on the banks of the Aubance, this attractive town has the remarkable Château de Brissac at its heart and it’s a delight in every way. The gardens are beautiful, while the building is now a fascinating museum and boasts that it is the ‘tallest castle’ in France as it is has sections from the 17th century built on top of a medieval castle.

Vines at Château de Saumur, photo courtesy of Bouvet-Ladubay.

Returning to the River Loire itself, Saumur is a must see town on the south bank of the river. Everything is built out of the local honey coloured tuffeau stone and many of the buildings are magnificent, especially the City Hall and the imposing Château de Saumur. Saumur is a great food town too, with an amazing array of places to eat, try Le Gambetta or Le Carrousel for a treat, or one of the many bistrots by the river. In addition, try not to leave town before you have experienced Gérard Girardeau’s superb charcuterie and wine shop, it really is one of the very best.

Vines in Souzay-Champigny.

A little way south east is the village of Souzay-Champigny. Champigny itself is a few kilometres south and lends its name to the Saumur-Champigny appellation which produces some of the best red wines of the Loire. It’s a sleepy little place, but worth a visit for more of those troglodyte houses.

Carry on east and you come to the Touraine area, whose vineyards include Bourgueil, Saint Nicolas de Bourgueil and Chinon. Bourgueil is pretty and a joy to explore, with a 10th century abbey that is now a museum, a busy street market on Tuesday and a gastronomic market held in the medieval market hall every Saturday. If you have worked up appetite, La Rose de Pindare is a delightful restaurant serving local food and wine in the centre of the village.

That giant bottle outside the Church.

Saint Nicolas de Bourgueil is a very small place that is mainly worth visiting for the wine, but it does boast a giant wine bottle outside the church, it serves as a fountain, and the excellent Saint Nicolas Gourmand restaurant just across the road.

Not far away Chinon is one of the major towns of the Loire and a terrific place to visit. In fact the castle alone makes it worthwhile. This sits above the town and although it was the home of Richard I of England – who together with Henry II and Eleanor of Aquitaine is buried at the nearby Fontevraud Abbey, which is stunning and even boasts a fine restaurant – it was also where Joan of Arc had her first meeting with the French Dauphin and there is a museum dedicated to her. Rabelais was once the mayor and Chinon still feels medieval with its narrow streets, gothic buildings and timber frame houses. The markets are on Thursdays and Sundays and there are restaurants galore, but I always choose Les Annees 30 and have never been disappointed. La Cave Voltaire is a superb wine shop that doubles up as a bar offering cheese and charcuterie, the focus is on organic and natural wines from small producers.

The Loire Valley is a hedonists’ paradise, with superb food and produce. There are 6 appellation controlée cheeses in the Loire and they are all made from goats milk, Valençay, Crottin de Chevignol, Chabichou du Poutou, Pouligny St. Pierre, Selles-sur-Cher and Sainte-Maure de Touraine. Legend has it that when the invading Arabs were defeated at the Battle of Tours in 732 they left their goats behind. Whether that is true or not the cheeses are perfect with the local wines.

Charcuterie is important here too, especially rillettes, a soft, fatty paté that tastes delicious. It is usually made from pork, but goose, duck, rabbit and even fish versions are available and while it is normally eaten with bread and cornichons, rillettes are sometimes served with a local unleavened bread called fouaces.

If all this makes you feel spoilt for choice, then don’t worry. There is beauty and there are delights wherever you look in the Loire Valley, the important thing is just to get there.

 

Contacts:

Restaurant Mets & Vins
44 Boulevard Ayrault, 49100 Angers, France
Phone: +33 2 41 87 03 35

La Croisette
rue de la Boire 49170 Béhuard
Phone: +33 02 41 23 19 53

Vine and Wine Museum of Anjou-Saumur
Musée de la vigne et du vin d’Anjou
Cellier de la Coudraye
Place des Vignerons
49750 Saint-Lambert-du-Lattay
Tél: +33 02 41 78 42 75

La Table de la Bergerie
La Bergerie
49380 Champ sur Layon
Tél:. +33 02 41 78 30 62

Restaurant le Gambetta
12 Rue Gambetta
49400 Saumur
Tel: +33 02 41 67 66 66

Restaurant Le Carrousel
15 r Colonel  Michon
49400 Saumur
Tel: +33  02 41 51 00 40

Gérard Girardeau
53 Rue Saint-Nicolas
49400 Saumur
Tel: +33 02 41 51 30 33

La Rose de Pindare
4 Place Hublin
37140 Bourgueil
Tel: +33 2 47 97 70 50

Saint Nicolas Gourmand
Avenue Saint Vincent 28
37140 Saint Nicolas de Bourgueil
Tel: +33 2 47 97 77 37

Les Annees 30
78 rue Voltaire
37500 Chinon
Tel: +33 2 47 93 37 18

La Cave Voltaire
13 Rue Voltaire
37500 Chinon
Tel: +33 02 47 93 37 68

 

 

A Lovely Wine Book for Christmas

I love wine and I love books and I really, really like books about wine, so when my friend Robert Smyth gave me a copy of his excellent new book I leapt into action and little more than a year later I wrote this review.

hungwine2Hungarian Wine: A Tasting Trip to the New Old World
Robert Smyth
ISBN-10: 1905131682
ISBN-13: 978-1905131686
September 2015, Blue Guides

Available in the UK from Amazon.co.uk for £10.71.
Available in the US from Amazon.com for $10.00.

Robert lives in Budapest, lucky man that he is, and he really knows his stuff about Hungarian wine, so it was natural for him to write an English language guide to the wines of Hungary. I say ‘an’ English language guide, but I suspect that this is the definitive guide of the moment.

nagyeged

Vineyards on the Nagy-Eged hegy hill near Eger. Copyright Robert Smyth.

If you don’t know, Hungary really does make superb wines. It isn’t just the sweet whites of Tokaji either. Hungary is perhaps most famous for white wines from regions such as Lake Balaton, Somló, Neszmély, Mór and Pécs, amongst many others, but  there are first rate reds from regions like Villány – in the south near the Croatian border, Sopron in the north west by the Austrian border and Eger in the north east.

If Hungarian wine has passed you by and you want to explore it, either from the comfort of your own home, or by physically visiting the country and travelling around seeing the wine regions and their wines, then this could be the perfect book for you.

At just 351 pages, this handsome paperback is not a mighty tome of reference, but something that you can carry around and read and indeed use to guide your movements on that Hungarian wine road trip. I like the sub-title, A Tasting Trip to the New Old World, because that describes the book perfectly. It really does take you on that trip, whether you physically leave home or not, and Hungary is in some ways the New Old World of wine.

Hungary Map

It’s nicely, but unfussily written and manages to convey the sense of excitement that I know Robert has about Hungarian wine. There is a useful general overview about the Hungarian wine scene and industry, there’s a chapter on the fascinating history of Hungarian wine – don’t skip that bit out, chapters on the wide and wonderful palette of grapes that Hungary grows – most of them are indigenous. Who could resist grape varieties with exciting names like Ezerjó, Hárslevelű, Irsai Oliver, Cserszegi Fűszeres, Királyleányka, FurmintJuhfark and Kéknyelű? I know that I can’t. Even grape varieties we know often have wonderfully exotic names in Hungary, for instance Blaufränkisch is Kékfrankos and Pinot Gris / Pinot Grigio is Szurkebarat.

Once we have enjoyed all that and started to get a flavour of the country,  we come to the real meat of the book. This takes us on a journey around the country, giving us a little background about each region before taking us through all the wineries that Robert recommends from that area. Robert manages to distill a lot of information into these portraits and you feel that you really get a glimpse of these people, their wineries and what they do, as well as what their wines are like. Then there is some information on where to eat and where to stay in each production zone. At the back there is also a section on the wine bars of Budapest – now I know how Robert fills his time.

I loved this book. I have not been to Hungary for a long time and it is obvious from reading this that Hungarian wine has come on even since then – although I thought it was very good at the time. So thank you Robert. You have plugged a good few gaps in my knowledge and whetted my appetite for a return trip to Hungary. I cannot wait and will remember to pack your book.

Robert Smyth’s Hungarian Wine: A Tasting Trip to the New Old World is a really pleasurable wine book and hedonist’s travel guide. It would make a great Christmas present for almost anyone who is interested in good wine and travel.

The other type of Vintage Port

The beautiful Douro Valley.

The beautiful Douro Valley.

I love Port. I just love everything about it. The story, the landscape, the quintas – or wine farms – and the lodges all taken together have a romance perhaps unique in the world of wine. If you have never been to Port country – the Douro Valley in north Portugal – then you have a treat in store. It is simply one of the most beautiful wine regions in the world.

Recently I tutored a very well received Port tasting and I was astonished that most of us – we were all Brits – expected all Port to be deep, dark, full-bodied and opaque. Which of course Vintage Ports, Ruby Ports and Late Bottled Vintage Ports are. However, the first four Ports in my tasting were quite different. We tried Cálem White & Dryread about it here, the delicious Sandeman 20 Year Old Tawny – read about it here and then some Colheita Ports before we reached the darker and richer stuff – 2009 Quinta do Infantado Late Bottled Vintageread about it here, 1997 Quinta do Retiro Vintage Port from Weise & Krohn and the magnificent 2011 Sandeman Vintage Port if you are interested.

The Sandeman 20 Year Old Tawny was superb and everyone loved it, but it was the Colheitas that really astonished everyone. A Colheita you see is a Tawny Port from a single harvest. The big difference between a Vintage – apart from the quality of the year – is that a Vintage Port does almost all its ageing in the bottle. This means that the oxygen cannot get to it, so it retains its richness and fruit for much longer and so ages very slowly. A Colheita though is aged in oak barrels, usually of 600 litres and not new, for at least 8 years, so the oxygen can get to the wine and gently oxidise it, so it goes transparent and orange, or tawny in colour. This means that the flavours and complexity of a Colheita develop mainly because of the ageing. You can make a Colheita in pretty much any harvest, whereas a Vintage Port can only be produced in the occasional exceptional vintage – hence the name of the style.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

A faded Cálem poster near Pinhao.

A faded Cálem sign in the vineyards near Pinhão.

0235-calem-colheita-2000-gallery-3-973x13952000 Cálem Colheita Porto
Cálem Porto
Vila Nova de Gaia
Porto
Portugal

Cálem were founded in 1859  and historically most of their business was with Brazil and Portugal and although they make all styles I don’t think it would be unfair to say that they are something of a White Port and Tawny, including Colheita, specialist. Nowadays Cálem is owned by the Sogevinus Group, as are Barros, Kopke and Burmester. The vineyard this wine hails from is the Quinta da Arnozelo near Vila Nova de Foz Côa in the upper reaches of the Douro – the Douro Superior.

This was the only Colheita that came from a generally declared Vintage Port year and that extra concentration showed, added to which it was the youngest Colheita that I showed. The blend was 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was quite deep, more brown than orange and the nose was pretty full on with nuts, coffee and dried fruit notes. There was still some tannin here on the palate and it was pretty mouth-filling with a silky mouthfeel, rich cooked and dried fruit, spices, nuts, espresso and a long finish. It seemed sweeter than the younger wines somehow because the fruit was still quite vibrant – 91/100 points.

Available in the UK for around £35.00 per bottle from Vintage Wine & Port.

The Douro Valley near Pinhão.

The Douro Valley near Pinhão.

barros_colheita_19961996 Barros Colheita
Barros Porto

Vila Nova de Gaia
Porto
Portugal

I have always had a soft spot for Barros ever since I sold their wines in another life,  so I was really pleased to see how good this was. Originally a small private house founded by Manuel de Almeida in 1913. It eventually took over lots of other smaller Port houses, including Kopke, until it too became part of the Sogevinus Group in 2006.

The blend was again 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was a deep russet, while the nose was smokey, with coffee, spice, dried fruit and buttery caramel notes and a touch of dried and caramelised orange. The palate was just so joyous that we all stopped talking and looked at each other. There was nutty caramel, dried orange, dried fig, strong coffee and even nougat. The texture was so silky it was almost creamy and the finish went on and on – 93/100 points.

It’s funny because 1996 was considered to be a dire Port vintage and yet this wine really shone, which just goes to show that the vintage guides are wrong, or all that time in wood can work wonders!

Available in the UK for around £35.00 per bottle – click here for stockists.
For US stockist information – click here.

The lovely tiled railway station in Pinhão.

The lovely tiled railway station in Pinhão.

kopke_colheita_19961996 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

Kopke – pronounce Cop-key – was founded in 1638 by Germans Cristiano and Nicolaus Kopke and is thus the very oldest Port house of all – the next oldest is Warre’s and that was founded in 1670, some 32 years later. 378 years later Kopke are the leading producer of Colheitas, producing more than 25% of the style. The fruit, much of it from 100 year old vines, all comes from their Quinta São Luiz which is near Pinhão in the heart of the Douro.

The colour is more red this time, like a robin’s red breast. The nose has confided peel, caramelised orange, dried fruit, toasted nuts and a dash of spice. The palate again is smooth and silky with a slight creamy quality, loads of dried fruit and some salted caramel too. This is delicious, really hedonistic and delicious – 93/100 points.

Available in the UK for around £30.00 per bottle from Marks & Spencer.
For US stockist information – click here.

p1060720

Porto from Vila Nova de Gaia.

kopke_colheita_19841984 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

This showed its age a little I am afraid. It was lovely and it was a treat, but it seemed a little fragile and brittle.  It was very aromatic and had some coffee and nut and orange and dried fruit notes, while the palate was very smooth and light with dried fruit and spice – 90/100 points.

Available in the UK for around £50.00 per bottle – click here for stockists.
For US stockist information – click here.

A Colheita is a lovely style of Port and is perfect with all manner of things at Christmas, mince pies, panforte, Christmas cake, you name it. So I really do recommend that you get some in for the festive season. I certainly will.