The beautiful terraced vineyards of the Douro Valley.
Portuguese wine is so underrated. The country is awash with wonderful wine regions, fabulous grape varieties and winemakers with real ability and passion. It troubles me that so few Portuguese wines are generally available in the UK, it suggests that there is very little demand and that is a shame.
However, for those of us who are open minded enough to enjoy them, the few Portuguese wines that are available are real stars and really reward the dedicated – try this great value gem here as an example. How they turn out such quality at that price amazes me.
Recently I tasted yet another great wine from the Douro – two in fact as I also tried the magnificent and beautifully mature Duas Quintas Reserva which is available from the Wine Society for £25 a bottle – and it reminded me how much I love the wines from this exciting region.
The Douro rises in Spain where it is known as the Duero River, it serves as the border between the two Iberian neighbours for quite a way, before heading West and cutting Portugal in half. In Portugal the rugged, hot, slate slopes produce the grapes for Port, but in recent years the region has become one of the most exciting for un-fortified wine too. Although mainly red, although there are some lovely whites as well – I wrote about the region’s development here.
Bruno Prats (left) and Charles Symington (right), wine makers – photo courtesy of the winery.
The wine I tasted was produced by Prats & Symington and it was so good that I decided to make it my Wine of the Week.
The Symington family are the pre-eminent growers in the Douro Valley and own many of the famous Port houses – Grahams, Dows, Cockburns – as well as the great Quintas – or wine estates – that produce their grapes. In 1998 they decided to get serious and ambitious about their non-fortified wines as well. To this end they went into partnership with Bruno Pats who is the former owner of Château Cos-d’Estournel in Saint-Estèphe (also click here) in the Médoc area of Bordeaux. Because the Douro is such a famous and old established wine region, it is amazing to realise that this only happened in 1998 – non-fortified wines are a newish thing here. I must also mention that the Symington family produces some brilliant table wines with no Prats involvement too, Quinta do Vesuvio is one of the very best red Douro wines that I have tasted – it’s available here -, while its second wine the Pombal do Vesuvio is nearly as fine. For stylish moire everyday drinking I am a huge fan of their Altano range – especially the superb Organic Quinta do Ataide and Quinta do Ataide Reserva.
The wine they produced was called Chryseia (US stockist here)- it means golden in Greek, just as Douro does in Portuguese – and it was made from Touriga Nacional and Touriga Franca grapes, grown at Quinta de Roriz and Quinta da Perdiz and it became an instant classic, highly prized and much in demand.
In 2002 they launched Post Scriptum, which while it is described as a partner, really acts as a second wine and uses a second selection of the fruit. I have tasted many vintages of it though and the wine is always first-rate.
The vineyard, clearly showing the wonderful decayed slate, or schist soils – photo courtesy of the winery.
The 2012 is 53% Touriga Franca, 45% Touriga Nacional and a little dollop of other Douro grapes, most likely Tinto Roriz – which is Tempranillo. After a rigorous selection, the grapes undergo a cold fermentation and the finished wine is aged for 13 months in 400 litre French oak barrels.
As soon as you sniff it you can tell this is a rather special. There are rich black fruit notes, floral notes, spices, warm, rocky mineral notes and a light dusting of smoky tobacco.
The palate is full, but velvety smooth with the tannins giving just a touch of firmness. There is black cherry and black plum a plenty, together with liquorice and eucalyptus characters. It is concentrated and rich, but beautifully balanced with a lovely seem of fresh acidity and the wonderful salty minerality that is the hallmark of the Douro – 92/100 points.
This is a great value fine wine and a real treat. The quality is superb and it goes brilliantly with all sorts of food, especially stews, casseroles and roast meats – I had it with lamb and it was superb.
Available in the UK at £17.50 per bottle from The Wine Society. The equally fine 2013 vintage is available from Tanners for £20.90 per bottle. For US stockists, click here.
So often when we talk about Spanish wine, we mean wine from northern Spain. This is simply because up until the late twentieth century the south was just too hot to make anything that was considered worthwhile. So the good wines, the wines with a reputation for high quality, came from the cooler zones with Atlantic influence. Chief amongst those, of course, was Rioja. Most of Spain’s other wines were relegated to making everyday wines for local consumption.
Much has changed for the better in Spain since it joined the EU in 1986. Not least that modern wine making technology is now reaching into every corner of this exciting wine producing country.
As a result good – and great – wines are now being made in regions that were once regarded as bywords for undrinkable wine. Clean, protective winemaking has lifted the wines of Spain’s hot, southern regions to a level that would have been unthinkable just thirty years ago.
Perhaps the most exciting of these is the Comunidad Valenciana. This is one of Spain’s 17 autonomous regions and consists of the provinces of Alicante, Valencia – pronounced Bah-len-thya – and Castellón – pronounced Cas-tay-yon.
The Comunidad Valenciana contains several wine regions that are very much on the up; DO Alicante, DO Valencia and DO Utiel-Requena.
DO / denominación de origen wines come from recognised regions and are made from grape varieties traditional to that place. Much like the French Appellation d’origine contrôlée regulations these are a guarantee of quality and provenance.
Since Spain has enjoyed increased prosperity, renewed infrastructure and access to wealthy markets these regions have curbed their desire to make high volume, bulk wines. Instead they have focussed on improving quality and producing finer, artisan wines.
Historically the wines from this part of Spain are really a story of three grape varieties – two black and one white. Despite much experimentation they remain the most important.
The main black grape of Alicante, and nearby Jumilla, is Monastrell. More famous under its French name, Mourvèdre it’s used in many Châteauneuf-du-Pape and Rhône blends and is known as Mataro in much of the New World. In the wrong hands, Monastrell can be very tannic and rustic and was long thought only suitable for producing large quantities of everyday wine, as the high yields reduced the tannins by making the wines dilute. Monastrell is not an easy grape to grow. It needs a lot of heat and also a fair amount of water. Added to which it is susceptible to all sorts of mildews, is very vigorous and can easily get overripe. Add all that together and it is not surprising that it had to wait until modern times, squeaky clean wineries and skilled grape growers for it to become a grape with a following.
The little known Bobal (pronounced boh-BAHL) grape reigns supreme in Utiel-Requena and is actually the third most planted grape in Spain – after Airén and Tempranillo, yet most of us have never heard of it. Until relatively recently Bobal was considered too tannic and un-tameable, so was often blended with other, softer grape varieties, such as Tempranillo and Garnacha (known as Grenache in France). However recent advances in handling Bobal have led winemakers to recognise its qualities and to unequivocally make it the signature grape of the region.
Both provinces also have a long tradition of making sweet, fortified wines from Moscatel, (Muscat in French), grapes. In recent years the advent of cold fermentation in stainless steel has led to the production of very good dry whites made from Moscatel too. Fresh and aromatic, these are excellent with seafood.
Historically the region fermented its wines in the tinajas – traditional large clay jars often inaccurately called amphorae. These fell out of use when people realised that it was hard to get clean results from them. However modern knowhow and technology means such vessels can now be cleaned and so tinajas have started to be used again, to great effect.
Famously the Comunidad Valenciana enjoys a Mediterranean climate with long, hot, dry summers and short winters. Historically this has been a problem as too much heat can produce flabby,uninteresting wines. Careful positioning of vineyards though, can produce wines with more freshness and elegance from subtly cooler sites.
Utiel-Requena is actually as far inland as it is possible to be in Valencia and is right on the border with Castilla-La Mancha. This puts these vineyards much higher than the coastal plain, at around 600-900 metres above sea level. The slightly cooler and windy conditions up there alleviate the summer temperatures, that frequently top 40˚C, and slow down the growing season to produce finer wine than was once thought possible.
Further south in Alicante the better vineyards also tend to be inland where the land rises to around 400 metres. Even in August you need a jacket if you want to sit out at night in Monòver, the heart of the vineyard area.
DO Valencia is more spread out and varied, but excellent everyday wines are made on the lower land towards the coast, while more ambitious wines are made by passionate producers at higher altitudes around Ontinyent near the border with Castilla-La Mancha.
In all of these areas, careful positioning of vineyards, modern training techniques, earlier picking for lower alcohol and better balance, clean winemaking and careful use of oak has led to a revolution in how the wines taste. Today at the very least the wines are clean, fresh and enjoyable. At their best they are amongst the very best that Spain has to offer.
There are far too many producers to mention them all, but these are some of my favourites:
Bodegas Enrique Mendoza:
Founded in 1989, Mendoza has a winery and showroom near Benidorm, but most of their vineyards are around 40 km inland at Villena. This place is between 370 metres and 650 metres above sea level, so gets cooling breezes in the summer.
Pepe Mendoza organically farms around 80 hectares and makes several different wines from pure Monastrell, or as he puts it, ‘paints plenty of pictures from the same grape’.This place – with its winds, extreme heat in summer, cold in winter, low vigour, stony soils and only just enough water – makes the vines struggle and so they produce small crops of very concentrated grapes. In fact so stressed are the vines that they remain stunted and cling to the ground, so Pepe calls them his ‘bonsai vines’.
2016 La Tremenda Monastrell DO/PDO Alicante Bodegas Enrique Mendoza Alicante
A single vineyard wine, this is Pepe’s calling card and it is one of the best value wines around. Fermented in stainless steel and aged for 6 months in American oak barrels, it’s richly fruity, fleshy and succulent with velvety tannins, a kiss of vanilla oak, a touch of cocoa and a wild, spicy side that keeps it exciting. This will appeal to people who like Shiraz and Syrah – 90/100 points.
Also try: The single vineyard Estrecho and Las Quebradas are both magnificent Monastrell wines with great depth and complexity, while Pepe’s sweet, fortified Moscatel de la Marina is one of the finest I have tasted.
Enrique Mendoza wines are distributed in the UK byC & D Wines.
Artadi – El Sequé:
Created by Juan Carlos Lopez de Lacaille in Rioja in 1981, Artadi was a pioneer and champion of single vineyard wines in Spain. Today they farm 65 hectares in Rioja, 40 hectares at Bodegas Artazu in Navarra and the 80 hectare El Sequé estate in Alicante. This property is situated at 600 metres above sea level near Pinoso, west of Monòver close to the border with the Región de Murcia.
2016 El Sequé Monastrell DO/PDO Alicante Bodegas y Viñedos El Sequé Alicante
Another single vineyard wine grown at around 600 metres. Pure Monastrell fermented in open topped vats with daily pump overs for extraction. The wine is aged in 500 litre French oak barrels for 12 months.
The result is a wine with rich black fruit, spice and balsamic notes. The palate is plush and concentrated with rich, sweet, ripe fruit, supple tannins, beautifully integrated oak and good balance. This is a true fine wine and very impressive and it needs hearty, winter food – 94/100 points.
A division of Bodegas Schenk, a big wine company that originated as a cooperage in Switzerland before acquiring wine estates in various regions of Switzerland after World War 1. Schenk then expanded into Spain in the 1920s, where it has several estates throughout the Comunidad Valenciana. This one was the first estate they bought in Spain and was known as Bodegas Schenk until 2002 when it started focussing on premium rather than bulk wine production.
This is a very different take on Monastrell. It is unoaked, so retains more brightness, but it still has lovely black fruit aromas, a touch of that sweet and sour, fruity and pepper and balsamic thing on the palate. In short it’s a spicy, bright, ripe and concentrated wine that sees no oak at all and retains a juicy freshness – 88/100 points.
Tucked away in Parcent in the Xaló Valley, a little inland from Jávea, Felipe Gutiérrez de la Vega was one of the very first to show that Alicante could make great wine. He has farmed 12 hectares here since 1978 and produces a fascinating range of wines.
2014 Casta Diva Cosecha Miel DO/PDO Alicante Bodegas Gutiérrez de la Vega Alicante
Sweet Moscatel wines are very much the tradition in this part of Spain. In the past they were somewhat oxidised and lacked excitement, but have recently reinvented themselves in spectacular style. This wine is the link between the old and the new waves and has been made continuously since 1978, thus inspiring new winemakers to make more interesting wines from Moscatel. This is barrel fermented and barrel aged, in all sorts of barrels of different sizes. The oak isn’t new, so the flavours of the oak do not mask the taste of the grapes, but the oxygen trickling in makes the wine rounder and more mouth filling.
The wine is aromatic with wonderful orange blossom, caramel and wild herb notes. The palate is honeyed, sumptuous and complex with rich, ripe orchard fruit and zingy, caramelised orange – without doubt the finest example of this classic local style – 93/100 points.
Also try: Viña Ulises – an enticing, elegant blend of Monastrell and Garnacha that combines ripe fruit and wilder, savoury black olive characters.
This go ahead cooperative is the giant of Alicante wine and was created by merging 11 smaller co-ops. Don’t let that put you off though, they produce some excellent wines. Their wines are never less than good, even at the lower end and they are always coming up with new and exciting things, like sparkling red Monastrell and sparkling Moscatel.
2018 Marina Alta DO/PDO Alicante Bodegas Bocopa Alicante
I don’t always like dry wines made from Muscat, but this is a delicious take on the style. It is fresh and lively with floral and grapey aromatics. The palate is light and refreshing with low (11%) alcohol and some zingy citrus freshness. Wonderful to drink on a sun-drenched terrace and perfect with Gambas al Ajillo – 87/100 points.
Created in 2000 by unifying two old established family vineyards, the 67 hectare Finca Fuenteseca sits at nearly 1000 metres above sea level. It is west of Utiel, right on the border with Castilla-La Mancha and is certified organic as the dry conditions make it a perfect site for organic viticulture.
2016 Pasión de Bobal DO/PDO Utiel-Requena Bodega Sierra Norte Valencia
A great introduction to Bobal, this is made from old vines and low yields. Fermented in barrels and aged in barrels for a further 6 months.
It is a thoroughly modern wine that tastes traditional and of its place. It’s richly fruity scented with blackberry, raspberry and balsamic, umami, savoury notes. The palate is generous, rich and mouth filling with powerful black fruit together with nicely balanced mocha-like oak and suave, refined tannins – 90/100 points.
Also try: Pasión de Bobal Rosado – a beautifully balanced, pale rosé that delivers bright cranberry and strawberry fruit and crisp, refreshing acidity.
Bodega Sierra Norte wines are distributed in the UK by Boutinot Wines.
Dominio de la Vega:
Three winemaking families joined forces in 2001 to create this estate focussed on premium wines. Housed in a beautiful 19th century manor house, the site is lovely and the wines are impressive.
2014 Finca La Beata Bobal DO/PDO Utiel-Requena Dominio de la Vega Valencia
This is a fine, concentrated red made from 100 year old, ungrafted vines and aged 18 months in barrel. Layers of ripe fruit, ripe tannins, spice, espresso and chocolate-like oak balanced with fresh acidity make it complex and vibrant – 94/100 points.
Also try: Their superb range of Reserva Cavas – fine Spanish sparkling wines made by the traditional method.
Dominio de la Vega wines are distributed in the UK by Jeroboams.
Pago de Tharsys:
This estate dates back to 1805, but its modern life began in 1981 when the Garcia family, bought it. They went on to purchase most of the adjacent vineyards in the 1990s – so like most estates around here it’s a young label and very much a project in progress. They organically farm 12 hectares and produce a wide range including superb sparkling wines that are stunningly packaged.
2018 Pago de Tharsys Albarino – Vendimia Nocturna DO/PDO Utiel-Requena Pago de Tharsys Valencia
Albariño is of course a grape from Spain’s Galicia region, but it is beginning to be grown elsewhere as it is recognised as one of the best white grapes in the Iberian Peninsular – it also grows in Portugal, where it is called Alvarinho.
The nose offers ripe, tropical pineapple and floral notes together with little touches of aromatic Turkish delight.
The palate delivers fruit characters reminiscent of pineapple, lime and grapefruit together with a lovely creamy ripe texture and green tea notes. This is a soft wine in the mouth, well balanced and quite long with green fruit emerging on the finish. Night harvesting helps retain the grape’s natural acidity 91/100 points.
Also try: Their Unico Blanc di Negre, a complex sparkling Bobal made by the traditional method, it cannot be called Cava as Bobal is not a permitted Cava grape.
Pago de Tharsys wines are distributed in the UK by Moreno Wines.
A modern estate that is another part of Bodegas Schenk, or more accurately Schenk are a shareholder and the ‘Suizas’ in the name of the winery. Right from the start this project was about producing premium wines in Utiel-Requena. The potential of the region had been seen for a few years, but they were still pioneers. Today they farm 46 hectares of vines around their beautiful farmhouse and another 15 less than half a kilometre away. All of this is just west of the lovely town of Requena and the focus is on Bobal, although they grow other grape varieties too.
2016 Bobos ‘Finca Casa La Borracha’ Bobal DO/PDO Utiel-Requena Bodegas Hispano+Suizas Valencia
An intriguing and delicious red that is made from 70 year old, low yielding Bobal vines. The grapes are de-stemmed and put in 400 litre American oak barrels, standing up without the tops, to ferment. After the barrel fermentation the wine is aged for 10 months in new French Allier oak barrels. A vibrant and forthright wine that packs a spicy, toasty punch with rich fruit and balsamic/tapenade notes. The tannins are beautifully tamed and velvety, the oak is well integrated and there is good balancing acidity. This is a serious wine, but immensely drinkable too – 92/100 points.
FYI, Casa la Borracha means ‘house of the drunken woman’!
Bodegas Hispano+Suizas wines are distributed in the UK by Boutinot Wines.
Mustiguillo was founded by businessman Toni Sarrion in the late 1990s with the aim of rescuing Bobal from its reputation for mediocrity and creating fine wines from it. As such it became the engine for change in this formerly obscure region and showed what could be done in this place and what is more was instrumental in showing the locals just how good Bobal can be. Mustiguillo consists of two organically farmed estates, Finca Terrerazo at around 600 metres above sea level and Finca Calvestra which sits at 920 metres.
Calvestra is cooler and where they grow their white grapes, especially the rare Merseguera which Mustiguillo have helped to rescue from near extinction to become the, still rarely seen, speciality white grape for the whole Comunidad Valenciana.
2017 Mestizaje DO/PDO Pago El Terrerazo Bodega Mustiguillo Utiel Valencia Comunidad Valenciana
Mestizaje means melting pot and it’s a blend of mainly Bobal with small amounts of Syrah (10%) and Garnacha/Grenache (16%). The grapes are fermented in a mixture of French oak and stainless steel fermentation tanks and the wine is aged for 10 months in a mixture of French oak vats and barrels.
The result is a hugely drinkable, medium-bodied wine that has plenty of red and black fruit, gentle spices, freshness, elegance and precision – 91/100 points.
A big producer that started life in Ticino, the Italian part of Switzerland, in 1831 when Vittore Valsangiacomo opened a winery. His son Cherubino Valsangiacomo decided to open a wine export company in Valencia and Alicante, before eventually opening winery facilities in Chiva, Requena, Utiel, Monóvar, Yecla and in El Grao de Valencia in 1890. As their wineries cover all the important wine areas of the Comunidad Valenciana, they produce a large range of wines from all the DOs in the region.
In 2008 the company undertook an exciting project by taking over the old Sanjuan Cooperative that’s halfway between Utiel and Requena. The aim is to use the wonderful old vineyards and concrete tanks at Sanjuan to make great wines from Bobal.
There are 10 hectares of up to 100 year old Bobal vines around this old winery and it is exclusively those vines that are used in this wine. They are sited on a plateau at around 750 metres above sea level. This exposes them to the cooling ‘solano’ winds that blow in from the east and temper the hot summer conditions by increasing the temperature drop between day and night. The winery is quite old and was equipped with 70 large fermentation tanks made of concrete. Cherubino Valsangiacomo believe these are perfect for Bobal as if left unlined, or raw, you can achieve a small micro oxygenation of the wine due to the pores in the concrete. This tames Bobal’s famous tannins.
A lively and fresh wine with an attractive lifted nose of ripe red fruit and a dash of spice. The palate is smooth, earthy and spicy with medium weight wine, supple tannins and juicy blackberry, cherry and raspberry fruit. The freshness shines through, showing the absence of oak, and the finish is long with a satisfying savoury twist – 90/100 points.
Cherubino Valsangiacomo wines are distributed in the UK by Bibbendum.
Celler Del Roure:
This extraordinary estate is planted at 600 metres above sea level in the south west of Valencia province, west of Ontinyent. Pablo Calatayud originally created the winery in the late 1990s to make wines from international grapes. However in recent years he has completely changed his approach and now farms organically and champions local grape varieties like Mandó and Verdil that had almost become extinct. Pablo also uses the traditional tinajas – large clay jars often inaccurately called amphorae – to ferment and mature the wines. What’s more these tinajas are deep underground in an ancient Roman cellar.
2015 Parotet DO/PDO Valencia Celler Del Roure Valencia
An old vine (between 30 and 70 years old) blend of 75% Mando with 25% Monastrell, organically farmed and verging on natural winemaking. The fruit is all hand harvested, partially de-stemmed (the stems contain a lot of tannins, so leaving in some stems can increase the tannin if required), indigenous fermentation using the natural yeast, fermentation and malolactic in the tinajas followed by 14 months ageing on the lees in those tinajas.
The result is scented and vibrant wine with herbal, balsamic and fresh red fruit aromas. The palate is similarly bright with fresh red fruit, savoury herbs and that balsamic tang. The texture is velvety and supple and the wine has lots of energy – 93/100 points.
Also try: Cullerot – an extraordinarily complex blend of Verdil, Pedro Ximénez, Macabeo, Malvasía, Chardonnay and Tortosina macerated on the skins and aged for 6 months one the lees in those tinajas.
Celler Del Roure wines are distributed in the UK by Alliance Wine.
Wines from this part of Spain are really exciting me right now. From humble beginnings the Comunidad Valenciana is fast becoming one of the most thrilling and varied wine producing areas of Spain. What’s more most of them are made from indigenous, local grape varieties. So the flavours are unique and all the wines seem to have that casual Mediterranean feel of charm and elegance. They are incredibly food friendly and generally offer great value for money too, so go on do a bit of exploring of wines from the Comunidad Valenciana.
Many of you who read these pages regularly will know how much I like Italian wines. Some of you will also know that I bang on rather a lot about how much better wines are nowadays than in the past – especially the whites from places that are traditionally well known for quality reds in the past, places like Spain, Portugal and Italy.
Gavi is another interesting Italian white wine and is now quite widely available, certainly more than most of the wines mentioned above, and has almost broken free of the Italian ghetto to be known as a style in its own right. It is nowhere near as famous as Pinot Grigio or Sancerre of course, but you occasionally get it mentioned in novels or hear the name in television dramas. However, as with most wines, there is Gavi and there is Gavi. It will never let you down in my experience, but can, like so many wines, occasionally be a bit dull, dilute even. The answer to that is to drink a well made wine from a good producer. Sadly most of the time price is a pointer to quality, there are exceptions, but on the whole never drink the bargain basement version of a well known wine – or if you do, manage your expectations.
Wine map of Piemonte – click for a larger view. Non watermarked, high resolution versions are available for a fee.
Gavi itself is a town in Piemonte, north west Italy, but until 1815 its powerful fortress formed the northern defences of the Republic of Genoa. Luckily, thanks to the EU and European integration – a little bit of politics – war has left this place alone since 1945 and today Gavi is a rather lovely, sleepy little town of narrow streets, café lined squares and those amazing fortifications of old.
Nowadays of course it’s fame lies in the wine that bears its name. Gavi is the only important wine made from the Cortese grape. There is a tiny bit here and there, but just this tiny patch of Piemonte specialises in it. Cortese is also grown in the nearby Colli Tortonesi and Monferrato regions as well as in the provinces of Cuneo, Asti and the wider areas of Alessandria to make the slightly more humble wines labelled as Cortese del Piemonte DOC. Outside Piemonte Cortese can be found in Lombardy’s Oltrepò Pavese region and it is also cultivated around Lake Garda where it is used to produce Garda Cortese as well as being used in the blend of Bianco di Custoza.
I have also had one Cortese from Australia that was very enjoyable, but I am surprised, given what nice wines can be made from Cortese, how little the grape is grown and known around the world – although it is slowly becoming more widely known.
11 communes, plus Gavi itself, make the wine called Gavi and despite its popularity there is no such wine as Gavi di Gavi and that term should not appear on labels. If a wine comes from fruit grown in just one of the communes able to make Gavi then it can be labelled as Gavi del Commune di Gavi – or Rovereto, Bosio, or Carrosio, or Capriata d’Orba, or Francavilla Bisio, or Novi Ligure, or Parodi Ligure, or Pasturana, or San Cristoforo, or Serravalle Scrivia, or Tassarolo.
What’s more these form a single DOCg, they are indivisible and are considered to all be of the same quality – unlike Chianti and Chianti Classico for instance which are separate DOCgs.
The countryside around Gavi is quite beautiful and the slightly high land – around 300 metres asl – and the surrounding mountains channel cooling breezes off the sea and the nearby alps to cool down the vines and create really good conditions for white wine. While the southern exposure ensures they catch the sun to get excellent ripeness. Add all that together with the white wine technology that came in during the 1970s-1980s and you can see why Gavi has made a name for itself in recent years. It cannot be a hinderance either that nearby Alba, Asti, Barolo and Barbaresco all enjoy reputations for high quality wine and so the infrastructure for export is close at hand.
Anyway, long story short, the other day I drank a stunning bottle of Gavi that spoke to my soul and so I have made it my Wine of the Week.
DOCG Gavi del Comune di Gavi
I really like the wines of Castellari Bergaglio and have been meaning to write about them for a while. They produce exemplary Gavis and what’s more make a fascinating range too. Ardé, their traditional method sparkling Gavi is very good and their standard Gavi, called Salluvi, is exceptional at the price. However the wineries true stars are their special cuvées. Pilin is made from partially dried grapes, Fornaci is a Gavi del Commune di Tassarolo and Rovereto is a Gavi del Commune di Rovereto. They even make a sweet passito wine called Gavium, so produce a lot of varity for a single grape variety grown on just 12 hectares.
Castellari Bergaglio was founded in 1890 and today is run by 4th generation Marco Bergaglio and although he clearly loves the place his wine comes from and is steeped in the area, he also likes to experiment and push the boundaries of what constitutes a Gavi. He tries to balance tradition and modernity to great effect in my opinion.
The fermentation is long and slow at moderate rather than cool temperatures – 18-20˚C, which allows for lovely flavours and delicate textures to develop on the palate. This textural component is helped by the lees ageing.
Marco Bergaglio (right) in his vineyards – photo courtesy of the winery.
The Rolona is perhaps the most pure of his range and indeed the Rolona vineyard has chalky soil. The aromas are delicately floral, orchard fruit, straw, perhaps a touch of dry honey, earth and wet stone. The palate is crisp with an underlying richness, succulence and concentration that shows what a high wire act the wine is. It is detailed and beautifully crafted in miniature. The minerality really suits it, as does the lemon and tangerine edged citrus and the sheer vitality of the wine. All the books and all the wine courses make great play about how high the acid is in Gavi, that simply is not true. It isn’t low acid that’s for sure but, but it is usually tempered by the ripeness of the fruit and this wine is no exception. I enjoyed it so much that I simply cannot tell you how quickly the bottle emptied itself. It’s lovely on its own or with some shellfish or delicate fish like seabass – 92/100 points.
Beautiful vineyards and landscape of northern Piemonte.
In the last few years I have travelled extensively in Italy and have been fortunate enough to explore a great many wine regions. Italy is a fascinating wine producing country and it’s not only full of world famous wines styles and grape varieties either. Everywhere you go there are constant surprises and new discoveries to be made.
All of these regions are full of wine, sometimes famous and often less well known. Even in the most prestigious regions such as Piemonte and Veneto you can find wines that have almost no presence on the export market and are appreciated almost solely at home.
Italy is most known for her red wines and Italians, like the Spanish, often hold white wine in very low esteem. I expect this view became fixed because Italy, like Spain, is on the whole a hot country in the summer when the grapes are growing. So in the past – before cold fermentation, modern knowhow and clean wineries – the white wines would have been somewhat ropey – especially when compared to the more full-flavoured red wines.
In my formative years Italy’s reputation for white wines – in the UK anyway – was based upon cheap Soave, Frascati, Verdicchio dei Castello di Jesi and Orvieto. However good those wines can be now – and they can be very good indeed – in the 1970s and 1980s they were often less than interesting. Usually based on the high yielding and rather bland Trebbiano, rather than the more interesting grape varieties that had made these wines famous in the first place, they slowly fell out of favour when compared to the competition coming from elsewhere, especially the New World.
It is interesting to note that Frascati was the wine that gave birth to the phrase that a wine ‘didn’t travel well’ and so you should only drink it where it was made. Like most of these white wines it was not regularly bottled until after the Second World War, so until the late 1940s – often much later – it was served by the carafe straight from the barrel or demijohn.
A vineyard in northern Piemonte.
This allowed another Italian white wine to force its way onto export markets and to enjoy success – Gavi. Coming from Piemonte and made from the quite acidic Cortese grape, Gavi – certainly when I first tasted it in the 1980s – seemed more distinguished and refined than those other white wines from Italy at the time. Gavi continues being successful to this day and what helped Gavi create a name for itself is surely the timing. It emerged later than the likes of Frascati, when wineries were already using modern techniques of being ultra clean, using stainless steel fermentation tanks and fermenting at low temperatures. Much of Europe had to play catch up you see as the new world, with less wine making tradition, had often gone the high tech route from the start.
It might be the downward spiral of sales or the example of Gavi, but Italian white wines have fought back and are today in a quite different place from where they were just 20 years ago. Indeed I would say that the white wines of Italy are some of the most exciting you will find from anywhere. This story by the way is repeated in Spain, Portugal and even the less well know corners of France.
Many things have changed how the white wines of Italy taste, but the most important, apart from clean wineries and cold fermentations, are carefully sited vineyards to make sure the grapes do not bake – this retains acidity. Lower yields ensure more concentration and so more flavour, while later picking also gives more flavour – as long as the vines are in a good place to retain freshness and balance.
So I have tasted my way through astonishingly good Vermentino from Sardinia, Verdicchio dei Castello di Jesi from the Marche, Lugana from Veneto and Lombardy, Soave from Veneto, Tai from the Colli Berici in Veneto, Fiano, Greco, Falanghina, Coda di Volpeand Caprettone from Campania, Carricante from Etna in Sicily as well as world class sparkling wines made by the Traditional Method from Trentino (Trento DOC), Lombardy (Franciacorta), Campania (Falanghina), Marche (Verdicchio dei Castello di Jesi ), Lugana and Piemonte (Gavi and some Nebbiolo sparkling too).
Which brings me on to my theme for today, the white, rosé and sparkling wines of northern Piemonte.
Piemonte’s fame almost all rests on the wines produced south of Turin, which is a great shame as there are wonderful wines made to the north in more Alpine conditions. Most of these wine making areas are actually older than the likes of Barolo and Barbaresco in the south and were much more famous in the past. For many reasons – I wrote about them here – the modern wine revolution passed these places by and so they have had a much harder job getting their wines onto the world stage.
Wine map of Piemonte – click for a larger view. Non watermarked, high resolution versions are available for a fee.
I loved a wide array of the red wines from these fascinating outposts in northern Piemonte and wrote about them here, but the area produces some pretty exciting whites and sparkling wines too, most of them made from a grape variety that was totally new to me – Erbaluce (pronounced Urr-ba-luch-eh). Rather fascinatingly Nebbiolo also gets a look in for the rosé wines, both still and sparkling.
This intriguing grape is indigenous to Piemonte and doesn’t seem to grow anywhere else. The most ‘famous’ wine made from it is Caluso DOCG – often known as Erbaluce di Caluso – and they must be 100% Erbaluce, as must the whites of the nearby Canavese DOC, Coste della Sesia DOC and Colline Novaresi DOC. It is known as a high acid grape and certainly the best examples for me were the ones that retained refreshing acidity.
I was very taken by the wines at Tenuta Sella. It is a beautiful estate in Lessona, although they have vineyards in Bramaterra too – and has a long history going back to 1671 and have always been owned by the same family. Until the unification of Italy Piemonte and Sardinia constituted a single country called the Kingdom of Sardinia and the Sella family, which had married into the Mosca family, also owned Sella & Mosca one of the most prestigious wine estates in Sardinia.
This is 100% Erbaluce, grown in estate vineyards in Lessona and Bramaterra, both of which are DOCs for red wines only, which is why this is labelled as Coste della Sesia. Some vintages from a wider source of vineyards are labelled as DOC Piemonte.
I enjoyed this wine, it was aromatic, fresh and floral with a rich, pithy note too. The palate was quite rich and creamy because of skin contact and and lees ageing. It was nicely balanced with juicy grapefruit and more succulent peach flavours. A good introduction to Erbaluce but with less overt acidity than many – 89/100 points.
This rosé is pure Nebbiolo and from 45 year old vines, old vines helps give depth and concentration to the wine. The vineyards are in the two ‘Cru’ appellations, Lessona (95%) and Bramaterra (5%), which is why the wine is labelled Coste della Sesia, as that is the wider area. The Bramaterra component is made by bleeding some juice off their red wine while it is fermenting. The Lessona component gets 36 hours cold soak pre fermentation to help extract flavours and complexity and is then direct pressed. The wine has malolactic fermentation and has a 6 month ageing on the lees in tank.
This has real Nebbiolo character on the nose, with earthy and rose petal notes, blood orange, cranberry and spice too. The palate is quite full, with some weight and intensity and texture – those lees? It is also very tasty with lots of rich red fruit, that twist of bitter orange, some spice and a good fresh acidity and minerality making it lively. This is a fine rosé and it would go with all manner of dishes from salads and fish to veal and pasta dishes – 92/100 points.
2015 (no vintage on the label as it is not a DOC or DOCG wine) Clementina Brut Rosato
This is 100% Nebbiolo from their estate vineyards in Bramaterra and it was my first sparkling Nebbiolo ever. It is made sparkling by the Charmat, or tank method – known locally as the Martinotti Lungo method – in order to emphasis freshness and downplay Nebbiolo’s hard tannins.
The first thing that hits you about this wine is the beautiful colour. It is vibrant and a little orange as befitting a wine called Clementina! The nose is bright, scented, floral and fruity while the palate is fresh, lively, fruity – strawberry and cherry – and a little creamy too. A delicious and very unusual take on Nebbiolo – 90/100 points.
The view north from Nervi’s vineyards.
2015 Nervi Bianca
DOCG Erbaluce di Caluso
I loved visiting Nervi. They are one of the 2 main producers in Gattinara, a DOCG that should be much, much more famous than it is. Their wines were really impressive, they were very gracious hosts and their cellars were a joy to see.
This is 100% Erbaluce with modern handling, cold fermentation in stainless steel with no malolactic fermentation and a little lees ageing.
This was bright, fresh, zesty and pure with a little touch of minerality, or salinity. A fresh, lively, modern dry white wine that is very appealing – 88/100 points.
The view south across Nervi’s vineyards.
2014 (no vintage on the label as it is not a DOC or DOCG wine) Jefferson 1787 Nebiule Rosato Brut Spumante
Vino Spumante di Qualità
A Traditional Method sparkling Nebbiolo this time. It is a pale rosé with 4 hours skin contact to give the colour, zero dosage (so very dry) and 9 months ageing on the lees. This was the last bottle left of the first vintage and the wine was proclaimed by Gambero Rosso to be the best sparkling wine in Italy! The DOCG Gattinara does nor permit sparkling wines, so it is simply labelled as Vino Spumante di Qualità.
The wine is named in honour of Thomas Jefferson who travelled extensively in Europe while serving as Minister (Ambassador) to France. He was a great wine lover who spent a lot of time and effort trying to grow vitas vinegar grapes at his Monticello estate in Virginia. He wrote glowingly of Nebbiolo, or Nebiule as it was then known, saying ‘there is a red wine of Nebiule which is very singular. It is about as sweet as the silky Madeira, as astringent on the palate a Bordeaux and as brisk (sparkling) as Champagne’. Which just goes to show that Nebbiolo has changed beyond all recognition in a little over 200 years!
This is a lovely orangey, wild salmon colour with a touch of rose petal. The aromas are also rose petal with cherry and raspberry notes. The palate has a softness of ripe strawberry, cherry and raspberry together with thrilling, lively acidity and a fine mousse. There is also something very taut and lean about it, like Champagne, with a touch of minerality, something savoury and balsamic and a long, crisp finish. This is a very fine sparkling wine – 94/100 points.
I loved visiting this family owned estate in Ghemme. Alberto Arlunno, who took over the running of the estate from his father in 1993, was a charming host and their wines were very good indeed – especially their Ghemme made from Nebbiolo, which was an area that I had only ever heard of before, not tasted.
This is a sparkling Nebbiolo, again made by the Charmat method and named after Alberto’s mother Ida.
Again the colour was spectacular, it looked like an Aperol Spritz! The aromas were fruity and lively with a little cherry and raspberry, while the palate had loads of flavour. Soft red fruit, raspberry and strawberry, mingled with blood orange and cherry, so giving a delicious richness and lovely bright, balancing acidity. A really nice, drinkable sparkling rosé – 89/100 points.
I was impressed by La Masera which is a new winery founded by a group of friends in 2005. Today they farm 5 hectares within the Erbaluce di Caluso DOCG zone. They grow Barbera, Freisa, Vespolina, Neretto and Nebbiolo, but focus on Erbaluce in dry, sparkling and sweet, passito, styles. Their name comes from the Masere which are the thick stone walls between each vineyard.
This is 100% Erbaluce, grown in the rocky morainic hills of Canavese at 250 metres above sea level, hand harvested, cold fermented at 16˚C and aged 6 months on the lees in stainless steel tanks.
This was the first Erbaluce that made me really sit up and take notice. It is very modern and very bright. It has a very fresh nose that is slightly leesy with rich citrus, green apple and light floral notes.
The palate is bright, lively and fresh with brisk, lively acidity and lightly herbal, savoury and nutty. There is purity here, with a little saline on the finish.
Straightforward, but well made and very drinkable with thrilling acidity. A very nicely made and versatile dry white wine that would have broad appeal, especially with Sauvignon drinkers – 89/100 points.
Anima’s big brother, this is 100% Erbaluce macerated on the skins and part fermented in stainless steel and then half way through the ferment 70% of the wine is transferred to oak barrels. Lees stirring takes place on both components – the 70% in oak barrels and the 30% in stainless steel tanks – and it is aged for 7 months on the lees before blending.
The nose is attractive with nice herbal, oily creamy notes and a touch of olive oil and vanilla.
On the palate it has a good texture, that fresh lively acidity, savoury, herbal flavours, orange-like flavour and feel – like barrel aged Viura can have – together with a creamy quality. It has a long finish with apricot succulence making it an attractive and well balanced wine – 90/100 points.
The winery, vineyards and views at Antichi Vigneti di Cantalupo.
I liked their white wines, but my favourite wine from La Masera was this sparkling Erbaluce. Interestingly the grapes were grown on a traditional pergola system, which is finding favour once again after having been seen as old fashioned for many decades. Long seen as hard to ripen, pergolas might just be perfect with the sunnier conditions as a consequence of global warming. They also allow for good movement of air to keep the fruit cool and healthy.
This is 100% Erbaluce cold fermented and then aged on the lees in a mixture of barrels and tanks for 6 months, with lees stirring. It is then bottled and undergoes the Traditional Method to become sparkling. Once fizzy it is aged for a further 36 months on the lees before disgorging giving it 48 months on lees in total.
Complex stuff with a great nose of apricots, brioche, rich pear and sweet spice. The pear carries through to the palate, dollops of honey and ginger and cooked fruit and brioche, flakey pastry . The lovely rich style is tempered by the fresh acidity and the delicate, persistent mouse. A triumph – 91/100 points.
Another small producer, this estate has a much longer history having been founded n 1894. However at first it was a restaurant with wine being made just for the customers to drink with their food. Over time it was the wine that became famous and nowadays the Orsolani family focus almost solely on Erbaluce with a few black grapes too. They actually produce a Carema, which I assume is from bought in fruit as carom famously only has 2 producers, Ferrando and the Carema cooperative.
100% Erbaluce grown on a pergola on south facing slopes at 350 metres above sea level, hand harvested and cold fermented and aged on the lees for 6 months.
This is aromatic and more steely and quite herbal and nettle-like in style. The palate has some softness and roundness that is attractive, while the acidity keeps it clean and fresh. Despite all the zing though it feels textured from lees ageing for 6 months. Again very drinkable and good, but a little richer in style – 90/100 points.
Another ambitious and delicious Erbaluce sparkler made by the Traditional Method. Partly barrel fermented and partly tank fermented the wine is aged for 48 months on the lees before disgorging. There is no dosage, or added sugar, but there is 3 grams per litre of residual sugar.
A bright nose of seashore, bread, flakey pastry together with dried lemon and light apple notes.
The palate delivers a lovely balance between richness – honey, nuts, dried fruit – and lemon / apple freshness and there is some nice minerality too – 91/100 points.
Gianluigi Orsolani is the winemaker at the family estate today, but it was his father Francesco who made the region’s first traditional method sparkling wine back in 1968. This wine is named for that first vintage and is aged on the lees for 60 months to give even more depth and complexity60 months on the lees. Again there is no dosage, just the sweetness of the ripe Erbaluce grapes.
A very intense and ripe wine with a lovely, lifted nose of pineapple cubes, toasted brioche, flakey pastry, nuts and caramel. The palate follows on with rich flavours of cooked orchard fruit – apple and peach – with more brioche, biscuit and nuts. Full-flavoured and rich with a long finish – 92/100 points.
2012 Pietro Cassina Spumante Metodo Classico
Vitivinicola Pietro Cassina
Vino Spumante di Qualità
Pietro Cassina is a charming fellow who farms 6 hectares and makes lovely wines in a fabulous new winery in Lessona, another place that I had only heard of before this trip. As well as Nebbiolo, he grows some Erbaluce and makes this lovely traditional method sparkling wine from it. He ages it on the lees for 36 months. His reds are DOC Lessona or DOC Costa della Sesia, neither of which permit sparkling wines, so his fizz is simply labelled as Vino Spumante di Qualità.
A lively gold colour with a rich, smoky, leesy, pastry, brioche nose. The palate is rich, biscuity and creamy with nutty and caramel flavours and a good cut of acidity. This is classy stuff indeed – 92/100 points.
Cieck are another impressive producer that is relatively new. It was originally founded, in 1985, to produce sparkling wines, but they have branched out and today they farm 16 hectares of vines, mainly Erbaluce, but grow Nebbiolo and Barbara too.
This special cuvée is a selection of fruit from Cieck’s Misobolo Vineyard. Harvested late, in November, with skin contact for 36, then cold fermented and finally aged in untoasted Slavonian (Croatian) oak tonneau of 1500 litres for 8-10 months.
This remarkable wine has and rich, intense nose of ripe greengage together with something tropical, herbaceous and it’s slightly mealy and nutty too as well as having a waft of jasmine about it.
The palate has great concentration, super acidity that cuts through the fatty texture giving tension and a mineral feel. A delicious and great wine with a very long finish – 93/100 points.
This was the original product of the estate and it is pretty good. The base wine is cold fermented and after the second fermentation in bottle – Traditional Method – the wine is aged for 36 months on the lees.
Given the long lees ageing the nose is remarkably fresh and lively, with floral, jasmine and camomile too as well as biscuit, pastry and fresh naan bread.
The palate has lots of soft fruit and a cut of zesty acidity making it very balanced and refreshing too. A lovely aperitif wine – 88/100 points.
Cieck’s most complex sparkler with some 35% of the base wine fermented in new oak barrels and aged on the lees for 9 months. This component is then blended with cold, stainless steel tank fermented wine and the second fermentation takes place after bottling – Traditional Method. After the second fermentation in bottle the wine is aged for 36 months on the lees.
This offers a really lovely nose of ripe citrus, lime, lemon together with richer leesy, pastry, biscuit and nutty notes.
The palate delivers rich cooked lemon, cooked apricot and apple together with more savoury spicy, wholemeal bread and pastry flavours. It has refreshing, brisk acidity and something that I have wondered about for a long time. A good friend of mine and perhaps the greatest taster that I have ever known once described a sparkling wine to me as having a ‘brittle mousse’. I have always struggled to understand the phrase, but liked it at the same time. I now understand what it means as this too has a brittle mousse. It feels like it will shatter in your mouth, which just makes the wine even more intriguing! Great stuff – 92/100 points.
Set on the northern shore of Lake Viverone about as far north as you can get in the Caluso zone, Cellagrande farm a small estate and winemaker Fabrizio Ruzzon crafts their wines in the remains of a beautiful twelfth century convent. Only the church, bell tower and cellars remain and they are put to good use as the perfect place to age their sparkling wines.
This is 100% Erbaluce grown on south facing slopes dropping down to the north shore of Lake Viverone. Cold fermented then bottled and after the second fermentation the wine is aged on the lees for a minimum of 36 months, often much longer. This 2004 had only just been disgorged.
This was a deep golden colour with a wonderfully enticing nose of rich apples, apricots, pastry and spices. The palate was rich and creamy with cooked apples, a touch of pineapple, dry honey, caramel, biscuits and pastry all kept balanced by some lovely, bright, cleansing acidity. This is serious stuff and a real triumph – 93/100 points.
Vineyards in Ghemme.
Given how important sweet wines were in the past – they were the most sought after wines in ancient times and the middle ages because they kept whereas other wines did not – this may well be the oldest wine style from Piemonte. Sweet wines made from dried grapes, to get rid of water and so increase the proportion of sugar have been made all over the Mediterranean world since the beginning of civilisation.
For this wine they select the best bunches of ripest Erbaluce fruit on the estate and then dry them in ventilated rooms on special racks. The dry conditions stop the grapes from going mouldy. After crushing the juice is fermented and the finished wine is aged for 3 years in oak barrels.
A light dessert wine with honey, orange, fig, orange peel and a touch of oak spice and tea on the nose. The palate is full and rounded with a soft viscous texture, caramelised orange, cooked apricot, a little treacle and cinder toffee. A very attractive wine, fresh and delightfully drinkable rather than complex – 88/100 points.
This passito – a sweet wine made from dried grapes – wine is fermented in oak barrels and then aged in those barrels on the lees for 3 more years.
A richer style with a caramel colour and aromas of creme brûlée, burnt sugar, caramelised orange, coffee and sweet spice. The palate is intense and figgy, almost like a an Australian Liqueur Muscat with buttery toffee, molasses, coffee, dried orange, caramel and cinnamon. It is viscous, silky and mouth-filling and has a long finish – 90/100 points.
I was very impressed with these white wines and sparklers from northern Piemonte. I went expecting to taste red wines made from Nebbiolo and although there were plenty of those that were very good indeed, I also enjoyed these whites and sparkling wines. Which just goes to show what an excellent wine region it is.
So you see, Italy can always surprise you, even astonish you, with wonderful whites and sparkling wines from places where you least expect them. This can be from regions that you have never heard of and grape varieties that you have never even heard mentioned before. Personally I think that is a good thing as it means the world of wine is even more exciting than we thought and it gives us even more good reasons to keep an open mind and and to try everything.
Try them if you get the chance and let us know what you thought of them.
Go into any supermarket or wine shop and browse the shelves of New World wines and you could be forgiven for thinking that there are only about 6 different grape varieties in existence.
The French role model for wine is so embedded that it is the classic grapes from that country that are most widely used and the styles of France that are emulated around the world.
It therefore comes as quite a shock to learn that most of the wine regions in countries outside Europe have climates very different from those in the classic regions of France, be it Bordeaux or Burgundy.
The harvest at d’Arenberg in the McLaren Vale, perhaps the most Mediterranean-like region of Australia.
Time after time the climates of the wine making zones in Chile, South Africa, California and Australia are described as Mediterranean, and yet most producers in these places grow Chardonnay, Cabernet sauvignon and Merlot. Traditionally only the mavericks and the odd obsessive seem to have actually grown grape varieties that originate in the Mediterranean.
Actually I am nor sure that is entirely true. Very often viticulture in these places began with a wide range of grape varieties, but in modern times the focus has been on the famous ones – which usually turns out to be the French grapes – rather than grape varieties that are associated with less well known and less admired wine types from Europe. Very often all sorts of grapes are grown, often in the most unlikely places, but they do not catch on for all sorts of reasons, be they fashion or snobbery.
Well, I detect a change.
I have experienced that change in Chile – see here and here – as well as South Africa – see here, California and even New Zealand, but I found the change most marked in my recent trip to Australia.
I took this photograph at Tyrrell’s in the Hunter Valley. All the wines were superb here and I was thrilled to take this photo, but had to wait ages for her to look up so that I could see the joey in the pouch.
Time after time in wine shops, restaurants and wineries I found Australian wines made from an exciting array of grape varieties, quite unlike the relatively narrow range that fills the shelves of the Australian section in wine shops and supermarkets in the UK. There was a huge variety just presented as normal over there and most of the more intriguing grape varieties originated in Mediterranean countries.
As a consequence of the exciting wines that I found in Australia I have recently put on a few very well received tastings of these wines – in the main you have to seek them out, but the work is worth it.
Map of South Eastern Australia – click for a larger view – non watermarked PDF versions are available by agreement.
I am always saddened that so few consumers – even in the countries make them – have caught on to the delights of the white wines from Mediterranean countries. To my mind some of the most exciting white wines around come from Italy, Spain, Portugal and even Greece – or are made from the grapes that hail from those places. It shouldn’t surprise us really as the cuisine of the Mediterranean tends to go much better with white wine than red. However historically it was much more difficult to make good white wines in hot places until well into the twentieth century, so the white wines of that part of the world were pretty much written off as no good and that reputation has become embedded in our memory.
The Eden Valley, the cool part of Barossa.
2014 Peter Lehman H&V Verdejo Peter Lehman Barossa Valley South Australia
I have long been a fan of Verdejo (Ver-deh-ho) it is a lovely grape that is native to Castilla y León and to my mind makes Spain’s most reliable white wines in the little wine region of Rueda. The grape has travelled a little bit, I have had good Verdejo from Virginia – click here – for instance, but I was thrilled to find it producing excellent whites in Australia too. Normally Verdejo makes wines that are very much in the mould of a Sauvignon Blanc, but the vine can cope with much hotter conditions that Sauvignon, so it could be a big part of the future of white wine in Australia.
Sadly I rather get the impression that this is the only vintage ever made of this wine. If that is so, they really should rethink as I have shown this at 2 tastings now and people have absolutely loved it.
Interestingly it is quite different from a Spanish Verdejo. It is much lighter, fresher – even at 3 years old – and more zingy. The colour is very pale, while the nose gives lime and tangerine with just a touch of something salty.
The beautiful southern end of the Eden and Barossa Valleys.
The palate is pure, mineral and and light – it is 11.5% abv – with a tiny touch of petillance, clean citrus and light stone fruit. It is very refreshing and quite delicious. The style leans more towards a fine Vinho Verde or Txakoli than Rueda and while it is not like nothing else produced in Australia – except some of the fabulously taut and lean Eden Valley Rieslings – it is a real triumph in my opinion. If you can find any, try it with some garlic prawns, grilled fish or barbecued sardines – 89/100 points.
I can no longer find any stockists for this lovely wine, so contact Peter Lehman wines for information.
Many times on the trip I enjoyed some simply cooked prawns, Moreton Bay Bugs or clams with garlic and oil and lemon together with a glass of white wine made from a suitably Mediterranean grape variety – my favourite place for such delights was Sydney Fish Market or Claypots Evening Star in South Melbourne Marketand my favourite grape to accompany them was Fiano which seems to be becoming very popular down under.
The busy but tiny kitchen at Clay Pots Evening Star, a great place for seafood and wine.
2016 Hancock & Hancock Home Vineyard Fiano Hancock & Hancock McLaren Vale South Australia
I like Fiano. It is a fabulous white grape from Campania in southern Italy. Campania is a great region, centred on Naples it produces some of Italy’s most exciting wines, using a palate of high quality indigenous grapes including Fiano. The best examples are widely considered to be those from vineyards on the volcanic slopes around the town of Avellino. Fiano di Avellinois a DOCg and is a prestigious, fine and mineral dry white, while other examples from Campania, grown on non-volcanic soils, tend to be softer and easier to drink.
Fiano is an ancient variety that is believed to have been used to make the famous Apianum wine in Roman times. Back then the grape was known as Vitis Apiana beacuse it apparently attracted bees (apis). Of all Campania’s whites I find the best Fiano to be the most refined and most balanced in terms of fruit and acidity.
Fiano is also found in other parts of Campania, including the Sorrento peninsula, and Puglia – the heel of Italy. I was vaguely aware that a few people grew the grape else where. Jenny Dobson makes one at Bush Hawk Vineyards in New Zealand’s Hawkes Bay, but it seems that Australia has really taken this, slightly exotic grape, to its heart and around 70 producers have now started making examples of Fiano – which is hardly surprising as Italian food and Mediterranean style is big down under, so Fiano would be a perfect accompaniment.
Chris and his brother John Hancock have owned their Home Vineyard in McLaren Vale for over 10 years now. They farm some 80 year old Grenache and Shiraz, together with Cabernet and Touriga, as well as having a 2 hectare plot of Fiano that was head grafted, in situ, onto Chardonnay in 2012. Chris Hancock, who is an honourary Master of Wine, worked with Robert Oatley for many years and Chris is still involved with the Robert Oatley company which distributes his Hancock & Hancock wines.
Hancock & Hancock Home Vineyard – photo courtesy of the winery.
A part of this was fermented in neutral, old, oak barrels to give roundness and volume rather than flavour, but most was fermented in stainless steel at low temperatures.
To look at the wine has a crystalline purity about it, then on the nose it has nectarine and white peach together with some lemon zest, dry honey and herbs. On the palate there lots of fruit giving a juiciness which is then balanced by freshness and a little taut minerality in the background. The texture is succulent, ever so slightly creamy even which together with the lemon, stone fruit and touch of herbs makes it delicious and very drinkable.
It is light and crisp enough to be refreshing, yet juicy enough and succulent enough to feel interesting and more complex. In a kind of way it shows the ripeness of the place it is from and some the beguiling minerality of the grape, which gives it an inbuilt tension. Lovely with fish, chicken, Mediterranean food, or just to drink on its own – 91/100 points.
The wonderful Assyrtiko grape is the main grape variety used on the island of Santorini in Greece. This amazing grape is responsible for producing some of the very finest dry white wines – and great dessert wines too – of the entire Mediterranean world. At their best these wines are bright, mineral and refreshing and there is nothing better with a bit of fish or some calamares. If you like crisp, dry, taut white wines, along the lines of Sancerre or Chablis, then you would certainly like a dry white Santorini.
Sue and Peter Barry in the Lodge Hill Vineyard August 2012.
Peter Barry certainly does. He is the third generation winemaker at his family’s Jim Barry winery in South Australia’s Clare Valley. In 2006 he and his wife Sue were on holiday on Santorini and they were astonished by the quality of the local wines. Their bracing acidity reminded them of the Rieslings that they made back home, but they had something extra too. That something extra was probably minerality, which is what the combination of the Assytiko grape and the volcanic soils delivers.
Peter had got the bug and returned to the island in 2008 in order to collect some cuttings of Assyrtiko from the always excellent Ktima Aryros, Argyros Estate. After a period of quarantine the vines were eventually planted at their beautiful Lodge Hill Vineyard. Peter was convinced that although the soils were very different, the other conditions would really suit Assyrtiko.
Lodge Hill Vineyard.
There is nothing fancy about the winemaking here, just perfectly ripe grapes cold fermented at low temperatures in order to retain all the freshness and delicate flavours of the grape.
The nose is lovely, floral, citric and lifted with some richer notes of apricot and pear and even a hint of sage. The palate is gorgeous, bright, fresh, pure and pristine with a lovely little touch of silky succulence balancing the high acidity. There are lime, orange, pear, apricot and nectarine flavours together with a little chalky minerality. It balances purity and freshness with fruit and texture beautifully. It’s quite a beguiling wine, but in the end delivers a wonderfully vibrant wine with crisp acidity, pure minerality and delicious fruit. It is a tad richer and softer than a Santorini, but that just adds to the sensation of trying something totally new. This is a fine white wine – 93/100 points.
This is a perfect wine to serve with some clams in white wine and garlic, seared scallops, grilled prawns, moreton bay bugs, some sea bass, sea bream, swordfish or tuna, or try it with spaghetti all vongole.
By the way, they only made around 3,000 bottles, so grab it while you can!
The reds are just as exciting and more prolific too. Everywhere I went there were delicious Mediterranean grapes on offer, even places that didn’t release one often had them to taste. The wonderful restaurant at Innocent Bystander in the Yarra Valley offered litres of Sangiovese straight from the barrel, but did not sell it to take away. It went superbly with their fabulous pizzas and local meats.
2015 La La Land Tempranillo Wingara Wines Murray Darling Victoria
Tempranillo is of course famous as the main grape of Rioja. In Rioja the style of wine is as much about the ageing in wooden barrels as anything else, so the fruit is not always the most important character of the wine. Elsewhere in the Iberian Peninsula you get Rioja look alikes as well as wines with brighter fruit and less obvious oak ageing. Very often in Iberia Tempranillo goes by other local names such as; Ull de Llebre (Catalunya), Cencibel (La Mancha), Tinto Fino, Tinto del Pais, Tinto del Toro (Castilla y León), Aragonez (southern Portugal) and Tinta Roriz (northern Portugal, especially the Douro).
Although there are some plantings of Tempranillo in Argentina, Chile, California, New Zealand and South Africa I have always been surprised that the grape has not yet really broken through to be a proper mainstream international grape variety. Well, there was a lot of it in the wine shops in Australia, so perhaps its time has come?
Wingara are a big company who make huge volumes of wine, they also own the Deakin Estate and the Katnook Estate in Coonawarra, and this wine comes from their vineyards in the Murray Darling Sunraysia region, which straddles the border between New South Wales and Victoria near the border with South Australia. The vineyards are in Mildura, right on the border with New South Wales. This is a huge region that is irrigated and geared up for volume. However Australia often shows that volume and quality often go hand in hand and this is a terrific wine that is aged for some 8 months in used American oak.
You have to put Rioja out of your mind with this wine. It gives aromas of plums, rich, jammy strawberries, vanilla and sweet spice. The palate soft, juicy and fleshy with sweet red fruit and sweet, ripe tannins, a twist of something darker, vanilla and a light dusting of spice.
This is unashamedly a crowd pleaser of a wine and it certainly pleased my crowds and I know from experience that it goes with almost anything, even chilled at a barbecue – 88/100 points.
Not a grape you often see in Australia, but the the guys at Delinquente – pronounced ‘dellin-qwentay’, it’s Italian for delinquent – seem to like being different. The driving force is the wonderfully named Con-Greg Grigoriou. They use Italian grapes and one of their team, Jason Ankles, draws their striking, if somewhat disturbing labels.
Riverland is not a glamorous wine region. It is one of the big irrigated regions of Australia that traditionally produces work horse wines rather than boutique wines, Berri Estates, Banrock Station and Angove’s are all nearby. However, Con-Greg loves the place. He grew up here by the Murray River and is utterly convinced that it can makes wines as good as anywhere else in the country – on this showing I would have to agree.
Con-Greg Grigoriou amongst his Riverland vines.
Montepulciano is widely grown in Italy, in fact it can be used in over 40 different DOCs or DOCgs. The most famous wine it makes though is Montepulciano d’Abruzzo on the Adriatic coast of Italy. These are usually attractively fruity, inexpensive, easy drinking wines with soft tannins, but there are more ambitious versions produced as well as some impressive examples from the Conero DOCg in the Marche region near Ancona.
The fruit is all from a single vineyard, owned by Bassham Wines in Barmera. It was originally planted with Chardonnay, but was top grafted- i.e. in situ – in 2009 with more adventurous grape varieties and it is farmed organically. It is fermented in stainless steel and sees no wood at all. The aim appears to be to capture the pure, vivid, ripe fruit and he succeeds in that. The palate is succulent, juicy, creamy and generous like a smoothie of rich plum, black cherry and blackberry together with a little spice. The tannins are very soft, so the wine has no astringency and I defy anyone not to enjoy it. This is utterly delicious and comforting in a richly hedonistic way – 92/100 points.
I’m not very good at drinking red wine without food, but this could do the trick. It would also be perfect with a barbecue, or almost any meaty or rich food actually, but I enjoyed my bottle with a curry, it was a great match.
Perhaps this is not as unusual or surprising as the other wines in the line up, but it’s really good and fits the theme perfectly. Australian GSM blends – Grenache-Shiraz-Mourvèdre have been with us for quite a while and are gaining popularity. Who knows they may well have kick started the whole Mediterranean grape wave in Australia. Mourvèdre by the way is the same grape as Mataro and Monastrell. Of course the blend is a nod towards the style of Côtes-du-Rhône and Châteauneuf-du-Pape.
The late Robert Oatley.
Bob Oatley was one of the great characters of Australian wine who founded the famous Rosemount Estate nearly 50 years ago. Rosemount was immensely successful and it grew from a tiny boutique estate into a giant winery and Robert eventually sold it in 2001. However by this time he had also bought the venerable Craigmoor Winery in Mudgee in New South Wales and set up Oatley Vineyards there. This slowly became the hub of an enterprise that makes wine right across the premium vineyard sites of Australia and has cellar doors and restaurants in the Mudgee and Margaret River regions. In the 1990’s Robert Oatley was the first person to make a wine as a ‘GSM’.
This wine is a blend of 50% Grenache, 45% Shiraz and 5% Mourvèdre from southern McLaren Vale, which has a distinctly Mediterranean climate and a gentle maritime influence. The blend is matured in French oak barrels for 9 months.
It’s a wine that always goes down well, with warm aromas of mixed red fruit, rich strawberry and cherry, spices and a touch of leather. The palate is juicy, mouth-coating and sumptuous with concentrated red fruit, liquorice, sweet spice and savoury, gamey, earthy notes and all the while it has that hallmark South Australian softness. All in all a delicious and very, very drinkable wine – 90/100 points.
Serve it with slow cooked lamb, venison, kangaroo, lamb kebabs cooked on rosemary twigs, shepherd’s pie or just about anything hearty.
Aglianico (Ali-ani-coe) is yet another great Italian grape variety. Like Fiano it comes from Campania in the south where it makes all sorts of red wines, and the odd rosé, but is most famous for producing Taurasi GOCg in central Campania and Aglianico del Vulture in the wild landscape of Basilicata.
I love Taurasi. At its best it can be one of the very best red wines of Italy, but the grape is very tannic and very acidic – it’s often called the Barolo of the south, although it is much more full-bodied – so it is best to drink it from a producer who really knows what they are doing. Some of the best examples that I have ever tasted are made by the wonderful Raffaele Guastaferro of Cantine Guastaferro– he uses 200 year old vines! – the wonderful Feudo di San Gregorio and the lovely Milena Pepe who makes a huge range of fabulous wines at Tenuta Cavalier Pepe.
Because it can be such a hard grape, I was very excited to find Aglianico in Australia and hoped that the longer growing season and more sun would tame the grape’s wild nature. I was not disappointed.
Alpha Box & Dice cellar door.
Alpha Box & Dice is a little like Delinquente in that they present themselves to the world in a very modern way rather like craft beer producers do. Indeed much like craft beer you will struggle to find any actual information on their labels, just striking artwork and strange mottos for life. The place is quite extraordinary with a very relaxed feel and lots of mismatched furniture at the cellar door, but the wines are breathtaking.
The farming here is all biodynamic and while the labels seem cool and amusing you get the feel that the winemaking is taken very seriously indeed – I think you have to with a grape like Aglianico.
The grape is a very late ripener and even in Australia it is not picked until the very end of the season in late April. Once the grapes have been de-stemmed, to help reduce tannin, and the fermentation has taken place the wine is aged in used oak barrels for 36 months. This allows the air to trickle in and soften the tannins in the wine.
Oh my I loved this, it looks quite earthy and garnet with an amazing nose of flowers, balsamic, umami, liquorice, dried fruit and spice with some coffee thrown in. The palate is a shock, even here in Australia it is very acidic – in a good way – with rich cherry, some blackberry, plum, dry, peppery spice, leather, coffee, meat and lovely supple, ripe tannins that just nibble at your gums. A heady wine indeed that needs chargrilled meat or some really good beef – 93/100 points.
2010 D’Arenberg The Cenosilicaphobic Cat Sagrantino-Cinsault D’Arenberg McLaren Vale South Australia
Sagrantino is an amazing grape variety that is nowhere near as well known as it ought to be. It comes from Umbria in Italy where it is used to make the Sagrantino di Montefalco DOCg wines and the Montefalco DOC wines that blend it with at least 70% Sangiovese to soften the tannins.
I love D’Arenberg, they are quirky and inventive and never afraid to put themselves out there. The Osborn family have owned it since 1912 and d’Arenberg Osborn – d’Arry – and his son Chester have achieved great things over the last 50 years or so. They actually released the first successful table wine in South Australia as recently as 1955. This was d’Arry’s Original, then called a Red Burgundy, now labelled as Shiraz-Grenache! Their range is large and idiosyncratic, but never disappoints.
Chester & d’Arry Osborn.
This particular wine was new to me this year and I am thrilled by it. 85% Sagrantino is tamed by 15% of light, spicy Cinsault and the South Australian sun. Some of the wine is trodden by foot, it is basket pressed and aged for 2 years in old French and American oak barrels, just to let the air soften those hard ‘gritty’ tannins. Cenosilicaphobic by the way means the fear of an empty glass!
Foot treading the Sagrantino at d’Arenberg.
This is another full on wine with aromas of dried cherry, chocolate, plums, earth, mocha and something wild and floral about it – possibly from the Cinsault. The palate is full and rich with a nice combination of soft, voluptuous richness and hard edged richness. There’re rich fruit, liquorice, balsamic, spices, coffee, chocolate and while there are plenty of tannins they are not aggressive and they have been tamed. A wonderful wine to enjoy with stews and pies – 92/100 points.
I would also add that the Wine Society has a wonderful range of own label Australian wines called Blind Spot and that too includes some wines made from some less well known grape varieties. As you can probably guess some of these excellent wines are made from grapes from the Mediterranean world. These include Garganega – a white Italian grape variety famously used to make Soave – and a Barbera – a black grape more normally associated with Piemonte, both from King Valley in north east Victoria near the border with New South Wales. Then there is a delicious Old Vine Mataro – also known as Mourvèdre and Monastrell – from McLaren Vale in South Australia. In my opinion everyone in the UK who is interested in wine should be a member of the Wine Society, as their range is superb and beautifully put together.
So you see there is a great deal of variety available from Australia, even though they might not be in every supermarket. Australia can do so much more than Cabernet, Shiraz and Chardonnay and can bring its own style to a whole raft of grape varieties more normally associated with the Mediterranean world. What’s more all these wines are absolutely delicious and really food friendly too.
As many of you will know, I have a deep love and passion for the wines of Spain. Taken as a whole I think Spain is one of the most exciting wine producing countries in the world. Of course the most famous region – other than Sherry – is Rioja. I like Rioja, I admire Rioja. It is a wonderful region, a lovely place and it produces many fabulous wines, I have written about it often. However, there is much more to Spain than just Rioja and it pains me greatly that so relatively few wines from other regions of Spain are widely available to UK consumers.
Although I will carry on writing about anything and everything that I find interesting in the world of wine, I thought that every now and again I would share some thoughts about Spain’s wine regions with you. Recently I have been tasting quite a few wines from Ribera del Duero, which have reminded me just how good a region it is, so I decided to start there.
Wine map of Spain – click for a larger view – non watermarked PDF versions are available by agreement
As you can see from my map, Ribera del Duero is in Castilla y León, or Old Spain. In many ways this region to the north west of Madrid is the original heart of Spain, the original home of those that ‘reconquered’ the peninsula from the Moors. Of course it is also home to the language that we usually call Spanish, but is more properly called Castellano or Castilian.
The Duero River – it becomes the Douro in Portugal – cuts through the region and gives the place its name, bank of the Duero.
For centuries this was border country and was defended by castles which are a common sight to this day and explains why it is called the land of castles – Castilla. There are records from about 800 of the Moors calling it Al-Qila, or ‘the castled’ high plains.
As far as wine is concerned, for millennia there must have been wine made here, as there was all over the peninsula, but it must have been fairly rudimentary and just for drinking rather than thinking about.
It was not until Don Eloy Lecanda y Chave returned to his native Castilla y León from Bordeaux, where he had been trained as winemaker. His family owned an estate near Valbuena de Duero, about as far west as you can go on my map and still be in Ribera del Duero, and he returned brimming with ideas of how to transform the wines. He brought French grape varieties, oak barrels and modern French know how and set about creating wines on the Médoc model. He called his wine Vega Sicilia and it remains one of the finest, most expensive and sought after of all Spanish wines. Rioja was being developed in a similar way at the same time and this article about the history of Rioja might help.
For decades Vega Sicilia was all on its own as the sole fine wine of the region and it was not until the twentieth century that others saw the potential for quality wine here. Firstly the Protos cooperative in Penafiel was created in 1927, but it was not really until the 1980s that the Ribera del Duero revolution took place, with new vineyards being planted and wineries built.
Penafiel Castle dominates the wine making town.
What happened was that modern knowhow had allowed these new pioneers – chef amongst them Alejandro Fernandez of Pesquera – to craft wines that were quite different from Vega Sicilia. More modern, with less oak ageing, more ripe fruit characters and more focus on the the local grape instead of the French varieties.
That grape is a clone of Tempranillo – the grape that made Rioja famous – but in Ribera del Duero it is traditionally called either Tinto del Pais (country red) or more fancifully Tinto Fino.
The wines – and the Denominación de Origen (D.O.) /Protected Designation of Origin (P.D.O.) only allows reds and rosés – have to contain at least 75% Tinto Fino with the remainder being Cabernet Sauvignon, Merlot, Malbec, Garnacha or even the excellent local white Albillogrape.
The climate is one of extremes, with hot, short, summers and pretty hard winters. Basically the place is a high plain and the vineyards sit at around 750 to 800 metres above sea level. The cooling benefits of this altitude are very useful with summer temperatures often reaching over 40˚C. Then there are really big night time drops in temperature, often as much as 20˚C. This Diurnal Temperature Variation allows the vine to rest overnight and preserves acidity and freshness in the grapes, which can make the finished wine more elegant and fine. It also slows down the ripening process, so you have a better chance of producing balanced ripe grapes, rather than overly ripe, alcoholic, raisin-like grapes.
Historically these cool conditions made ripening the grapes very hard indeed and would have produced pretty thin wines. So in the main it had to wait for modern viticulture and winemaking knowledge and techniques for the region to reliably produce wines that could take their place on the world market.
Vega Sicilia is a style and type of wine on its own and has very little in common with most of the red wines of the region – much like Château Musar being quite different from the rest of the wines of Lebanon.
What I like about the region’s wines is how unlike Rioja they are. They may technically be made from Tempranillo, but they never have that dry, savoury tinge that is the hallmark of Rioja to me. No, a good, Ribera del Duero should display concentrated, dark fruits. They should be vivid and rich, with sometimes an almost new world softness to them. However, running through them there should be a backbone of acidity – but not to Sangiovese or Nebbiolo levels – that makes them excellent with the rich, fatty meat dishes that are normal in these parts.
There are a great many wines from Ribera del Duero available. Some are great, many are good and a few even disappoint, but I think there is a great deal of pleasure to be had from this exciting region’s wines.
Technically they use the same labelling system as Rioja; Reservas are aged for at least 12 months in barrel, Gran Reservas are aged for at leat 12 months in oak barrels and a further 2 years in bottle, while wines that do not mention either of those terms are considered to be joven / young wines and would have either no oak ageing, or less that a year.
Here are a few of my favourites from the region, so are very affordable, while others are more expensive, but I think they all offer value for money.
2015 Finca Resalso Bodegas Emilio Moro
This is the entry level wine from Bodegas Emilio Moro which is one of the very best producers in the region and I think the pedigree really shows. It is relatively light and fresh, but the fruit is nice and ripe, the tannins are smooth and there is a little vanilla and spice from 4 months in oak. 88/100 points.
Available in the UK for £10 a bottle from: Majestic – £8.99 as part of mixed half dozen.
2014 Legaris Roble Bodegas Legaris
I really like this estate, they make deliciously drinkable, velvety smooth wines that are always enjoyable. This is the baby of the range, but no less enjoyable for that. This 100% Tinto Fino wine is aged in American oak barrels for 3 months and has big, soft ripe fruit, some spice and smooth tannins. 89/100 points.
2015 Dominio Basconcillos Ecológico 6 Meses en Barrica Dominio Basconcillos
I only discovered this producer recently, but was really impressed with this, their entry level wine. Aged for 6 months in new French oak, this vividly deep purple wine is big, chunky and richly fruity and has silky tannins. 90/100 points.
2014 Valdubón Roblé Bodegas Valdubón
The Valdubon Estate really do make some lovely, polished wines and this is a deliciously straightforward example with loads of fruit, smooth tannins, creamy ripeness and a light lick of rather nice mocha tinged oak – it is aged for 4 months and Roblé, meaning oak, is an unofficial category that is used to make it clear that it has some oak ageing. 90/100 points.
2015 Pago de los Capellanes Roble Pago de los Capellanes
One of my favourite producers, this artisan estate (Pago means estate) never fails to excite me. This Roble wine spends 5 months in French oak and is juicy and sumptuous, yet smooth. The tannins are nicely integrated as is the oak. The fruit is rich and concentrated, but a little glimmer of red fruit makes the wine fresh and elegant. 92/100 points.
2014 Emilio Moro Bodegas Emilio Moro
Yes, I could not resist another wine from this great producer – they have many more too, but you get the picture. This full bodied red spends a year in French and American oak and you have the coconut and the spices to show for it. It is plush and rich with deep black cherry fruit, chewy tannins and some mocha and dark chocolate too. 91/100 points.
Available in the UK for £16.99 a bottle from: Majestic – £14.99 as part of mixed half dozen.
2014 Condado De Haza Bodegas Alejandro Fernández
This second label from the great Pesquera estate is 100% Tinto Fino aged for 18 months in American oak and it is always something of a blockbuster, full-bodied with big, bold fruit and something of a Napa Valley style. There is some freshness though and and elegance too. 90/100 points.
Available in the UK for £15.00 a bottle from: Sainsbury’s.
2012 Pesquera Crianza Bodegas Alejandro Fernández
Further up the range from Pesquera, you really begin to see why wines from this estate put the region on the map in the 1980s and were frequently compared to the wines Pomerol by wine critics of the time. I still think it is more Pomerol meets Napa, but either way this is a plush, concentrated, hedonistic wine, full of deep ripe, almost creamy fruit, smooth tannins and seductive milk chocolate. 18 months in oak has given it some vanilla, cedar and mocha notes. 92/100 points.
2014 Pago de los Capellanes Crianza
Pago de los Capellanes
This 100% Tinto Fino wine is aged for 18 months in French oak and is even more opulent, concentrated and delicious than the Roble. It’s a little young, but nothing decanting a few hours in advance won’t solve – or you could age it for a few years. 92/100 points.
2011 Pago de los Carraovejas Reserva
Pago de los Carraovejas
Another producer that I really admire. This is Tinto Fino aged for 12 months in French oak and blended with little dollops of Cabernet Sauvignon and Merlot. The extra maturity shows in the nose as it offers rich fruit together with smoky and balsamic notes. The palate is still very lively and has lots of dark fruit together with something nutty and seductively savoury. 93/100 points.
Available in the UK for around £30 a bottle from: De Vinos.
2013 Pago de los Capellanes Reserva
Pago de los Capellanes
Good though their Roble and Crianza wines are, this Reserva is on a different level of richness and concentration, but elegance too. It is aged for 18 months in new French oak barrels and that riches shows with cedar, spice and mocha, while the fruit is dense and plush. The tannins still offer a little bite, but nothing too astringent. 93/100 points.
2011 Vega Sicilia Valbuena 5˚
Bodegas Vega Sicilia
This is often described as the ‘second wine’ of Vega Sicilia – the ‘grand vin’ is called Unico – but I think it is really just a different wine. For a start it is 100% Tinto Fino, whereas Unico is a blend, and secondly it is only aged in oak for 3 years – and then a further 2 in bottle before being released in its 5th year – hence 5˚. This is a brilliant wine from a fabulous vintage, it is complex, fine and perfumed too. There is a lot going on and the tannins are just beginning to be silky, serve it with lamb. 95/100 points.
As you can see, there are is a great variation in price, but all these wines are very good examples at their different levels. I am absolutely certain that any serious red wine drinker would enjoy these wines, indeed I could have included a few more, but I had to stop somewhere! So the next time you are choosing a red to go with that special dinner, give one of these a go.I am sure it will be just the thing.
I love Port. I just love everything about it. The story, the landscape, the quintas – or wine farms – and the lodges all taken together have a romance perhaps unique in the world of wine. If you have never been to Port country – the Douro Valley in north Portugal – then you have a treat in store. It is simply one of the most beautiful wine regions in the world.
Recently I tutored a very well received Port tasting and I was astonished that most of us – we were all Brits – expected all Port to be deep, dark, full-bodied and opaque. Which of course Vintage Ports, Ruby Ports and Late Bottled Vintage Ports are. However, the first four Ports in my tasting were quite different. We tried Cálem White & Dry – read about it here, the delicious Sandeman 20 Year Old Tawny – read about it here and then some Colheita Ports before we reached the darker and richer stuff – 2009 Quinta do Infantado Late Bottled Vintage – read about it here, 1997 Quinta do Retiro Vintage Port from Weise & Krohn and the magnificent 2011 Sandeman Vintage Port if you are interested.
The Sandeman 20 Year Old Tawny was superb and everyone loved it, but it was the Colheitas that really astonished everyone. A Colheita you see is a Tawny Port from a single harvest. The big difference between a Vintage – apart from the quality of the year – is that a Vintage Port does almost all its ageing in the bottle. This means that the oxygen cannot get to it, so it retains its richness and fruit for much longer and so ages very slowly. A Colheita though is aged in oak barrels, usually of 600 litres and not new, for at least 8 years, so the oxygen can get to the wine and gently oxidise it, so it goes transparent and orange, or tawny in colour. This means that the flavours and complexity of a Colheita develop mainly because of the ageing. You can make a Colheita in pretty much any harvest, whereas a Vintage Port can only be produced in the occasional exceptional vintage – hence the name of the style.
Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.
A faded Cálem sign in the vineyards near Pinhão.
2000 Cálem Colheita Porto Cálem Porto Vila Nova de Gaia Porto Portugal
Cálem were founded in 1859 and historically most of their business was with Brazil and Portugal and although they make all styles I don’t think it would be unfair to say that they are something of a White Port and Tawny, including Colheita, specialist. Nowadays Cálem is owned by the Sogevinus Group, as are Barros, Kopke and Burmester. The vineyard this wine hails from is the Quinta da Arnozelo near Vila Nova de Foz Côa in the upper reaches of the Douro – the Douro Superior.
This was the only Colheita that came from a generally declared Vintage Port year and that extra concentration showed, added to which it was the youngest Colheita that I showed. The blend was 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.
The colour was quite deep, more brown than orange and the nose was pretty full on with nuts, coffee and dried fruit notes. There was still some tannin here on the palate and it was pretty mouth-filling with a silky mouthfeel, rich cooked and dried fruit, spices, nuts, espresso and a long finish. It seemed sweeter than the younger wines somehow because the fruit was still quite vibrant – 91/100 points.
1996 Barros Colheita
Barros Porto Vila Nova de Gaia Porto Portugal
I have always had a soft spot for Barros ever since I sold their wines in another life, so I was really pleased to see how good this was. Originally a small private house founded by Manuel de Almeida in 1913. It eventually took over lots of other smaller Port houses, including Kopke, until it too became part of the Sogevinus Group in 2006.
The blend was again 25% Touriga Nacional, 25% Tinta Roriz, 25% Touriga Franca, 25% Tinta Barroca.
The colour was a deep russet, while the nose was smokey, with coffee, spice, dried fruit and buttery caramel notes and a touch of dried and caramelised orange. The palate was just so joyous that we all stopped talking and looked at each other. There was nutty caramel, dried orange, dried fig, strong coffee and even nougat. The texture was so silky it was almost creamy and the finish went on and on – 93/100 points.
It’s funny because 1996 was considered to be a dire Port vintage and yet this wine really shone, which just goes to show that the vintage guides are wrong, or all that time in wood can work wonders!
1996 Kopke Colheita Kopke Porto Vila Nova de Gaia Porto Portugal
Kopke – pronounce Cop-key – was founded in 1638 by Germans Cristiano and Nicolaus Kopke and is thus the very oldest Port house of all – the next oldest is Warre’s and that was founded in 1670, some 32 years later. 378 years later Kopke are the leading producer of Colheitas, producing more than 25% of the style. The fruit, much of it from 100 year old vines, all comes from their Quinta São Luiz which is near Pinhão in the heart of the Douro.
The colour is more red this time, like a robin’s red breast. The nose has confided peel, caramelised orange, dried fruit, toasted nuts and a dash of spice. The palate again is smooth and silky with a slight creamy quality, loads of dried fruit and some salted caramel too. This is delicious, really hedonistic and delicious – 93/100 points.
1984 Kopke Colheita Kopke Porto Vila Nova de Gaia Porto Portugal
This showed its age a little I am afraid. It was lovely and it was a treat, but it seemed a little fragile and brittle. It was very aromatic and had some coffee and nut and orange and dried fruit notes, while the palate was very smooth and light with dried fruit and spice – 90/100 points.
A Colheita is a lovely style of Port and is perfect with all manner of things at Christmas, mince pies, panforte, Christmas cake, you name it. So I really do recommend that you get some in for the festive season. I certainly will.
I love the wines from the Douro Valley in Portugal. This beautiful part of the world is an isolated, harsh, arid landscape that produces fabulous world class wines, as well as Ports. The wines tend to be red, but some lovely whites are made too. Douro wines are usually very high quality and although they can be pretty expensive, they generally deliver very good value for the quality that you get.
Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement. Quinta do Noval is marked, just north of Pinhão.
Recently I have presented a couple of tastings on the wines of the Douro, which were very well received indeed and I will write about those soon. In the meantime I tasted a red wine from the Douro that delivered a huge amount of pleasure at a very good price, so I have made it my Wine of the Week.
Quinta do Noval.
2013 Lot 20 Douro Grande Reserva DOC Douro
Douro Valley Portugal
This Douro Valley red is a blend of three of the most important local grapes; Touriga Nacional, Touriga Franca and Tinta Roriz (Tempranillo) and is made for Aldi by Quinta do Noval, which is one of the most famous and respected producers of Ports and table wines in the region. I recently showed their excellent 2010 Cedro do Noval and magnificent 2007 Quinta do Noval at a tasting and they were really appreciated.
The view from my room at Quinta do Nova a couple of years ago. The closest building is the winery.
The colour is a deep red, while the nose offers ripe black and red fruits together with liquorice, sweet spice and black pepper. The palate is incredibly fruity with black cherry, blackberry, plum, chocolate, pepper, wild herbs, a touch of spice and supple, smooth tannins. This is a wine that is clearly made to be drunk young. It is very soft, fruity, quite rich, herbal and spicy which makes it very attractive and easy to drink – 88/100 points.
The other day I was sent an enticing box that contained a bottle of Cálem White & Dry Port together with some bottles of tonic, elderflower cordial and a pink grapefruit.
I have enjoyed White Port occasionally in the past, but I think that as a drink it really comes into its own on a hot day when mixed with tonic – it’s a fun drink that offers some of the excitement of a cocktail, while being really easy to prepare – as with Gin & Tonic, you don’t even have to be too fussy about the proportions. Certainly it was wonderful to have a lively and refreshing drink in the recent hot weather, so I have made it my Wine of the Week.
The Cálem cellars in the heart of Villa Nova de Gaia – photo courtesy of the winery.
I have always had a soft spot for Cálem Port, it was founded in 1859 by António Alves Cálem, who initially had a simple aim – to export Portuguese table wines to Brazil. However to avoid the ships coming back empty they would bring back wood, which eventually made them start a cooperage company in Villa Nova de Gaia, a suburb of Porto where many of the Port houses are situated. This in turn led them to mature Port wine in their barrels and then to sell Port, again to Brazil. Today, like Burmester, Kopke and Barros, they are most famous for their wonderful Colheita Ports – a sort of single vintage Tawny that is often aged for decades in barrels – I will be writing about this style in the Autumn. Again, like those other Port houses they are now also part of the Sogevinus group of wineries.
This is a very modern White Port, crisper, fresher and drier than some, but still don’t expect it to be properly dry – Port is fortified with the addition of grape spirit during the fermentation, so Port is by definition sweet, as the sugar that would have been converted into alcohol stays as sugar instead. I am told that this is made from the Malvasia Fina grape variety and the nose is richly floral and a little tropical too and it is that which follows through onto the palate. The fruit is rich and exotic with ripe pear, banana, unctuous peach, even some pineapple and a twist of ripe citrus. The acidity is not bad for a White Port, but still on the low side, so chilling it makes it feel fresher and livelier – as does the slice of grapefruit – while the long, rich, finish shows the sweetness and the high alcohol.
The official photograph of Cálem White & Dry with elderflower cordial and tonic, garnished with grapes here rather than pink grapefruit – the grapefruit works very well – photo courtesy of Cálem.
It’s actually a pretty nice drink on its own – chilled, but add 10cl of elderflower cordial to 50cl of the Cálem White & Dry Port, top up with tonic water and add a slice of pink grapefruit, then you have something wonderfully refreshing, deliciously different and great fun. The tonic cuts through the richness, the elderflower accentuates the freshness and the grapefruit adds that touch of the exotic and more zing – it works even better if you put the grapefruit in first and squeeze it a little.
I had meant to photograph the drink that I made, but I drank it so quickly that I forgot, so the official photograph above will have to do, it certainly makes you thirsty looking at it, doesn’t it? I enjoyed it very much – 87/100 points on its own and 92/100 points as a long drink.
A small Syrah vineyard at the Hacienda Zorita Organic farm. They mainly use this wine as a rub for one of their cheeses.
Long ago before my country decided to become foolish and voted by a tiny majority to leave the EU, I was invited to Spain as a guest of the Concordia Family Estates, which is a group of companies that is really on the rise. It’s run by some very passionate people and it shows. It all started with the Hacienda Marqués de la Concordia in Rioja Baja and over the years they have added other wineries, labels and brands to their stable. Bodegas Lagunilla was first in 1994 and since then Marqués de Monistrol have joined the group, allowing them to make some fine Cavas. Federico Paternina added another famous Rioja bodega, while with Bodega Rioja Santiago they acquired the second oldest producer in the region – it was founded in 1870. In Rioja they also own Viña Alarde, which produces more modern styles of value for money wines.
Further afield they also own an amazing estate in Andalusia called Ándalus which even grows Petit Verdot.
I’ll be honest, this company – or these companies – have so many strings to their bow that it is very hard to get a grip on it, but it doesn’t really matter, because everything was wonderful and each component made sense.
The beautiful Hacienda Zorita photo – courtesy of the hotel.
Storks are a common sight in these parts, this one is on the roof of the Hacienda.
I was invited visit the Hacienda Zorita, which is a charming boutique hotel that belongs to the company, they call it the Hacienda Zorita Wine Hotel & Spa. It is a few kilometres outside the beautiful cathedral city of Salamanca and it really is idyllic. It dates back to 1366 and was both the hospitality buildings for the local Dominican Monks and their farm, complete with water mill to make their bread – amazingly they say that Christopher Columbus – Cristobal Colon – came here when he was trying to raise funds for his first voyage.
My very comfortable room at the Hacienda.
This is a wonderful part of the world and the Tormes River flows right by the Hacienda before winding the 40 or so kilometres to the border with Portugal where it flows into the Duero / Douro at Fermoselle in Arribes del Duero.
The organic farm.
They have buffalo on the farm…
… and Iberian pigs.
The wonderful finished products.
Not content with being in hotels and wine, the company is also into fine food production. Many of their wine estates also grow olives and make superlative oil, but they also have an organic farm where they produce some stunning cheeses and the finest jamon and chorizothat I have ever tasted. They have recently started producing balsamic vinegar too, I got to try it and it is shockingly good, the older barrels were almost solid like toffee, but it isn’t yet ready to put on the market.
The balsamic vinegar ageing in different size casks, the older it is the smaller the cask as it evaporates.
Not far from Femoselle and the frontier with Portugal they also have the Hacienda Zorita Natural Reserve, which is a wine estate in the wilds of the Arribes del Duero wine region and the Arribes del Duero Natural Park which also covers the Douro Valley over the border in Portugal. Traditionally this area grows Juan Garcia, a grape that is not particularly loved, but that can make very good things when treated right. However at Zorita they decided to base their wines on Tempranillo, which is permitted in the DO. In addition, acting under advice from Richard Smart, they also decided to plant Syrah, and while this is not permitted in the local DO, it seems to perform very well indeed.
Hacienda Zorita Natural Reserve Unamuno Vineyard – there’s a billiard table at the top of that tower!
The estate from the top of the tower.
The estate is named in honour of Miguel Unamuno, who was a great writer and philosopher of the late nineteenth and early twentieth centuries. He was Rector of Salamanca University and travelled widely in the Duero Valley writing about his journeys.
The presumably much repaired Roman Bridge over the Tormes River at Ledesma, just think how many people will have crossed that over the centuries. My ancestor William Sadler served under Wellington in the Peninsular War and some of Wellington’s army marched this way in 1812, so I might not have been the first member of my family to walk on that bridge.
Wine regions of northern Spain, Salamanca and the Hacienda Zorita are where ‘del’ is in Tierra del Vino de Zamora – click for a larger view
Over the course of the visit I managed to taste a few of their wines and these were the standouts for me:
Marqués de la Concordia MM Reserva de la Familia Rosado Brut DO Cava, so made by the traditional / Champagne method Sant Sadurní d’Anoia, Catalunya
70% Pinot Noir with 30% Monastrell aged 48 months on the lees. It was made at Mas Monistrol, the home of Marqués de Monistrol.
This has a pretty, pale wild salmon colour and a fine persistent mousse. The nose offers rose petals and red fruit – a melange of strawberry and cherry – together with a touch of toffee and brioche, while the palate is, clean, zesty, taut and finely textured with succulent red fruit and a touch of shortbread. All in all a very stylish Cava with lots of finesse – 88/100 points
Available in the UK from Amazon for £37.50 for a case of 3 bottles.
2015 Vega de la Reina DO Rueda Castilla y Léon
I am a big fan of Rueda wines and think it is the most reliable white region in Spain. At the very least the wines never disappoint and the Verdejo grape is a terrific grape that is not unlike Sauvignon Blanc, but usually a tad richer and more herbal.
This wine is basically a Verdejo with 5% Sauvignon blended in. The grapes were picked at night to retain the freshness. Cold fermented using aromatic yeast and then aged for 3 months on the lees.
The nose has rich aromas, with a touch of olive oil, olives, ripe peach and a touch of apricot skin, citrus, some a little light pineapple too.
The palate has quite a rich mouthfeel, textured, and again with an olive twist, peach skin and even a little spritz. It has a rich, fat style, with nectarine succulence and a slight feel of tannin, perhaps from skin contact. The palate is lightly creamy and is balanced by the zesty quality of lemon rind and grapefruit pith – 88/100 points.
Available in the UK from Ocado for £10 per bottle and from Amazon where a case of 3 bottles is £22.57.
2011 Hacienda Zorita Natural Reserve Syrah
Vino de la Tierra Castilla y León
100% Syrah aged for 18 months in a mixture of French and American oak barrels.
Unusually this offers bright, red fruit notes, as well as being lightly floral, a little earthy, with some tobacco and a little sweet vanilla too.
Very supple palate, with lots of rich red fruit and good refreshing acidity making it feel svelte and poised. There are some attractive fine grain tannins and the oak makes it gently smoky. Avery attractive wine, the sweet vanilla works well and lovely juicy fruit is nicely kept in check. Nice tingling spicy finish blanks the bright fruit, it was very attractive to drink, but will become even more complex in 3 or 4 years time.
Available in the UK for about £15 a bottle from Ocado and Amazon.
2009 Marqués de Concordia Reserva DOCa Rioja Rioja
100% Tempranillo aged for 24 months in French and American oak barrels.
This has a great nose, lifted, peppery and savoury, with some dark fruit, especially dark cherry. Earthy notes balance all that seductive power making it really attractive.
Opens up in the mouth with a supple texture, still peppery, spicy, polished velvety tannins and lots of smoky, tobacco, vanilla oak.
Very attractive stuff, but wow, this is a big modern, almost New World style Rioja – 90/100 points.
Available in the UK from Majestic for around £11.50 per bottle
2012 Marqués de Concordia HZ12 Zorita Abascal Crianza
DO Ribera del Duero
Castilla y Léon
The grapes are grown in the Abascal Vineyard, which is next to Vega Sicilia, one of the most famous wines in the world.
This is pure Tempranillo – known as Tinto Fino in Ribera del Duero and it spends 18 months in American and French oak.
The colour is black, dense and opaque.
The nose is similarly ‘yuge’ with rich sweet notes of dark fruit, balsamic and fresh earth, black olive and bitter chocolate.
The palate has loads of fat and richness, with cocoa, mocha and ripe black plum flavours. Rich and concentrated, fleshy and succulent, but there is some balancing freshness there too, the tannins are ripe and the it is dominated by a mixture of velvety fruit and sweet umami characters. A monster of a wine, but I really liked it – 90/100 points.
The garden of the Hacienda just outside my villa.
All in all I had an amazing time in a wonderful place and came back relaxed and restored. It wasn’t their fault that my country went completely mad on the night I got back – June 23rd 2016, a day that will live in infamy.
It is an astonishingly beautiful part of the world, the hotel was a total joy, sitting in the garden there was one of those moments that I felt totally at peace, just staring into the velvety Spanish night sky. The wines were splendid, the food excellent, our hosts charming and for a brief moment all was right with the world.