Wine of the Week – a stunningly tasty rosé

Vines at Bodegas Sierra Norte, Utiel-Requena.

I simply do not want the summer to end and one way to delay the return to normalcy is to keep drinking rosé wine.

Nothing says summer like a glass of rosé, so if you keep drinking the pink stuff it will keep you in a summery mood and fend off the Autumn gloom. Or that is my hope anyway.

Personally I love rosé as it gives similar refreshment to white wine, has some the fruit of red wine and goes well with almost any food.

Pretty much everywhere makes rosés and the very pale Provençal style of French rosé is particularly fashionable right now. However, I love Spanish wine and think that no one makes rosés quite like the Spanish do. The Spanish historically don’t really like white wine you see and so Rosé traditionally fills that lighter rôle.

Spain is awash with good rosés – or rosado in Spanish – so as long as you avoid the very cheapest you will probably be ok. Spend a bit more though and you often drink something that overdelivers on quality and flavour. I have had so many wonderful Spanish rosés recently, from such varied places as Navarra, Txakoli, Rioja, Alicante, Jumilla and Ribera del Duero amongst others, that it is hard to limit myself to just one. However I tasted one today that really thrilled me, so I thought that I would share it with you.

It comes from a wine region called Utiel-Requena, which is inland from the wonderful city of Valencia. I love that part of Spain, indeed it is my spiritual home as all my life my family have had a house on the coast to the south of Valencia – pronounced Bah-lenthia.

Map of the wine regions of the Comunidad Valenciana. This is one of the 17 autonomous regions of Spain and comprises the Provinces of Alicante, Castéllon and Valencia itself.

2018 Rostro Sonrosado Organic Tempranillo Rosé
Bodega Sierra Norte/Boutinot Spain
DO Utiel-Requena
Comunidad Valenciana
Spain

This part of Spain is very beautiful and bursting with good wines, although that has been something of a local secret for quite a few decades, but that secret is now out. The traditional grape of the region is called Bobal, which has been rescued from mediocrity over the last few years and is now making some wonderful wines – more of which next time. However this is made from the far more famous Tempranillo – pronounced Temp-ra-neeyo – the grape of Rioja and Ribera del Duero.

The land is much higher inland – 600-800 metres above sea level – than it is on the coast, so the air is cooler and the powerful breezes off the Mediterranean have an effect too. This allows for slower ripening so gives a slower build up of sugars and good retention of acid. In the right hands that means this area can produce balanced and elegant wines

Utiel-Requena vines at Bodegas Sierra Norte.

For a Spanish rosé this is pretty pale as the wine has just 8 hours skin contact – although I like a good colour on a rosado. The colour comes from the skins and the shorter the time on the skins, the paler the wine.

It’s an enticing medium pink with a little touch of orange, while the nose has red fruit notes of raspberry, redcurrant and a touch of cream too.

The palate delivers lovely flavours of redcurrant, strawberries, raspberries, rhubarb and blood orange with that softening, textural cream component too. The flavour is mouth filling and while the wine is textured it is also refreshing and lively. I hate to admit how quickly the bottle emptied. It goes with anything at all, or indeed is lovely on its own, and it makes a perfect partner to tapas. This is a very good rosé indeed as well as being enormously enjoyable  – 89/100 points.

Available in the UK at around £10 per bottle from All About Wine – more stockist information is available from Boutinot Wines, the UK distributor

Wine of the Week – an affordable & delicious orange wine

I am not always one for the current fad and right now Orange wines, or Amber wines, and natural wines are the in thing. Mind you they have been ‘in’ for quite a while, so perhaps they are here to stay.

For those of you who are not yet in the know, an Orange (or Amber wine) is a white wine fermented on the skins – indeed it can also be called skin-contact wine or skin-macerated wine. It is the skins, even of white grapes, that impart the orange/amber colour and is considered a non interventionist style of winemaking. Such winemaking can appear to be a fad, or new idea, but is actually thousands of years old and how wine was made in ancient times.

Orange wines are becoming quite mainstream and easier to buy. In fact an interesting example from Romania came my way recently. I thought it was an excellent way in to appreciating this style of wine, so I thought that I would share it with you.

Sketch wine map of Romania – click for a larger view – non watermarked PDF versions are available by agreement.

Asda Orange Natural Wine
Cramele Recaș
Timișoara
Romania

Recaș Cellar is near Timișoara in the far west of Romania and is run by Englishman Philip Cox who has lived in the country since 1992. He had actually started out as the Romanian importer of Heineken, which was very successful. However he was unable to change the currency into something more useful, so hit upon a scheme of producing wine in Romania that he could export for hard currency. To this end he and some partners bought the local state cooperative in 1999.

Originally they started with 600 hectares and now farm around 1000, which makes them a very big player in Romania, where many of the producers are much smaller estates. Legend has it that Bacchus spent his childhood in this region and there is evidence of grape growing here going back to Roman times and vineyards were thriving here in 1447, so the area’s potential has long been recognised.

Philip generally aims to make clean, well made, fruit driven wines that sell and as such he provides a perfect introduction to modern Romanian wines. What’s more they are widely available in the UK under a plethora of labels including Bradshaw and Wine Atlas in Asda, Calusari, Sanziana and the widely seen Paparuda amongst many, many others.

Philip Cox, Commercial Director, Cramele Recaș.

This particular wine is somewhat different though and as you can see from the name of the wine, this is not only an Orange wine, but is also a Natural wine. Most definitions of natural wine include some or all of the following:
Hand-picked, organically or biodynamically grown grapes. Low-yielding vineyards. No added sugars, no foreign yeasts. No fining or filtration. No adjustments for acidity. No other additives for mouth-feel, colour, etc. No micro-oxygenation or reverse osmosis. Little or no added sulphites.

It’s an organic – and vegan – blend of Fetească Alba, Tămâioasă Românească (a local Muscat grape), Chardonnay and Sauvignon Blanc, all fermented on the skins using the indigenous yeast in a spontaneous fermentation.

The colour is pale orange marmalade, while the nose displays peach skin, grape skin, raisin and cider-like notes together with honey, herbs, smoke and a note of creamy lees.

The palate has a lovely tangy acidity with orange and ripe peach as well as the richer flavours of cinder toffee and nuts. There is good freshness here, before the tannins from the skins deliver an attractive, grainy, bitter tannin quality to the finish, while the lees ageing shows in a lovely bready, almost Peshwari naan sort of character.

This is not the most complex Orange wine or Natural wine, but it is a very drinkable example. I tasted it together with one of my WSET Level 2 classes and it met with broad approval. It’s a complete bargain, makes a perfect introduction to the style and is very food friendly. I think it would be especially good with a selection of cheeses – 87/100 points.

Available in the UK from Asda at £6.00 per bottle.

White Wines from the Rhône

Mountain vista of the southern Rhône – photo by Quentin Sadler.

France’s Rhône Valley is a fascinating wine region that is traditionally much more famous for its red wines than its whites. Indeed a mere 6% of production is white, but that does not mean that it doesn’t make really good white wines that will repay a little seeking out – it does.

Having been a cheerleader for the region’s red wines for many years, I visited the region last year and fell totally in love with the whites.

We talk about the Rhône as a single region, but in reality it is two quite different places.

Wine map of the Rhône valley – click for a larger view.

The Northern Rhône accounts for just 6% or so of the Rhône Valley’s wine production – despite boasting many of the region’s famous vineyard areas. The reason for this small size is simple. The climate here is continental with short summers and harsh winters, so the grapes only really ripen when grown on the steep, sun-drenched slopes that form the Valley wall. Most famously Viognier is used here to make Condrieu and the even more rare Château-Grillet, which is an appellation for a single estate covering just eight and a half acres.

Some of Jean-Luc’s vineyards near Saint-Péray – photo courtesy of Jean-Luc Colombo.

On my travels I was very excited to discover some lighter, fresher examples of Viognier that are much easier to drink as well as being a great match with food.

Perhaps even more exciting for me were the unexpected joys of the white wines from the other areas of the northern Rhône, especially Saint Péray – typically made from blends of Roussanne and Marsanne.

The Southern Rhône is part of the Mediterranean world with long, hot summers. This delivers greater ripeness and often higher alcohol, which is why traditionally the wines have been overwhelmingly red. Modern knowhow can make it much easier to make good white wines in hot areas and this has become a theme throughout the Mediterranean world – which is good as white wines suit Mediterranean cuisine and relaxed seaside drinking.

Classic stony soils of the Southern Rhône – photo by Quentin Sadler.

The white wines of the southern Rhône are usually blends made from Marsanne, Roussanne, Grenache Blanc, Clairette, Picpoul Blanc and Bourboulenc although Viognier gets a look in as well. I love these grapes as they are full of character, flavour and interest. Single varietals are permitted, although most white wines here are blends of more than one grape variety. These grapes are also widely used in the Languedoc-Roussillon region of course.

Grenache Blanc – is actually Spanish in origin so should be called Garnacha Blanca (Garnatxa Blanca in Catalan) – has become one of my favourite white grapes in recent years. Historically it was not widely respected, but modern, cold fermentation techniques keep it fresh and bring out the lovely herbal aromas and flavours and it also has a silky texture that can be very satisfying.

Roussanne is also favourite of mine and is another aromatic and herbal scented grape variety that has a nutty character too. The wonderful thing about Roussanne is though that it has loads of flavour and aroma but also reasonably high acidity, so the wines feel fresh – even when blended with Grenache Blanc.

Marsanne is a much fleshier and lower acid grape and can make big and flabby wines unless care is taken – which is why it is so seldom seen as a grape variety on its own, although even they can be superb.
When blended with Roussanne it can often give a succulent texture and a rich mouthfeel.

Bourboulenc is a grape variety that I have really come to love in recent years too. It is widely grown in southern France, being used in Bandol, Cassis, Châteauneuf-du-Pape and La Clape in the Languedoc amongst other places. It has good refreshing acidity and zingy citrus flavours too and while almost never used on its own can really give some elegance and finesse to a blend of richer grapes.

Clairette is a fascinating grape as well. It is low in acid and can be flabby unless care is taken. This is another herbal grape with fennel like aromas and rich orange and peach flavours. In the Rhône it’s a blending grape but is used as a single varietal in Clairette de Bellegarde. This is a small wine region within the Costières de Nimes area, south of Avignon, and the wines can be wonderfully mineral and flavourful.

Viognier of course is by far the most popular and widely seen of these grapes. Generally it is low in acid, intensely aromatic and very rich when used to make wine on its home turf of the northern Rhône.

The dramatic southern Rhône landscape – photo by Quentin Sadler.

Most of us are familiar with the basic wines from the region. These are labelled simply as Côtes-du-Rhône, an origin – or appellation – which covers the widest area of production. These generally provide good everyday drinking, while examples from conscientious producers can often be much better than you expect. Côtes-du-Rhône-Villages is an appellation for the parts of that area that are considered capable of making wines with more depth and personality. These vineyards are scattered throughout the Côtes-du-Rhône zone.

Experts generally agree that the very best Rhône wines come from the Crus. A Cru is a part of the region that is traditionally thought to produce the most complex wines and have a more specific stated origin on the label. Therefore, as in Beaujolais, they are labelled by the name of the specific place where the grapes are grown, rather than the name of the region. Châteauneuf-du-Pape is the most famous example, but there are many others including Lirac, Gigondas, Hermitage and Saint-Péray.

My love for these wines was rekindled recently when I tasted a couple of wines from the great Jean-Luc Colombo.

Jean-Luc Colombo with his wife Anne and daughter Laure, they all work in the vineyards – photo courtesy of Jean-Luc Colombo.

Jean-Luc hails from Provence and only bought his first vineyard, Les Ruchets, in 1987, so is something of a newcomer to the Rhône and I think that shows a little in his wines. There is a brightness and a purity that sets him apart from the more traditional producers and made him something of a trailblazer for the younger type of Rhône winemaker. He and his daughter, Laure craft wines that manage to combine power, purity and vivid, pleasurable fruit in a way that is decidedly modern and yet completely natural. All their own vineyards are organic, which is only fitting as they live on their estate in Cornas in the northern Rhône.

The whole range is good with some amazing wines at all the price points. As far as the whites are concerned, I love his Condrieu Amour de Dieu, but the two wines that I have enjoyed most recently are:

2017 Côtes du Rhône Les Abeilles Blanc
AC/PDO Côtes du Rhône
Jean-Luc Colombo
France

80% Clairette makes this mineral and crisp, while 20% Roussanne gives it some fat and more aromatics. The wine is called The Bees in French because the Colombo family love their bees that pollinate their vineyards. Indeed they have their own beehives and make honey as well as funding bee research in France, the US and UK.

There is nothing fancy about this wine. It is cold fermented, clean as a whistle and sees no oak at all, but therein lies it’s genius. The wine is bright, direct and effortless to drink and yet it has that feel of quality. It has backbone, substance – class if you will. It’s refreshing and you will find yourself quaffing it, but banal it most surely is not – 87/100 points

Available in the UK at around £10.50 per bottle from Templar Wines

 

Some of Jean-Luc’s vineyards near Saint-Péray – photo courtesy of Jean-Luc Colombo.

 

2016 Saint-Péray La Belle de Mai
AC/PDO Saint-Péray
Jean-Luc Colombo
France

This blend of 60% Roussanne and 40% Marsanne is fermented and aged in oak barrels, but only a little is new making sure the oak remains subtle and supportive rather than dominant, adding a silky, refined texture. Historically Saint Péray specialised in sparkling wines and enjoyed a high reputation before almost withering away. Wines like this show the enormous potential the appellate has for high quality.

Everything that I like about these white Rhône wines is to be found here. It is generous, floral, fruity and aromatic with notes of wild herbs and flowers together with honey and pine trees. The palate is sumptuous and rich without over playing its hand. There is an underlying subtlety that makes that richness all the more intriguing. The fat, succulent fruit dominates the mouthfeel, with flavours of apricots, pineapple, oranges, lemon and melon, while vanilla, clove, pepper and cardamon play around the edges. All the while refreshing acidity balances that richness of the fruit and there is a lovely touch of minerality, a little saline in fact. A wonderful white wine with presence and aplomb but also kept in check by natural elegance and sophistication – 92/100 points

Available in the UK at around £20.00 per bottle from Wine Direct, Hennings Wine Merchants and Millesima – UK.

More information is available from Jean-Luc Colombo’s UK distributor, Hatch Mansfield.

These wines are very food friendly and partner all manner of dishes really well. Perfect with roast chicken, grilled fish and all sorts of Mediterranean fare. The Saint-Péray is amazing with my roast lamb – smothered in Mediterranean herbs, lemon and garlic and slow cooked for 6 hours or more. Garlic, olive oil and lemon all work brilliantly with these grape varieties. They are also perfect with a cheese board and what I usually serve with a selection of cheeses that includes both hard and softer types. I believe that a white wine like these is a much better match with a selection of cheeses than a red wine.

So now you know – white wines from the Rhône are well worth searching out.

Little Pleasures – a celebration of a less famous wine

Wine is the lifeblood of Chablis. The vineyards can be seen from the heart of the village and you often see grape growers going about their business.

Ah Chablis! That name conjures up all sorts of thoughts of stylish, sophisticated dry white wine. I love Chablis and think that the appellation / PDO has gone through a real renaissance over the last twenty years or so. There was a time when Chablis was frequently not what it ought to be and was instead a bit thin, green and tart.

This seems to longer be the case and the quality of Chablis available seems to be generally pretty high in my opinion. Sadly so does the price – and that is before Brexit. What makes Chablis such a pleasure though is the complexity, the minerality and is that sense that you are drinking a true thoroughbred – a classic. So why should that be a cheap wine? How can it be a cheap wine?

Cheap Chablis is always a disappointment and never shows you what Chablis should really be all about.

In some ways Chablis is a really simple wine to get your head around:

It is pretty much the northernmost outpost of the Burgundy wine region.

It’s only white.

It’s dry.

It’s only made from Chardonnay (Beauneois to the locals).

After that though it get’s a bit more complex because the differences are usually all about nuance rather than big, bold flavours. However the defining characteristic of Chablis should be all about the minerality in the wine. Minerality is the word we use to describe anything in a wine that does not come from the fruit or the winemaking. What actually causes these mineral characters is unknown and experts disagree – I have my own view that you can read about here – but they show themselves as stony, steely or earthy flavours and aromas.

Chablis’s beautiful vineyards.

Chablis should smell and taste stony and that is the defining character of the wine style. It should have that sense of the fruit being restrained and the wine brooding in the glass – rather than overt fruit leaping out at you. There should be tension in the glass between the (gentle) fruit, the crisp acidity and that minerality. They all vie for your attention, so the wine should feel beguiling and complex. Drinking a good, or great Chablis, should be an occasion.

I will write another day about the higher levels of Chablis Premier Cru and Grand Cru wines, but there is another subdivision of Chablis and it often gets overlooked.

That is Petit Chablis. I suspect very few of us go around actually knowing what Petit Chablis is, but it sells. It sells almost certainly because consumers assume that it has a relationship to Chablis itself – which it does.

Wine Map of France – click for a larger view.

The vineyards of Chablis – map courtesy of the BIVB.

The thing about Chablis is that it is really simple, pure even, until it isn’t. Chablis itself is all about the land in which it is grown. There are two important considerations with Chablis, the soil type the grapes are grown in and the aspect of the vineyard.

For a wine to be awarded the use of the Chablis name, or Chablis Premier Cru and Chablis Grand Cru, it must be grown in the vienyards around the (large) village of Chablis and be grown in the correct soils. These are a type of chalky limestone that was formed in the Jurassic era and was first identified in the village of Kimmeridge on Dorset’s Jurassic Coast. That is why the soil is known as Kimmeridgian, sometimes Kimmeridgian Clay.

The village of Chablis with the vineyards behind.

The whole area was once ancient seabed – under a warm and shallow sea – and that is why it contains millions of fossilised mussels and oysters. Chablis must be grown in this soil and it is believed that it is this soil that helps the wine take on that mineral character. Chablis Premier Cru and Grand Cru must also be grown on Kimmeridgian soils, but in those instances they are on slopes facing south, south west or south east – this ensures they are riper than standard Chablis as the grapes get more sun.

Not all the land around the village of Chablis is Kimmeridgian though. At the top of the slopes there is a harder soil called Portlandian Limestone. It would be a waste not to plant anything in this soil, but there is no avoiding the fact that wine produced in these soils is different from Chablis – even if the same grape variety, Chardonnay, is used. That is why the wines grown in these soils are called Petit Chablis, so that we know they are different and perhaps that we should not hold them in such high regard as Chablis itself.

Traditionally we have been told that Petit Chablis is not mineral, instead it is is more fruity, but still crisp and dry. Broadly speaking I would say that is true, although it isn’t quite as clear as that makes out. Recently I have noticed that the quality of Petit Chablis seems to be very good right across the board – just like Chablis itself.

Chablis is a lovely place to visit.

I have to be honest that until a few years ago I was barely aware of Petit Chablis existing, let alone understanding what it was, so my experience of it has all been in the last three or four years. In that time though I have noticed more and more that the wines are on the whole consistently good quality and often fantastic value for money. It really does seem to be a very reliable appellation, I have tasted a good few of late and they all seem to deliver a classy glass of wine.

In fact they might be a perfect reliable classic French dry white wine to fall back on now that the likes of Chablis and Sancerre have become so expensive. Petit Chablis has certainly become something of a house wine Chez moi and something that I frequently order when dining out.

At their best – and all these are very good – Petit Chablis is crisp and refreshing with apple, orchard fruit, some light creamy notes and lots of acidity as well as a little touch of that minerality for which Chablis is so famous. They are of course unoaked so remain bright and lively, so would appeal to Sancerre, Pouilly-Fumé and Sauvignon Blanc drinkers as well as lovers of White Burgundy.

Here are a few of the Petit Chablis wines that I have tasted and enjoyed in recent months:

 

2016 Louis Moreau Petit Chablis
Louis Moreau
Available in the UK for £12.99 per bottle from Waitrose

2017 Petit Chablis
Union des Viticulteurs de Chablis
Available in the UK for 12.00 per bottle from Marks & Spencer

2017 Petit Chablis Vielles Vignes
Domaine Dampt Frères
Available in the UK for 12.99 per bottle from Laithewaites

2016 Simonnet-Febvre Petit Chablis
Simonnet-Febvre
Available in the UK for 12.99 per bottle from Vinatis and Hay Wines

2017 Louis Jadot Petit Chablis
Louis Jadot
Available in the UK for 16.99 per bottle from Simply Wines Direct

2016 Alain Geoffroy Petit Chablis
Domaine Alain Geoffroy
Available in the UK for around £13 per bottle from The Oxford Wine Company,Oddbins, Albion Wine Shippers

Anytime you want a true classic French dry white wine, then Petit Chablis seems to me to be a good bet. Please ignore the word Petit in the name, these are all wines that deliver great big dollops of pleasure.

 

Wines of the Week – A Pair of Very Different Sparkling Wines

I do like fizz and it doesn’t always have to be Champagne for me. It can come from anywhere at all as long as it’s good.

I couldn’t decide which wine to choose, so I have 2 Wines of the Week for you this time. What unites them, and pleases me, is that although these wines are both very good, neither are made using the Traditional Method. The Traditional method is method by which Champagne, and many other sparkling wines like Cava and Crémant, are made fizzy. It requires a second fermentation in the bottle that traps the CO2 from that fermentation in the wine. The wine is then aged on the yeast sediment, lees, to develop the classic toasty, brioche and biscuit characters that often define Champagne. We call this ageing “yeast autolysis”. Some people maintain that you need this process in order to produce a decent sparkling wine. These two wines show that is not the case at all and that we should be more open minded.

 

Kym Milne MW – photo courtesy of the winery.

2017 Bird in Hand Sparkling Pinot Noir
Adelaide Hills
Bird In Hand Winery
South Australia

My first fizz is made by the wonderful Bird in Hand winery in South Australia’s Adelaide Hills region. I have liked their wines for a long time so am delighted to single out this beauty. The area is covered in nineteenth century gold mines and Bird in Hand was the name of one of them. Nowadays it is a 100 hectare estate renowned for making elegant and refined wines in this cool and beautiful area of South Australia. The chief winemaker is the great Kym Milne MW who has certainly not lost his touch since I first encountered him when he was Villa Maria‘s head winemaker in the 1980s.

Map of South Eastern Australia, the Adelaide Hills are just south of Barossa and east of Adelaide – click for a larger view – non watermarked PDF versions are available by agreement.

The Pinot grapes are picked at night to keep them cool and then fermented at low temperatures in stainless steel to keep it fresh and lively. To add complexity there was short period of lees ageing for some 4-6 weeks. Then the second fermentation, to make it fizzy, took place in a pressurised tank called an autoclave.It is bottled immediately and so does not develop yeasty, biscuity flavours, so remains fresh and fruity.

Whatever mood you are in I defy you not to be cheered by this wine. The colour is gorgeous with a wild strawberry and wild salmon hue.

The nose is lifted and vibrant with ripe strawberry, raspberry, apple, orange and grapefruit, while the palate is nicely textured with the ripe Australian fruit giving more weight than we might normally expect. The mouse is soft and almost creamy, while the acidity is refreshing and the fruitiness makes the wine seem perhaps just a tiny bit not so dry.

All in all it is utterly delicious, beautifully fruity, juicy and refreshing.

I really enjoyed this and it is a perfect all round crowd pleaser for Christmas – 90/100 points

Available in the UK at around £15.00 per bottle from Frontier Fine WinesTanners, Amazon, Drink FinderWaitrose, Waitrose Cellar. Grab it from Waitrose and Waitrose Cellar before 12/12/18 and it is only £10 a bottle!

More information is available from Bird in Hand’s UK distributor, Seckford Agencies.

My second sparkling wine is rather different and comes from the heart of Prosecco country in northern Italy.

The Villa Sandi, from which the company takes its name, is a Palladian mansion dating from 1622.

2016 Villa Sandi Ribolla Gialla Brut
Vino Spumante di Qualità
Villa Sandi
Veneto, Italy

Ribolla Gialla is a grape most commonly found in Italy’s Friuli-Venezia Giulia and neighbouring Slovenia. This example however comes from the Veneto and is made by Villa Sandi, the famous Prosecco producer in Crocetta del Montello near Asolo in the province of Treviso. Surprisingly for such a big name, Villa Sandi is a family run company and I think that shows in the passion they have for what they do together with the care they take in their vineyards and their commitment to looking after the environment.

Villa Sandi are based near Asolo in Treviso, the heartland of Prosecco production.

This is another glorious and very pleasurable sparkling wine that shows that you do not need the Traditional method to achieve complexity. Usually the Charmat / Tank method, or Martinotti method in Italy, is used to make bright, fruity wines, like most Prosecco. Some people however age the wine on the lees in the tank before bottling and this is called the Charmat Lungo or long Charmat. This wine spends 12 months on the lees in the tank / autoclave.

The character of the grape with its savoury qualities really showed on the nose, as did the lees ageing with a nutty, honeyed, cooked apple quality. The palate was brisk and pure with the rich acidity of preserved lemons together with some coconut and wholemeal bread. There is a touch of spice and lovely vibrant apples and green plum fruit. It feels light and fresh but savoury and intriguing.

I loved this and found that it goes with everything and nothing very well, even spicy food and unusually for this part of the world it is a dry sparkling wine – 90/100 points

Available in the UK at around £17.00 per bottle from DolceVita Wines and can be imported from Italy, until Brexit ruins it, via Ur Italian Wines. More information is available from Villa Sandi’s UK distributor, North South Wines.

So you see it is always good to keep an open mind about these things and to taste wines without preconceptions, otherwise you might miss out on a great deal of pleasure.

Wine of the Week – a lovely Fleurie

Beautiful vineyards on the south western border between Fleurie and Beaujolais-Villages.

Some of you will remember that not long ago I visited the wonderful Beaujolais producer of Henry Fessy – read about it here. I really admire their wines and what they do as they seem to be one of the major wineries that is reinventing Beaujolais and reintroducing this wine style to modern drinkers.

When I first joined the wine trade Beaujolais was hugely popular, because fruity red wine did not really exist back then. Beaujolais was just about the only “fruity” red wine and was made fruity by being kept light and acidic. Well, ever since the British love affair with New World wine really took off thirty odd years ago, our definition of a fruity wine has changed. Nowadays we want wines to be fruity and ripe and bold and so Beaujolais has somewhat slipped down the scale of regions people enjoy.

Well it is about time that people revisited Beaujolais and my new Wine of the Week is a perfect time to start.

Fleurie’s Chapelle de la Madonne was built around 1870 to ward off vine diseases. It seems to have worked!

2014 Fleurie Le Pavillon
AC / PDO Fleurie
Henry Fessy
Beaujolais
France

Henry Fessy is one of the great producers of Beaujolais. They have been around a long time and make wines from every single appellation in the region as well as growing grapes in 9 out of the 10 crus.

I like what they do. They have never been tempted to go for the carbonic maceration which often gives those bubblegum chad cherryade flavours and aromas to Beaujolais. Instead Fessy ferment in a more normal, traditional way. The grapes are de-stemmed, except for 20% that adds a little tannin and structure, and crushed and then fermented in stainless steel at low temperatures. This retains the freshness without getting the stalky character than can make some Beaujolais feel unbalanced. The wine is handled very gently to ensure it retains that silky character that defines Fleurie and finally it aged for a few months in tank before bottling.

We have been so lucky with Beaujolais vintages of late, so pretty much all the Beaujolais in the shops right now comes from excellent ripe vintages – and 2014 is no exception.

The extra bottle age on this wine has done it nothing but good – I have noticed repeatedly that Fessy Cru Beaujolais respond well to a little time. They retain that zip, but gain some extra depth too. When first released the wines are all about bright, primary fruit, but a year or so introduces some earthy and smoky complexity that makes the wines feel more complete somehow.

This is a terrific wine that should convert many Beaujolais doubters to appreciate the style. It has weight and substance, while still fundamentally being a lighter wine. The nose gives that gorgeous lifted floral note that is Fleurie’s calling card together with a little touch of spice and ripe red fruit. The palate is succulent an full of raspberry, cherry and cranberry fruit while the age has introduced a little earthy savouriness, while the whole thing feels silky, refined and irresistible – 89/100 points.

Available in the UK at around £13.49 per bottle from Waitrose, Waitrose Cellar. Grab it before 27/11/18 and it is only £9.99!

Wine of the Week – a fabulous Pinot Noir

Résonance Vineyard – photo courtesy of the winery.

Well it has finally happened. I have become so old that I beginning to become obsessed by Pinot Noir. I have noticed that this happens to many of us who love wine, but never expected me to go the same way.

I have always liked Pinot Noir, but it took a long time for me to become utterly beguiled by this amazing grape. At its best Pinot Noir is enchanting and confusing, soothing and puzzling all at the same time. That, for me, is what makes it so potentially exciting – that inbuilt tension. Those characters that seem to contradict each other.

I have tasted a huge array of Pinot Noirs this year and many of them have been utterly delicious but one has stood out for me because of its sheer class and broad appeal.

That wine comes from Oregon in the United States and I like it so much it is my Wine of the Week and a recommendation to have with Christmas Dinner.

A map of Oregon showing all the wine regions and AVAs and an inset map showing where Oregon is. The Willamette Valley is in the north east of the state around Portland and Salem. Yamhill-Carlton AVA and Dundee Hills AVA are sub regions of the Willamette Valley AVA.

2015 Résonance Pinot Noir
Willamette Valley
Louis Jadot Estates
Dundee
Oregon
USA

Forty odd years ago it was widely believed that Pinot Noir could only produce good wine, let alone great wine, in Burgundy. Almost everywhere else was considered to be too hot and this was borne out by the early, clumsy, overripe and jammy examples from California. Well everyone likes a challenge and I have yet to meet a winemaker yet who doesn’t secretly want to produce a great Pinot Noir, so the search was on for somewhere outside Burgundy and Europe that could produce world class examples of this captivating variety.

In the early to mid 1960s a group of winemakers who had experience of making Pinot in California, trekked north to Oregon and they liked what they saw. Over the next couple of decades more and more growers joined them and slowly they put Oregon wines on the map – especially Pinot Noir. The culmination of this was the 1979 Gault-Millau French Wine Olympiades – a sort of Judgement of Paris for Pinot – which saw Eyrie Vineyards‘ 1975 South Block Pinot Noir placed in the top 10 Pinots.

As you might imagine this caused consternation in Burgundy and Robert Drouhin arranged for a rematch. The winner was Joseph Drouhin’s 1959 Chambolle-Musigny Grand Cru but the Eyrie came in a very close second. As a consequence Maison Joseph Drouhin built their own Oregon winery, Domaine Drouhin, in 1988. Oregon had arrived.

Résonance Vineyard – photo courtesy of the winery.

So why does Oregon have this effect? Why does it suit Pinot Noir? The answer of course is the climate. The Willamette Valley – pronounce Will-am-it, to rhyme with damn it! – which is the heart of Oregon’s Pinot country, enjoys a mild maritime climate. Yes it can be very wet, but the rain is almost only in the Winter, not the growing season. Temperatures in the growing season are actually slightly lower than in Burgundy, on average 14.7˚C as opposed to Burgundy’s 15.2˚C. Even that 14.7˚C is tempered by Ocean breezes and significantly cooler nights. The diurnal temperature swing is often between 16˚C and 22˚C difference. This slows down the ripening period and preserves the natural acidity, so builds ripeness and complexity while retaining freshness. All this is helped by long sunny days during the growing season.

Oregon has developed in a certain way, as a land of artisan growers and winemakers who hand craft their wines in boutique wineries in an idiosyncratic way, making the state a sort of new world echo of Burgundy itself. Eventually the pull of Oregon was too strong for the venerable Burgundy house of Louis Jadot to ignore any longer.

In 2013 Louis Jadot, a Burgundy house since 1859 – although the Jadot family have been growers for far longer – purchased the Résonance Vineyard in the Yamhill-Carlton AVA (American Viticultural Area, similar to a PDO in Europe or a Geographical Indicator in Australia). The vineyard is 13 hectares and some of the vines are over 30 years old, planted on their own roots and dry farmed. Interestingly although Phylloxerra is present in Oregon, it is believed that Résonance can stay ungrafted as the surrounding grafted vineyards act as a buffer to protect the vines.

The estate is on a curved south, south east and south west facing hillside and protected from the winds by Coast Range Mountains, making it a very secluded spot that can produce some very concentrated and fine Pinot. Before Jadot bought the estate, the fruit was widely used in wines made by some of the most famous names in the Willamette Valley. Jacques Lardière, who for over 40 years Jacques was the chief winemaker of Louis Jadot in Burgundy and the the keeper of their style, manages the viticulture and makes the wine.

Jacques Lardière (left) with Thibault Gagey the estate manager.

10 miles to the east in the Dundee Hills AVA Jadot also own the 7 hectare hectare Découverte Vineyard which is mainly planted to Pinot Noir but also has a small block of Chardonnay vines.

They make three Pinot Noirs on the estate, the Résonance Vineyard wine itself from the Yamhill-Carlton AVA. The Découverte Vineyard wine from the Dundee Hills AVA, which is not yet exported and this wine which is made from fruit from both of the estate vineyards, together with some fruit from other selected vineyards and so is labelled as Willamette Valley, which is the wider area.

The wine is aged for 13 months in French oak casks, 20% of which is new wood. This gives a delicate oak influence, but ensures that it isn’t lost.

I really love this wine, the colour is beautiful with that dark red fruit garnet and flashes of something deeper. The nose is lifted with deep red fruit notes, damson, rich cherry, cranberry and flourishes of blackberry and blueberry together with some orange zest. The oak gives a delicate spicy, smoky, mocha note that does not dominate, while a classic Pinot earthy quality balances it all out. All in all the aromas are rich and attractive but restrained and elegant all at the same time.

The palate is mouth filling and supple with luxurious and seductive fruit – ripe cherry, plums and raspberry together with deeper black cherry and damsons. There are some savoury qualities too like sun-dried tomato, some balsamic, some rich, freshly turned earth (mineral), a touch of spice, smoke and mocha. All of this is kept in check by the acidity that gives lovely freshness to the wine. The tannins are very much there, but they are sweet, ripe and graceful – 93/100 points.

This is a beautiful wine that seems to please pretty much everyone who tries it – I have shown it at three tastings recently and it wowed them all. In my opinion it is a perfect wine for Christmas Dinner as it would be delicious with the turkey or goose and all those complex flavours of the trimmings.

Available in the UK at around £35 per bottle from Bin Two, Handford Wines, Christopher KeillerThe VineyardFenwick’s Wine Room, Hailsham CellarsThe Bottleneck, Fountainhall Wines, Frenmart, The Ministry of Drinks and Simply Wines Direct.