Wine of the Week – a Happy, Happy Syrah

Tain-l’Hermitage – photo courtesy of Maison Les Alexandrins.

Personally I think a lot of talk and writing about wine – and I am guilty of this myself – focuses on how fine, interesting or different a wine is rather than how much pleasure it delivers.

Which is really very strange as wine is all about pleasure isn’t it? If a wine does not give you pleasure, then what is the point? I certainly think about the pleasure a wine offers while I am tasting it but do my descriptions and writing about a wine always convey that? I am not sure.

All of this flashed through my mind recently when I tasted a wine that in more normal circumstances I might well have ignored.

For a start it is made from Syrah, or that is what it says on the label anyway. Be prepared to gap in astonishment, but I am not especially drawn to Syrah, or don’t generally think I am anyway, so rarely seek it out – although that seems to be changing.

Secondly the wine is not from an appellation contrôlée / AC / appellation d’origine protégéeor / AOP / PDO or not even a Vin de Pays / PGI, but is a humble Vin de France. This most basic quality level of French wine replaced Vin de Table a few years ago, with similar changes right across the EU.

Fundamentally what changed was that they were given the right to state the grape variety, or the blend on the label. They are also allowed to show the vintage, which means that we can be more selective, choosing the better vintages and perhaps also the fresher years – especially useful with white wines, but a good idea with most modern red wines too.

The vast majority of Vin de France are, as you might imagine, pretty basic, everyday wines – which is why I would normally pass on by. However, as with the Syrah that I tasted some producers use this level to make something altogether more interesting and worthwhile. Certainly this Syrah is a lovely wine – so good in fact that I have made it my Wine of the Week.

The stunning Northern Rhône Valley – photo courtesy of Maison Les Alexandrins.

2016 Syrah

Vin de France 

Maison Les Alexandrins

Rhône

France

Maison Les Alexandrins is a very interesting project that produces some rather good wines. It is another example of a thoroughly modern phenomenon – a micro-négociant that focuses on high quality wines. It grew out of the Domaine Les Alexandrins and is a joint venture between Nicolas Jaboulet, formerly of the eponymous winery in Tain and now the head of Maison Nicolas Perrin, winemaker Guillaume Sorrel and viticulturalist Alexandre Caso. The aim is to give Nicolas Perrin a presence in the Northern Rhône and they aim to buy really good parcels of fruit from top growers across the area and to craft expressive wines from them. Eventually they will have a permanent base as they are building a new winery in Tain-l’Hermitage.

Wine Map of France, the Northern Rhône is just south of Lyon – click for a larger view.

This is the bottom rung of the wines they make, but don’t let that bother you. It comes from a great vintage and the quality shows, but so does the skill of the winemaker.

The fruit comes from younger vines across the Northern Rhône and although the label calls it a Syrah, there is actually 8% Viognier in there too, co-fermented with the Syrah. There was a cold soak to extract flavour before the fermentation which was in stainless steel. Half was then aged in tank for 6 months and the other half was aged in barrel, but from the taste of it I would say very little new wood at all.

Everything about this wine is bright and fresh. The colour is a vivid cerise – like a sorbet. The nose gives bright cherry and blackberry with lightly creamy notes, some spice and a little touch of freshly turned earth.

The palate just delivers pure pleasure. It is fresh, fleshy and juicy and cram packed with bright cherry, cranberry and plum fruit together with bright, refreshing acidity and just enough soft tannins for interest. It is beautifully balanced, perfectly judged, delicious and dangerously hedonistic. All in all it is a fine bottle of really well crafted happy juice.

This is a lithe, fresh and punchy red that will go with almost anything and is a very attractive wine to drink on its own too. Personally I think its charms are mainly upfront in the fruit, but it might be interesting to see what it’s like in five years or so as underneath all that pleasure I am sure there is a more serious wine trying to get. This is so delicious, so drinkable and made me so happy that I will award it 90/100 points – it earned extra points for severing extreme pleasure.

Available in the UK for around £13 per bottle from South Downs Cellars. More stockist information is available from Liberty Wines the UK importers.

Frankly the only mystery about this wine is why it does not have more stockists. Sealed with a screw cap it would make a perfect restaurant wine too.

Wine of the Week 49 – South African succulence

Recently I tasted the new vintage of a wine that I have enjoyed for many years and it was so drinkable that I have made it my new Wine of the Week.

Vines at Kleine Zalze.

The wine comes from Kleine Zalze, which is a beautiful estate in Stellenbosch, South Africa. Indeed it’s one of my favourite South African producers, and – like the country as a whole – their wines just seem to get better and better. What’s more, this is true whether the wines are at the lower end of their range like this delicious Sangiovese, or more upmarket examples like their stunning Family Reserve Cabernet Sauvignon, Family Reserve Shiraz,  Family Reserve Pinotage – one of the very best examples of this difficult grape that I have ever tasted – and the wonderful Family Reserve Sauvignon Blanc.

Wine map of South Africa – click for a larger view – non watermarked PDF versions are available by agreement.

 

The wine is an intriguing blend of Shiraz (Syah) with Mourvèdre and a little Viognier to add aromatics and complexity.

Vines at Kleine Zalze.

2013 Zalze Shiraz-Mourvèdre-Viognier
Wine of Origin / W.O. Western Cape
Kleine Zalze Vineyards
Stellenbosch, South Africa

80% is Shiraz from Kleine Zalze’s own vineyards in Stellenbosch together with 15% Mourvèdre from the cooler Durbanville area and then 5% Viognier from Tulbagh in the mountains. They were fermented separately, Kleine Zalze mainly use wild yeasts for this, the 2 reds in stainless steel and the Vignier on 4th fill barrels, this old wood ensures the oak influence is very subtle. All 3 components are aged in 3rd and 4th fill barrels for 14 months before being blended together.

The aroma gives lifted notes of ripe blackberry, raspberry and peach with a little touch of freshly turned earth and truffle (very Mourvèdre), spice and even some chocolate, espresso and cigar.
The palate is richly fruity and succulent with deliciously juicy ripe blackberry, black cherry, redcurrant and even some plum and some lovely savoury herbs like the French garrigue. The tannins are sweet, ripe and smooth, the oak lends some nice spice and a touch of mocha, whole a touch of refreshing acidity balances it all nicely. I really enjoyed this, it is very drinkable, beautifully made and not dull. There is enough complexity to make it interesting and the blend brings a freshness that Shiraz on its own seldom delivers.
Really attractive wine that goes with all sorts of things including barbecue, pizza and pasta, be warned though, it is moreish – 87/100 points.

Available in the UK for £8.29 a bottle from Waitrose and Ocado – £5.99 a bottle from Waitrose if you get in quick and £6.21 from Ocado if you grab it by 12/-05/15!

If you have let South African wines pass you by, then this might be a very good starting point, enjoyable to drink and great value to boot.

 

When is a lot of sugar no sugar?

Or: When is a wine sweet or dry?

Sweetness is an absolute, right? After all a wine is either dry or it is not and the EU regulates that kind of thing – my friend Warren Edwardes outlines the rules here.

However it is true that most new world wines contain more sugar than their European counterparts. This does not make them sweet, just less dry – many a non-European Shiraz will contain anything from around 3-5 grams of residual sugar per litre, while the French equivalent will have less than 1 gram, which makes quite a difference in mouthfeel, richness and fruit character.

Again, this does not make these wines sweet, but it does make them softer and fuller in the mouth. It makes the tannins much less of an issue and ensures that the wine does not interact with your food quite as much as less rich wines, so a good food pairing becomes less important, it can even make the wine soft enough to enjoy without food – so you see a little sugar can be a useful thing.

However, it does seem to cloud the issue for many consumers who are new to wine – they do seem to think that all wine should be like Australian Shiraz.

We are used to non-European producers being very open about their wines, but I have discovered that it is actually often quite hard to get hold of residual sugar levels for new world red wines. Most technical sheets just say that they are ‘dry’, some have ‘Residual Sugar: Nil’, while more than a few just ignore the issue completely.

I had been pondering all this for some time, as the sugar level is important and I have seen for myself the effect that having ‘dry’ wines that contain a fair amount of sugar has. It changes the parameters of wine and makes traditional European styles seem austere and mean to young drinkers and casual drinkers who want a wine without food.

However, I was really surprised by something in America recently, which possibly helps to explain some of this.

In a winery I had just tasted a Viognier, which did not seem to me  to be completely dry. So, I asked the winemaker what the residual sugar was and his reply really startled me, he said ‘effectively zero’.

Now this wine did not taste as though it had virtually no sugar, so I pressed the point and asked what ‘effectively zero’ meant. His reply, after looking it up was that it was ‘0.7’.

I pressed further, as this wine could not possibly have such a minimal residual sugar content. Strangely though it did – if you measure sugar in the American way, it had 0.7% residual sugar – which to the winemaker was as good as zero and therefore close to his idea of a totally dry wine.

Actually though it is nothing like zero, when I tell you that on the European measure 0.7% residual sugar is a whopping 7 grams per litre – which in a low acid wine like Viognier is not dry, let alone anything like zero.

So, perhaps they just speak an entirely different sugar language over there and their Zero, or Nil is our 10? It would explain a lot about the differences in sweetness and why a wine with quite a whack of sugar can be described as having nil residual sugar on a technical sheet..

V is for Viognier…and a lot more besides

Viognier vines at Veritas Vineyards in Virginia with the Blue Ridge in the background

Whilst contemplating wine I often think how remarkable it is that quite so many white grapes have names that begin with a ‘V’. Some of them may seem a tad obscure, but here is a list of all the ones that sprang to mind – with a few that I looked up:

Viura
Verdicchio
Vernaccia
Verdelho
Verdejo
Verdejo Tinto
Vaccarèse
Valais
Valdiguie
Valentin
Vilana
Verdea
Verdello – not the same as Verdelho, in case you were wondering.
Verdiso
Verdeca
Verduzzo (Friulano)
Vermentino
Vernaccia – in fact there are a few of these, all unrelated.
Vertzami
Vespaiolo
Vespolina
Vidal
Vien de Nus
Villard Blanc
Villard Noir
Vinhão
Viosinho – sometimes called Veosinho Verdeal for good measure.
Vital
Vignoles
Vranac
Vugava
and finally the most famous of all – Viognier.