Wine of the Week – a fabulous Pinot Noir

Résonance Vineyard – photo courtesy of the winery.

Well it has finally happened. I have become so old that I beginning to become obsessed by Pinot Noir. I have noticed that this happens to many of us who love wine, but never expected me to go the same way.

I have always liked Pinot Noir, but it took a long time for me to become utterly beguiled by this amazing grape. At its best Pinot Noir is enchanting and confusing, soothing and puzzling all at the same time. That, for me, is what makes it so potentially exciting – that inbuilt tension. Those characters that seem to contradict each other.

I have tasted a huge array of Pinot Noirs this year and many of them have been utterly delicious but one has stood out for me because of its sheer class and broad appeal.

That wine comes from Oregon in the United States and I like it so much it is my Wine of the Week and a recommendation to have with Christmas Dinner.

A map of Oregon showing all the wine regions and AVAs and an inset map showing where Oregon is. The Willamette Valley is in the north east of the state around Portland and Salem. Yamhill-Carlton AVA and Dundee Hills AVA are sub regions of the Willamette Valley AVA.

2015 Résonance Pinot Noir
Willamette Valley
Louis Jadot Estates
Dundee
Oregon
USA

Forty odd years ago it was widely believed that Pinot Noir could only produce good wine, let alone great wine, in Burgundy. Almost everywhere else was considered to be too hot and this was borne out by the early, clumsy, overripe and jammy examples from California. Well everyone likes a challenge and I have yet to meet a winemaker yet who doesn’t secretly want to produce a great Pinot Noir, so the search was on for somewhere outside Burgundy and Europe that could produce world class examples of this captivating variety.

In the early to mid 1960s a group of winemakers who had experience of making Pinot in California, trekked north to Oregon and they liked what they saw. Over the next couple of decades more and more growers joined them and slowly they put Oregon wines on the map – especially Pinot Noir. The culmination of this was the 1979 Gault-Millau French Wine Olympiades – a sort of Judgement of Paris for Pinot – which saw Eyrie Vineyards‘ 1975 South Block Pinot Noir placed in the top 10 Pinots.

As you might imagine this caused consternation in Burgundy and Robert Drouhin arranged for a rematch. The winner was Joseph Drouhin’s 1959 Chambolle-Musigny Grand Cru but the Eyrie came in a very close second. As a consequence Maison Joseph Drouhin built their own Oregon winery, Domaine Drouhin, in 1988. Oregon had arrived.

Résonance Vineyard – photo courtesy of the winery.

So why does Oregon have this effect? Why does it suit Pinot Noir? The answer of course is the climate. The Willamette Valley – pronounce Will-am-it, to rhyme with damn it! – which is the heart of Oregon’s Pinot country, enjoys a mild maritime climate. Yes it can be very wet, but the rain is almost only in the Winter, not the growing season. Temperatures in the growing season are actually slightly lower than in Burgundy, on average 14.7˚C as opposed to Burgundy’s 15.2˚C. Even that 14.7˚C is tempered by Ocean breezes and significantly cooler nights. The diurnal temperature swing is often between 16˚C and 22˚C difference. This slows down the ripening period and preserves the natural acidity, so builds ripeness and complexity while retaining freshness. All this is helped by long sunny days during the growing season.

Oregon has developed in a certain way, as a land of artisan growers and winemakers who hand craft their wines in boutique wineries in an idiosyncratic way, making the state a sort of new world echo of Burgundy itself. Eventually the pull of Oregon was too strong for the venerable Burgundy house of Louis Jadot to ignore any longer.

In 2013 Louis Jadot, a Burgundy house since 1859 – although the Jadot family have been growers for far longer – purchased the Résonance Vineyard in the Yamhill-Carlton AVA (American Viticultural Area, similar to a PDO in Europe or a Geographical Indicator in Australia). The vineyard is 13 hectares and some of the vines are over 30 years old, planted on their own roots and dry farmed. Interestingly although Phylloxerra is present in Oregon, it is believed that Résonance can stay ungrafted as the surrounding grafted vineyards act as a buffer to protect the vines.

The estate is on a curved south, south east and south west facing hillside and protected from the winds by Coast Range Mountains, making it a very secluded spot that can produce some very concentrated and fine Pinot. Before Jadot bought the estate, the fruit was widely used in wines made by some of the most famous names in the Willamette Valley. Jacques Lardière, who for over 40 years Jacques was the chief winemaker of Louis Jadot in Burgundy and the the keeper of their style, manages the viticulture and makes the wine.

Jacques Lardière (left) with Thibault Gagey the estate manager.

10 miles to the east in the Dundee Hills AVA Jadot also own the 7 hectare hectare Découverte Vineyard which is mainly planted to Pinot Noir but also has a small block of Chardonnay vines.

They make three Pinot Noirs on the estate, the Résonance Vineyard wine itself from the Yamhill-Carlton AVA. The Découverte Vineyard wine from the Dundee Hills AVA, which is not yet exported and this wine which is made from fruit from both of the estate vineyards, together with some fruit from other selected vineyards and so is labelled as Willamette Valley, which is the wider area.

The wine is aged for 13 months in French oak casks, 20% of which is new wood. This gives a delicate oak influence, but ensures that it isn’t lost.

I really love this wine, the colour is beautiful with that dark red fruit garnet and flashes of something deeper. The nose is lifted with deep red fruit notes, damson, rich cherry, cranberry and flourishes of blackberry and blueberry together with some orange zest. The oak gives a delicate spicy, smoky, mocha note that does not dominate, while a classic Pinot earthy quality balances it all out. All in all the aromas are rich and attractive but restrained and elegant all at the same time.

The palate is mouth filling and supple with luxurious and seductive fruit – ripe cherry, plums and raspberry together with deeper black cherry and damsons. There are some savoury qualities too like sun-dried tomato, some balsamic, some rich, freshly turned earth (mineral), a touch of spice, smoke and mocha. All of this is kept in check by the acidity that gives lovely freshness to the wine. The tannins are very much there, but they are sweet, ripe and graceful – 93/100 points.

This is a beautiful wine that seems to please pretty much everyone who tries it – I have shown it at three tastings recently and it wowed them all. In my opinion it is a perfect wine for Christmas Dinner as it would be delicious with the turkey or goose and all those complex flavours of the trimmings.

Available in the UK at around £35 per bottle from Bin Two, Handford Wines, Christopher KeillerThe VineyardFenwick’s Wine Room, Hailsham CellarsThe Bottleneck, Fountainhall Wines, Frenmart, The Ministry of Drinks and Simply Wines Direct.

 

 

Chardonnay & Pinot Noir – contrasting terroirs

The Côte de Beaune at Pernand-Vergelesses

The other day I was invited to present the Burgundy half of a masterclass tasting to contrast Chardonnay and Pinot Noir wines from two very different regions.

In order to have a control and a focus we were using wines from a single producer in each country; Chile’s Viña Ventisquero and Louis Jadot from Burgundy.

My job was to give an introduction to Louis Jadot and to explain the terroir and conditions of Burgundy before leading the tasting. Ventisquero’s winemaker, Alejandro Galaz provided the same function for their wines.

The event took place at Vinopolis and Tom Forrest, their chief wine educator, prepared some food that we tried with the wines. Continue reading

Hawke’s Bay – New Zealand’s Diverse Region

Looking North East towards Napier from Te Mata Peak – photo courtesy of Te Mata Winery.

The world seems to love New Zealand Sauvignon Blanc, especially from Marlborough on South Island. Wine drinkers appear to have an insatiable appetite for this lively style of wine with its crisp, green characters softened with tropical exuberance.

However the other 30% or so of New Zealand’s wines that are not made from Sauvignon Blanc and do not come from Marlborough are also well worth exploring.

My favourite region must be Hawke’s Bay on North Island. This beautiful place is defined by the great sweep of Hawke Bay itself – confusingly the region is called Hawke’s (or more normally Hawkes on wine labels) Bay, while the body of water is Hawke Bay, named by Captain Cook in honour of Sir Edward Hawke, First Lord of the Admiralty. It is a largely rural place and includes some spectacular countryside, but the urban centres offer many charms too. The city of Napier was destroyed by an earthquake in 1931 and was totally rebuilt in the, then, current Art Deco style. Nearby Hastings is the other centre and was also largely rebuilt in the Art Deco style. This time capsule of 1930s glamour makes these cities wonderfully evocative places to wander around. The Hastings suburb of Havelock North, very near Te Mata peak, with its relaxing villagey feel is a lovely place to visit too.

Wine map of Hawke’s Bay – click for a larger view.

Although it has been surpassed by Marlborough in recent decades and now only produces around 10% of New Zealand’s wine, Hawke’s Bay is still the second largest wine region in the country and the principal centre for red wine production. 

What I love here is the sense of history, the first winery was established in 1851 – 120 years or so before vines were grown in Marlborough. In fact several of the leading producers here including Mission Estate, Te Mata, Church Road, Vidal Estate and Esk Valley were all well established by the 1930s.

Of course history never flows in a straight line and although there was indeed a brief flowering of dry wine production here in the late nineteenth and early twentieth centuries with the likes of Te Mata winning awards for their pre World War I “clarets”, the real demand in the days of the British Empire was for Port and Sherry substitutes, fortified wines. It was not until the 1970s that the emphasis moved to dry wines and another twenty years before Hawke’s Bay started to acquire the reputation as a wine region, especially for reds, that it enjoys today.

Being half way up North Island, Hawke’s Bay is one of the warmest areas in New Zealand and enjoys a long growing season. This enables Hawke’s Bay to specialise in grape varieties that simply cannot ripen in the cool maritime conditions further south. That being said, it is still a temperate and moderate climate. This contrasts with almost all other “New World” wine producing countries which have hotter Mediterranean climates. The temperatures in the growing season are a bit warmer than Bordeaux, but cooler than California’s Napa Valley. 

Looking south and east across the Tukituki River – photo by Quentin Sadler

Of course nothing is simple, so where the grapes grow within Hawke’s Bay is an important consideration. The coastal zone is appreciably cooler than the areas further inland. This means that the best quality white grapes tend to be grown nearer the ocean, where most of the black grapes will not ripen, and the best black grapes flourish further inland where the extra heat and shelter helps them to achieve full ripeness. These varied conditions mean that Hawke’s Bay can offer an incredible variety of wine styles.

The inland temperatures are some 7˚C or so more than the coast. This makes it possible for Hawke’s Bay to ripen some grape varieties that defeat almost every other New Zealand region, except Waiheke Island far to the north. Merlot, Malbec, Cabernet Franc, Syrah and even Cabernet Sauvignon all thrive here. Of course New Zealand can almost never produce those big, rich, fruity wines like Australia and California do, there just isn’t enough heat for that. So whether you are drinking a Bordeaux style blend of Merlot and Cabernet, or a Syrah, these reds will usually be more delicate than other new world examples, but fruitier and softer than their European counterparts.

Misty hills beyond the vineyards in the Tukituki Valley – photo by Quentin Sadler.

The dominant grapes being Merlot, Cabernet Sauvignon and Syrah is almost serendipitous as New Zealand is famous for producing lamb. Merlot-Cabernet blends, like red Bordeaux from the same grape varieties, are a fine match with lamb. Syrah is not only great with lamb, but also partners venison really well and New Zealand is a major producer of that meat too.

As for white grapes, the real speciality is Chardonnay as these conditions, create wines with ripeness and texture as well as fine acidity – think White Burgundy with more fruit. As you might expect though, they also produce Sauvignon Blanc and these tend to be riper, more mouth filling and textured than those from Marlborough.

Looking towards Cape Kidnappers from Elephant Hill – photo by Quentin Sadler.

The soils provide little nourishment and are free draining, which helps to produce concentrated and complex wines as the vines have to work hard and dig deep for goodness while any excess water just drains away rather than making the grapes dilute. Much of the terrain has been formed by five ancient rivers – the Wairoa, Mohaka, Tutaekuri, Ngaruroro and Tukituki – moving over centuries to form valleys and terraces and leaving behind over 25 different soil types including clay loam, limestone, sand and gravel.

Gimblett Gravels soils – photo by Quentin Sadler.

Gravel is the most famous soil here with one of the most important sub-regions of Hawke’s Bay actually being called Gimblett Gravels. This warm area was formed by the Ngaruroro (pronounced Na-roo-roe-roe) River changing route after a huge flood in 1867. The deep gravel soils it left behind have almost no organic component, so give low vigour and perfect drainage. This means the area can produce world class red wines with concentration and ripeness together with the elegance and freshness that the relatively cool conditions give, even in this warm part of New Zealand.

Ever since wine growers were first aware of the Gimblett Gravels in 1981 it has been seen as primarily a red wine area. It pretty quickly became known for Bordeaux style blends of Merlot and Cabernet Sauvignon, often with some Cabernet Franc and Malbec too. 

Vines growing in the Gimblett gravels – photo by Quentin Sadler.

In more recent years Syrah has started to challenge that dominance and although the amount of Syrah grown is quite small it has quickly earned a very high reputation for quality. Some other black grapes grow here too, with small plantings of Grenache and Tempranillo showing great promise. White grapes make up about 10% of the plantings with some superb Chardonnays and Viogniers as well as a little Arneis, Gewürztraminer and even Riesling.

The Bridge Pa Triangle is an area just a little further inland from Gimblett Gravels. It has similar gravel soils but under a deep layer of loam topsoil, which often makes the wines softer and more aromatic. 

There are other sub-zones of Hawke’s Bay too, but you are unlikely to see their names appearing on labels anytime soon.

To my mind the wines coming out of Hawke’s Bay make perfect restaurant wines. They can provide an attractive half-way house between new world fruitiness and richness and the dryness of European wines. This makes them very food friendly and versatile with food or without. What’s more they have that clean and bright New Zealand character that can be very appealing. Also like most new world wines, they usually deliver as soon as the bottle is opened, without needing to be left to breathe for a little while to show at their best.

Looking towards the Te Mata Hills from Craggy Range – photo by Quentin Sadler.

The Hawke’s Bay specialities are most certainly Chardonnay, Bordeaux-style blends of Merlot and Cabernet and Syrah, but there is so much more going on too. Reds from Malbec, Tempranillo, Grenache and even some Pinot Noir in the cooler places. As for whites there is also fine Sauvignon Blanc, Sauvignon Gris, Sémillon, Viognier, Pinot Gris, Arneis, Gewürztraminer, Riesling and more. So, stylistically it is very hard to pin the region down, but very rewarding to try.

Here is my a brief selection of Hawke’s Bay wines & wineries for you to try – of course the other wines by these producers are very good too:

The Te Mata Winery – photo by Quentin Sadler

Te Mata:

One of the grand old names of Hawke’s Bay, Te Mata has been continuously operating since 1892 and is based in a beautiful Art Deco building right by Te Mata peak. The vineyards and winery were completely renovated in the 1980s and they have never looked back. Today they have extensive vineyard holdings in Woodthorpe and the Bridge Pa Triangle as well as the original nineteenth century vineyards at the foot of Te Mata peak itself. Made under the guidance of Peter Cowley, one of the funniest winemakers I have ever met, the range is wonderfully creative and includes a fine oaked Sauvignon and delicious single vineyard Gamay.

Peter Cowley, the witty, engaging and passionate Technical Director at Te Mata. One of those winemakers that I could listen to for days – photo by Quentin Sadler.

Try: Te Mata Coleraine is a blend of Cabernet Sauvignon, Merlot and Cabernet Franc. Aged for 18 months in barrel it is widely considered one of the very best red wines from New Zealand. I consistently like the restrained, elegant style and the freshness that keeps it irresistibly drinkable.

Available in the UK for £56.99 per bottle from The New Zealand House of Wine.

Trinity Hill:

Warren Gibson, long serving chief winemaker at Trinity Hill – photo courtesy of New Zealand Winegrowers.

This winery only dates back to 1993, but that makes them almost pioneers as far as New Zealand wine is concerned and they have certainly made their mark. Initially it was a joint venture between famed Australian winemaker John Hancock and Robert and Robyn Wilson, owners of London’s The Bleeding Heart restaurant. Chief winemaker Warren Gibson has been there since 1997 and he produces a range of beautiful wines that perfectly illustrate how diverse Hawke’s Bay can be – they even make a rich and aromatic blend of Marsanne and Viognier and a suave Pinot Noir.

Try: Trinity Hills Gimblett Gravels Syrah – this shows perfectly why Hawke’s Bay is good for Syrah. The cooler climate really defines this wine with its lively fruit and floral aromas. The luscious palate has ripe blackberry fruit, soft spices, integrated oak and ripe, sweet tannins. There is always a sense of freshness and purity in good Hawke’s Bay Syrah that sets it apart.

Available in the UK for £20.99 per bottle from The New Zealand House of Wine.

Vidal Estate: 

Vidal Estate Winery – photo courtesy of Vidal Estate.

Spaniard Anthony Vidal opened his eponymous winery in an old racing stable in 1905. Owned by Villa Maria since the 1976 it opened New Zealand’s first, and still very fine, winery restaurant in 1979. Hugh Crichton has been the winemaker for many years now and his deft hand seems to do no wrong. He has a particularly high reputation for his Chardonnays, but the Syrahs and Cabernet blends are mighty fine too.

Hugh Crichton (left) in the cellar – photo courtesy of Vidal Estate.

Try: Vidal Estate Merlot-Cabernet Sauvignon is a great introduction to Hawke’s Bay reds. The palate is bold and richly fruity with smooth tannins, smoky oak and a touch of spice – 5% Malbec in the blend helps with the pizzazz.

Available in the UK for £14.00 per bottle from The New Zealand Cellar.

Craggy Range: 

Vineyards at Craggy Range from their fabulous restaurant – photo by Quentin Sadler.

Businessmen Terry Peabody and revered viticulturist / winemaker Steve Smith MW created Craggy Range in the 1990s and quickly established themselves as one of the great names of Hawke’s Bay. Today chief winemaker Matt Stafford crafts a superb range of wines from vineyards in the Gimblett Gravels and the cooler coastal area near Cape Kidnappers.

Matt Stafford, the chief winemaker at Craggy Range – photo by Quentin Sadler.

Try: Craggy Range Kidnappers Vineyard Chardonnay – the cool coastal conditions really define this wine with its freshness and minerality, subtle richness and restrained use of oak – think Chablis 1er Cru with a bit more soft fruit.

Available in the UK for £17.99 per bottle from Waitrose Cellar.

Elephant Hill:

The only elephant at Elephant Hill Winery – photo by Quentin Sadler.

Founded in 2003 this estate is another newcomer that has a built a huge reputation for itself very fast. It is managed by the charming Andreas Weiss whose parents created Elephant Hill after falling in love with the area while on holiday from their native Germany. The winery is surrounded by vines and sits almost on the cliff edge at Te Awanga. This is where they grow their white grapes while the reds and richer whites are grown in their Gimblett Gravels and Bridge Pa Triangle vineyards. The winery boasts incredible views and a great restaurant. As to the name, Andreas told me, “there’s no hill and there’s no elephant, but you certainly remember it”.

Andreas Weiss of Elephant Hill – photo by Quentin Sadler.

Try: Elephant Hill Sauvignon Blanc – a pure and vivacious style, but rounder and more textured than a typical New Zealand Sauvignon. It feels clean, precise and beautifully defined too, with wonderful salty minerality cutting through the ripe citrus fruit.

Available in the UK for £16.50 per bottle from Corney & Barrow.

Esk Valley:

Esk valley’s terraced vineyard, home to the Terraces, one of New Zealand’s finest reds – photo courtesy of Esk Valley.

This famous winery sits right on the coast some 10 km north of Napier and was originally a fortified wine producer that fell into disuse by the 1970s. George Fistonich of Villa Maria bought it in 1986 and it has never looked back. For the last 20 odd years it has been left in the talented hands of winemaker Gordon Russell who has happily put all the old prewar concrete fermentation vats to use for his red wines and who revels in his reputation for being something of a maverick who makes true handmade wines. 

Gordon Russell with his beloved pre-war concrete fermentation vats at Esk Valley – photo by Quentin Sadler.

Gordon crafts one of New Zealand’s most famous reds, Esk Valley The Terraces, from a one hectare block of vines on a terraced vineyard overlooking the ocean right by the winery.

Try: Esk Valley Verdelho – this grape is mainly used to make fortified Madeira,  but this is an unfortified style that has a lovey brightness to it and enticing aromatics. I love the mandarin-like acidity, the rich palate and the little touch of salinity on the fresh, lively finish. It’s wonderful with oriental food.

Available in the UK for £13.75 per bottle from The Oxford Wine Company.

Alpha–Domus:

The Ham Family of Alpha Domus – photo courtesy of the winery.

This estate is a real pioneer of the Bridge Pa Triangle. It was founded in 1990, pretty early for this sub-region, by the Ham family from the Netherlands. The first names of the five family members who founded and run the winery are; Anthonius and Leonarda together with their sons Paulus, Henrikus and Anthonius – Alpha! They produce a fine range of single vineyard, estate wines from the classic Hawke’s Bay grape varieties of Chardonnay, Merlot, Cabernet and Syrah, as well as Viognier, Sauvignon Blanc, Sémillon and Cumulus, a Traditional Method sparkling Chardonnay.

Try: Alpha–Domus The Wingwalker Viognier – in France’s northern Rhône,  where Syrah originates, Viognier grows next door, so it makes perfect sense that we are beginning to see more of this exotic, aromatic grape grown in Hawke’s Bay and used either on its own or co-fermented in tiny amounts with Syrah.

This is a rich but fresh example with exotic ripe fruit aromas and a succulent and silky palate with ripe peach, pineapple, coconut cream and a touch of shortbread. The balance is lovely and it makes the wine seem pure, yet powerful. Great with firm fish and white meat dishes.

Available in the UK for £18.50 per bottle from Noble Green.

Villa Maria:

Sir George Fistonich, the great New Zealand wine pioneer, whose Villa Maria group also owns Vidal and Esk – photo by Quentin Sadler

Villa Maria is an extraordinary company. Created singlehandedly in 1961 by a 21 year old New Zealander with Croatian roots. That young man is now Sir George Fistonich, one of the great figures of the wine world and he still has the same drive and passion all these years later. Villa Maria have vineyards and a winery in Marlborough and Auckland as well as Hawke’s Bay including owning one of the largest parcels of the Gimblett Gravels. To my mind they never put a foot wrong and consistently produce elegant wines that people enjoy, at all price points. Their Merlots, Merlot-Cabernet blends and Syrahs are all from their Hawke’s Bay vineyards. They recently launched a super premium Gimblett Gravels Cabernet Sauvignon called Ngakirikiri which means “the gravels” in Maori. It’s a stunning wine with beautiful fruit, incredible richness, but also elegance and poise with gentle, supple tannins.

Try: Villa Maria Cellar Selection Gimblett Gravels Grenache – a surprisingly rich take on this grape that loves heat and sun. It’s richly fruity with black cherry and dried strawberry characters and lots of spice in the form of white pepper, fresh ginger and clove.

Available in the UK for £16.00 per bottle from Noble Green.

Of course this selection barely scratches the surface, there are many more fabulous wines from the producers mentioned here, let alone other wineries in Hawke’s Bay. These are all very good though, are easily available and show the quality and diversity that this exciting wine region can produce.

Wines of the Week – A Pair of Very Different Sparkling Wines

I do like fizz and it doesn’t always have to be Champagne for me. It can come from anywhere at all as long as it’s good.

I couldn’t decide which wine to choose, so I have 2 Wines of the Week for you this time. What unites them, and pleases me, is that although these wines are both very good, neither are made using the Traditional Method. The Traditional method is method by which Champagne, and many other sparkling wines like Cava and Crémant, are made fizzy. It requires a second fermentation in the bottle that traps the CO2 from that fermentation in the wine. The wine is then aged on the yeast sediment, lees, to develop the classic toasty, brioche and biscuit characters that often define Champagne. We call this ageing “yeast autolysis”. Some people maintain that you need this process in order to produce a decent sparkling wine. These two wines show that is not the case at all and that we should be more open minded.

 

Kym Milne MW – photo courtesy of the winery.

2017 Bird in Hand Sparkling Pinot Noir
Adelaide Hills
Bird In Hand Winery
South Australia

My first fizz is made by the wonderful Bird in Hand winery in South Australia’s Adelaide Hills region. I have liked their wines for a long time so am delighted to single out this beauty. The area is covered in nineteenth century gold mines and Bird in Hand was the name of one of them. Nowadays it is a 100 hectare estate renowned for making elegant and refined wines in this cool and beautiful area of South Australia. The chief winemaker is the great Kym Milne MW who has certainly not lost his touch since I first encountered him when he was Villa Maria‘s head winemaker in the 1980s.

Map of South Eastern Australia, the Adelaide Hills are just south of Barossa and east of Adelaide – click for a larger view – non watermarked PDF versions are available by agreement.

The Pinot grapes are picked at night to keep them cool and then fermented at low temperatures in stainless steel to keep it fresh and lively. To add complexity there was short period of lees ageing for some 4-6 weeks. Then the second fermentation, to make it fizzy, took place in a pressurised tank called an autoclave.It is bottled immediately and so does not develop yeasty, biscuity flavours, so remains fresh and fruity.

Whatever mood you are in I defy you not to be cheered by this wine. The colour is gorgeous with a wild strawberry and wild salmon hue.

The nose is lifted and vibrant with ripe strawberry, raspberry, apple, orange and grapefruit, while the palate is nicely textured with the ripe Australian fruit giving more weight than we might normally expect. The mouse is soft and almost creamy, while the acidity is refreshing and the fruitiness makes the wine seem perhaps just a tiny bit not so dry.

All in all it is utterly delicious, beautifully fruity, juicy and refreshing.

I really enjoyed this and it is a perfect all round crowd pleaser for Christmas – 90/100 points

Available in the UK at around £15.00 per bottle from Frontier Fine WinesTanners, Amazon, Drink FinderWaitrose, Waitrose Cellar. Grab it from Waitrose and Waitrose Cellar before 12/12/18 and it is only £10 a bottle!

More information is available from Bird in Hand’s UK distributor, Seckford Agencies.

My second sparkling wine is rather different and comes from the heart of Prosecco country in northern Italy.

The Villa Sandi, from which the company takes its name, is a Palladian mansion dating from 1622.

2016 Villa Sandi Ribolla Gialla Brut
Vino Spumante di Qualità
Villa Sandi
Veneto, Italy

Ribolla Gialla is a grape most commonly found in Italy’s Friuli-Venezia Giulia and neighbouring Slovenia. This example however comes from the Veneto and is made by Villa Sandi, the famous Prosecco producer in Crocetta del Montello near Asolo in the province of Treviso. Surprisingly for such a big name, Villa Sandi is a family run company and I think that shows in the passion they have for what they do together with the care they take in their vineyards and their commitment to looking after the environment.

Villa Sandi are based near Asolo in Treviso, the heartland of Prosecco production.

This is another glorious and very pleasurable sparkling wine that shows that you do not need the Traditional method to achieve complexity. Usually the Charmat / Tank method, or Martinotti method in Italy, is used to make bright, fruity wines, like most Prosecco. Some people however age the wine on the lees in the tank before bottling and this is called the Charmat Lungo or long Charmat. This wine spends 12 months on the lees in the tank / autoclave.

The character of the grape with its savoury qualities really showed on the nose, as did the lees ageing with a nutty, honeyed, cooked apple quality. The palate was brisk and pure with the rich acidity of preserved lemons together with some coconut and wholemeal bread. There is a touch of spice and lovely vibrant apples and green plum fruit. It feels light and fresh but savoury and intriguing.

I loved this and found that it goes with everything and nothing very well, even spicy food and unusually for this part of the world it is a dry sparkling wine – 90/100 points

Available in the UK at around £17.00 per bottle from DolceVita Wines and can be imported from Italy, until Brexit ruins it, via Ur Italian Wines. More information is available from Villa Sandi’s UK distributor, North South Wines.

So you see it is always good to keep an open mind about these things and to taste wines without preconceptions, otherwise you might miss out on a great deal of pleasure.

Friuli Delights

It’s been quite a year for extending my understanding of Italian wines. Recently I visited parts of the Prosecco production area in the Veneto region, but earlier in the year I was part of a study tour of a fascinating wine region called Friuli Isonzo.

This wine region is a Denominazione di Origine Controllata, or DOC – or a PDO in overarching EU parlance – and can be found in the extreme north east of Italy. It stretches from near Monfalcone – where you find Trieste Airport – to Goriza on the border with Slovenia. It is all flat land, the neighbouring DOC of Carso has the mountains and Collio the hills – it even means hills in Italian. So basically the whole DOC of Friuli Isonzo is an alluvial plain with the mountains to the north and east, beyond Goriza and Trieste. It is warm and sunny, but tempered by the winds and sea breezes and the effects of the Isonzo River (the Soča in Slovenia).

I was seriously impressed by what I found and enjoyed the experience very much. This is a culturally rich and varied part of Italy because the outside influences are very strong. Nearby is the amazing ancient Roman city of Aquileia which was the ancient capital of Friuli-Venezia Giulia. The cohesion of the area was destroyed by the collapse of the Roman Empire with the Franks and the Lombards settling in the western part of the region while Alpine Slavs made their homes in the eastern part of Friuli near Trieste. This difference was reinforced by Friuli becoming part of the Venetian Republic in 1420 while the former free city states of Trieste and Goriza became part of the Hapsburg Empire at roughly the same time.

This border of course remained until 1797 with Napoleon’s destruction of the Venetian Empire and the whole of Friuli-Venezia Giulia was ceded to Austria. Eventually the wars for Italian unification led to the great majority of the region, the Italian parts, joining the Kingdom of Italy in 1866. The new border however left the more Slovene parts in the Austrian Empire. After the First World War the whole place was taken by Italy and the previously Austrian port of Trieste became an Italian city.

The Second World War shook things up yet again and Tito’s Partisans not only liberated Yugoslavia, but also Trieste. Tito had hopes of absorbing the city and it’s surrounding region into Yugoslavia, however it was not to be and the area was awarded to Italy again in 1954. In turn of course Slovenia declared itself independent of Yugoslavia in 1991 and so the region now borders Slovenia, now a democracy and member of the EU.

Wine map of northern Italy. Friuli is in the north east, between Veneto and Slovenia.

Sketch wine map of Friuli-Venezia-Guilia, click for a larger view.

This history shows in the wines with a wide range of grape varieties and blends that sometimes echoes the styles produced over the border – and vice versa of course.

The principal white grape varieties are Chardonnay, Friulano, Gewürztraminer, Malvasia, Moscato, Pinot Bianco, Pinot Grigio, Riesling, Sauvignon Blanc, Verduzzo and Welschriesling (Riesling Italico).

Varietally labelled wines – those with a grape variety as the most important piece of information on the label – must contain 100% of that grape, while blends – labelled as “blanco” can contain any blend of the grapes listed above.

The red grapes are Cabernet Franc, Cabernet Sauvignon, Franconia (Blaufränkisch), Merlot, Moscato Rosa, Pignolo, Pinot Nero, Refosco and Schioppettino and again the varietals must contain 100% of that grape and red blends – “rosso” can contain any proportions of the above grape varieties.

There are also rosé wines, which can be made from any permitted grape other than Gewürztraminer, and a separate DOC for rosés made from the Moscato Rosa grape.

The region also makes some excellent sparkling wines (Spumante in Italian) – as most Italian regions do – including Chardonnay Spumante with a minimum of 85% Chardonnay and a maximum of 15% Pinot Nero / Pinot Noir blended in.
There is also Moscato Giallo Spumante, Moscato Rosa Spumante, Pinot Spumante made from any proportions of Pinot Bianco, Pinot Grigio and Pinot Nero / Pinot Noir, Verduzzo Spumante from 100% Verduzzo and Rosso Spumante which follows the same rules as still Rosso.

Fundamentally the soils are a mixture of ponka (a sandstone-marl mixture) along with more alluvial gravel and clay with some limestone and the land is flat with good sun exposure and good cooling from the air draining down the mountains. This results in wines that can be anything from quite austere and mineral to moderately rich and fruity.

Here are a few of the wines and wineries that really impressed me on the trip:

Borgo San Daniele

This thrilling winery is run by brother and sister Alessandra and Mauro Mauri. Their father had converted their mixed farm to a vineyard and bought some more vineyards and they both trained as winemakers in nearby Cividale – meaning they are steeped in the local traditions – and their first vintage was in 1991.

They farm 18 hectares spread over a wide area, giving them lots of different sites and conditions as well as grape varieties. They are certified organic and farm biodynamically, so do not use use any pesticides or herbicides and plant their vines at high density and seek low yields and are quite happy to wait for full ripeness – for weeks in necessary. Winemaking is totally traditional and yet new wave too, with long maceration on the skins for the whites, spontaneous fermentations and long lees ageing in wood.

I loved their Friulano and Malvasia, but what excited me the most were their blends.

2015 Arbis Blanc
IGT Venezia Giulia

This is a single vineyard wine from a site called San Leonardo and is a blend of 40% Sauvignon, 20% Chardonnay, 20% Pinot Bianco and 20% Friulano. The different varieties are picked separately when fully ripe, then the musts are blended together and fermented together – it is a variation on a traditional field blend. The wine is then aged on the lees in large, 2000 litre, Slavonian oak casks. Confusingly Slavonia is not in Slovenia, but is a region in neighbouring Croatia.

In effect this is a solera aged blend as 30% is from the 2014 vintage which also contains some older components, and so on. That is why it has to be labelled as a humble IGT rather than DOC. Arbis means herb in the local dialect and is called that because of the cover crops that grow between the rows and temper the vigour of the vines.

The nose is wild, enticing and exotic with peachy and apricot fruit, dense citrus, waxy hibiscus, shortbread, accacia and light honey. There is jasmin, blossom and a mineral note of wet stones.
The palate has lovely weight and integration and a texture that flows wonderfully across the palate with a succulent feel, a deep flavour of rich lemon, cooked apple, melted butter, sage and something. It is very long, delicious and really interesting – 94/100 points.

2013 Arbis Ròs
DOC Friuli Isonzo

This is also a single vineyard wine from a site called Ziris and is 100% Pignolo. The grape has hardly been cultivated at all since WWII as it produces such tiny crops, but of course that suits the new wave of boutique wine growers who have supplanted the large production wineries of the 1960s to 1990s. Pignolo is a very rare grape now with just 60 hectares in Friuli and so the world.

The wine spends 3 years in oak of various sizes before being blended in tonneau – which are 550 litre in Italy – and then aged for another year in Slavonian oak barrels.

The lovely deep ruby colour is enticing.
The nose delivers bright cherry notes together with freshly turned earth, red dust, Lapsang souchong and five spice.
The palate has a sensual, silky, velvety feel, mid weight, nice freshness with cherry fruit and acidity, rich plums, chocolate and violets on the finish. The finish is long with this intense cherry with a bit of blood orange too – 94/100 points.

Castello di Spessa

This amazing winery is a beautiful castle and country house set in a beautiful landscape. The house is a luxury hotel and golf resort, while the winery is based around the medieval cellars. They farm 55 hectares in both DOC Friuli Isonzo and DOC Collio.

The amazing cellars at Castello di Spessa – photo courtesy of the winery.

Again I really liked a lot of their wines, the Pinot Grigio was very good, as was the unoaked Chardonnay and somewhat austere Sauvignon. However the standout for me was the Friulano:

2016 Castello di Spessa Friulano
DOC Friuli Isonzo

Friulani used to be called Tocai – that is no longer allowed to save confusion with actual Tokaji from Hungary and Slovakia – and has been part of the viticultural landscape in Friuli for centuries.

This is a single vineyard wine, called Capriva del Friuli, and is made from 25 year old vines in a totally normal manner. The grapes are crushed and fermented in stainless steel tanks. The wine is then aged on the lees for a further 6 months in 5000 litre stainless steel tanks.

In the past I have really struggled to see the joy in Friulano, but this wine helped open my eyes to what it can do. It delivered very attractive aromas of fresh peach and apricots together with orange blossom and toasted almonds. There is something a little salty and mineral here too.
The palate is bone dry, round and fresh and fleshy with good richness, cooked apple, some pastry and bread flavours and high acid on the finish. I love the generosity, the bitter almonds and the touch of sea air about it and think it would be perfect with all sorts of nibbles and ham and cheese – 93/100 points.

I Feudi di Romans

I like this winery and am always impressed by the wines. They make a large range of very stylishly crafted wines that tend to be very seductive and charming. The winery itself sits on the flat land of the region just near the banks of the Isonzo river.

Looking across the Isonzo to the mountains.

2016 Sontium
DOC Friuli Isonzo

Friulani used to be called Tocai – that is no longer allowed to save confusion with actual Tokaji from Hungary and Slovakia – and has been part of the viticultural landscape in Friuli for centuries.

Sontium by the way is the Latin name for the Isonzo River.

This is a single vineyard wine, called Capriva del Friuli, and is made from 25 year old vines in a totally normal manner. The grapes are crushed and fermented in stainless steel tanks. The wine is then aged on the lees for a further 6 months in 5000 litre stainless steel tanks.

In the past I have really struggled to see the joy in Friulano, but this wine helped open my eyes to what it can do. It delivered very attractive aromas of fresh peach and apricots together with orange blossom and toasted almonds. There is something a little salty and mineral here too.
The palate is bone dry, round and fresh and fleshy with good richness, cooked apple, some pastry and bread flavours and high acid on the finish. I love the generosity, the bitter almonds and the touch of sea air about it and think it would be perfect with all sorts of nibbles and ham and cheese – 93/100 points.

Drius

Mauro Drius creates a big range of varietal wines, and the odd blend, on his family estates near Cormòns. He farms about 15 hectares on the flatlands as well as the slopes of Mount Quarin.

2016 Pinot Bianco
DOC Friuli Isonzo

Pinot Blanc is the unsung hero of the Pinot family for me and I think it deserves to be more widely appreciated – I would almost always rather drink Pinot Blanc than Pinot Gris!

The wine was fermented in stainless steel tanks and 80% was then aged in stainless steel tanks. 20% of it though was aged in large two year old Slavonian oak vats. Both components had regular bâtonnage.

The nose delivers lovely, clean and pure aromas of butter, toast, nuts, light peach, orange and something floral.

The palate is very soft, round, gentle and attractive with a almost a little caramel and some nuts and ripe orange and peach. Medium acidity gives some nice freshness and makes the wine feel very drinkable indeed – 91/100 points.

 

Tenuta di Blasig

This was my second visit to this estate and it is a beautiful spot. It is very near Trieste Airport, in Ronchi dei Legionari. The name of the town was originally Ronchi Monfalcone and was only changed in 1925 to commemorate the fact that nationalist, war hero, poet and proto fascist, Gabriele D’Annunzio‘s legionnaires set off from here in 1919 to seize the port of Fiume / Rijeka (now in Croatia) from the newly created Kingdom of Serbs, Croats and Slovenes, soon to be called Yugoslavia. D’Annunzio wanted Fiume to be part of Italy, as was the rest of Istria at the time. His occupation of the city lasted for 16 months and made him a national hero. D’Annunzio was a friend of the Blasig family and actually stayed in the house before sailing to Fiume and a whole wall near the kitchen is covered in amazing photographs of D’Annunzio and his men.

Elisabetta Bortolotto Sarcinelli talking about her beloved Malvasia.

Tenuta di Blasig was founded by Domenico Blasig in 1788 with the aim of making fine Malvasia wine and Malvasia remains the focus. The charming Elisabetta Bortolotto Sarcinelli is the eighth generation of the family to manage the estate and she seems to do a vey good job, producing wines of elegance and depth. They farm 18 hectares, but the vineyards are spread out and often found surrounded by suburban buildings – Trieste Airport is very close indeed and the winery is right next to the town hall.

I really like the wines here. The Friulano with a light touch of oak is a wonderful example of the type, while the Merlot, that has no oak at all, and the Rosso Affreschi Merlot and Refosco blend were both lovely wines. However the standouts for me were:

2016 Malvasia
DOC Friuli Isonzo

This Malvasia is a single vineyard wine from the nearby village of Vermegliano. It is cold fermented in stainless steel and aged on the lees for 6 months.

The nose is fresh, but not that aromatic with melon and floral blossom notes.

There are also little glimpses of orange nuts and a saline note.The palate is medium-bodied and slightly fleshy with a little succulence and almond and toffee and a little salty minerality too, like a fine Chablis.

That orange comes back, giving a soft, citric twist, while the weight and the salty minerality dominate the finish, which is pretty long.

This is a very complex wine that shows just how good Malvasia can be – 91/100 points.

 

2014 Elisabetta Refosco dal Peduncolo Rosso
DOC Friuli Isonzo

I am a big fan of Refosco and think it is brilliant with almost all Italian dishes. There are at least two Refoscos, this is the one with red stems and is quite prevalent in Friuli. This wine is only fermented in stainless steel and has no oak at all.

The nose has a lovely heady mix of plums, dark cherry, milk chocolate and prune.

The palate is smooth with medium body, highish acid, nice purity, brightness and drinkability. The flavours are cherry, blueberry, plum, milk chocolate, tea, herbs and light spice as well as that very Italianate bitterness of almonds and cherry stones, that sounds weird but is actually delicious – 92/100 points.

 

 

Borgo Conventi

An aerial view of the Borgo Conventi estate – photo courtesy of the winery.

Another beautiful estate that produces both DOC Collio and DOC Friuli Isonzo wines. Founded in 1975 in an area that contained monasteries – Borgo Conventi means “hamlet monastery” – since 2001 it it has been owned and completely overhauled by the Folonari family’s Ruffino estate in Tuscany.

Again this estate produces a large range. They directly own around 20 hectares in the Collio and Friuli Isonzo regions, but also control and manage lots of other vineyards that they do not own. I enjoyed all the wines, especially the Sauvignon among the whites, but the standouts here were the reds:

2016 Merlot
DOC Friuli Isonzo

100% Merlot grown in pebbly clay soil, a bit like St Emilion.

The vines are around 30 years old and the wine is fermented and stainless steel vats and aged in stainless steel tanks on the lees for 6 months.

They want this wine to be fresh and fruity, so the maceration is short and there is no oak.

The colour is an enticing, shining, bright plum.
The nose is direct with lifted sweet fruit making it vibrant and lively. There are brambles and plums and blueberries and some herbal and earthy notes.
The palate is vibrantwith fresh plums and cherries, strawberry even. This makes it lively and pure with silky tannins and a little acidity to give nice freshness.

A nice medium bodied, supple red that is easy drinking and interesting – 90/100 points.

The beautiful winery at Borgo Conventi – photo courtesy of the winery.

2012 Schioppettino
IGT Venezia Giulia

This near extinct grape is a speciality of the region and likes the cool areas with coastal influence or cool draining mountain air. The grape is sometimes known as Ribolla Nera and Pocalza in Slovenia. The grape has high acidity and a somewhat peppery character.

The harvest is done by hand with several passes through the vineyard to pick individual ripe grapes. A further selection of the grapes takes place inside the winery. 20% of the grapes are partially dried, like Amarone  to improve the concentration. Fermentation is in wooden vats with refrigeration gear to keep the temperature low. This takes about 15 days with regular pump overs for extraction.The wine is then aged in second fill, new wood would give a more obvious oak character, French oak barriques (225 litre) for 12 months

The colour is a lovely ruby to pale terracotta red.
The nose gives earthy notes, cooked plums, bitter cherry, raspberry and herbs together with black pepper, cloves and cinnamon.
The palate is very smooth with high acid, sweet dried red fruit, medicinal notes, herbal notes.
Silky tannins and high acid make the wine soft and supple but refreshing and intrigueing. It’s not a big wine, in fact it is quite Pinot Noir like (with a bit of peppery Syrah in the mix for good measure) so it is medium bodied, but it is very savoury and tasty with some delicate chocolate and espresso on the finish from the oak. I love this wine, it is  delicate but rich and long – 94/100 points.

Simon di BrazzanI found this winery to be utterly fascinating. Friuli – and neighbouring Slovenia – is pretty much the epicentre of the Orange Wine movement – skin fermented white wines. Now I like these wines, but never because they are Orange, but because the wines that I like are good. Orange wines are very popular with Sommeliers right now and all sorts of people in the wine business and one hears all sorts of claims about them – and their near relations, “Natural Wines” – that they are the only wines worth drinking. Well I do not take that view, when I like them, I like them. When they are undrinkable then I don’t.

Daniele Drius farms a small estate that he inherited from his grandfather and over the last few years has converted it to organic and biodynamic viticulture. To me he seems to produce the best of both worlds, “fresh” tasting Orange wines and serious, complex “fresh” wines – just like my friend Matjaž Lemut at his Tilia Estate and Aleš Kristančič at his Movia Estate. Both of these are in Slovenia and these two dynamic – and talkative! – winemakers were school friends together.

2016 Blanc di Simon Friulano
DOC Friuli Isonzo

100% Friulano one third fermented in barrel on the skins with the rest fermented in stainless steel and left on the lees for a further 6 months.

It was fermented using the indigenous yeast.

The nose is quite developed with bees wax and honey notes as well as dried apricot, white pepper and something mineral.

The palate has lovely concentration with an abundance of ripe peach, peach skin, red apple, orange, something floral, something mineral and nice, balanced acidity just oiling the wheels.

I loved this and bet it goes down a treat with the local Prosciutto di San Daniele – 93/100 points.

 

2012 Blanc di Simon Friulano Tradizion
DOC Friuli Isonzo

100% Friulano fermented in 8 year old 2500 litre wooden vats with skin contact.

The wine is then aged in those vats for 30 months.

The staves are a mixture of French oak and Slavonian oak.

This has a beautiful, rich golden colour and a lovely nose, rich and lifted, with apricots, candied fruit, coffee and chopped nuts – especially almonds.

The palate is rich, viscous and heady with ripe stone fruit, orange, rich lemon, apple compote, honey, maple syrup, malt and caramel.

The finish is very long, silky and refined. This is a very enticing wine, full of flavour and bursting with energy – 94/100 points.

 

I really enjoyed my time in Friuli Isonzo. The place is very lovely and steeped in history. I met some remarkable winemakers and enjoyed some wonderful hospitality. It a place that seems full of wine. What’s more that wine is incredibly varied. There are many different grape varieties and a huge array of possible blends as well as very different styles and approaches to winemaking.

This is a region that will repay some experimentation. Who knows, your new favourite wine might be from Friuli Isonzo.

Wine of the Week – A Great Cava

The vineyards at Roger Goulart – photo courtesy of the winery.

I like sparkling wine. Yes I really like Champagne too, but sparkling wine does not just have to be for when you cannot afford Champagne you know – many are superb in their own right.

Recently I have tried a couple of delicious Cavas that really got me thinking – why is that in the UK so many consumers fail to see the beauty of Cava and regard it purely as a cheap alternative to Champagne? The Cavas that I tasted were both very different, made in different parts of Spain, from different grape varieties, but had one thing in common – quality. They were both really good and would please any wine drinker who was prepared to be open minded and to enjoy the wines on their merits.

Cava counts as a wine region, because it is a Denominación de origen / DO – or PDO in the overarching EU parlance. The great majority of Cava is produced in Catalonia, the DO covers great swathes of the autonomous region, but Cava can be made in parts of Rioja, Valencia, Navarra, Aragón and Extremadura as well.

My wine map of Cataluña. I created this for the new Wine Scholar Guild Spanish Wine Course which will be launched next year.

The DO regulates where Cava can be produced. The style was created in 1872 in Penedès by the Raventos family who own Codorniu, one of the two giant Cava companies – the other being Frexinet.

The traditional white grapes are Xarello, Macabeo (aka Viura) and Parellada, but Malvasia and Chardonnay are also permitted. Black grapes are used too – either to make rosado / rosé Cava or white cava in a Blanc de Noirs style – so Garnacha, Monastrell, Pinot Noir and Trepat are also allowed.

Of course any Cava must be made sparkling by the Traditional Method, as used for Champagne. This process usually makes the most complex sparkling wines.

Just like the wines of Rioja – and indeed most of Spain – not all Cavas are equal either. A Cava labelled simply as Cava must be aged on the lees for a minimum of 9 months. Cava Reserva is aged for at least 15 months, while Cava Gran Reserva spends a minimum of 30 months on the lees. Basically the longer the wine is aged on the lees, or yeast sediment left over from the second fermentation, then the more the wine develops those complex, savoury, bread, flakey pastry and brioche characters. Of course, as in Champagne, the best producers often age their wines for much longer than the legal minimum time.

There is also a new top-tier category of single estate Cavas, called Cava de Paraje Calificado.

Sadly only one of the Cavas that I tasted is readily available so I will limit myself to that one for now – luckily it is really, really good…

2011 Roger Goulart Brut Gran Reserva 
DO / PDO Cava
Cavas Roger Goulart
Sant Esteve Sesrovires
Alt Penedès, Cataluña
Spain

Based in Sant Esteve Sesrovires, which is near Sant Sadurní d’Anoia, Roger Goulart was founded in 1882 by Magí Canals. He bought the land from the Goulart family, just ten years after Cava was invented. The winery now farms 20 hectares of vines and boasts a kilometre of deep tunnels and cellars where the wines are aged. Above ground is a stunning winery designed by Ignasi Mas i Morell who was a contemporary of the great Catalan architect Antonio Gaudí.

The winery at Roger Goulart – photo courtesy of the winery.

Everything here is done by hand with an eye to detail. This wine is a blend of the three classic Cava grape varieties 60% Xarello, 20.0% Macabeo (Viura) and 20% Parellada, although they do also have Chardonnay and Pinot Noir. The grapes are hand harvested in the very early morning to ensure the grapes are in perfect condition and the acidity, so crucial for sparkling wine, is retained.

In order to create a richer, more autolytic style, they shake the bottles during the ageing period in order to increase lees contact with the wine and so develop a deeper flavour – a little like bâtonnage in still wines. Goulart aim for complex wines and so age their Gran Reservas on the lees for five years before release.

The cellars at Roger Goulart – photo courtesy of the winery.

If you have never tasted a fine Cava then this might be the place to start. It absolutely wowed me because it has that softer fruit profile that Cava has, making it very different from Champagne. There is also lovely brisk acidity keeping it refreshing and delicate, which balances the fruit. Then there is the richness, smoky, nutty, brioche and a touch of flakey pastry from the lees ageing – again this is balanced by the acidity and itself balances the fruit. They wine is very dry, but with a touch of fruit softness, while the mousse is very delicate with a firmness to it that makes the wine feel very elegant and fine.

This is a great sparkling wine and is very versatile. Don’t just save it for celebrations or as an aperitif. It is fabulous with fish and chips, Asian food and light dishes – 92/100 points.

Available in the UK at around £20 per bottle from The BottleneckBin TwoDulwich Vintners, Vino Wines, Ellie’s Cellar, Luvians Bottleshop, Wholefoods Camden, Islington WineChislehurst WinesThe Leamington Wine CompanyRoberts & SpeightShearer’s Fine FoodsThe Shenfield Wine Company

Wine of the Week – a Scintillating Riesling

Some of Pfaffl’s vineyards at Stetten – photo courtesy of the winery.

I love Riesling and while I know that many of you do not, I am just going to on and on about it until you change your mind – well it worked for Bill Cash and Nigel Farage!

Riesling comes in many different guises, the delicate off-dry Mosel style is possibly my favoured option, but then the mineral and slightly bolder Alsace versions also excite me, as do the lime-drenched Australian ones and the vivacious offerings from New Zealand, Chile, South Africa, Washington State and New York. However I also have a new favourite – Austria.

I am always excited by Austrian wines. That feeling of pristine, Alpine purity in the wines speaks to me – indeed I love Swiss, Slovenian, Northern Italian and even Gallician wines for the same reason. Austrian Riesling tends to be more full in style than German examples, dry, yet somehow steelier and more vibrant than those from Alsace – certainly at lower price points anyway.

Well I recently tasted a lovely Austrian Riesling and so with the better weather I thought it would make a great Wine of the Week.

Wine map of Austria – Pfaffl are marked by a red dot a little north of Vienna.

Roman Josef Pfaffl in the Vienna vineyards – see the city in the background – photo courtesy of the winery.

2017 Riesling Neubern
Qualitätswein Trocken/dry
Pfaffl
Niederösterreich/Lower Austria
Austria

I really like Pfaffl. I visited their winery once and they make good wines that to me feel very Austrian. They are precise, they are pure and exciting too. Pfaffl are based in Stetten some 15 km or so north of Vienna. Their vineyards are spread around the village on 10 sites and they also have vineyards in Vienna.

Vienna is the only capital with proper commercial vineyards in it and it even has its own style, the Wiener Gemischter Satz DAC. These are field wines that must contain at least 3 grape varieties grown together, harvested, pressed and fermented together. The permitted grapes Grüner Veltliner, Riesling, Chardonnay and Pinot Blanc and the wines are traditionally served in the Heurigen, seasonal taverns in Vienna that sell that years wine.

Pfaffl also make a more modern style blend from Vienna, their Pfaffl 1 which has 60% Riesling blended after fermentation with 20% each of Grüner Veltliner and Pinot Blanc. I love Pfaffl 1 but have yet to taste their field blend.

Heidi and Roman Josef Pfaffl are a brother and sister with Roman being the winemaker and Heidi the administrator. Roman crafts a largish range of wines, with many single vineyard Grüners and different Rieslings, as well as beautifully drinkable reds made from Pinot Noir and Zweigelt and a stunning sparkling Grüner Veltliner. Altogether they farm around 110 hectares and craft some superb wines from single vineyard sites as well as some bigger production blended across the estate.

My Wine of the Week is one of their bigger production numbers and it is utterly delightful. The nose is fresh and lively with lemon and lime notes, the richer input of apple and pear and some scintillating floral characters too, jasmine and orange blossom. The palate is light, lithe and refreshing with lots of flavour and a clean ethereal presence on your senses. The citrus and apple is there together with a deeper tang of apricot. All in all the wine is poised and elegant with a light touch to it. I liked it a lot, especially with a Thai meal – 88/100 points.

Available in the UK from Lidl for £8.99 per bottle.

Drink this on a warm Spring day, a Summer picnic, on its own as an aperitif, with a cold collation or with spicy and oriental cuisine.

Wine of the Week – a fine, affordable Zinfandel

Old Zinfandel vines in Lodi.

One of my very early jobs was working for the late Geoffrey Roberts who was an early champion of the wines of California and Australia in the UK. As a consequence I had opportunities to taste some amazing California wine while at a young and impressionable age. As a consequence I have loved California wines pretty much all my working life.

Therefore it pains me that it is so hard to enjoy California wines here in the UK. Yes, there are huge amounts of very everyday stuff that is barely worth drinking – you know the brands, while the fabulous wines that gave California its fame tend to be ludicrously expensive once they arrive in the UK – actually in the US too come to think of it.

So while it is always a struggle to feed my love of California wine, there are some high quality bargains out there. I was fortunate enough to taste one the other day and I enjoyed it so much and it is so delicious – and perfect for the icy weather we are having right now – that I have made it my Wine of the Week.

The wine is a Zinfandel and it is worth me giving you a little background on the grape variety from a piece that I wrote a couple of years ago:

As far as we can tell, the grape that became Zinfandel was taken to the eastern United States from Europe in the 1820’s – long before the annexation of California. Records show that it was taken from the Austrian Imperial nursery in Vienna to Boston and was originally sold as a table grape in New England, but destiny called when cuttings were shipped to California to take advantage of the boom caused by the Gold Rush in 1849. That was all we knew until the 1990s when DNA testing discovered that Zinfandel was identical to the Primitivo that is widely used in Puglia, the heel of Italy.

Further investigation and DNA work then discovered that Primitivo/Zinfandel were one of the parents of the Plavac Mali grape which is used on Croatia’s Dalmation coast. The other parent was Dobričić, an incredibly obscure Croatian grape that only grows on the Dalmatian island of Šolta. This find narrowed the search down and in 2001 a vine that matched Zinfandel’s DNA was discovered in a single vineyard in Kaštel Novi north west of Split on the Croatian coast. The vine was known as Crljenak Kaštelanski, or ‘the red grape of Kaštela’. In 2011 the researchers discovered another match, this time with a grape called Tribidrag which is also used on the Dalmatian coast. Crljenak Kaštelanski and Tribidrag are as alike as different clones of Pinot Noir, or Tempranillo and Tinto Fino, but  Tribidrag is the more common name, although not much of it is left, so it too is obscure. However, records show the name has been used since at least 1518 and what’s more, Primitivo derives from the Latin for early, while Tribidrag derives from the Croatian for early – they are both early ripening grapes.

Wine map of California – Lodi is near Sacramento and due east of San Francisco.

2014 Brazin (B)Old Vine Zinfandel
AVA Lodi
California
USA
I have long been an admirer of what Delicato do. They seem to produce a wide range of really well made, classic California wines with plump, ripe fruit and lots of character – not to mention charm.
 
They have been in California for well over 100 years, since Gaspare Indelicato arrive from Sicily looking for a better life. It seems the family had grown grapes and made wine in the old country, so he and and his three sons established a vineyard and winery in Lodi in California’s Central Valley. Today the third generation of the family run the business and they now have vineyards in Napa Valley and Monterey as well as Clay Station, their 526 hectare estate in Lodi.

100 year old Zinfandel in Soucie Vineyard, Lodi. Credit: Randy Caparoso.

 
Many Italian families, including the Indelicatos, settled in this area which has a Mediterranean climate and sandy soils not unlike those found in many parts of southern Italy. Zinfandel was already grown here and as it has many Italianate characters would have made them feel right at home. Brazin is all about harnessing the rich fruit character of this hot region and producing a rich, plush and powerful wine. Much of the fruit is bought in from small growers with whom the family have had contracts for generations. The vines are all 40 years old at least – often well over 100 – and old vines really suit Zinfandel. Old vines produce smaller crops with smaller berries and more intense flavours. They also reach full ripeness with lower sugar levels than younger vine – a virtuous circle. The vines are un-grafted and dry-farmed, which again ensures a small and concentrated cop, and head trained in the traditional Californian manner, rather than trellis grown. The soils are sandy and silty.

Old head-trained vines in Lodi.

They want the wine to have rich, bold fruit and so cold ferment in stainless steel, but they also want it to be layered and complex, so age it in a mixture of French – for dry spice – and American – for sweet vanilla – barrels for 8 months.

Everything about this wine screams rich and powerful – bold even, hence the joke on the label. It is opaque, like squished blackberries. The nose gives dense black fruit, spice, mocha, a little prune and raisin, pepper, sweet vanilla, red earth and bitter chocolate. The palate is sumptuous, bright, glossy, mouth-filling, mouth-coating and very tasty. There is a sweetness of rich dark plums, blackberries, blueberries, cassis all lightened by a hint of rich raspberry too. There is a little cooked fruit and dried fruit characters too and the whole thing is just a little bit jammy – in a really good way. Along for the ride there are coffee, cinnamon, vanilla, clove, dark chocolate, liquorice and black pepper flavours while there are supple tannins and enough acidity to balance the whole shebang. It is tasty, balanced – it carries its 14.5% alcohol very well, really enjoyable and sinfully easy to drink – 88/100 points.

A lovely big red wine that will partner all manner of foods, burgers, steaks and barbecues for instance, but in the snowy winter conditions that we have right now in the UK I think it would bee great with a steak and kidney pudding, meat pie, beef stew or other hearty, warming dishes. Zinfandel is also really good with crispy aromatic duck!

Available in the UK for £12.50 – £14  per bottle from Waitrose, Waitrose Cellar and The Wine Society.

The Variety of Champagne

Vineyards around Dizy in Champagne.

Recently I have led a few Champagne tastings, well it is Christmas. I showed a wide range of Champagnes each time and they were very well received.

What fascinated me was how many questions were asked and the lengthy discussions that grew out of the tastings. In my experience that level of enquiry is relatively rare at wine tastings and I loved it.

What became apparent to me – even more so that I had expected – was how misunderstood, or rather how pigeonholed Champagne is. To most people who came to the tastings Champagne was just one thing, posh sparkling wine for special occasions. Very few of the tasters, before they came anyway, saw Champagne as a wine and very few understood, again before the tasting, just what variety there is in Champagne.

It is that variety that makes Champagne so fascinating and that I sought to illustrate in these tastings. The truth is that Champagne is much more than just a sparkling wine to be drunk at special parties. Sure there are plenty of Champagnes that make a good aperitif – and therefore toast – wine, but there are others that partner pretty much every type of food too.

There is a whole world of Champagne out there with styles to suit every mood and occasion.

Firstly Champagne is defined by the climate of the region. The Champagne region is east of Paris, and some of it slightly north too, so it is not blessed with the best conditions to make wine. The climate is grudging – about as far north as it is possible to grow grapes – and if it was not for the hills of the Montagne de Reims, Vallée de la Marne, Côte des Blancs Côtes des Sezanne and the Côtes des Bar then Champagne would not really be a wine region at all. Just as in nearby Chablis, these slopes allow the grapes grown on them to catch much more sun than if they were grown on flat land. This makes ripening the grapes possible which is why Champagne became a place that made wine at all. Therefore, although there are different levels of ripeness in the wines of Champagne, it is all relative. This cool climate region is a place to make delicate white wines, not bold reds – unless global warming really gets going anyway.

Map of Champagne – click for a larger view – non watermarked PDF versions are available by agreement

The second thing to define Champagne is the chalky soil. This chalk is the second factor that makes it possible to grow grapes and make good wine here. It is very well drained and so negates the bad effects of the rain that can happen pretty much all through the growing cycle. The chalky soil ensures that rain just runs away, leaving the grapes concentrated and healthy. Perversly though this fossil rich chalk, rich in lime and calcite, also retains moisture – a bit like a sponge – and releases it when conditions are dry. It also stays at a constant temperature all year round – pretty crucial in a cool place as it gives the warming up of the season a quick start and helps ripening. The chalk itself is ancient sea-bed and full of fossils and that also helps in the development of complex flavours in the wines. Whether or not it imparts the minerality that can be found in many good Champagnes is open to question – see my article here for more on minerality.

Vineyards in the Valley of the Marne.

Blending Wine from Different Harvests

Because of the lack of heat and sunshine, the Champenois (Champagne producers) have, over the centuries, developed a way of making the best use of the weather that they do get. Most Champagne is sold as Non Vintage – or NV on a wine list –  (Multi Vintage in the US) – with no year on the label – and is made by blending wine from different harvests together. This allows the producer, or house, to always blend the wine to be pretty much the same year in year out. To do this they have to keep back stocks of older base wines to give them the blending options that they need.

Grape Varieties

By and large Champagne can be made from just three different grape varieties, Chardonnay, Pinot Noir and Pinot Meunier – so just one white grape and 2 black grapes. Remember that white wine, which is what most Champagne is, can be made from any colour grapes as you only ferment the juice after pressing and leave the skins out. The colour of a red wine comes solely from the skins. Therefore a good bit of the different styles comes about because of the blend of grape varies used or sometimes which single grape is used. The great majority of Champagnes are a blend of all three grapes, in differing proportions, while those made purely from Chardonnay can be called Blanc de Blancs and those made from either or both of the two Pinots can be labelled as Blanc de Noirs. Generally speaking a Blanc de Blancs will feel brighter, lighter and fresher than Blanc de Noirs Champagnes.

There are always exceptions in wine and there was a much bigger list of grape varieties grown in the past and although the modern rules forbids the planting of anything other than Chardonnay, Pinot Noir and Pinot Meunier, you can still use them if you have them – it seems that you can even replant them too. Up until the First World War Pinot Blanc, Fromenteau / Pinot Gris, Arbane, Petit Meslier, Gamay, Chasselas, Savagnin Blanc, Sacy (also known as Tressallier), Troyen and Morillon were found quite widely in the region.

Nowadays they are pretty rare, but it is still possible to taste Champagnes made from some of these old grapes if you are prepared to work at it – and pay for them. Champagne Fleury produce a pure Pinot Blanc – click here, as do Chassenay d’Arce, while Pierre Gerbais’ L’Originale is made from a parcel of Pinot Blanc vines planted in 1904 – click here. Champagne Moutard make a pure out of Arbane as well as the Cuvée 6 Cépages made from equal proportions of  Chardonnay, Pinot Noir, Pinot Meunier, Arbane, Pinot Blanc and Petit Meslier. Duval Leroy make a Champagne from pure Petit Meslier. Champagne Aubry produce three different Cuvées (blends) using these ancient grape varieties, while Champagne Drappier‘s Quattuor is made from equal parts of Arbane, Petit Meslier, Pinot Blanc and Chardonnay.

Oak or No Oak

Oak barrels at Champagne Alfred Gratien in Epernay. Gratien are very traditional and one of the few houses to barrel ferment the majority of their base wines. Photo courtesy of Champagne Alfred Gratien.

The base wine for some Champagnes, the still wine that is later made fizzy,  are aged or fermented in oak barrels before they are made sparkling, which will make them richer and more complex still. Champagnes made this way seem to be bolder and more obviously savoury, so making them less suitable for frivolous drinking and more suitable for drinking with food.

Ageing

It isn’t only the grapes that determine the flavours and the differences between the different Champagnes though. Length of ageing is very important. Any Non Vintage Champagne has to be aged on the lees – the dead yeast cells left over from the second fermentation in the bottle – for at least 15 months. Most good houses age them a fair bit longer than that though, perhaps for three years or so.

Taittinger’s Comte de Champagne Blanc de Blancs undergoing long ageing in Taittinger’s chalk cellars below Reims. Photo courtesy of Champagne Taittinger.

Vintage Champagne is the product of a single exceptional harvest – Non Vintage is made from fruit from more than one harvest – so Vintage Champagne will be richer and fruitier than Non Vintage. In addition Vintage Champagne must be aged at least 36 months on the lees before release, so will be more complex too. The longer you age a Champagne on the lees, the more the rich biscuit, brioche, flaky pastry and nutty characters develop. We call this ageing yeast autolysis.

Sweetness

The sweetness also has an effect on how the wine tastes. The drier it is the more you will notice the acidity and Champagne being so far north, where there isn’t so much sun to ripen the fruit, has a good deal of acidity to make your mouth water. If acidity is not your thing, I love it because it is so refreshing, then there are options available to you, a sweeter Champagne.

Most Champagnes are Brut, which is very much on the dry side. Brut Champagne contains 0 – 12 grams per litre of sugar, equivalent to half a teaspoon or so per glass. In practice the posher Champagnes like Taittinger are usually about 8 – 12 grams and the cheaper and own label ones usually have that little bit more sugar. Extra Brut is a bit drier than Brut, whereas rather confusingly Extra Dry or Extra Sec is less dry!

Sec Champagne is less dry again and contains 17 – 32 grams per litre of sugar, equivalent to a teaspoon or so per glass. Before the First World War most Champagne was pretty sweet, but nowadays these wines are pretty rare. I am sure there are others, but Taittinger’s superb Nocturne Sec is the only one widely available in the UK and at 17.5 grams per litre of sugar it contains the bare minimum amount of sugar to be Sec, so is not actually sweet at all.

I loved showing a range of different Champagnes at these tastings and seeing how interesting the tasters found them. They just were not expecting to experience so many different flavours and styles.

Here are some of the Champagnes that I have shown in my recent tastings, these all found particular favour with the crowds on the night, sometimes for very different reasons.

Light, fresh Champagnes 

This is how most people imagine Champagne and indeed the style of Champagne that most of us drink most of the time. They are perfect to drink on their own, for the toast or the aperitif or to serve with light nibbles like cheese straws, fresh light cheeses, fish and chips and Asian cuisine.

Veuve Monsigny Brut No III NV
Champagne Philizot et Fils
Reuil, near Reims

I know nothing about Philizot, but they appear to be a genuine Champagne house rather than a dreamed up brand name. They must be quite big, even though very few of us have ever heard of them, because they have to be selling a great deal of this. The blend is one third each of Chardonnay, Pinot Noir and Pinot Meunier.

This is genuinely a nice bottle of Champagne, fresh, lively and very appley with a soft mousse and palate. Not the most complex, but very decent and well made with nice acidity and some of the elegance and purity that generally sets Champagne apart from other sparkling wines.

How they do this at the price I really do not know, but I am glad they do – 87/100 points.

Available in the UK @ £10.99 per bottle from Aldi.

Bissinger & Co Grande Prestige Premium Cuvée Brut NV
Vranken-Pommery
Tours-sur-Marne

I know next nothing about this Champagne house except that it used to be based in Aÿ and has history dating back to 1875. Since 2012 it has been part of the mighty Vranken-Pommery group and continues to make good wines that deliver excellent value for money too.

It looks good in its fancy shaped bottle and it tastes pretty good too. It might not be quite as dry as other Champagnes, but that makes it soft and very drinkable indeed – and it is still dry. There is a little more richness here too, from longer ageing than the Verve Montigny I assume. I liked this and so did my tasters – 88/100 points.

Available in the UK @ £17.99 per bottle from Lidl.

Louis Chaurey Brut NV
Champagne Oudinot
Epernay

Oudinot is a pretty prestigious house with history going back to the dawn of the nineteenth century when Jules Edouard Oudinot started making Champagne from his vineyard in Avize in the Côtes des Blancs south of Epernay. Today it is part of the great Laurent-Perrier and they make this label for Marks & Spencer. Again the blend uses all three typical grapes, but I am unaware of the blend.

This is very Epernay in style, very apply, very citrus. In short it is light, fresh and refreshing. Thoroughly enjoyable and that light touch of crushed digestive biscuit gives it enough interest and richness. A perfectly decent Champagne – 87/100 points.

Available in the UK @ £34.00 per bottle from Marks & Spencer – make sure to buy it when on offer which comes around about twice a year, 50% off and another 25% off when you buy 2 cases of 6 bottles.

H Blin Brut NV
Champagne H Blin & Co
Vincelles

I have always been a fan of H Blin. Based in Vincelles some 20 km west of Epernay they have farmed grapes for generations, but only started making their own Champagnes after World War II. Being based in the Valley of the Marne they champion the somewhat unloved Pinot Meunier, even to the extent of making an excellent still red from it under the Coteaux Champenois appellation.

This is their standard non vintage Cuvée made from 80% Pinot Meunier with 20% Chardonnay and 2 years ageing

The nose is of toasted brioche and cooked lemon, while the palate gives zesty green apples, a touch of red apple, some light nuts and even a touch of caramel from the ageing development. A very tasty, but also refined and elegant Champagne – 90/100 points.

Available in the UK @ £28.00 per bottle from Oddbins.

Taittinger Brut Réserve NV
Champagne Taittinger
Reims

Taittinger is a rare beast for a Champagne house, in being owned and managed by the family whose name is on the label. This is no mean feat in the modern world when Champagne is often seen as a luxury brand product rather than a wine as such. As far as I am aware Bollinger is the only other world famous Champagne house to remain a family company. It must focus the mind somewhat having your name on every bottle and being ultimately responsible for the quality and style of wine that your family produces and under the management of Pierre-Emmanuel Taittinger I think the wines have evolved and the quality has really shone.

This is the standard wine from the house and I always enjoy it. 40% Chardonnay dominates the wine together with 35% Pinot Noir, 25% Pinot Meunier blended from vineyards across the region and then aged 3 years on the lees.

I really enjoy this wine because it light, fresh and vibrant, but has depth of flavour too. There is a creaminess running all the way through it, as well as citrus, green apple and a touch of peach. There is crisp, but not startling acidity and the mousse is soft and creamy without being frothy. There is also a touch of caramel and digestive biscuit to the palate that gives a nice smack of complexity, but the finish is dry and clean.

I always think this wine is deceptively straightforward and sinfully drinkable. Indeed it is a wine that you can focus attention on and savour its subtle charms, or just enjoy it and let those charms wash over you – 91/100 points.

Widely available in the UK @ around £37.00 per bottle – Majestic reduce that to £27.73 when you mix 6 bottles of anything. Asda’s price is £27.

Champagne vineyards.

Franck Bonville Blanc de Blancs Grand Cru Avize NV
Champagne Franck Bonville
Avize

This small, family run Champagne house has always attracted me. They winemaker is fourth generation Olivier Bonville whose grandfather Franck started it all just after World War I. Altogether they farm just 20 hectares in the Grand Cru Côtes des Blancs villages of Avize, Over and Le Mesnil.

This wine blends 70% of Avise fruit with 30% from Oger and it is aged for 30 months on the lees. The nose gives a lovely touch of ozone or rock pools – which I find fairy typical of lean Chardonnay.

The palate has plenty of orchard fruit too, apples and white peach. There is a lovely, playful tension in this wine between the almost creamy richness of the Chardonnay and the freshness and acidity of the style. The result is wine that gives softness and generosity together with that purity, almost salty quality that a fine dry white can have. An excellent and complex aperitif wine – 91/100 points.

Available in the UK @ £35.00 per bottle from Premiers Grands Crus and Cadman Fine Wines.

Legras & Haas Chouilly Grand Cru Brut Blanc de Blancs Extra Brut
Champagne Legras & Haas
Chouilly

Champagne Legras & Haas is a Champagne domaine founded as recently as 1991. Before he created his own estate in 1991, together with his wife Brigitte – whose maiden name was Haas, François Legras was the winemaker at R & L Legras as his forebears had been since the sixteenth century. It was his desire to be a true vigneron, a grower with a domaine that made him strike out on his own and today the house has 31 hectares mainly in the Grand Cru village of Chouilly. Today the house is run by François’s sons Rémi and Olivier Legras and I think the wines they produce are remarkably fine.

Extra Brut has a dosage of less than 5 grams per litre, so the wine is allowed to dominate the style. There is no softness here, no fat, just precision and austerity. This means that the Champagne has to be perfect first time – like a water colour.

They got it right, the wine has concentration, but is about minerality and tension. If you like Chablis you will enjoy this. It has that same nervy character and stony depth to it. The bubbles really are tiny and persistent and add some structure to the wine. Four years ageing on the lees has also added little flourishes of flakey pastry, but for me this is all about the minerality, finesse and elegant austerity – 93/100 points.

Available in the UK @ £48.00 per bottle from Uvinum.

The softer side of Champagne

If all that acidity is not your thing, you can still enjoy Champagne, but a slightly less dry Sec version might suit you better. Rosé Champagne is softer too as the great majority of rosé Champagnes get their colour from some still, red Pinot Noir being added to the base wine before it is made fizzy. This gives red fruit characters and makes the wine seem riper and rounder and so softens that acidity,

Taittinger Nocturne Sec NV
Champagne Taittinger
Reims

40% Chardonnay together with 35% Pinot Noir, 25% Pinot Meunier, aged 4 years on the lees. Much of the fruit comes from Taittinger’s own estates including some from their Château de la Marquetterie.

The idea here is to make a soft Champagne that is drinkable after dinner and long into the night – or indeed any other time, I find it’s good at breakfast! People often assume that this will be sweet, but it isn’t at all. There is 17.5 grams per litre of residual sugar, but remember how high the acidity is in Champagne, well here the acidity and the sugar balance each other perfectly, so the wine finishes clean and balanced. It is soft, not sweet at all, the palate is creamy and there is a gentle nectarine quality to it and and an eating apple crunch.

This might be perfect if acidity is not your thing, or if you want a Champagne that can withstand traces of something sweet on your palate. This also lived up to its name by remaining quite delicious throughout the tasting and even after all the others were finished – 90/100 points.

Available in the UK @ around £47.00 per bottle from Asda and Waitrose Cellar.

Taittinger Prestige Rosé Brut NV
Champagne Taittinger
Reims

I love Rosé Champagne as it always feels so hedonistic and almost naughty. I think this is one of the best on the market.

35% Pinot Noir, 30% Chardonnay, 45% Pinot Meunier with 15% of the Pinot Noir being red to give the colour – the Pinot comes from Ambonnay, Bouzy & Les Riceys. The finished wine is aged 3 years on the lees.

This is a real charmer of a wine, the colour is a deep wild salmon meets strawberry and the richness of red fruit makes the wine seem much less dry and acidic than it actually is. So if you like a softer style of Champagne then this could be for you, certainly the palate gives lots of red fruit, raspberry and even blood orange.

If you age it for a few years the fruit mellows somewhat to a more rose petal quality making the wine quite different, but just as lovely – 91/100 points.

Widely available in the UK @ around £50.00 per bottle – however the Asda Wine Shop price appears to be just £27!

The Richer Side of Champagne

I am lucky, I like all styles of Champagne including the rich ones. These are often based on black grapes rather than Chardonnay, so gives more weight. They are also often aged longer and sometimes have some oak influence too. These Champagnes go very well with surprisingly rich food too, like foie gras, game and charcuterie.

Barnaut Grande Réserve Grand Cru Brut NV
Champagne Barnaut
Bouzy (yes, Bouzy, really, it is a Grand Cru village in the Montagne de Reims and rather wonderfully Dizy is not far away either!)

This little grower-producer is a new find for me and they are pretty good. Based in Bouzy they base their wines on Pinot Noir – and even make a still red wine and rosé too. This cuvée is two thirds Pinot Noir and one third Chardonnay from their own vineyards in Bouzy, Ambonnay and Louvois. The wine is aged for 4 years on the lees and has a low dosage of just 6 grams per litre, making it almost Extra Brut.

In truth this Champagne is only slightly richer than those above, so could be enjoyed on its own, but there is a touch of something richer from all that Pinot and the longer ageing. There is a touch of red fruit here together with a deeper biscuity note. It is wonderfully focussed and pure though and very dry, but with the sensation of very ripe fruit, so there is plenty of tension in the wine – 92/100 points.

Available in the UK @ £27.00 per bottle from Lea & Sandeman.

One of my two favourite Champagne village names.

AR Lenoble Blanc de Noirs Premier Cru Bisseuil Brut 2009
Champagne A R Lenoble
Damery

AR Lenoble was founded in 1920 and is still family owned by sister-and-brother team Anne and Antoine Malassagne, the great-grandchildren of founder Armand-Raphaël Graser from Alsace. He called his house Lenoble as it sounded more French than his somewhat Germanic name of Graser. AR Lenoble owns 18 hectares in three prime locations in Champagne. Chouilly, Bisseuil and Damery. All their Chardonnay comes from the Grand Cru village of Chouilly, their Pinot Noir comes the Premier Cru village of Bisseuil and their Pinot Meunier comes from their home village of Damery.

100% Pinot Noir with 35% fermented and aged in oak before the second fermentation and aged on the lees for 4 years. This is a powerful, heady and concentrated Champagne. The dosage is only 5%, so could be labelled as Extra Brut if they chose, however it is so full of flavour that it is far from austere and has a wonderful spicy cinnamon and vanilla note from the oak.

A wonderfully intense Champagne with real richness that comes from the use of just black grapes, long ageing, barrel fermenting and ageing and the quality of the vintage – 93/100 pints.

Available in the UK @ £47.00 per bottle from Plus de Bulles and Premiers Grands Crus. Also contact Ellis of Richmond who are the UK agents.

Taittinger Prelude Grands Crus Brut NV
Champagne Taittinger
Reims

What to do? You want vintage Champagne with all that richness and savoury brioche character, but cannot be doing with ageing some and anyway you want a slightly softer fruit character to give a touch of the frivolous, yet still keep it elegant and refined. You probably guessed it – you drink this.

50% Chardonnay grapes from the Côte des Blancs – including Avize and Le Mesnil sur Oger – blended with  50% Pinot Noir from the Montagne de Reims – including Mailly and Ambonnay. The finished wine is aged 5 years on the lees.

Another glorious cuvée from Taittinger that manages to be intense and soft all at the same time. This makes it very appealing with rich fruit and similarly rich leesy characters and complexity. The mousse is markedly softer than on Taittinger’s vintage, yet firmer and more precise than on their Brut Réserve Non-Vintage. In truth this Champagne goes with everything and nothing, it is just splendid – 92/100 points.

Widely available in the UK @ around £40 per bottle: John Lewis, Great Western Wine, Majestic, Champagne Direct.

Taittinger’s beautiful Château de la Marquetterie. Photo courtesy of Champagne Taittinger.

Taittinger Les Folies de la Marquetterie Brut NV
Champagne Taittinger
Reims

A single vineyard Champagne – a very rare beast indeed – from the vineyards around Taittinger’s own Château de la Marquetterie in Pierry near Epernay, which quite apart from being a beautiful place has a south and southwest exposure and so creates beautifully ripe fruit.

The blend is 55% Pinot Noir to 45% Chardonnay a small portion of the latter is fermented in oak vats which lends a subtle toasty spice to the finish as well as weight to the palate. It is aged for 5 years on the lees.

This is an exciting Champagne with richness and real savoury qualities. Again it is concentrated, but has bigger bolder characters and in some ways feels like a mature vintage Champagne.

Personally I do not regard this as a Champagne to drink while standing and nibbling twiglets, for me this needs a meal  – although feel free to serve it to me with nibbles – and would be perfect with a lovely piece of good quality fish – 92/100 points.

Available in the UK @ around £50 per bottle from Waitrose Wine Cellar, Fareham Wine Cellar,  The Drink Shop among others.

Alfred Gratien Brut Vintage 2004
Champagne Alfred Gratien
Epernay

A tiny Champagne house that was long part of Gratien and Meyer in the Loire. It was founded in 1864 and was for a long time run by the Seydoux family who were related to the Gratiens and also the Krugs. Nowadays it is owned by German sparkling wine giant Henkell & Söhnlein, but all they seem to have done is to pay for much needed repairs and vineyard purchases, the style and devotopn to tradition remains the same, as does the cellar master in fact.

Alfred Gratien was the first Champagne house, indeed the first winery that I ever visited back in 1984 at the age of nineteen and I have been fond of what they do ever since. They ferment their base wines in oak barrels that they buy second hand – you don’t want too much oak – from the Chablisienne cooperative in Chablis. As a consequence their wines are rich and heady and brooding and very fine.

This is two thirds Chardonnay with the rest equal parts of Pinot Noir and Pinot Meunier. The nose is nutty, citric and toasty with flecks of flint. The palate is broad and deep, yet with that lively purity that makes Champagne so wonderful. There is toasted brioche, smoke, peach and apple and citrus and a warmth and fullness that belies the zing of the acidity. That tension between those two makes it feel very fine and long in the mouth – 92/100 points.

Available in the UK @ around £42 per bottle from The Wine Society.

Taittinger Brut Vintage 2009
Champagne Taittinger
Reims

50% Chardonnay and 50% Pinot Noir from mainly Grand Cru villages in the Côte des Blancs for the Chardonnay and the Montagne de Reims for the Pinot and then aged 5 years on the lees.

If you are ever feeling jaded and tired of life then this wine has a wonderfully restorative quality. The sensations here are of concentrated fruit as the vintage is only made in occasional exceptional years, however not only is the fruit more powerful, but the acidity is fresher and the weight is greater too, so this is a very intense wine. Red fruit notes and ripe peach vie with each other on your senses, while the savoury, nutty, brioche lees characters add more depth and the rich seam of acidity keeps it all fresh and elegant too.

A glorious Champagne with a firm and steady mousse and a wonderful feeling of tension running through it giving it poise and elegance – 92/100 points.

Available in the UK @ around £50 per bottle from Waitrose Wine Cellar, Amazon,  The Drink Shop and Great Western Wine among others.

And some Ultimate Luxury…

Most major Champagne houses produce a Cuvée de Prestige using the very best fruit. These wines have care and attention lavished upon them and are aged longer than the normal cuvées and usually come in a fancy bottle that looks lovely and shows you that everything has been done by hand as these bottles do not fit the machines.

I like Taittinger as a house and think that their Cuvée de Prestige is one of the very best on the market. It certainly wowed everyone I showed it to at the tasting.

Taittinger’s Comte de Champagne Blanc de Blancs in the punters in the chalk cellars below Reims. Photo courtesy of Champagne Taittinger.

Taittinger Comtes De Champagne Blanc De Blancs Brut 2006
Champagne Taittinger
Reims

One of the greats of Champagne, this cuvée de prestige is 100% Chardonnay from the Grand Cru villages of Avize, Le Mesnil sur Oger, Oger and Chouilly in the Côte des Blancs. 5% is aged in new oak barrels for 4 months to add complexity and richness and the finished wine is aged for at least 7 years on the lees before release.

James Bond fans will know this was the favoured Champagne of Ian Fleming’s spy in the early books and I for one can see why – JFK seemed to enjoy it too. This is the most delicate. mineral and fine Chamapagne that I have ever tasted. It oozes finesse and breeding and subtlety, but has many more obvious charms too. I often think this is the most ‘wine-like’ Champagne that I know, it sort of seems like the finest Chablis you can imagine, but with a delicate and taut mousse – 95/100 points.

This very fine stuff and makes a superb aperitif, but is even better served with light seafood dishes like oysters or scallops. It would even go with a light fishy (sea bass) or chicken main course.

Available in the UK @ around £120 per bottle from Waitrose Wine Cellar, Majestic,  Marks & Spencer and Ocado among others.

Obviously this line up barely scratches the surface of the different styles of Champagne that is out there, but is shows how different they can be and made for some fascinating and thought provoking tastings.

If you have only had a single view of what Champagne does, perhaps you might enjoy a little experimentation too, try some different examples and see what you think.

Wine of the Week – Mature Villa Maria Chardonnay from my Cellar

The beautiful Wairau River in Marlborough, New Zealand.

Recently I had a wonderful wine experience. I was working at the Decanter Fine Wine Experience and Sir George Fistonich was there. Now George, if you do not know is one of the great figures in the world of wine.

Sir George Fistonich, the founder, owner and driving force behind Villa Maria. I took this photograph at the Esk Valley winery in Hawke’s Bay, which is also part of the group.

He founded Villa Maria, the famous New Zealand wine producer, in 1961 and owns it to this day. His achievements are amazing and from humble beginnings Villa Maria is now the largest privately owned winery in New Zealand, indeed it is the largest New Zealand owned winery in the country.

I have been involved with Villa Maria either directly or indirectly since 1987 and the wines are never less than good and frequently very good indeed. As a whole the range is very impressive and it is easy to see why it one of Drinks International’s Most Admired Wine Brands in the world. In addition George also owns the Vidal, Esk Valley and Te Awa estates in Hawke’s Bay as well as the Thornbury range, whose Central Otago Pinot Noir is one of New Zealand’s best value wines.

What I especially admire about Villa Maria is that they make wines that people really love and that have huge recognition among consumers, but are still keen to innovate and try new styles of wine and new ways of working. George led the charge on the move to screw cap seals for instance. That seems a long time ago now, but it was only 2004 in fact. Among much else they have also experimented, very successfully, with Albariño, Orange Wine and a new wine called Ngakirikiri, a super premium release is a Cabernet Sauvignon dominated blend from the Gimblett Gravels growing area in Hawkes Bay and it is a magnificent wine.

I was chatting away to George and commented that I had found an old bottle of Villa Maria wine in my cellar and asked if he was around the next day to try it with me. Well he was and so I brought the bottle in on the tube.

It was my last bottle of 1994 Villa Maria Reserve Chardonnay from Marlborough. I hadn’t kept it deliberately, but it was left over from a tasting about 20 years ago and I simply never got around to doing anything with it. The level looked pretty good, but the colour slightly worried me. It looked quite dark, although it was hard to tell through the green bottle.

Opening an old bottle of wine is always nerve wracking. How old is too old? I was certainly nervous about this one. Would it be oxidised and just too far gone to drink. Frankly at 23 years old it could well have been.

George in his early days – photo courtesy of Hatch Mansfield Agencies.

I opened it very slowly and very carefully, but even so the bottom quarter of the cork broke off and I couldn’t retrieve it, so it was rather un-stylishly bobbing about in the wine. However the rest of the cork was nice and damp and smelled clean, which made me more optimistic that all would be well.

I poured some into George’s glass before mine and together we inspected the colour and then sniffed the wine before taking a sip. First I felt a sense of relief that it was still alive after all this time, then a sense of joy that it was actually still quite fresh and bright, then feeling of exuberance because it was actually rather fabulous.

 

 

Wairau Valley vines

Map of New Zealand’s wine regions – click for a larger view – non watermarked PDF versions are available by agreement.

1994 Villa Maria Reserve Chardonnay
Villa Maria Estate
Marlborough – the label rather elegantly states “Marlborough Region”
New Zealand

One great thing about this bottle is that the back label is wonderfully detailed, unlike the current labels. So, I actually know a great deal about how this wine was made. It is a blend of 70% Waldron Vineyard and 30% Fletcher Vineyard fruit. The two vineyards are very close to each other in the Rapaura district of the Wairau Plains, the ‘Golden Triangle’. Waldron is a warm, stony site that produces full flavoured, richly concentrated fruit that makes for vividly fruity wines. Fletcher, farmed by Colin, Chris and Michelle Fletcher, is on especially low vigour stony soils.

According to the fabulously informative back label just 17% of the wine went through malolactic fermentation, which made sense once I tasted it and noticed the high acidity. The wine was aged for just 5 months in oak barriques (225 litre barrels).

The colour was a beautiful bright yellow, light toffee, slightly orange and peach skin sort of colour. The nose was good, yes there was a slight touch of oxidation, but also real honeyed richness of peach and pineapple with something fresh, stony and mineral together with a light touch of caramel and butterscotch.

The real surprise though came with the palate. It was overwhelmingly fresh with lively acidity making it seem positively youthful and playful. Those flourishes of richness, pineapple and caramel mainly were in the background with something nutty and spicy from the oak, while the stony fresh acidity was to the fore making the wine seem pure and mineral.

23 years in bottle had not dimmed the wine in any way. I remember it as being a very good wine at the time, but now, all those years later, it has developed into something that brought all the different strands of Chardonnay together perfectly – ripe fruit richness, judicial use of oak, cleansing acidity and minerality. It had become a great wine and tasting it was a wonderful experience.

Wairau Valley vines.

So you see, Chardonnay is a great grape variety – indeed personally I think that New Zealand should enjoy a higher reputation for its Chardonnays than its Sauvignon Blancs – and Villa Maria makes wines that age brilliantly – even for a long time in the less than perfect conditions of my “cellar” – into something complex and extraordinary.

There are many things to enjoy about wine, the freshness, the fruit, the direct pleasure are all important, but sometimes the complexity of an aged wine is more beguiling and fascinating, while the shared pleasure of a rare wine can be a truly memorable experience.