The Marche – a region awakes: Part 1 – the whites

A few weeks ago I was on a wonderful trip to the Marche region of Italy. This lovely region is in central Italy on the Adriatic coast and the capital is the bustling port city of Ancona. The name of the place, Le Marche, has always intrigued me. It’s pronounced Mar-Kay – and comes from the plural of the word March, which is an archaic term for a borderland. Orginally there was the March of Ancona, the March of Camerino and the March of Fermo, together they were described as Marca or Marche. So when they were put together to form a single region that is the name it was given – Marche or the marches.

The beautiful countryside of Marche.

The region has interested me for quite a long time, but life has prevented me from actually getting there before, so I was quite excited to see the place for myself. Of course I was primarily there for the wine and I was very pleased to be there too, because I had the feeling it was going to be an exciting place.

I wasn’t wrong. The Marche is an exciting wine region. In fact it seemed to me that the whole place is a bit of a sleeping giant that is only just beginning to get really ambitious and to realise just what a good wine region it can be. The wines might not be as well known as those from Tuscany, but I rather think they should be.

For quite a while now I had been convinced that the wines were worth reappraising. That is because all the books still describe the most famous wine from here – Verdicchio dei Castelli di Jesi – as it was 30 years or so ago, light acidic and bland, but in truth they aren’t actually like that – not anymore.

Staffolo, a hilltop town near Cantina Cológnola.

The countryside is very beautiful and very varied too and well worth a visit if you would like a more unusual corner of Italy to explore. Inland the landscape is very attractive and gentle – not unlike Tuscany – with appealing hilltop towns and villages standing guard over the valleys.

The coast at Sirolo some 10km south of Ancona.

Sirolo.

The coastline too is attractive, with a rugged and wild quality as the beaches are usually at the bottom of coastal cliffs, while the seaside towns are delightful places to stroll around – I was there in May, but I was warned that they are very busy in the summer.

Of course I was there for the wine and there is a lot of wine going on in the Marche. It is a region where a lot of PDOs / appellations / DOCs – call them what you want – overlap each other and cover much of the same territory. I know this as I have just drawn a wine map of the region and it took some working out as it is very complicated.

Wine map of the Marche – click for a larger view.

From an export point of view the 2 most visible wines are both white and made from the Verdicchio (pronounced Ver-dick-ee-oh) grape variety. Verdicchio dei Castelli di Jesi is the most famous and enjoys the biggest production, so is the wine that you will come across more than any other. The other leading white wine is Verdicchio di Matelica, which only produces a tenth of the amount of the other Verdichio, so tends to be more artisan production.

Verdicchio is a grape that has really captured my imagination in recent years. It is somewhat written off by most wine books, certainly the ones that I have, but deserves to be taken much more seriously. From my experience, even cheap versions of Verdicchio dei Castelli di Jesi have more about them than most books and wine courses let on. I am sure this is because the wines, like so many, have improved out of all recognition over the last 15 years or so. They are no longer pale, lemony and thin, but have some texture and weight to them and the cheaper versions can often be very inexpensive and pretty good quality too – click here for an example.

Beautiful vineyards in Verdicchio dei Castelli di Jesi.

The finer bottles of Verdicchio dei Castelli di Jesi and Verdiccio di Matelica are very different though. I found them to be quite beguiling with taut, crisp acidity and minerality, with mouthfeel and texture showing good weight of fruit, although they are fresh rather than fruity, and complexity. They were seriously exciting wines and the best ones that I tasted are as good as a good Chablis and very much in that style. What’s more, again like a good Chablis, fine examples of Verdicchio are not just fresh, crisp wines, they can be aged to develop more complexity and character. Ian D’Agata, in his book Native Wine Grapes of Italy, states his belief that ‘Verdicchio is arguably Italy’s greatest native white grape variety’ – which is high praise indeed as there is some serious competition from the likes of Fiano and Greco. Verdicchio is also used to make Lugana near Lake Garda, another excellent Italian white wine.

Beautiful vineyards in Verdicchio dei Castelli di Jesi.

Verdicchio dei Castelli di Jesi is a Denominazione di Origine Controllata / DOC for white wines only. They have to be made from at least 85% Verdicchio grapes with the rest being most likely Malvasia or Trebbiano, although most that I have tasted are 100% Verdicchio.

Verdicchio dei Castelli di Jesi Classico, shown in deep yellow on my map, comes from the historic area of production and has to be made with lower yields than the wines labelled purely as Verdicchio dei Castelli di Jesi.

Verdicchio dei Castelli di Jesi Superiore wines are also made using lower yields and can be made anywhere in the region, while Verdicchio dei Castelli di Jesi Classico Superiore are made from lower yields in the Classico zone.

Verdicchio dei Castelli di Jesi Spumante are sparkling wines from the region and can be very good indeed, as can the dessert wines made from dried grapes, Verdicchio dei Castelli di Jesi Passito.

The pinnacle of production is Castelli di Jesi Verdicchio Riserva. These wines have enjoyed the superior classification of Denominazione di Origine Controllata e Garantita / DOCG since 2010. They are produced in the Classico zone with lower yields and have to be aged for at least 18 months before release – this does not have to be in oak, but some are oak aged.

The soils here seem to be a mix of sandy, chalky, stony and limestone which together with the sea breezes and cold north easterly winds from the Balkans makes for wines with fresh acidity and a note of minerality, which sort of defines the finer wines here.

Inland there is another Verdicchio area. Verdicchio di Matelica DOC is a much smaller zone of production and is away from the coastal influence, so has a continental climate that is cooled by the winds coming down the valley from the north. In order to refresh the grapes further, they are planted high up at 500 metres above sea level. Again sweet, Passito, versions are made, as are sparkling, Spumante. Verdicchio di Matelica Riserva DOCG is made using lower yields and with longer ageing.

Sadly we only tasted a handful of wines from the Matelica zone and they did not stand out. However I would recommend this one, this one and especially this one, which is an especially good wine.

For me the standout producers and wines from Verdicchio dei Castelli di Jesi were the following:

Cantina Cológnola – Tenuta Musone

Cantina Cológnola – Tenuta Musone.

My first visit got off to a very good start at Cantina Cológnola – Tenuta Musone. The estate is a few kilometres south west of Jesi, roughly where the ‘e’ in dei is on my map. It’s owned by the charming Darini family and the winemaker is the very humble, but clearly gifted Gabrielle Villani, who kept saying that he just wanted to make better and better wine.

2016 Via Condotto
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Cantina Cológnola – Tenuta Musone

I really liked this bright, fresh and focussed wine. The colour was bright – it was sealed with a screw cap – honey tinged straw, while the aromas offered rich lemon zest, floral notes and straw. There was no malolactic, so the acidity was vibrant and forthright. It is aged for a few months in tank before release and it has lovely natural balance between nicely textured palate and the freshness. A terrific wine with an incredibly long finish – 88/100 points.

Interestingly when I asked Gabrielle why it was so very different from the bland and dull Verdicchios of my youth he explained that they now do not use Trebbiano – this was 100% Verdicchio, as were most of the others I tried, they use much lower fermentation temperatures in stainless steel tanks, so keep the wine fresh, they age the wine for less time, they site the vineyards more cleverly for freshness, they plant with lower density, use lower yields and harvest later. So that combination of things reduces the yields and increases the concentration of the grapes, so adding flavour, while the fermentation techniques and the site selection adds freshness and balance. The result is a wine that bears no relation to the Verdicchios of the past.

2016 Ghiffa
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Cantina Cológnola – Tenuta Musone

Much as I liked the Via Condotto, and I did, this really made me sit up. It is also 100% Verdicchio, but picked later, to let the sugars build, then a rigorous selection of the fruit makes it more concentrated to start with and then it was aged for 12 months on the less. The lees are the yeast sediment left over from fermentation and give the wine more complexity and can give it a richer texture too.

This had a deeper colour from all that ageing, a lemon curd, creamy and herbal aroma, while the palate was textured and succulent, with peach, apricot, honey and even nougat flavours, while the acidity and saline minerality really gave freshness and balance. This is a serious wine, rich and tangy with a stony mineral finish – 91/100 points.

Gabrielle also makes 2 excellent quality sparkling Verdicchio wines that I enjoyed very much indeed:

Gabrielle Villani.

2014 Musa Brut
DOC Verdicchio dei Castelli di Jesi Spumante
Cantina Cológnola – Tenuta Musone

This is 100% Verdicchio grapes made sparkling by the Traditional Method, as used for Champagne. The wine was aged on the lees for 9 months.

The colour is quite golden while the aromas give a biscuity note as well as ripe each and apples. The palate was surprisingly rich, but balanced with lively, fresh acidity – 89/100 points.

Cantina Cológnola – Tenuta Musone.

2012 Darina Brut
DOC Verdicchio dei Castelli di Jesi Spumante
Cantina Cológnola – Tenuta Musone

This is also 100% Verdicchio grapes made sparkling by the Traditional Method, but this richer wine wine was aged on the lees for 24 months.

This is a very serious sparkling wine with a rich colour and has a powerfull, leesy, biscuity, flaky pastry sort of aroma with nuts, caramel, cooked apples and cooked peach. The palate is soft and rich with a rounded mouthfeel balanced by refreshing acidity. The wine is rich and complex and tasting it blind I would never have imagined it was from a region so unknown for sparkling wines  – 91/100 points.

Some of the Cantina Cológnola – Tenuta Musone wines are available in the UK from Tannico.co.uk.

Società Agricola La Staffa di Baldi Riccardo

The entrance to La Staffa.

This beautiful little estate is near Staffolo, so not far from Cantina Cológnola and is universally known as La Staffa. The Baldi family started it in 1994, because of the rising reputation of the local wines, but it is now run by the charming, energetic and remarkably assured Riccardo Baldi. Riccardo is only in his twenties but clearly understands this piece of land and how to make wines from it. The estate is now 7 hectares with some vines going back to the 1970s and Riccardo farms biodynamically with no use of chemical herbicides, pesticides or fertilizers. It is a wonderful place, very peaceful and utterly lovely. Standing there it felt very much like being in Chablis, but a Chablis vineyard that had somehow been plonked down in the Mediterranean – which is very much how the wines feel too.

Interestingly the wines all have a salty, mineral quality. All the water used in the vineyard comes from a well on the site and I got to taste that water and it was salty.

La Staffa.

If you have never tried a Verdicchio, or have not had one for a while, Riccardo’s wines may well be the best place to start as they are exemplary.

2016 La Staffa
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Società Agricola La Staffa

100% Verdichio from 12 year old vines fermented in a mixture of stainless steel and cement tanks with a spontaneous fermentation using the wild yeast, 12.5% abv.
The colour is very pale and pure, slightly silver.
The nose gives salty peach skin aromas and the palate is juicy, there is a lovely sweetness of ripe fruit there making it surprisingly surprisingly succulent.
However it feels very fresh with a long salty, pretzel like finish with lively citrus acidity and a mineral quality. The acidity is on the high side, but not too dominating. This is a beautiful wine, pure and lively, but with some weight too. I loved this wine – 89/100 points.

The wonderful Riccardo Baldi.

2011 Rincrocca
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Società Agricola La Staffa

Rincrocca is the name of a hill next to the winery. This wine is 100% Verdichio from 45 year old vines fermented in cement tanks with a spontaneous fermentation using the wild yeast. It was aged in concrete tanks on the lees for 12 months –  14% abv.
Very rich amber honey colour shows the development.
The nose is salty and mineral with apple compote and some mushrooms that again show the development.
The palate is full, rich, honeyed and creamy with mealy texture – but bone dry. The salty purity of the young wine returns on the long, long finish and there is plenty of fruit, peach, peach skin, apple and even some rich citrus like tangerine. Oh I loved this wine, it is quite magnificent like a really good Premier Cru Chablis – 93/100 points.

Some of the stainless steel tanks at La Staffa.

I was also fortunate enough to taste this:

Some of the cement tanks at La Staffa, they are quite old and came from another winery.

2013 Rincrocca (from magnum)
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Società Agricola La Staffa

As you might expect this was not quite so developed, but it was superb. The colour was honeyed, the nose gave complex herbal, camomile, sage, sea salt, sweet dried apricots, toffee and orange zest notes.
The palate was fabulous, round and succulent with ripe peach, peach skin, dessert apples, herbs, honey, caramel and then smoke and salt. The finish was incredible, it just went on and on like a prog rock drum solo – 94/100 points.

These were magnificent white wines that can hold their heads up in any company.

Some of the La Staffa wines are available from Berry Bros & Rudd and Amazon.

Casa Vinicola Gioacchino Garofoli Spa

Frankly I feel a bit mean putting Garafoli here as they make wonderful red wines too, but it was the whites and sparkling that especially captured my heart. They are a big producer for the region as they farm 50 hectares and they make many of the different wine styles found in Marche.

Daria Garofoli showing me some of their wines.

They were founded in 1901 and are still owned and managed by the Garofoli family. My tasting here was led by the charming Daria Garofoli who is charge of exports and she claims that they were the first commercial producers of Marche wines. I can well believe that as for most of Italy – apart from Tuscany and some Piemonte wines – selling bottled wine is almost entirely a post WWII enterprise in most of Europe.

Today they have a winery in the Verdicchio dei Castelli di Jesi zone that makes those white wines and a winery in Cònero that makes everything else.

Daria explained that until well into the 1970 yields remained high and the wines were quite ordinary from here, often with other very bland grapes blended in with the Verdicchio. In those days, and to some degree it continues formally of the more everyday wines, the wines were bottled in a special amphora shaped bottle. Garafoli were one of the very first to bottle wines here and to export their wines. They were also among the first to realise the great potential for quality here, by more carefully siting vineyards, lowering yields and focussing on the mineral quality that Verdicchio can bring.

An old amphora shape bottle of Garofoli’s Verdicchio, it’s from 1964, so even older than me.

2010 Podium
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Casa Vinicola Gioacchino Garofoli Spa

This is a premium selection of 100% Verdicchio grapes that are picked slightly overripe. The wine is aged in stainless steel tanks for 15 months on the lees.

As you might imagine, the colour is a little deep with a peach skin hue. The aroma is wonderfully lifted with creamy, leesy notes competing with fresh citrus, salty sea shore notes, a stony tang and some peach and peach skin. The palate has a lovely succulence and a creamy, mealy feel. There is a salty, mineral quality, rich citrus and a wonderful intensity that balances the lithe freshness and vice versa. A great white wine – 93/100 points.

Beautiful Verdicchio vineyards.

2008 Podium
DOC Verdicchio dei Castelli di Jesi Classico Superiore
Casa Vinicola Gioacchino Garofoli Spa

This is a premium selection of 100% Verdicchio grapes that are picked slightly overripe. The wine is aged in stainless steel tanks for 15 months on the lees.

Another stunning white wine with an amazing balance between the fresh and the linear and the richer and weightier. There is more salinity here and creamer, curdy texture with rich lemon and almost a touch of beeswax – 93/100 points.

That beautiful rainswept beach.

2012 Garofoli Brut Riserva
DOC Verdicchio dei Castelli di Jesi Spumante
Casa Vinicola Gioacchino Garofoli Spa

This is a premium selection of 100% Verdicchio grapes that are picked slightly underripe. The wine is made fizzy by the traditional method and is aged on the lees for 48 months.

This was either really, really good, or I really really wanted some fizz at the end of a long day. We were tasting this at a beautiful, if rainswept beach and it was a great experience. The wine had a lovely peachy, apricot, citrus and biscuity aroma, while the palate was silky and refined – 90/100 points.

Some of the Garofoli wines are available in the UK from Tannico.

So, there you are, a little snap shot of some of the white wines and sparkling wines that stood out for me on the trip. There were a few more producers of Verdicchio dei Castelli di Jesi, but I think that is quite enough for now, so I will return to the subject.

You never really hear anyone extolling the virtues of Verdicchio, but I think they should, because as you can see the wines can be very high quality indeed. So, the next time you want a sappy, saline, mineral, dry white wine with real complexity and character, try a Verdeicchio dei Castelli di Jesi. I think you’ll like it.

Wine of the Week – a lovely red wine for Summer

The beautiful south facing slopes at Domaine de Noblaie.

I know we are all supposed to drink rosé wines in summer, and why not, there are some superb rosés around, but even in hot weather you shouldn’t ignore reds completely.

All sorts of red wines are suitable for summer drinking, sparkling reds for instance and smooth fruity red wines with a barbecue, but the most fun style is light red wines.

A lot of people rather poo-poo light red wines, in the UK anyway. Too many people buy into the theory that unless a wine beats you up as you drink it then it isn’t any good. Which is a great shame as lighter red wines can be utterly delightful.

There are many more light and lightish red wines than you might think too, Beaujolais of course, but Valpolicella, Bardolino, Rioja Joven, Swiss Dôle and Gamay, Touraine Gamay, Alsace Pinot Noir, Austrian reds, German reds, red Vinho Verde (if you dare), red Mâcon and a lot of the world’s Pinot Noir.

Any, or all of those, especially New Zealand Pinot Noir, can be perfect in summer. Serve them with lighter food and lightly chilled and you will have a lovely time.

I say lightly chilled, but it depends on the day really. WSET say light reds can be chilled down to about 13˚C, but on a 34˚C day, you might want it cooler than that. It’s up to you.

Recently I was presenting a red wine to big group of people and I really liked it and so did they. It was a Chinon made from Cabernet Franc grapes in the Touraine district of the Loire Valley and although it was pretty light in body, it was very fruity and delicious. What’s more it was a very hot day and so I served it chilled and it went down a storm. I liked it so much that I have made it my Wine of the Week.

Wine map of the Loire Valley – click for a larger view – non watermarked PDF versions are available by agreement.

In my experience the three best appellations for red wines made from Cabernet Franc in the Loire are Saumur-Champigny, St Nicolas de Bourgueil and Chinon. The last of the three actually makes white wines from Chenin Blanc grapes too, but only in tiny quantities, so it is the red wines that we actually see in the shops. Red Chinon has long been a favourite of mine as it is pretty reliable and very good value for money. Chinon is something of a secret in the UK, most consumers simply don’t know about it, but there is usually one on the wine list of any decent French bistrot or brasserie, whether here or in France, and I always order it.

Chinon castle where Joan of Arc met the Dauphin and persuaded him to let her lead the French army against the English.

Although it is in the Loire region, the town of Chinon sits on the north shore of the Vienne River. It is surrounded by 18 other communes (villages) that can make wines that are labelled as Chinon. These estates are on both sides of the Vienne, Domaine de La Noblaie is on the south bank.

It is worth mentioning that Chinon is a delightful town to visit. It is a very beautiful place with lovely little streets, half-timbered buildings, bustling squares lined with cafés, fabulous restaurants and much to see. The Castle sits on the hill above the town and you really do feel as though you have stepped back in time. A visit to the castle is a must. It was once home to Richard I – who together with Henry II and Eleanor of Aquitaine is buried at the nearby Fontevraud Abbey, which is stunning and even boasts a fine restaurant – it was also where Joan of Arc met with the French Dauphin and there is a museum dedicated to her. Rabelais was once mayor of Chinon and they are rightly proud of him. He was born nearby at La Devinière, where there is a museum dedicated to him and his writings.

2014 Le Temps de Cerises
Domaine de La Noblaie
AC / PDO Chinon
Touraine
Loire Valley

This is an old domaine. The site was originally home to some crusaders and was a taxing station used to finance the Crusades. The current house was built in the fifteenth century and it commands a hilltop site some two and a half kilometres south east of Chinon itself. The rock is a chalky limestone called tuffeau and the property has old cellars duck into this rock, perfect for ageing wine. They still use a vat carved into the stone in the 16th century, so wine has clearly been made here for a long time. Further proof is in the name of the hamlet, Le Vau Breton. Breton is the old local name for the Cabernet Franc grape, so it is called Cabernet Franc Valley.

Jérôme Billard.

The grapes are carefully hand harvested, with ruthless selection of the fruit first. The bunches are then carefully laid in plastic hods so as not to bruise or damage the grapes.

Today four generations farm here, but the estate is run by Jérôme Billard who is considered to be one of the great, young talents of Chinon. For a young guy he has quite a career, with stints at Château Petrus, Dominus in California and Sacred Hill in New Zealand before going home to run the family property. They have been certified organic since 2005 and all harvesting is done by hand. Fermantations are spontaneous with the indigenous yeast and the fermentations vary between stainless steel, barrel and that chalk, limestone vat.

That stone vat, used exclusively for his top red cuvée Pierre de Tuf.

The cellars carved into the limestone hillside at Domaine de Noblaie.

Le Temps de Cerises is Jérome’s lowest tier wine, his calling card if you will. It is made from 30 year old vines blended from across the estate. The grapes are hand picked and rigorously selected by the harvesters and everything is done to keep that Cabernet Franc ‘greeness’ at bay, but to preserve the freshness and vitality. The wine is fermented at low temperatures in stainless steel tanks and aged in them on the fine lees for 8 months.

I love this wine, it is delightfully fresh and appealing. It smells of fruit, cherries especially – it has to live up to its name after all – and raspberries with perhaps a dash of blackberry in the mix. There is something leafy and herbaceous there too, but not too much, just enough for interest. On the palate it is juicy and ripe with loads more cherry, some plums and raspberries, a light touch of tannin, fresh acidity and a leafy quality. Overall it feels very smooth, soft and supple, silky even. Serve it cool and enjoy it with almost anything inside or out this summer. It is especially good with cheeses and charcuterie. This is a delicious and very accomplished, simple, little wine that delivers a lot of pleasure – 89/100 points.

Available in the UK for around £10-£13 per bottle from:
The Wine Society (2015 vintage), Hayes Hanson & Clark, Adnams, Frazier’s, Hawkshead Wines, Gusto Wines, Slurp.co.uk.

For US stockists contact European Cellars.

Monople Clásico, the return of a Spanish classic

Looking south across Rioja just north of Haro.

I have always had a soft spot for white Rioja, whether fresh and crisp, barrel fermented or aged in oak. Well now there is a new style of dry white Rioja around. I say new, but actually it is an old style that has been brought back to life.

When I was young and just getting into wine I spent a great deal of time in Spain and one of the most widely sold white wines was Monopole made by the wonderful CVNE, Compañía Vinicola del Norte de España. The Monopole had been created in 1914 and was given a French name, because the founding brothers – Eusebio and Raimundo Real de Asúa – loved the white wines of Burgundy, and a German style bottle because German white wines were so commercially important in those days. It was the first white Rioja made in anything like a fresh, lively, modern style. Of course in those days it was partly aged in oak, but it was a complete break with most white Riojas of the times.

Ever since the early 1980s CVNE have made fresher, completely unoaked style of Monopole, which is a very good, just off-crisp wine that is very versatile and pleasurable. However to mark 100 years of Monopole, they have recently returned to making the traditional Monopole as well and it is wonderful to revisit this wine and to experience again what a fascinating – and delicious – wine style it is.

They call this reborn wine Monople Clásico and like the ‘normal’ Monopole it is made from Rioja’s classic white grape Viura, but then it gets very different. Firstly the Viura juice is settled in concrete tanks, then fermented at low temperatures in stainless steel. Then they add a small amount of aged Manzanilla Sherry from the famous Bodegas Hidalgo – yes really. Manzanilla is basically a Fino Sherry from Sanlúcar de Barrameda in the Sherry region and so it is dry and ages with the Flor, or yeast, to give it complexity and that nutty, bready character. Then the blended wine is aged for 8 months in 300 and 500 litre barrels – used barrels so it softens the wine rather than flavours it.

Bodegas CVNE in Haro.

Now, I will have to whisper this and you will have to promise never to mention it to anybody else, but I do not really like Sherry. I appreciate it and am very interested in it, but cannot drink much of it for pleasure. What you have to realise is that Sherry holds the same place in many, possibly most, wine people’s hearts that Alfa Romeo does for petrol heads. You simply have no credibility unless you profess to love Sherry, so this will have to remain our little secret.

So, adding Sherry to a wine might seem strange, illegal even given that Rioja is a PDO / appellation and so the grapes must be grown in the correct area for the term Rioja to appear on the label. That is true, but because CVNE had traditionally made the wine this way, they were allowed to do so again. The idea is strange, but it really, really works. It makes for a truly delicious, fine and complex wine that I loved.

It seems that the management of CVNE were reminiscing about the old style Monopole, as the centenary of the brand was about to happen, so they sent down to the cellar for a bottle and could only find a single example left, a bottle from 1979. They tasted it and it was still in great condition, fresh, lively and so delicious that they decided to resurrect the style. To help them they called on the services of Ezequiel Garcia, the retired CVNE winemaker from the 1940s to the 1970s.

Ezequiel was thrilled to be part of the project and had no reservations in resurrecting this classic wine from the past, indeed I am told that he found it a moving experience. The part of that loves 1940s music hopes that Ezequiel cried!

Wine map of Spain – click for a larger view

CVNE, like many of the original band of Rioja bodegas, are based in Haro in Rioja Alta.

2014 Monopole Classico
CVNE
DOCa Rioja
Spain

The nose is very appealing, delicately aromatic and lifted with waxy apples, light custard notes, some spice, wafts of brioche, flakey pastry, rock pools and sea breeze. The palate is very fresh, lively and slightly saline as well sever so slightly succulent with cooked lemons and apple fruit as well as a waxy quality. There is something smoky and haunting about this wine and the flavours build in the mouth becoming slightly rounded and mealy even. This is a beguiling, complex and fascinating wine that is deeply satisfying, bone dry and wonderfully complete with richness and freshness vying with each other to dominate your senses – 93/100 points.

This would be wonderful with some sea bream, sea bass, mussels, clams, garlic prawns, oysters, chicken, pâté, smoked salmon, or anything light.

Available in the UK for around £25 a bottle from: The Wine Reserve.
It is also available mail order from Spain – until Brexit ruins everything – for around €15 a bottle plus shipping – from Decántalo and Uvinum.

 

Ribera del Duero – a great wine region

As many of you will know, I have a deep love and passion for the wines of Spain. Taken as a whole I think Spain is one of the most exciting wine producing countries in the world. Of course the most famous region – other than Sherry – is Rioja. I like Rioja, I admire Rioja. It is a wonderful region, a lovely place and it produces many fabulous wines, I have written about it often. However, there is much more to Spain than just Rioja and it pains me greatly that so relatively few wines from other regions of Spain are widely available to UK consumers.

Although I will carry on writing about anything and everything that I find interesting in the world of wine, I thought that every now and again I would share some thoughts about Spain’s wine regions with you. Recently I have been tasting quite a few wines from Ribera del Duero, which have reminded me just how good a region it is, so I decided to start there.

Wine map of Spain – click for a larger view – non watermarked PDF versions are available by agreement

Wine map of Spain – click for a larger view – non watermarked PDF versions are available by agreement

As you can see from my map, Ribera del Duero is in Castilla y León, or Old Spain. In many ways this region to the north west of Madrid is the original heart of Spain, the original home of those that ‘reconquered’ the peninsula from the Moors. Of course it is also home to the language that we usually call Spanish, but is more properly called Castellano or Castilian.

The Duero River – it becomes the Douro in Portugal – cuts through the region and gives the place its name, bank of the Duero.

For centuries this was border country and was defended by castles which are a common sight to this day and explains why it is called the land of castles – Castilla. There are records from about 800 of the Moors calling it Al-Qila, or ‘the castled’ high plains.

As far as wine is concerned, for millennia there must have been wine made here, as there was all over the peninsula, but it must have been fairly rudimentary and just for drinking rather than thinking about.

It was not until Don Eloy Lecanda y Chave returned to his native Castilla y León from Bordeaux, where he had been trained as winemaker. His family owned an estate near Valbuena de Duero, about as far west as you can go on my map and still be in Ribera del Duero, and he returned brimming with ideas of how to transform the wines. He brought French grape varieties, oak barrels and modern French know how and set about creating wines on the Médoc model. He called his wine Vega Sicilia and it remains one of the finest, most expensive and sought after of all Spanish wines. Rioja was being developed in a similar way at the same time and this article about the history of Rioja might help.

For decades Vega Sicilia was all on its own as the sole fine wine of the region and it was not until the twentieth century that others saw the potential for quality wine here. Firstly the Protos cooperative in Penafiel was created in 1927, but it was not really until the 1980s that the Ribera del Duero revolution took place, with new vineyards being planted and wineries built.

Penafiel Castle dominates the wine making town.

Penafiel Castle dominates the wine making town.

What happened was that modern knowhow had allowed these new pioneers – chef amongst them Alejandro Fernandez of Pesquera – to craft wines that were quite different from Vega Sicilia. More modern, with less oak ageing, more ripe fruit characters and more focus on the the local grape instead of the French varieties.

That grape is a clone of Tempranillo – the grape that made Rioja famous – but in Ribera del Duero it is traditionally called either Tinto del Pais (country red) or more fancifully Tinto Fino.

The wines – and the Denominación de Origen (D.O.) /Protected Designation of Origin (P.D.O.) only allows reds and rosés – have to contain at least 75% Tinto Fino with the remainder being Cabernet Sauvignon, Merlot, Malbec, Garnacha or even the excellent local white Albillo grape.

The climate is one of extremes, with hot, short, summers and pretty hard winters. Basically the place is a high plain and the vineyards sit at around 750 to 800 metres above sea level. The cooling benefits of this altitude are very useful with summer temperatures often reaching over 40˚C. Then there are really big night time drops in temperature, often as much as 20˚C. This Diurnal Temperature Variation allows the vine to rest overnight and preserves acidity and freshness in the grapes, which can make the finished wine more elegant and fine. It also slows down the ripening process, so you have a better chance of producing balanced ripe grapes, rather than overly ripe, alcoholic, raisin-like grapes.

Historically these cool conditions made ripening the grapes very hard indeed and would have produced pretty thin wines. So in the main it had to wait for modern viticulture and winemaking knowledge and techniques for the region to reliably produce wines that could take their place on the world market.

Vega Sicilia is a style and type of wine on its own and has very little in common with most of the red wines of the region – much like Château Musar being quite different from the rest of the wines of Lebanon.

What I like about the region’s wines is how unlike Rioja they are. They may technically be made from Tempranillo, but they never have that dry, savoury tinge that is the hallmark of Rioja to me. No, a good, Ribera del Duero should display concentrated, dark fruits. They should be vivid and rich, with sometimes an almost new world softness to them. However, running through them there should be a backbone of acidity – but not to Sangiovese or Nebbiolo levels – that makes them excellent with the rich, fatty meat dishes that are normal in these parts.

There are a great many wines from Ribera del Duero available. Some are great, many are good and a few even disappoint, but I think there is a great deal of pleasure to be had from this exciting region’s wines.

Technically they use the same labelling system as Rioja; Reservas are aged for at least 12 months in barrel, Gran Reservas are aged for at leat 12 months in oak barrels and a further 2 years in bottle, while wines that do not mention either of those terms are considered to be joven / young wines and would have either no oak ageing, or less that a year.

Here are a few of my favourites from the region, so are very affordable, while others are more expensive, but I think they all offer value for money.

fincaresalso2015 Finca Resalso
Bodegas Emilio Moro
This is the entry level wine from Bodegas Emilio Moro which is one of the very best producers in the region and I think the pedigree really shows. It is relatively light and fresh, but the fruit is nice and ripe, the tannins are smooth and there is a little vanilla and spice from 4 months in oak. 88/100 points.

Available in the UK for £10 a bottle from:
Majestic – £8.99 as part of mixed half dozen.

legaris-roble-8695482014 Legaris Roble
Bodegas Legaris
I really like this estate, they make deliciously drinkable, velvety smooth wines that are always enjoyable. This is the baby of the range, but no less enjoyable for that. This 100% Tinto Fino wine is aged in American oak barrels for 3 months and has big, soft ripe fruit, some spice and smooth tannins. 89/100 points.

Available in the UK for around £10 a bottle from:
Hennings Wine & Ocado.

b_alta_db_ecologico2015 Dominio Basconcillos Ecológico 6 Meses en Barrica
Dominio Basconcillos
I only discovered this producer recently, but was really impressed with this, their entry level wine. Aged for 6 months in new French oak, this vividly deep purple wine is big, chunky and richly fruity and has silky tannins. 90/100 points.

Available in the UK from £12 a bottle from:
Vinceremos, Vintage RootsOrganic Wine Club & Abel & Cole.

valdubon-roble_hi2014 Valdubón Roblé
Bodegas Valdubón
The Valdubon Estate really do make some lovely, polished wines and this is a deliciously straightforward example with loads of fruit, smooth tannins, creamy ripeness and a light lick of rather nice mocha tinged oak – it is aged for 4 months and Roblé, meaning oak, is an unofficial category that is used to make it clear that it has some oak ageing. 90/100 points.

Available in the UK for around £12 a bottle from:
Marks & Spencer & Ocado

pago_de_los_capellanes_roble2015 Pago de los Capellanes Roble
Pago de los Capellanes
One of my favourite producers, this artisan estate (Pago means estate) never fails to excite me. This Roble wine spends 5 months in French oak and is juicy and sumptuous, yet smooth. The tannins are nicely integrated as is the oak. The fruit is rich and concentrated, but a little glimmer of red fruit makes the wine fresh and elegant. 92/100 points.

Available in the UK for around £15 a bottle from:
Great Western Wine.

crianza2014 Emilio Moro
Bodegas Emilio Moro
Yes, I could not resist another wine from this great producer – they have many more too, but you get the picture. This full bodied red spends a year in French and American oak and you have the coconut and the spices to show for it. It is plush and rich with deep black cherry fruit, chewy tannins and some mocha and dark chocolate too. 91/100 points.

Available in the UK for £16.99 a bottle from:
Majestic – £14.99 as part of mixed half dozen.

sainsburys-condado-de-haza-ribera-del-duero2014 Condado De Haza
Bodegas Alejandro Fernández
This second label from the great Pesquera estate is 100% Tinto Fino aged for 18 months in American oak and it is always something of a blockbuster, full-bodied with big, bold fruit and something of a Napa Valley style. There is some freshness though and and elegance too. 90/100 points.

Available in the UK for £15.00 a bottle from:
Sainsbury’s.

tinto-pesquera-crianza-20132012 Pesquera Crianza
Bodegas Alejandro Fernández
Further up the range from Pesquera, you really begin to see why wines from this estate put the region on the map in the 1980s and were frequently compared to the wines Pomerol by wine critics of the time. I still think it is more Pomerol meets Napa, but either way this is a plush, concentrated, hedonistic wine, full of deep ripe, almost creamy fruit, smooth tannins and seductive milk chocolate. 18 months in oak has given it some vanilla, cedar and mocha notes. 92/100 points.

Available in the UK for around £21 a bottle from:
Roberson Wine & Tanners.

pago-de-los-capellanes2014 Pago de los Capellanes Crianza
Pago de los Capellanes

This 100% Tinto Fino wine is aged for 18 months in French oak and is even more opulent, concentrated and delicious than the Roble. It’s a little young, but nothing decanting a few hours in advance won’t solve – or you could age it for a few years. 92/100 points.

Available in the UK for around £22 a bottle from:
Great Western Wine.

v_0392572011 Pago de los Carraovejas Reserva
Pago de los Carraovejas

Another producer that I really admire. This is Tinto Fino aged for 12 months in French oak and blended with little dollops of Cabernet Sauvignon and Merlot. The extra maturity shows in the nose as it offers rich fruit together with smoky and balsamic notes. The palate is still very lively and has lots of dark fruit together with something nutty and seductively savoury. 93/100 points.

Available in the UK for around £30 a bottle from:
De Vinos.

pago-de-los-capellanes2013 Pago de los Capellanes Reserva
Pago de los Capellanes

Good though their Roble and Crianza wines are, this Reserva is on a different level of richness and concentration, but elegance too. It is aged for 18 months in new French oak barrels and that riches shows with cedar, spice and mocha, while the fruit is dense and plush. The tannins still offer a little bite, but nothing too astringent.  93/100 points.

Available in the UK for around £38 a bottle from:
Great Western Wine.

vega-sicilia-valbuena-5-2009-es-bl-0199-09a2011 Vega Sicilia Valbuena 5˚
Bodegas Vega Sicilia

This is often described as the ‘second wine’ of Vega Sicilia – the ‘grand vin’ is called Unico – but I think it is really just a different wine. For a start it is 100% Tinto Fino, whereas Unico is a blend, and secondly it is only aged in oak for 3 years – and then a further 2 in bottle before being released in its 5th year – hence 5˚. This is a brilliant wine from a fabulous vintage, it is complex, fine and perfumed too. There is a lot going on and the tannins are just beginning to be silky, serve it with lamb. 95/100 points.

Available in the UK for around £84 a bottle from:
The Wine Society.

As you can see, there are is a great variation in price, but all these wines are very good examples at their different levels. I am absolutely certain that any serious red wine drinker would enjoy these wines, indeed I could have included a few more, but I had to stop somewhere! So the next time you are choosing a red to go with that special dinner, give one of these a go.I am sure it will be just the thing.

The other type of Vintage Port

The beautiful Douro Valley.

The beautiful Douro Valley.

I love Port. I just love everything about it. The story, the landscape, the quintas – or wine farms – and the lodges all taken together have a romance perhaps unique in the world of wine. If you have never been to Port country – the Douro Valley in north Portugal – then you have a treat in store. It is simply one of the most beautiful wine regions in the world.

Recently I tutored a very well received Port tasting and I was astonished that most of us – we were all Brits – expected all Port to be deep, dark, full-bodied and opaque. Which of course Vintage Ports, Ruby Ports and Late Bottled Vintage Ports are. However, the first four Ports in my tasting were quite different. We tried Cálem White & Dryread about it here, the delicious Sandeman 20 Year Old Tawny – read about it here and then some Colheita Ports before we reached the darker and richer stuff – 2009 Quinta do Infantado Late Bottled Vintageread about it here, 1997 Quinta do Retiro Vintage Port from Weise & Krohn and the magnificent 2011 Sandeman Vintage Port if you are interested.

The Sandeman 20 Year Old Tawny was superb and everyone loved it, but it was the Colheitas that really astonished everyone. A Colheita you see is a Tawny Port from a single harvest. The big difference between a Vintage – apart from the quality of the year – is that a Vintage Port does almost all its ageing in the bottle. This means that the oxygen cannot get to it, so it retains its richness and fruit for much longer and so ages very slowly. A Colheita though is aged in oak barrels, usually of 600 litres and not new, for at least 8 years, so the oxygen can get to the wine and gently oxidise it, so it goes transparent and orange, or tawny in colour. This means that the flavours and complexity of a Colheita develop mainly because of the ageing. You can make a Colheita in pretty much any harvest, whereas a Vintage Port can only be produced in the occasional exceptional vintage – hence the name of the style.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

A faded Cálem poster near Pinhao.

A faded Cálem sign in the vineyards near Pinhão.

0235-calem-colheita-2000-gallery-3-973x13952000 Cálem Colheita Porto
Cálem Porto
Vila Nova de Gaia
Porto
Portugal

Cálem were founded in 1859  and historically most of their business was with Brazil and Portugal and although they make all styles I don’t think it would be unfair to say that they are something of a White Port and Tawny, including Colheita, specialist. Nowadays Cálem is owned by the Sogevinus Group, as are Barros, Kopke and Burmester. The vineyard this wine hails from is the Quinta da Arnozelo near Vila Nova de Foz Côa in the upper reaches of the Douro – the Douro Superior.

This was the only Colheita that came from a generally declared Vintage Port year and that extra concentration showed, added to which it was the youngest Colheita that I showed. The blend was 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was quite deep, more brown than orange and the nose was pretty full on with nuts, coffee and dried fruit notes. There was still some tannin here on the palate and it was pretty mouth-filling with a silky mouthfeel, rich cooked and dried fruit, spices, nuts, espresso and a long finish. It seemed sweeter than the younger wines somehow because the fruit was still quite vibrant – 91/100 points.

Available in the UK for around £35.00 per bottle from Vintage Wine & Port.

The Douro Valley near Pinhão.

The Douro Valley near Pinhão.

barros_colheita_19961996 Barros Colheita
Barros Porto

Vila Nova de Gaia
Porto
Portugal

I have always had a soft spot for Barros ever since I sold their wines in another life,  so I was really pleased to see how good this was. Originally a small private house founded by Manuel de Almeida in 1913. It eventually took over lots of other smaller Port houses, including Kopke, until it too became part of the Sogevinus Group in 2006.

The blend was again 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.

The colour was a deep russet, while the nose was smokey, with coffee, spice, dried fruit and buttery caramel notes and a touch of dried and caramelised orange. The palate was just so joyous that we all stopped talking and looked at each other. There was nutty caramel, dried orange, dried fig, strong coffee and even nougat. The texture was so silky it was almost creamy and the finish went on and on – 93/100 points.

It’s funny because 1996 was considered to be a dire Port vintage and yet this wine really shone, which just goes to show that the vintage guides are wrong, or all that time in wood can work wonders!

Available in the UK for around £35.00 per bottle – click here for stockists.
For US stockist information – click here.

The lovely tiled railway station in Pinhão.

The lovely tiled railway station in Pinhão.

kopke_colheita_19961996 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

Kopke – pronounce Cop-key – was founded in 1638 by Germans Cristiano and Nicolaus Kopke and is thus the very oldest Port house of all – the next oldest is Warre’s and that was founded in 1670, some 32 years later. 378 years later Kopke are the leading producer of Colheitas, producing more than 25% of the style. The fruit, much of it from 100 year old vines, all comes from their Quinta São Luiz which is near Pinhão in the heart of the Douro.

The colour is more red this time, like a robin’s red breast. The nose has confided peel, caramelised orange, dried fruit, toasted nuts and a dash of spice. The palate again is smooth and silky with a slight creamy quality, loads of dried fruit and some salted caramel too. This is delicious, really hedonistic and delicious – 93/100 points.

Available in the UK for around £30.00 per bottle from Marks & Spencer.
For US stockist information – click here.

p1060720

Porto from Vila Nova de Gaia.

kopke_colheita_19841984 Kopke Colheita
Kopke Porto
Vila Nova de Gaia
Porto
Portugal

This showed its age a little I am afraid. It was lovely and it was a treat, but it seemed a little fragile and brittle.  It was very aromatic and had some coffee and nut and orange and dried fruit notes, while the palate was very smooth and light with dried fruit and spice – 90/100 points.

Available in the UK for around £50.00 per bottle – click here for stockists.
For US stockist information – click here.

A Colheita is a lovely style of Port and is perfect with all manner of things at Christmas, mince pies, panforte, Christmas cake, you name it. So I really do recommend that you get some in for the festive season. I certainly will.

Wine of the Week – a great, great value Rioja & a couple of real treats for Christmas

Looking south across Rioja just north of Haro.

Looking south across Rioja just north of Haro.

Rioja is – I think – one of the great wine regions of the world. However, there is plenty of pretty underwhelming Rioja – and I am talking about red Rioja here, I have written about white Rioja here – produced. Increasingly there is reliable, but unexciting Rioja at lower prices, while the more exciting examples – and here I really mean the Reservas and Gran Reservas – cost a bit more than most of us can justify for an everyday sort of wine. I have written extensively about the history of Rioja and you can read the piece by clicking here.

Rioja Map 2013

Map of Rioja – click for a larger view. Non watermarked maps are available by agreement.

Vineyards near Haro in Rioja.

Vineyards near Haro in Rioja.

Well the other day I tasted an affordable Rioja Reserva that was quite delicious, full of character, full of flavour and full of fruit. I kept coming back to it to check, but it really was very good. So I have made it my Wine of the Week.

cune_reserva2011 Cune Reserva
DOCa Rioja
Bodegas CVNE
Haro
Rioja
Spain

CVNE, or Compañía Vinicola del Norte de España (The Wine Company of Northern Spain) was founded in 1879 by Eusebio and Raimundo Real de Asúa and is still controlled by their direct descendants. CVNE was written as Cune in the old days, so that became the brand and is pronounced ‘Coon-eh’. Over the decades other labels have been introduced, Monopole, Imperial, Viña Real and Contino, but the Cune wines themselves remain the core of the range and provide the more everyday wines and the midweek treats.

Bodegas CVNE in Haro.

Bodegas CVNE in Haro.

As such an old established and still family run producer, CVNE are often regarded as being very traditional. However, I am rather of the opinion that this is not entirely the case. There are traditional aspects to them certainly, but having been familiar with their wines for many decades now, I think the wines are richer than they used to be, with more emphasis on fruit – which for me is a very good thing.

This Reserva comes from the stunning 2011 vintage which is officially classified as ‘Excelente’ or excellent. It is a classic Rioja blend of  85% Tempranillo, 5% Garnacha, 5% Mazuelo and 5% Graciano. The grapes were hand picked and then fermented in stainless steel and the wine was aged for aged for 18 months in American oak barrels and some French oak barrels too. The wine was aged for a further year in bottle before release.

The colour is deep and bright and the nose has lifted, fragrant fruit, cherry, plum, blackberry all mingle together with vanilla and spice and coffee together with a touch of something leathery and savoury. The palate is rich, concentrated and rounded with supple tannins, intense dark fruit, spice and a little touch of welcome, balancing freshness. It finishes pretty long and is very satisfying.

I have known this wine for a long time and often show it on my courses, but it was nice to reacquaint myself with it and to realise what a very good wine it actually is. It also delivers a huge amount of pleasure – 90/100 points.

Available in the UK for £11-£13 per bottle from Majestic, Waitrose, Waitrose Cellar, Ocado, Asda Wine Shop and Bargain Booze and many others – click here for more stockists.
Available in the US for around $20- $25, for US stockists click here.

Recently I have also tasted a couple of other wines from CVNE, the Imperial Reserva and Gran Reserva. Launched in the 1920s as a premium Rioja the wine was originally aimed at the UK market and bottled in Imperial Pints, hence the name. They were both magnificent wines and would be wonderful to enjoy over Christmas:

Wines ageing in the Imperial barrel cellar at CVNE. This cellar was designed by Gustave Eiffel.

Wines ageing in the Imperial barrel cellar at CVNE. This cellar was designed by Gustave Eiffel.

imp_reserva2010 Imperial Reserva
DOCa Rioja
Bodegas CVNE
Haro
Rioja
Spain

Another stellar vintage, this 85% Tempranillo, 10% Graciano and 5% Mazuelo blend was aged for 2 years in American and French oak casks and another 2 years in bottle.

The nose is rich and powerful with ripe black and red fruit, vanilla, spice, herbs, coffee and leather. The palate is pretty full and silky with that rich fruit and the herbal, spice, earthy tastes giving an almost sweet and sour character. A complex and delicious wine that drinks very well already, but that touch of chalkiness to the tannins will soften and it would get more complex with age – 92/100 points.

Available in the UK for around £20-£24 per bottle from Majestic, The Wine Reserve, The Co-operative, Waitrose, Waitrose Cellar, The Wine Society and many others – click here for more stockists.
Available in the US for around $32- $38 – for US stockists click here.

imp_granreserva2008 Imperial Gran Reserva
DOCa Rioja
Bodegas CVNE
Haro
Rioja
Spain

2008 was not rated quite as highly as 2010 and 2011, but CVNE still got some fabulous results. This 85% Tempranillo, 10% Graciano and 5% Mazuelo blend was aged in American and French oak casks for 2 years and in bottle for another three years before release.

This is a big wine still, but beginning to show a little maturity. The colour is more ruby and the fruit is more strawberry with a touch of richer blackberry. There is also vanilla,  spicy, toasty oak and a real savoury note. This follows onto the palate with umami, balsamic characters as well as the rich fruit, leathery and earthy flavours, dried fruit, spice and supple, silky tannins. All in all this is a real treat and a fine Rioja – 93/100 points.

Available in the UK for around £20-£24 per bottle from Tanners, The Wine Society (2010 vintage), The Wine Reserve and many others – click here for more stockists.
Available in the US for around $70 – for US stockists click here.

In the interest of full disclosure, I should mention that I do sometimes do some work for CVNE, but the views expressed here are my own and I was not asked or paid to write the piece.

Wine of the Week – another stunning English Sparkler

I seem to have tasted a lot of good English sparkling wines lately – read about them here and here – well the other day I tasted yet another one that excited me enormously. So much so in fact that I made it my Wine of the Week.

house-and-vineyard

Hambledon Vineyard on a south facing slope overlooked by Mill Down House. This was the birthplace of modern English wine in 1952 – photo courtesy of the estate.

hambledon-ccHambledon Classic Cuvée Brut
Hambledon Vineyard
Hambledon
Hampshire
England

The Hambledon Vineyard is historically very important to the English wine industry, because it was the first one to make a reputation for itself and can claim to be where the English wine revival started – bizarre as it sounds, Hambledon can also claim to be where cricket as we know it today began. The estate was originally planted in 1952 and although the wines did create a stir and even won some awards, the vineyard remained tiny, between 1 and 4 acres at various times, and so was essentially a hobby rather than a business, as is borne out by this amazing bit of film – click here to watch it. In fact by the 1990s the few grapes they grew there were being sold to other vineyards.

The estate was bought by Ian Kellet in 1999 and he decided to restore Hambledon and to make wine again. First he studied oenology at Plumpton College and then researched what would suit his land. As it is a south facing chalky slope, sparkling wine seemed a great idea and so in 2005 he planted a 10 acre test plot of Chardonnay, Pinot Noir and Pinot Meunier. Having proved that the grapes were successful there, he planted more and created the winery. Today they farm 50 acres and make the wine in a state of the art, gravity fed winery – this is much gentler on the grapes than pumping. Since 2011 they have also employed Hervé Jestin as Chef de Caves, a position he had previously held at Champagne Duval-Leroy.

Looking down the slope - photo courtesy of the estate.

Looking down the slope – photo courtesy of the estate.

This is the standard wine of the estate and is a blend of 60% Chardonnay, 20% Pinot Noir and 20% Pinot Meunier. 90% comes from the excellent, ripe 2013 vintage, while 10% is reserve wines from previous vintages, some of which were barrel-aged to add extra riches and complexity. In addition 6% of the wine was barrel fermented and barrel aged and after the second fermentation in bottle, the wine was aged for 22 months on the lees.

The nose offers enticing freshly baked bread notes as well as plums, rich apple and a little note of smoky spice too. The palate is beautifully creamy, with a rich mousse, ripe peach and apple fruit and a lovely pure core of acidity and freshness. This sense of purity gives the wine wonderful verve and energy and balances the richness of the vintage. By any definition this is a fine sparkling wine that shows how seriously good English fizz can be – 93/100 points.

Available in the UK from Hambledon Vineyard at £28.50 per bottle, Waitrose at £30 per bottle, Marks & Spencer at £29.00 per bottle  for other stockists click here and here.

If you have never tasted a great English wine, or not understood all the fuss being made about English sparkling wine, then give this ago, it really is quite superb.