Friuli Delights

It’s been quite a year for extending my understanding of Italian wines. Recently I visited parts of the Prosecco production area in the Veneto region, but earlier in the year I was part of a study tour of a fascinating wine region called Friuli Isonzo.

This wine region is a Denominazione di Origine Controllata, or DOC – or a PDO in overarching EU parlance – and can be found in the extreme north east of Italy. It stretches from near Monfalcone – where you find Trieste Airport – to Goriza on the border with Slovenia. It is all flat land, the neighbouring DOC of Carso has the mountains and Collio the hills – it even means hills in Italian. So basically the whole DOC of Friuli Isonzo is an alluvial plain with the mountains to the north and east, beyond Goriza and Trieste. It is warm and sunny, but tempered by the winds and sea breezes and the effects of the Isonzo River (the Soča in Slovenia).

I was seriously impressed by what I found and enjoyed the experience very much. This is a culturally rich and varied part of Italy because the outside influences are very strong. Nearby is the amazing ancient Roman city of Aquileia which was the ancient capital of Friuli-Venezia Giulia. The cohesion of the area was destroyed by the collapse of the Roman Empire with the Franks and the Lombards settling in the western part of the region while Alpine Slavs made their homes in the eastern part of Friuli near Trieste. This difference was reinforced by Friuli becoming part of the Venetian Republic in 1420 while the former free city states of Trieste and Goriza became part of the Hapsburg Empire at roughly the same time.

This border of course remained until 1797 with Napoleon’s destruction of the Venetian Empire and the whole of Friuli-Venezia Giulia was ceded to Austria. Eventually the wars for Italian unification led to the great majority of the region, the Italian parts, joining the Kingdom of Italy in 1866. The new border however left the more Slovene parts in the Austrian Empire. After the First World War the whole place was taken by Italy and the previously Austrian port of Trieste became an Italian city.

The Second World War shook things up yet again and Tito’s Partisans not only liberated Yugoslavia, but also Trieste. Tito had hopes of absorbing the city and it’s surrounding region into Yugoslavia, however it was not to be and the area was awarded to Italy again in 1954. In turn of course Slovenia declared itself independent of Yugoslavia in 1991 and so the region now borders Slovenia, now a democracy and member of the EU.

Wine map of northern Italy. Friuli is in the north east, between Veneto and Slovenia.

Sketch wine map of Friuli-Venezia-Guilia, click for a larger view.

This history shows in the wines with a wide range of grape varieties and blends that sometimes echoes the styles produced over the border – and vice versa of course.

The principal white grape varieties are Chardonnay, Friulano, Gewürztraminer, Malvasia, Moscato, Pinot Bianco, Pinot Grigio, Riesling, Sauvignon Blanc, Verduzzo and Welschriesling (Riesling Italico).

Varietally labelled wines – those with a grape variety as the most important piece of information on the label – must contain 100% of that grape, while blends – labelled as “blanco” can contain any blend of the grapes listed above.

The red grapes are Cabernet Franc, Cabernet Sauvignon, Franconia (Blaufränkisch), Merlot, Moscato Rosa, Pignolo, Pinot Nero, Refosco and Schioppettino and again the varietals must contain 100% of that grape and red blends – “rosso” can contain any proportions of the above grape varieties.

There are also rosé wines, which can be made from any permitted grape other than Gewürztraminer, and a separate DOC for rosés made from the Moscato Rosa grape.

The region also makes some excellent sparkling wines (Spumante in Italian) – as most Italian regions do – including Chardonnay Spumante with a minimum of 85% Chardonnay and a maximum of 15% Pinot Nero / Pinot Noir blended in.
There is also Moscato Giallo Spumante, Moscato Rosa Spumante, Pinot Spumante made from any proportions of Pinot Bianco, Pinot Grigio and Pinot Nero / Pinot Noir, Verduzzo Spumante from 100% Verduzzo and Rosso Spumante which follows the same rules as still Rosso.

Fundamentally the soils are a mixture of ponka (a sandstone-marl mixture) along with more alluvial gravel and clay with some limestone and the land is flat with good sun exposure and good cooling from the air draining down the mountains. This results in wines that can be anything from quite austere and mineral to moderately rich and fruity.

Here are a few of the wines and wineries that really impressed me on the trip:

Borgo San Daniele

This thrilling winery is run by brother and sister Alessandra and Mauro Mauri. Their father had converted their mixed farm to a vineyard and bought some more vineyards and they both trained as winemakers in nearby Cividale – meaning they are steeped in the local traditions – and their first vintage was in 1991.

They farm 18 hectares spread over a wide area, giving them lots of different sites and conditions as well as grape varieties. They are certified organic and farm biodynamically, so do not use use any pesticides or herbicides and plant their vines at high density and seek low yields and are quite happy to wait for full ripeness – for weeks in necessary. Winemaking is totally traditional and yet new wave too, with long maceration on the skins for the whites, spontaneous fermentations and long lees ageing in wood.

I loved their Friulano and Malvasia, but what excited me the most were their blends.

2015 Arbis Blanc
IGT Venezia Giulia

This is a single vineyard wine from a site called San Leonardo and is a blend of 40% Sauvignon, 20% Chardonnay, 20% Pinot Bianco and 20% Friulano. The different varieties are picked separately when fully ripe, then the musts are blended together and fermented together – it is a variation on a traditional field blend. The wine is then aged on the lees in large, 2000 litre, Slavonian oak casks. Confusingly Slavonia is not in Slovenia, but is a region in neighbouring Croatia.

In effect this is a solera aged blend as 30% is from the 2014 vintage which also contains some older components, and so on. That is why it has to be labelled as a humble IGT rather than DOC. Arbis means herb in the local dialect and is called that because of the cover crops that grow between the rows and temper the vigour of the vines.

The nose is wild, enticing and exotic with peachy and apricot fruit, dense citrus, waxy hibiscus, shortbread, accacia and light honey. There is jasmin, blossom and a mineral note of wet stones.
The palate has lovely weight and integration and a texture that flows wonderfully across the palate with a succulent feel, a deep flavour of rich lemon, cooked apple, melted butter, sage and something. It is very long, delicious and really interesting – 94/100 points.

2013 Arbis Ròs
DOC Friuli Isonzo

This is also a single vineyard wine from a site called Ziris and is 100% Pignolo. The grape has hardly been cultivated at all since WWII as it produces such tiny crops, but of course that suits the new wave of boutique wine growers who have supplanted the large production wineries of the 1960s to 1990s. Pignolo is a very rare grape now with just 60 hectares in Friuli and so the world.

The wine spends 3 years in oak of various sizes before being blended in tonneau – which are 550 litre in Italy – and then aged for another year in Slavonian oak barrels.

The lovely deep ruby colour is enticing.
The nose delivers bright cherry notes together with freshly turned earth, red dust, Lapsang souchong and five spice.
The palate has a sensual, silky, velvety feel, mid weight, nice freshness with cherry fruit and acidity, rich plums, chocolate and violets on the finish. The finish is long with this intense cherry with a bit of blood orange too – 94/100 points.

Castello di Spessa

This amazing winery is a beautiful castle and country house set in a beautiful landscape. The house is a luxury hotel and golf resort, while the winery is based around the medieval cellars. They farm 55 hectares in both DOC Friuli Isonzo and DOC Collio.

The amazing cellars at Castello di Spessa – photo courtesy of the winery.

Again I really liked a lot of their wines, the Pinot Grigio was very good, as was the unoaked Chardonnay and somewhat austere Sauvignon. However the standout for me was the Friulano:

2016 Castello di Spessa Friulano
DOC Friuli Isonzo

Friulani used to be called Tocai – that is no longer allowed to save confusion with actual Tokaji from Hungary and Slovakia – and has been part of the viticultural landscape in Friuli for centuries.

This is a single vineyard wine, called Capriva del Friuli, and is made from 25 year old vines in a totally normal manner. The grapes are crushed and fermented in stainless steel tanks. The wine is then aged on the lees for a further 6 months in 5000 litre stainless steel tanks.

In the past I have really struggled to see the joy in Friulano, but this wine helped open my eyes to what it can do. It delivered very attractive aromas of fresh peach and apricots together with orange blossom and toasted almonds. There is something a little salty and mineral here too.
The palate is bone dry, round and fresh and fleshy with good richness, cooked apple, some pastry and bread flavours and high acid on the finish. I love the generosity, the bitter almonds and the touch of sea air about it and think it would be perfect with all sorts of nibbles and ham and cheese – 93/100 points.

I Feudi di Romans

I like this winery and am always impressed by the wines. They make a large range of very stylishly crafted wines that tend to be very seductive and charming. The winery itself sits on the flat land of the region just near the banks of the Isonzo river.

Looking across the Isonzo to the mountains.

2016 Sontium
DOC Friuli Isonzo

Friulani used to be called Tocai – that is no longer allowed to save confusion with actual Tokaji from Hungary and Slovakia – and has been part of the viticultural landscape in Friuli for centuries.

Sontium by the way is the Latin name for the Isonzo River.

This is a single vineyard wine, called Capriva del Friuli, and is made from 25 year old vines in a totally normal manner. The grapes are crushed and fermented in stainless steel tanks. The wine is then aged on the lees for a further 6 months in 5000 litre stainless steel tanks.

In the past I have really struggled to see the joy in Friulano, but this wine helped open my eyes to what it can do. It delivered very attractive aromas of fresh peach and apricots together with orange blossom and toasted almonds. There is something a little salty and mineral here too.
The palate is bone dry, round and fresh and fleshy with good richness, cooked apple, some pastry and bread flavours and high acid on the finish. I love the generosity, the bitter almonds and the touch of sea air about it and think it would be perfect with all sorts of nibbles and ham and cheese – 93/100 points.

Drius

Mauro Drius creates a big range of varietal wines, and the odd blend, on his family estates near Cormòns. He farms about 15 hectares on the flatlands as well as the slopes of Mount Quarin.

2016 Pinot Bianco
DOC Friuli Isonzo

Pinot Blanc is the unsung hero of the Pinot family for me and I think it deserves to be more widely appreciated – I would almost always rather drink Pinot Blanc than Pinot Gris!

The wine was fermented in stainless steel tanks and 80% was then aged in stainless steel tanks. 20% of it though was aged in large two year old Slavonian oak vats. Both components had regular bâtonnage.

The nose delivers lovely, clean and pure aromas of butter, toast, nuts, light peach, orange and something floral.

The palate is very soft, round, gentle and attractive with a almost a little caramel and some nuts and ripe orange and peach. Medium acidity gives some nice freshness and makes the wine feel very drinkable indeed – 91/100 points.

 

Tenuta di Blasig

This was my second visit to this estate and it is a beautiful spot. It is very near Trieste Airport, in Ronchi dei Legionari. The name of the town was originally Ronchi Monfalcone and was only changed in 1925 to commemorate the fact that nationalist, war hero, poet and proto fascist, Gabriele D’Annunzio‘s legionnaires set off from here in 1919 to seize the port of Fiume / Rijeka (now in Croatia) from the newly created Kingdom of Serbs, Croats and Slovenes, soon to be called Yugoslavia. D’Annunzio wanted Fiume to be part of Italy, as was the rest of Istria at the time. His occupation of the city lasted for 16 months and made him a national hero. D’Annunzio was a friend of the Blasig family and actually stayed in the house before sailing to Fiume and a whole wall near the kitchen is covered in amazing photographs of D’Annunzio and his men.

Elisabetta Bortolotto Sarcinelli talking about her beloved Malvasia.

Tenuta di Blasig was founded by Domenico Blasig in 1788 with the aim of making fine Malvasia wine and Malvasia remains the focus. The charming Elisabetta Bortolotto Sarcinelli is the eighth generation of the family to manage the estate and she seems to do a vey good job, producing wines of elegance and depth. They farm 18 hectares, but the vineyards are spread out and often found surrounded by suburban buildings – Trieste Airport is very close indeed and the winery is right next to the town hall.

I really like the wines here. The Friulano with a light touch of oak is a wonderful example of the type, while the Merlot, that has no oak at all, and the Rosso Affreschi Merlot and Refosco blend were both lovely wines. However the standouts for me were:

2016 Malvasia
DOC Friuli Isonzo

This Malvasia is a single vineyard wine from the nearby village of Vermegliano. It is cold fermented in stainless steel and aged on the lees for 6 months.

The nose is fresh, but not that aromatic with melon and floral blossom notes.

There are also little glimpses of orange nuts and a saline note.The palate is medium-bodied and slightly fleshy with a little succulence and almond and toffee and a little salty minerality too, like a fine Chablis.

That orange comes back, giving a soft, citric twist, while the weight and the salty minerality dominate the finish, which is pretty long.

This is a very complex wine that shows just how good Malvasia can be – 91/100 points.

 

2014 Elisabetta Refosco dal Peduncolo Rosso
DOC Friuli Isonzo

I am a big fan of Refosco and think it is brilliant with almost all Italian dishes. There are at least two Refoscos, this is the one with red stems and is quite prevalent in Friuli. This wine is only fermented in stainless steel and has no oak at all.

The nose has a lovely heady mix of plums, dark cherry, milk chocolate and prune.

The palate is smooth with medium body, highish acid, nice purity, brightness and drinkability. The flavours are cherry, blueberry, plum, milk chocolate, tea, herbs and light spice as well as that very Italianate bitterness of almonds and cherry stones, that sounds weird but is actually delicious – 92/100 points.

 

 

Borgo Conventi

An aerial view of the Borgo Conventi estate – photo courtesy of the winery.

Another beautiful estate that produces both DOC Collio and DOC Friuli Isonzo wines. Founded in 1975 in an area that contained monasteries – Borgo Conventi means “hamlet monastery” – since 2001 it it has been owned and completely overhauled by the Folonari family’s Ruffino estate in Tuscany.

Again this estate produces a large range. They directly own around 20 hectares in the Collio and Friuli Isonzo regions, but also control and manage lots of other vineyards that they do not own. I enjoyed all the wines, especially the Sauvignon among the whites, but the standouts here were the reds:

2016 Merlot
DOC Friuli Isonzo

100% Merlot grown in pebbly clay soil, a bit like St Emilion.

The vines are around 30 years old and the wine is fermented and stainless steel vats and aged in stainless steel tanks on the lees for 6 months.

They want this wine to be fresh and fruity, so the maceration is short and there is no oak.

The colour is an enticing, shining, bright plum.
The nose is direct with lifted sweet fruit making it vibrant and lively. There are brambles and plums and blueberries and some herbal and earthy notes.
The palate is vibrantwith fresh plums and cherries, strawberry even. This makes it lively and pure with silky tannins and a little acidity to give nice freshness.

A nice medium bodied, supple red that is easy drinking and interesting – 90/100 points.

The beautiful winery at Borgo Conventi – photo courtesy of the winery.

2012 Schioppettino
IGT Venezia Giulia

This near extinct grape is a speciality of the region and likes the cool areas with coastal influence or cool draining mountain air. The grape is sometimes known as Ribolla Nera and Pocalza in Slovenia. The grape has high acidity and a somewhat peppery character.

The harvest is done by hand with several passes through the vineyard to pick individual ripe grapes. A further selection of the grapes takes place inside the winery. 20% of the grapes are partially dried, like Amarone  to improve the concentration. Fermentation is in wooden vats with refrigeration gear to keep the temperature low. This takes about 15 days with regular pump overs for extraction.The wine is then aged in second fill, new wood would give a more obvious oak character, French oak barriques (225 litre) for 12 months

The colour is a lovely ruby to pale terracotta red.

The nose gives earthy notes, cooked plums, bitter cherry, raspberry and herbs together with black pepper, cloves and cinnamon.

The palate is very smooth with high acid, sweet dried red fruit, medicinal notes, herbal notes.

Silky tannins and high acid make the wine soft and supple but refreshing and intrigueing. It’s not a big wine, in fact it is quite Pinot Noir like (with a bit of peppery Syrah in the mix for good measure) so it is medium bodied, but it is very savoury and tasty with some delicate chocolate and espresso on the finish from the oak. I love this wine, it is  delicate but rich and long – 94/100 points.

Simon di BrazzanI found this winery to be utterly fascinating. Friuli – and neighbouring Slovenia – is pretty much the epicentre of the Orange Wine movement – skin fermented white wines. Now I like these wines, but never because they are Orange, but because the wines that I like are good. Orange wines are very popular with Sommeliers right now and all sorts of people in the wine business and one hears all sorts of claims about them – and their near relations, “Natural Wines” – that they are the only wines worth drinking. Well I do not take that view, when I like them, I like them. When they are undrinkable then I don’t.

Daniele Drius farms a small estate that he inherited from his grandfather and over the last few years has converted it to organic and biodynamic viticulture. To me he seems to produce the best of both worlds, “fresh” tasting Orange wines and serious, complex “fresh” wines – just like my friend Matjaž Lemut at his Tilia Estate and Aleš Kristančič at his Movia Estate. Both of these are in Slovenia and these two dynamic – and talkative! – winemakers were school friends together.

2016 Blanc di Simon Friulano
DOC Friuli Isonzo

100% Friulano one third fermented in barrel on the skins with the rest fermented in stainless steel and left on the lees for a further 6 months.

It was fermented using the indigenous yeast.

The nose is quite developed with bees wax and honey notes as well as dried apricot, white pepper and something mineral.

The palate has lovely concentration with an abundance of ripe peach, peach skin, red apple, orange, something floral, something mineral and nice, balanced acidity just oiling the wheels.

I loved this and bet it goes down a treat with the local Prosciutto di San Daniele – 93/100 points.

 

2012 Blanc di Simon Friulano Tradizion
DOC Friuli Isonzo

100% Friulano fermented in 8 year old 2500 litre wooden vats with skin contact.

The wine is then aged in those vats for 30 months.

The staves are a mixture of French oak and Slavonian oak.

This has a beautiful, rich golden colour and a lovely nose, rich and lifted, with apricots, candied fruit, coffee and chopped nuts – especially almonds.

The palate is rich, viscous and heady with ripe stone fruit, orange, rich lemon, apple compote, honey, maple syrup, malt and caramel.

The finish is very long, silky and refined. This is a very enticing wine, full of flavour and bursting with energy – 94/100 points.

 

I really enjoyed my time in Friuli Isonzo. The place is very lovely and steeped in history. I met some remarkable winemakers and enjoyed some wonderful hospitality. It a place that seems full of wine. What’s more that wine is incredibly varied. There are many different grape varieties and a huge array of possible blends as well as very different styles and approaches to winemaking.

This is a region that will repay some experimentation. Who knows, your new favourite wine might be from Friuli Isonzo.

New Zealand Spreads its Wings – 5 Wines of the Week and something rather special

Don’t only drink Sauvignon Blanc from New Zealand – there is so much more to enjoy.

I don’t know what it is with me. Perhaps I have a low boredom threshold when it comes to wine, but I love variety. The very thing that makes wine exciting to me is the infinite variety available. Which seems to put me out of kilter with many wine drinkers here in the UK who would appear to only drink the same few wine styles all the time.

If that is you, please, please branch out, experiment, try something new – what’s the worst that can happen?

Which brings me to my theme – New Zealand. Please remember to click all the links.

Marlborough vineyards – photo courtesy of Villa Maria.

I have long admired New Zealand wines and well remember my first taste of a wine from that far off country and it excited me very much. It was 1984, I had recently joined the trade and the company I worked for introduced three extraordinary sounding new wines to the range, one wine each from Australia, New Zealand and Lebanon.

They all seemed exotic beyond belief. You have to realise that the wine revolution had not yet happened and such things were not widely available. The Lebanese wine was Château Musar 1977, the Australian was Berri Estates South Australian Cabernet-Shiraz and the New Zealand wine was a Gewürztraminer made by an estate called Matawhero in the Gisborne region of North Island. I remember it as being really good and wish that I could still buy it over here.

I had recently fallen for the charms of the Gewürztraminer grape and drank a lot of it at the time – I hardly ever do now as the examples from Alsace seem much sweeter nowadays.

So my first taste of New Zealand wine would now be regarded as  a slightly left field offering, but I did not realise that then. Sauvignon Blanc did exist in New Zealand in those days, but it was early days. There wasn’t very much and it was far from being the most popular or dominant grape. Indeed the now ubiquitous Kiwi ‘Sav’ (why do they miss the U out when they pronounce it?) would have been the oddity then. What’s more the Marlborough region barely produced any wine at all. It is the now largest wine region in the country and produces something like 60% of New Zealand wine, while around 60% of production is made from Sauvignon Blanc.

Over the years I have seen New Zealand wines proliferate on this market and sweep all before them. Everyone now drinks New Zealand wine. Or New Zealand Sauvignon Blanc anyway. That is the dominant grape and most widely produced and consumed style.

Which has bugged me for quite a long time.

I like many Kiwi Sauvignon Blancs and can see the attraction, but I want other things too and so wish that wine drinkers would experiment with all the other lovely wines that New Zealand produces. Of course it would help if the major outlets got a little more creative and actually stocked some of the other exciting wines coming out of New Zealand. However, things are getting better, it’s slow, but a wider range of New Zealand wines is beginning to be available.

To make my point I recently put on a tasting of the more unusual wines coming out of New Zealand at the moment. It wasn’t exhaustive by any means, but I managed to find some real variety and excellent wines that many people would enjoy. Collectively they are my Wines of the Week.

The White Wines

New Zealand is a cool climate wine producing country and so the production is overwhelmingly white. Although there are some warmer places and Pinot Noir of course performs well in the cool conditions of South Island, it just isn’t hot enough to ripen black grapes to make red wines in most of the country. My line up of white wines was really good, they all showed well and had that classic Kiwi clean brightness to them that  that I can only sum up as a feeling of purity.

Vineyards in Gisborne – photo courtesy of Villa Maria.

2015 Left Field Albariño
Te Awa Collection
Gisborne

Albariño is a Spanish grape from the north western region of Galicia, where it is most famously used to make the often delicious wines of Rias Baixas. They are amongst the best Spanish white wines and are great with seafood. The grape is also grown over the border in Portugal, where it is known as Alvarinho. This is the second vintage of this wine that I have tasted and I have loved them both. Te Awa are a wonderful winery, who produce some terrific wines and created the Left Field label specifically for the less widely seen styles of wine. I am thrilled that Albariño might be breaking through as a popular and international grape variety – it certainly deserves to.

The aromas are floral and scented with delicate, but ripe peach and zesty citrus aromas. The palate is bright, fresh and lively with mandarin and nectarine characters and a twist of lime on the finish. This is a light, fresh, crisp style that is really, really good and would be gorgeous with some seared scallops or just on its own. It feels pristine, bright and pure as a mountain stream, surely anyone who likes Sauvignon Blanc would appreciate this – 89/100 points.

Available in the UK for around £12 per bottle from The Wine Reserve – for more stockists click here.

Yealand’s Seaview Vineyard – photo courtesy of Yealands estate.

2014 Yealands Estate Single Vineyard Grüner Veltliner
Yealands Estate
Awatere Valley, Marlborough

Yealands is an impressive producer and is the brainchild of the engaging Peter Yealand who in his time has farmed mussels and deer as well as wine. Most of their production is from a large single block of vines – the largest single parcel of vines in the county – in the Awatere Valley, the cool south eastern part of Marlborough. It is right by the sea and is called the Seaview Estate as it looks out over Cook Strait.

Grüner Veltliner is the signature white grape of Austria, where it makes some tremendous wines. Much like Albariño, I get the feel that Grüner Veltliner might be on the cusp of breaking through as an international grape and again I think that is an excellent thing. 15% was fermented in second and third use French oak barrels and the wine spent 3 months on the lees with lees stirring to help the complexity and the texture.

Another wine with a lovely aromatic nose that is delightfully floral and gently spicy with a dash of white pepper. Again that purity shines through and the palate is gorgeously silky and lightly textured, being gently creamy like coconut – presumably helped by the oak. There is plenty of discrete apricot like fruit too as well as refreshing citrus acidity giving plenty of zing. Again I cannot imagine anyone that likes Kiwi Sauvignon Blanc not enjoying this, but it is deliciously different – 89/100 points.

Available in the UK for around £13 per bottle from Great Western Wine – for more stockists click here.

2014 Villa Maria Cellar Selection Sauvignon Gris
Villa Maria
Wairau Valley, Marlborough

Sauvignon Gris is thought to be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and makes fatter and less aromatic wines than its more famous relation. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape and others clearly agree as there appears to be renewed interest with this ancient grape in Graves and parts of the Loire. Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose, as the skins are pink.
This wine is from Fletcher’s Vineyard which is in the famed Golden Mile, which is a strip of stony ground close to the Wairau River land in the sub-region of Rapaura.

The nose is fresh and enticing with pear, delicately smoky peach and some mineral notes.
The palate is by turns stony and mineral, pear-like and peachy with a rippled texture of occasional fleshy succulence, nectarine lingers on the finish together with blackcurrant leaf and some tropical passionfruit and mandarin too. There is a leesy texture here too giving a gentle smokiness and a lightly ‘mealy’ quality that is very attractive.
It is dry with a freshness of acidity and little cut of citrus too, but acidity is much less dominant than in Sauvignon Blanc, indeed in many ways it is like a bigger, fatter Sauvignon Blanc. A lovely wine with real finesse and elegance that will go with almost any fish or lighter dish perfectly – 89/100 points.

Available in the UK for around £14 per bottle from The Pip Stop and The New Zealand House of Wine.

2013 Esk Valley Verdelho
Esk Valley Estate
Hawkes Bay

I am very fond of Verdelho as it is a lovely grape and I wonder why we don’t see it more often. Just to be clear, it is not the same as Verdejo or Verdicchio or any of the other similarly named varieties that people often assume are the same. It is actually the Madeira grape, but put to a very different use here. Some authorities think Verdelho might be a long lost clone of Riesling, but they say that about Albariño too.

Esk Valley is a wonderful estate that is much more famous for producing some of New Zealand’s finest red wines, but they also make some marvellous whites, including some excellent Chenin Blanc and Riesling. Selected from two vineyards in Hawke’s Bay and was mainly cold fermented in tank, with some being fermented using the natural yeast in large – 600 litre – French oak casks.

Delightfully aromatic and floral with a real zing of lime and a mineral edge together with a touch of oiliness. On the palate the texture marries beautifully with the freshness and the minerality. The oak just gives a dollop of cream and a bit of complexity, but never dominates, while some tropical fruit and citrus flavours of mandarin and lime make it utterly delicious – 89/100 points.

The 2014 vintage is available in the UK for around £13 per bottle from The Oxford Wine Company and The New Zealand House of Wine – for more stockists click here.

The Red Wines

Being a cool climate country, New Zealand is nowhere near as famous for its reds as its whites and only a small proportion of the country’s production is red. Pinot Noir is by far the most dominant grape and is the main one used in South Island – by some margin. However, other grape varieties do get a look in and, just as with the whites, the number of grape varieties used is increasing and becoming more exciting. Hawkes Bay – or Hawke’s Bay – in North Island is home to the greatest concentration of red wine production in New Zealand – apart from Pinot Noir which is mainly from South Island. It is warmer here, with well drained soils, so it can produce some good concentrated red wines. The Gimblett Gravels is the most prestigious sub-zone and home to many of the country’s finest red wines. Traditionally it’s Merlot and Cabernet country, but Syrah is quickly becoming pretty mainstream, while Mediterranean grapes like Tempranillo, Montepulciano and even Grenache are beginning to get noticed.

Vidal Estate vineyard in the Gimblett Gravels district – photo courtesy of Vidal Estate.

2014 Left Field Malbec
Te Awa Collection
Hawkes Bay

Malbec has been used in some of the Cabernet-Merlot blends of Hawkes Bay for quite a number of years, just as it is used in Bordeaux, but often with a higher proportion. I have only once before had a single varietal Malbec from New Zealand though and that was in the 2003 vintage (I think) when Esk Valley made one because their Merlot and Cabernet were not up to the mark and so all they had left was Malbec. This version is completely unoaked.

The colour was an extraordinary vivid, deep purple – you could paint with this. The nose gave off rich plum, blueberry and blackberry, together with rich cocoa and some pungent spice notes. The palate was fresh and juicy, with chunky rich fruit and a deep inky feel. There is liquorice and pepper together with black fruit and a dryness from the – artfully tamed – tannins that gives the wine a sappy, briar-like flavour. I love the upfront and juicy quality of this. It feels fresher and cooler than its Argentinian cousins and would go very nicely with a barbecue or a steak, I would enjoy it chilled too – 88/100 points.

Available in the UK for around £17 per bottle from The New Zealand Cellar and The New Zealand House of Wine.

2014 Trinity Hill Tempranillo
Trinity Hill Estate
Gimblett Gravels, Hawkes Bay

Trinity Hill is a great producer – right up there with Craggy Range – that produces some of the best Syrah in the country, as well as many other great wines. One of the best ways to taste their wines in the UK is by visiting the excellent Bleeding Heart restaurant, which is part owned by John Hancock who owns Trinity Hill. The Tempranillo was fermented in stainless steel and then aged in a mixture of tank and French and American oak barrels for a short time.

Again this youthful wine had a bright and vivid purple colour. The nose was earthy and a bit spicy with juicy plum aromas and the sweeter note of dried currants. The palate was sumptuously fruity with lots of black fruit, a touch of red fruit and a sort of sweet and sour thing going on with a touch of drying tannins. This is totally unlike the Rioja style of Tempranillo, being more fruity and less savoury in style. It might not reach the same heights of excellence as Trinity Hill’s Syrah, but is is a lovely wine with vivid, ripe, chunky fruit – 87/100 points.

Available in the UK for around £18 per bottle from The New Zealand Cellar and The New Zealand House of Wine.

2010 Staete Landt Estate Arie Syrah
Staete Landt Estate
Rapaura, Marlborough

Staete Landt was the brainchild of a charming Dutch couple called Ruud and Dorien Maasdam. In Marlborough’s early wine days they bought an old apple orchard and turned it into one of the most respected wine estates in the country. The estate name is a reference to Dutch explorer Abel Tasman who discovered what we now call New Zealand in 1642 and named it ‘Staete Landt’, land for the Dutch state. I like them and I love their wines. They and their wines always have something to interesting to say. In the early days, late 1970s and early 1980s, plenty of people planted Cabernet and Merlot in Marlborough and then discovered that they just cannot ripen properly, so apart from Pinot Noir and the odd maverick, you come across very few black grapes in Marlborough. So, finding someone brave enough to make premium Syrah in the cool conditions of Marlborough is a real thrill.

Just as with the Sauvignon Gris above, the estate is in the ‘Golden Mile’ strip of stony ground close to the Wairau River land in the Marlborough sub-region of Rapaura. Ruud has conducted in-depth soil analysis on his vineyard and identified 24 different blocks which are treated as individual vineyards in effect. Since 2005 Syrah has been planted on two of them, but the 2010 comes just from the Arie block. The grapes were hand-picked and de-stemmed. They had a pre-ferment cold soak for seven days and a long post fermentation maceration as well. These techniques help colour and flavour extraction while not extracting tannin. The wine spent 20 months in French oak barrels, 40% of which were new.

The maturity and class of this wine really showed. The nose was smoky, spicy and earthy with rich cherry, blackberry (some dried, some fresh fruit) and some dark chocolate. The palate was svelte with fine, sweet tannins, some leather and herbs as well as black fruit and some mushroom and truffle from age. It had lovely freshness running all the way through it and was very stylish and fine with a long finish – 92/100 points.

The 2011 is available in the UK for around £22 per bottle from Hedonism Wines.

Which could have been a great end to the tasting, but I had dug deep into my cellar and unearthed a wonderful treasure for the finale:

Vidal Estate in the 1920s – photo courtesy of Vidal Estate.

1998 Vidal Estate Joseph Soler Cabernet Sauvignon
Vidal Estate
Hawke’s Bay

I have always been fascinated by the Vidal Esate for as long as I have known about it. Founded in 1905 it is the oldest NZ winery that was just a winery and not a mixed farm as well. Spaniard José Sole, had been making wine in New Zealand since 1865 and had anglicised his name to Joseph Soler. His nephew, Anthony Vidal, arrived in New Zealand from Spain in 1888 to help his uncle at his winery in Wanganui on the West coast of North island. Eventually Vidal wanted to set up his own winery and he bought an old stables and half a hectare of land near Hastings in the southern part of Hawke’s Bay, which was warmer and drier that Wanganui and boasted well drained stony soils. Today Vidal is part of the Villa Maria group and one of their best vineyards in Hawke’s Bay is named in honour of Joseph Soler.

I am always in awe of them when I think what drive and what determination the pair of them must have had to go all that way around the world in sailing ships to an isolated place with a tiny population and an uncertain future. 

This wine was a rigorous selection from a single block of the Soler vineyard, which had only been planted in 1993, so was very young. The grapes were hand-picked and fermented in open vats with hand plunging four times a day to extract colour and flavour. It was pressed after two weeks post ferment maceration and then aged for 21 months in a mixture of French and American oak barrels. 1998 was a great vintage in Hawke’s Bay and perhaps the first to serve notice that this is a great red wine region.

The colour was quite gamey and brown, like Brown Windsor Soup, and a great deal of tannin had adhered to the inside of the bottle. The nose was vivacious and alive with currants, leather, cocoa, gamey / meaty, espresso and mint notes. The palate was very smooth with those currants again, dried blackcurrants, a savoury, meaty character, rich coffee, figs, fine milk chocolate and the merest touch of ripe, fine grain tannins. It had great complexity and concentration and was still vibrant and delicious with a wonderful decayed sweetness like rich dried fruit. I loved the wine and would like to try it with an old fashioned saddle of mutton or steak and kidney pudding, luckily I still have another bottle – 94/100 points.

This is no longer available anywhere that I am aware of, unless you want to offer me a lot of money for my last remaining bottle!

It was an excellent tasting, even though I say so myself, and gave a little snapshot of some of the new styles and interesting things coming out of this dynamic wine producing country – and not a Sauvignon Blanc in sight.

So the next time you drink something from New Zealand, try a different grape variety or style. I think you’ll enjoy it.

Deliciously different & exciting white wines

There is so much wine available from so many different places that it must be hard for most casual wine drinkers to decide what to drink. Which is presumably why so many people I know stick to a very narrow range of favourites.

There is no need to get stuck in a rut though, even with tried and tested wine producing countries or companies. Here are details of four delicious and exciting, for different reasons, white wines that have come my way of late. At first glance on the shelf they might not seem all that different, the first two are from the famous and always excellent Villa Maria in New Zealand while the second pair are from Chile, one made by Álvaro Espinoza in the Casablanca Valley and the other by Errazuriz.

What sets these wines apart and makes them a little different and exciting is that they are made from slightly more unusual grape varieties, or in the Chilean case blends. I love championing less famous grapes as there is a great deal of pleasure to be found in many of them and so I think it is a great shame that so many drinkers limit themselves to such a tiny palate of grapes. There are hundreds of grape varieties out there and many of them can make very good wine indeed.

All it needs is to be slightly adventurous and try something new. I always tell my students that at least once a month they should buy a bottle of wine that they have never heard of or thought of drinking before, that way they experience lots of new things. In addition I tell them to buy at least some of their wine from a proper independent wine merchant, which can give advice and usually stock the more interesting things too.

It is so good that wine producers are still trying to offer consumers wines that are a little bit unusual and more interesting than the normal run of the mill wines that fill the shelves. Especially so as both New Zealand and Chile have long focussed on a narrow range of commercially successful grapes, so it is good to see such exciting experimentation. In recent months I have also seen Grüner Veltliner from New Zealand too, all we need is an Albariño, a Godello, a Fiano and a Falanghina and I will be a very happy bunny indeed!

Remember to click on all the links – and leave a comment too.

New Zealand

Sir George Fistonich at harvest time. George founded Villa Maria 1961 and runs it to this day. Photo courtesy of Ste Michelle Wines.

2013 Villa Maria Private Bin Arneis
East Coast G.I., New Zealand
If you have never heard of the Arneis grape variety before, well you can be forgiven as it is only a speciality of Piemonte in north west Italy. It makes the wines of the Roero Arneis D.O.C.g, and D.O.C. wines in Langhe too. In its native country it seems to make wines that are quite floral and aromatic, but is usually too low in acidity for me, so I am generally more keen on Nascetta or Gavi’s Cortese grape. Somehow it seems that the New Zealanders are able to compensate for this lack of acidity and produce fresher, more lively versions than the the original – just as they do with Viognier. Historically Arneis was considered very hard to grow as it is so delicate, hence the name which means ‘little rascal’ in Piemontese and so the grape almost died out in the 1970s with only two producers left by 1980. Luckily – as with so many white grapes – modern know-how has swept to the rescue and limited plantings are now found in Liguria and Sardinia, as well as California, Oregon, cooler parts of Australia and New Zealand’s North Island.
This wine has the East Coast Geographical Indicator, because the vineyards are in more than one region. In fact the grapes are grown at 3 vineyards sites between Hawke’s Bay and Gisborne.
Villa Maria’s Private Bin wines are their fruit forward more easy drinking range.
This offers a gently aromatic and slightly floral nose with touches of pear and very delicate peach.
The palate is juicy, delicately succulent and textured with soft acidity and lots of fresh and lively orchard fruit – pear –  and is nicely flowery too. There is also a fresh seam of acidity keeping the whole thing together and lively, without dominating.
All in all a really good approachable take on this grape making it a sassy and enjoyable easy drinking wine that goes well with almost anything, what’s more it only has 12.5% alcohol making it an ideal quaffer too – 87/100 points.

Map of New Zealand’s wine regions – click for a larger view – non watermarked PDF versions are available by agreement.

2013 Villa Maria Cellar Selection Sauvignon Gris
Marlborough G.I., New Zealand
Sauvignon Gris is a grape close to my heart. I became very fond of it in Chile over ten years ago and am very pleased that it is now being grown in New Zealand too. Sauvignon Gris is thought to be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and makes fatter and less aromatic wines than its more famous relation. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape and others clearly agree as there appears to be renewed interest with this ancient grape in Graves and parts of the Loire. Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose.
Villa Maria’s Cellar Selection wines are more concentrated, complex and so perfect with food. This particular wine is actually from a single vineyard in Marlborough’s Wairau Valley – Fletcher’s Vineyard.
The wine has a pale pear juice colour that hints at succulence, while the nose offers pear and delicately smoky peach.
The palate is by turns stony and peachy with a rippled texture of occasional fleshy succulence, nectarine lingers on the finish together with blackcurrant leaf and some tropical passionfruit too.
It is dry with a freshness of acidity and little cut of citrus too, but acidity is much less dominat than in Sauvignon Blanc, indeed in many ways it is like a bigger, fatter Sauvignon Blanc. A lovely wine with real finesse and elegance that will go with almost any fish or lighter dish perfectly – 89/100 points.

UK stockist information for Villa Maria wines is available from the distributer – Hatch Mansfield.
US stockist information for Villa Maria wines is available from the distributer – Ste Michelle Wine Estates.

Chile

Emiliana’s beautiful organic vineyards. Photo courtesy of Banfi Wines.

2012 Signos de Origen Chardonnay-Roussanne-Marsanne-Viognier
Emiliano Organic Vineyards
D.O. Valle de Casablanca, Chile
Casablanca is a beautiful place, one of the best bits of Chile to visit the wineries. this is because it is near both the main cities of santiago and Valparaiso and so is home to some excellent winery restaurants as well as some very good wine producers too. For a long time Casablanca was the undisputed premium white wine region of Chile, this is because the lack of mountains between it and the ocean ensure it is cooler than the wine regions to the south – like the Maipo and Colchagua Valleys. Nowadays Casablanca has competition from the equally cool San Antonio and Leyda Valleys as well as Acocagua Costa and Limari to the north, but is still a great region.
I love interesting blends and this is a wonderful combination of classic Rhône Valley white grapes – Roussanne, Marsanne and Viognier – with the more lush style of Chardonnay and it works perfectly. The grapes are organically grown and the grapes were partly fermented in stainless steel tanks at low temperatures before being moved to French oak barrels to complete the fermentation – this technique gives subtle richness and texture to the wine. 90% of the wine then aged in those barrels for 6 months, while 10% was aged in egg shaped concrete tanks, which are very trendy right now and do good things – you can read about them here.
This is a serious white wine with complexity, structure, texture and finesse.
The fruit drives it with rich apricot and peach characters giving succulence and texture as well as the fresh herb characters of the Rhône grapes. Ripeness and oak give honey and nut tones too and an overarching richness, even a touch of oatmeal at times. There is freshness and stony minerality too though giving some tension and balance.
A glorious wine, dense, concentrated and fine, perfect with cheese, rich poultry or pork – 91/100 points.

UK stockist information is available from the distributer – Boutinot.
US stockist information is available from the distributer – Banfi Wines.

Map of Chile’s wine regions – click for a larger view – non watermarked PDF versions are available by agreement.

If you want to try Rousanne, Marsanne and Viognier without Chardonnay, try another great Chilean blend:

2011 Errazuriz The Blend Marsanne-Roussanne-Viognier
Viña Errazuriz
D.O. Valle de Aconcagua, Chile
Another thrilling blend from grapes that originate in France’s southern Rhône. This comes from a little further north than Casablanca in the Aconcagua proper – Casablanca is politically a sub-division of the Aconcagua Valley – about halfway between the cool Aconcaua Costa and the warmer eastern end of the valley where Errazuriz traditional produce their red wines.
25% was fermented in third use French oak to give delicate richness while the rest was fermented in stainless shell to give freshness. 25% was also aged for 6 months in French oak.
This wonderful wine has a rich, earthy nose with wild herbs, honey, rosemary, spicy toasty oak and nuts too, it is savoury but with rich underlying fruit.
The palate is succulent with rich juicy fruit and a touch of minerality and acidity keeping it fresh not cloying. Herbs, apricots, peach, stones, a touch of oily texture and even cream together with a bite of tannins and nuts on the finish. Another glorious and exciting wine that is perfect with roast pork or rich poultry dishes – 91/100 points.

UK stockist information is available from the distributer – Hatch Mansfield.
US stockist information is available from the distributer – Vintus.

So you see, there is plenty of excitement and lots of different, but still delicious, wine out there if you are prepared to be a little adventurous. There really is no need to get stuck in a rut or keep drinking the usual suspects.

In the interests of full disclosure I should tell you that I do some work for both Villa Maria and Viña Errazuriz from time to time. However, the views that I have expressed about their wines are completely honest and unsolicited.

Bordeaux – much more than just wine

In the world of wine we talk about Bordeaux all the time, we all know what we mean by the word. Strangely though I take it for granted and never think about what we do not mean by it. And we do not really mean the city of Bordeaux at all. I have been to Bordeaux quite a few times over the years, but have hardly ever seen the city itself.

The Garonne in Bordeaux

No, by Bordeaux we generally mean the wines of Bordeaux and the vineyard areas around the city where the grapes are grown and these wines are made. So I was delighted to be invited to spend some time in Bordeaux recently getting to know the city a little and some of the delights that it has to offer the visitor.

Bordeaux’s beautiful La Porte Cailhau.

Of course wine looms large in Bordeaux and is hard to avoid, especially – I suppose – as we were guests of Olivier Dauga the larger than life consultant wine maker, style guru and former rugby player. Yes Olivier wanted us to taste his wines and to understand his views on winemaking, but he also wanted us to experience his Bordeaux, his friends as well as the restaurants and bars that he loves.

The ever colourful Olivier Dauga – I started to wonder if he always matched the paintings?

It was to be a wine visit with no vineyards, wineries or bottling lines. In fact the only vines I saw all trip were the ones that decorate Bordeaux Airport. I had met Olivier before, in London, at a tasting of his Ukranian wines and knew that he was a very interesting winemaker and well worth talking to, so I was really looking forward to the trip.

Our little group was put up in the lovely Maison Fredon, an arty boutique hotel in the Rue Porte de la Monnaie. It is housed in a beautiful old house and only has 5 rooms, but each one has a distinct personality and is furnished in a different and quirky style. The hotel is the latest venture of Olivier’s friend Jean-Pierre Xiradakis who has been one of the stars of the local restaurant scene ever since he created La Tupina – just over the road from the hotel – in 1968.

La Tupina from my window.

La Tupina is a lovely relaxed restaurant that specialises in the flavoursome traditional food of Bordeaux and the Sud-Ouest. This includes foie gras prepared in many different ways and a wonderful array of grilled and spit roast meats.

Spit roast chicken being cooked at la Tupina – photo courtesy of La Tupina.

Apparently when Jean-Pierre started here the area was pretty run down and considered to be far from the centre. Now he has made the area quite the place to go to for good food. In fact Jean-Pierre calls Rue Porte de la Monnaie the ‘Rue Gourmande‘ as over the years he has created quite a few interesting bars and restaurants here that includes the informal wine bar / bistrot Cave Bar de la Monnaie and Kuzina the Greek influenced fish restaurant – after all Jean-Pierre’s surname is Xiradakis! As if that wasn’t enough the Café Tupina is a lovely neighbourhood bar while the delightful Au Comestible is a casual restaurant and fine grocery store – Jean-Pierre is right, this street really is foodie heaven.

Rue Porte de la Monnaie.

Jean-Pierre showing us how to cook asparagus.

La Tupina.

The next morning we were up and ready to explore the city with a stroll around the old ramparts and the lively Marché des Capucins, the historic food market of Bordeaux. The place is a delight to stroll around with fabulous fish stalls, butchers, charcuterie stalls, bakers, cheese stalls, greengrocers, basque food specialists  – and, as is normal in civilised countries, the odd bar to provide liquid refreshment.

Marché des Capucins.

Bordeaux is a terrific city to wander around, the centre is small and so none of the distances seem daunting and there is always something to catch the eye and bring the lovely narrow streets to life, whether its interesting shops, churches, peaceful squares or lively cafés.

Place Saint-Pierre.

Repairing Bordeaux’s cobble stones.

Our wanderings were not just random by the way, we were touring the city centre and stopped off here and there for a tasting of some of Olivier’s wines. Our first such pit-stop was at one of the city’s many fabulous wine shops, La C.U.V. or Cave Utile en Ville or Urban Wine Shop is a great place to while away a little time looking at the array of bottles from all corners of France and beyond. The original branch is situated in 7 Place Maucaillou, very near the market, the little place has that village-like feel of a place where people actually live and work. So successful have these self confessed inquisitive terroirs lovers been that they have opened a second shop in Place Nansouty, which just goes to show – that contrary to what people think – the French consumer is open to trying and buying wines from places other than their own region and country. In fact one of the things that particularly delighted me about Bordeaux was the vibrant wine shop and wine bar scene with the differences between the two often being blurred.

The First Wine Tasting
Here we had our first formal tasting of some of the wines that Olivier makes in his role as consultant winemaker. I had spoken to him a little before this and I was very impressed by what he sought to do. It is his intention to respect the wishes of the owner in terms of style and to faithfully reflect the terroir of the estate. He does not seek to impose his own winemaking style on the wines at all and there was a great deal of difference across the wines that he is responsible for. Often you can tell if the same winemaker has made a range of wines, but in these it was nigh on impossible to detect a common style. There was a common thread though, which was fruit and delicacy – none of these were blockbusters, but none were dusty either – which is pretty much exactly the style of wine that Olivier told me he approves of. Simply put he seems to believe that wine should be approachable and enjoyable – and I certainly think those are laudable aims.

This first tasting was all red wines and, with one exception, they were all from Bordeaux. If you are looking for good quality and value red Bordeaux then you could do a lot worse than try any of these:

2010 Château Les Gravières de la Brandille, Bordeaux Supérieur
65% Merlot, 20% Cabernet Sauvignon and 15% Cabernet Franc. I really liked this unoaked, juicy claret and think it would make many friends who want a good medium bodied dry red that has ample fruit and supple tannins. 86/100 points.
2010 of course was a great Bordeaux year of course, but so was 2009 and you can buy the 2009 in the UK from Stone, Vine & Sun @ £9.75. 

2010 Château Roques Mauriac Cuvée Classique, Bordeaux Supérieur
40% Merlot, 40% Cabernet Franc and 20% Cabernet Sauvignon. Another unoaked clare that I enjoyed, it has a freshness and fleshy quality to the fruit that makes it very drinkable and pleasurable, especially as the tannins are very soft. 86/100 points.
I am told that it is available in the UK from Virgin Wines @ £9.49.

2011 Château de Rivereau, Côtes de Bourg
70% Merlot and 30% Cabernet Sauvignon – although Olivier did say there was a drop of cabernet franc here too. This has a little time in oak and it showed with some coffee tinges and fruit cake spice just adding a little complexity to the supple fruit and attractive, clean chalky tannins. 86/100 points.

2011 Château de La Jaubertie, Bergerac
This estate is of course not in Bordeaux, but nearby Bergerac, but this area makes wines in a similar style and offers superb value for money. Jaubertie is famously owned by the Ryman family of stationery fame. 60% Merlot, 15% Cabernet Sauvignon, 15% Cabernet Franc, 10% Malbec with 20% fermented in barrel and the whole wine was aged on the lees for 6 months with 10% aged in new American oak for 6 months. I thought this was a nice wine, direct honest and juicy with a slight oak spice tinge and a delicate herbal green edge to the black fruit. Nicely balanced, very drinkable and utterly classic, but well made – 86/100 points.

2011 Château La Pirouette, Cru Bourgeois Médoc
50% Cabernet Sauvignon, 45% Merlot, 5% Petit Verdot, 25% aged 12 months in new oak barrels. The extra class and complexity showed here. There was a precision to the wine and a structure to it that made it very clean and taut, but still had good fruit and lovely balance. 88/100 points.

Amélie Durand with her Cuvée Amélie red wine in La C.U.V.

2010 Château Doms Cuvée Amélie, Graves
80% Merlot and 20% Cabernet Sauvignon, 45% Merlot, 5% Petit Verdot, 25% aged in oak barrels, one third new. This is the top cuvée from the estate and is named in honour of the owner’s mother, while the estate is run and the wine is made – with Olivier’s help – by the owner’s daughter, Amélie. She was there to present her wines to us and what’s more she drove me to the airport the next day when I had been left behind!
I like Amélie’s wines, very much indeed. They have an elegance and a finesse that pleased me, as well as good concentration and balance. The fruit was fleshy and plump while the oak spice was nicely integrated giving mocha notes and complexity. There was a nice cut of acidity too and the tannins were ripe and not astringent – 90/100 points.

The Second Wine Tasting
Having done the reds we set off once more for a stroll through Bordeaux’s attractive cobbled streets to sample some of Olivier’s white wines along with some excellent local seafood at Le Rince Doigt, a casual little place that calls itself a guinguette , guinguette à fruits de mer in fact and it aims to be a seaside seafood bar in the middle of the city. To give that relaxed holiday feel  the whole place was dressed up as though we actually were on the beach, with sandy floors and deck chairs and the simple menu was wonderful with oysters, moules frites, moules farcies, spicy cod fritters and much more.

The indoor beach at Le Rince Doigt and yes that is John Salvi eyeing the table football!

So we settled on to our indoor beach and the white wines started flowing – sometimes my work is just too hard. I really like white Bordeaux wines, I think they are very underrated – like white Rioja – and can be some of the best – and best value – dry white wines around. These were my favourites here:

2012 Château Les Combes, Bordeaux Blanc – although the estate is in Lussac-St. Émilion
90% Sauvignon Blanc and 10% Sémillon – no oak, but 3 months on the lees.
A lovely beautifully balanced and aromatic dry white bursting with elderflower aromas, green fruit, lemon, lime and salad herbs, the lees ageing has introduced a nice layer of complexity too. A very good dry white, much more interesting than budget Sancerre – 86/100 points.
Available in the UK from Stone, Vine & Sun @ £9.75. 

2012 Château Marzin, Bordeaux Blanc
Sauvignon Gris and Sauvignon Blanc.
I liked this bright dry white with its crisp green fruit aromas and slightly fatter smoky palate that reduces the impact of the acidity – 85/100 points.

2012 Château Piote, Bordeaux Blanc – although the estate is in Lussac-St. Émilion
70% Sémillon and 30% Colombard.
Virginie Aubrion makes some lovely organic wines and this relatively unusual white blend is very attractive with real herbal characters, even some lavender, and a nice touch of weight on the palate – 85/100 points.

2012 Château Doms, Graves
60% Sémillon and 40% Sauvignon Blanc.
Amélie’s white wine was my absolute favourite here and really is fine. It is unoaked, but still has lovely weight and creamy texture backed up by fresh, crisp acidity, this really punches above its weight. Right now it is fresh and lean with crisp mineral acidity with the texture just adding some plushness and creaminess. It will age well becoming richer and creamier – 90/100 points.

The Cheese Course
Rather than have dessert we took some of our favourite bottles with us and strolled down to the Fromagerie Deruelle which is an amazing cheese shop in Bordeaux’s Rue du Pas-Saint-Georges. I always love cheese shops, they are truly fascinating places to spend some time – the only problem is they always cause me spend far too much money. Deruelle is one of the very, very best cheese shops that I have ever visited with all the cheeses perfectly stored, all clearly labelled and beautifully presented.

Part of the display at Fromagerie Deruelle.

More of the display at Fromagerie Deruelle.

Here were treated to a taste of 3 different cheeses to try with a white wine, a rosé and a red wine. The cheeses were:
Palet Frais – a fresh goat cheese from Lot et Garonne.
L’Estive – a (semi) hard sheep cheese from the Basque country.
Fourme de Montbrison – is a hard cow’s-milk cheese made in the Rhône-Alpes and Auvergne.

In my opinion the 2012 Château Les Combes white was the best with the cheeses as it went perfectly with the first and second cheese, the Fourme seemed to overpower everything really, so needed a really big red wine with lots of fruit.

Our cheese tasting.

The End of the Line
So we were now approaching the end of this wine trip with no winery visits and we finished in one of this lovely city’s trendy wine bars – La Ligne Rouge. Right by the beautiful La Porte Cailhau, La Ligne Rouge is a great place where you can browse the shelves from around the world and buy a bottle to take home or drink there with some cheese or charcuterie. They specialise in artisanal wines, often organic or biodynamic and have a terrific range from across France, especially Roussillon and the Languedoc – Bordeaux wines would seem to be in a minority in their range. Surprisingly they list more wines that come from places other than France and have a great selection from Spain, Austria, Chile, Argentina and much more, so next time you are in Bordeaux drop into this lovely shop…bar…shop – whatever, it’s a great place.

Olivier at La Ligne Rouge.

This was a wine trip with a real difference and I enjoyed it very much. It was very interesting seeing a totally different side to Bordeaux and experiencing for myself what a terrific place it is to stay, to walk around, to eat in and to drink in.

You could do a lot worse than visit Bordeaux for your next break.

50 Shades of Gris

Domaine Jones

Wine isn’t all noir and blanc

I know what you’re thinking. I bet you think this piece is about Pinot Gris, dont’y ya, don’t ya?

Well you are wrong, I might mention Pinot Gris in passing – see I just did – but actually this piece is going to be about a couple of others grapes with Gris in their name.

Pinot Gris is not a grape that I gravitate towards, I think it is usually just too low in acidity for me, but there are some honourable exceptions – what’s more, I am so broadminded I have even been known to enjoy the odd Pinot Grigio.

Until 10 years or so ago I was under the impression that Pinot Gris was the only grape called Gris. I knew there were others that are ‘gris’ or pink skinned, just as grapes called ‘noir’ are red or purple skinned and those called ‘blanc’ have green skins – I think they named them from engravings before colour photography was invented. Gewürztraminer of course has pink skins when fully ripe, so does Koshu and Moschofilero which makes Mantinia in the Peloponnese region of Greece, but none of those have ‘gris’ in their name.

Sauvignon Gris
Well, one day in 2003 I was with a group of fellow wine educators in Chile and we were served a bottle of white wine with our fish that I – and most of our party – assumed was Sauvignon Blanc. Only it didn’t taste quite like Sauvignon Blanc, we even wondered if it was a dodgy bottle for a while until one bright eyed individual noticed that the label didn’t claim it to be a Sauvignon Blanc at all, but a Sauvignon Gris. It was made by a famous old producer from the Maipo Valley called Cousiño-Macul and it was pretty good, but most of all it was interesting. I have tried more recent vintages of this wine and it seems to me that like almost everything else they have improved greatly over that time.

I later learnt that the vine was imported into Chile in the nineteenth century in mistake for Sauvignon Blanc – mind you they did the same thing with Sauvignon Vert too, which is also known as Sauvignonasse and (Tocai) Friulano.

A few days later I was able to try another example of Sauvignon Gris, this time it was made from very old vines in Colchagua Valley by a winery called Casa Silva and I loved it.

Sauvignon Gris is thought be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and is fatter and less aromatic than its sibling. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape, indeed so excited was I by the Casa Silva wine that I actually became the first person ever to ship a few cases to the UK.

A few others followed my lead and now you can find some Sauvignon Gris wines if you shop around. Mark and Spencer lead the pack as they offers two, one from Argentina that I have not tasted and another from Chile that I like very much indeed. I have mentioned Viña Leyda before, they are a great producer in Chile’s Leyda Valley and they also make the excellent Secano Estate wines whose Sauvignon Gris is a delight.

It can be found in France too, where there appears to be renewed interest with this ancient grape in Graves and parts of the Loire, where Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose.

Recently I was able to taste this terrific example from the flamboyantly named Xavier Frissant of Touraine-Amboise at the Absolutely Cracking Wines From France event:

2010 Les Roses du Clos
Cépage Fié Gris
Xavier Frissant, A.C. Touraine
Touraine is usually associated with Sauvignon Blanc, so this is an interesting variation on the theme. The grapes are harvested by hand and the wine is fermented and aged on the lees in 400 litre oak barrels, but the oak does not show at all – unless it adds to the texture.
The nose was bright, vibrant and fresh with an underlying stoney / mineral quality and a deeper, denser apricot-like note too.
The palate offers high, but rich, not citric, apricot acidity and textured apricot fruit, while some grapefruit characters freshen it up and keep it balanced by giving it some real tang, in fact it is more tangy than zingy. It is clean and fresh, but has a lovely juicy weight to to as well which balances the high acidity and makes the wine very attractive and pleasurable to drink. It is dry with a long finish and I can imagine it goes with a wide array of foods – 89/100 points.

£14.75 a bottle in the UK from H2Vin.

Grenache Gris
The other gris that has been exciting me recently is Grenache Gris. Grenache is originally a Spanish grape, so perfectly suits the Mediterranean climate and should really be called Garnacha. It spread throughout the Mediterranean world during the time of Aragon and Catalan strength in the middle ages and because Roussillon was a part of Catalonia until 1659 – and who knows it might be again soon – Grenache remains a dominant grape in the region.

Grenache comes in all colours and I understand that Grenache Gris is a natural mutation of Grenche Noir, the one that makes the red wines. Like all the other gris grapes, you can make a pale rosé from them – like Pinot Grigio Ramato (coppered) – but it seems more normal to use them to make rich-ish white wines that often have a deep colour.

I have tasted a couple of examples recently that stand out and show that Grenache Gris really should be a more widely appreciated grape:

2011 Domaine Jones Blanc
Grenache Gris
Katie Jones, I.G.P. (Vin de Pays) Côtes Catalanes
Katie is from Ashby-de-la Zouch in Leicestershire and perhaps the French name got to her because she finally ended up in Paziols near Tautavel in Roussillon. Joining the local cooperative and eventually becoming their Export Sales and Marketing Director Katie worked with the local wine and loved it so much that eventually she bought her own parcel of vines near Maury and settled down to craft some stunning wines in this beautiful, rugged landscape.
This wine betrays a slightly coppery hue, just the merest tinge mind, while the nose is gloriously scented and lifted with grapefruit, softer mandarin notes and exotic wild herbs and even a touch of honey. The palate has richness with a slightly creamy and oily texture making it fat and mouth filling. The citrus fruit and richer stone fruit – nectarine – balance this beautifully and there is an enticing gently smoky character that together with touches of herb makes the wine nice and savoury. It finishes long and is balanced, fresh, flavoursome, mouth-filling and juicy – 91/100 points.

£14.95 a bottle in the UK from The Wine Society and direct from Domaine Jones.

Katie Jones (second from left)

Reading about Katie Jones I kept getting this feeling that I had met her or heard of her before. Then I realised, her story has much in common with Charlotte Allen‘s. They are equally determined, dedicated and passionate about their wines, they ended up in different parts of Europe – but similarly rugged and beautiful ones and they use many similar grapes. It is so wonderful that there are people like Katie out there as the wine world needs them and their wines.

This example was one of the first Grenache Gris wines that captured my imagination and it is made quite close to Domaine Jones:

2009 Domaine Préceptorie de Centernach Coume Marie
Domaine La Préceptorie
A.C. Cotes du Roussillon Blanc
Mainly Grenache Gris, this also has some Grenache Blanc, Macabeu (Viura) and Carignan Banc and is fermented in 400 litre oak vats and aged in them for some 8 months.

This exciting wine is elegant, richly textured and quite delicious, but sadly the Wine Society no longer stock it, so I do not know how to get hold of any right now.

Grenache Gris is so versatile and gets so ripe that it can, like Grenache Noir, be used to make some stunning fortified wines and one of the great bargains of the moment is this amazing Vin Doux Naturel from Rivesaltes in Roussillon, which makes it just the thing for Christmas:

1985 Rivesaltes Ambré Hors d’Age Arnaud de Villeneuve
A.C. Rivesaltes Ambré
Grenache Gris with some Macabeu and Grenache Blanc – whatever Waitrose say on their website!
An Ambré must be aged for 30 months before release, which changes the colour to that oxidised caramel hue and  Hors d’Age Rivesaltes wines have to be aged for a minimum of 6 years in barrel.
The nose was slightly caramelised with coffee notes and hints of orange.
The palate offered figs and prunes and honeysuckle and more coffee and the sort of caramel on the top of a creme brulée – but it was not overtly sweet at all. The richness was balanced by a seam of clean acidity too.
A stunning wine full of complexity, richness and finesse, the grapes are different, but it is not so very far removed from a great Oloroso sherry – 93/100 points.

£13.99 per 50cl bottle in the UK from Waitrose – and it is not made from Muscat, whatever they say!

Thoughts on varietal labels
Thinking about how lovely these wines are convinces me all the more that selling wines by grape variety, choosing wines by grape variety and labelling wines by grape variety is all very well, but it actually restricts consumer choice and makes everyone drink the same small number of wine types. We have been told to think grape variety for 20-30 years and country’s like France are criticised by many drinkers nowadays for not putting the grape variety on the label, but surely that only helps if the wine is made from the six or so grapes people seem to know about and are prepared to buy. It seems to me that if anything other than one of those is on a label, people resist buying it because they haven’t heard of it. I increasingly believe that although varietal labelling has simplified wine enough to get people to drink it, having the grape variety on the label has then stopped them becoming truly adventurous and curious about the subject. I wrote a piece about it here.