Wine of the Week 48 – it’s all change in Bulgaria

Back in my early days in wine, 30 odd years ago now, a big chunk of the cheaper wines available here in the UK were from Bulgaria. Every retailer stocked a decent range of wines from this, then, Communist Block country, as no one at the time could touch them for quality, low prices and value for money. Some of the wines were merely acceptable and cheap, while others were really very good indeed – I have very fond memories of the excellent 1978 Sakar Mountain Cabernet Sauvignon – Sakar is an appellation or PDO in the Thracian Valley in Bulagaria’s south east.

UK consumers seemed to love the wines and/or the value they represented and so we soaked up all the Bulgarian wine we could get.

After the fall of Communism though it all changed. The Bulgarian industry had lost its traditional big market, the Soviet Union, and the upshot was that the big nationalised wineries were privatised, the vineyards fell into decline – many were abandoned – and a downward spiral set in. Certainly Bulgarian wine totally disappeared from the UK market, so much so that most of my students have no idea that the country makes wine at all.

Bulgaria has a lot going for it wine-wise, a long history of winemaking, a (mainly) Mediterranean climate and a burgeoning tourist industry on its Black Sea coast and as a skiing destination in the mountains. So it makes perfect sense that Bulgarian wine is beginning to reemerge onto the market. Gone are the days of the huge cooperative cellars – most of them anyway – and the days when all that mattered was earning hard currency, so the wines were sold at low prices. Now it is the turn of the passionate boutique producer and I have to say that what I have tasted is very promising indeed.

The most exciting that I have tried was a Chardonnay from a promising, small boutique producer called the Rossidi Winery, which has their own vineyard in the Thracian village of Nikolaevo some 30 miles west of Sliven – click here for a map of Bulgaria. I thought it was excellent and that it deserves a wider audience, so I made it my Wine of the Week.

Steven Spurrier tasting Rossidi wines at Vagabond Wines in Fulham, London. The Chardonnay is on the left, while their Gewürztraminer is in front of him.

2012 Rossidi Egg Fermented Chardonnay
Nikolaevo Vineyard, PGI Thracian Valley
Rossidi Winery
Sliven, Bulgaria
Most of the wine is fermented in a combination of stainless steel tanks and concrete eggs – hence the name. 5% is fermented in old, large (400 litre) French oak barrels. Egg shaped fermenters are relatively new – the first one was made in 2001 – and very exciting. The shape means there are no dead corners where wines get trapped, instead the wine can flow around the curved walls of the vat, which means that everything is more uniform. It also helps with the lees stirring and can make the wine seem rounder and more textured, but without the oak characters we usually associate with such a wine.

The wine was a deep buttery golden colour, while the nose offers cream, butter and cardamom, hazelnuts and a light dash of caramel.
The palate is ripe, rich, round and creamy with succulent peachy fruit together with some lemon curd, glacé pineapple and enough acidity keeps it focussed and fresh. A generous, delicious and moreish style that goes perfectly with creamy risotto, rich fish dishes, including fish pie, and garlicky chicken – 88/100 points.

The first concrete egg I ever saw, at Domaine Carneros in the Napa Valley.

I also greatly enjoyed the rather rich and deliciously fruity Rossidi Pinot Noir.

Available in the UK for £12.99 a bottle from Zelas.

On the subject of Bulgarian wine, I recently also tasted the excellent 2011 Berulé Mavrud from the Villa Melnik winery, that is a lovely wine too and if it was available in the UK would also be a Wine of the Week.

So, if you remember Bulgarian wines from the past and want to see what they are like now, or just want to taste something new and exciting, then give this a go. It is very good quality indeed and shows that Bulgaria is really on the up.

 

 

 

 

Wine of the Week 47 – a great experience and a great Rioja

This week I throw caution to the wind and celebrate tasting – and drinking – a rare gem from my cellar. It is most certainly not cheap, it isn’t widely available, but it was very, very good, so it is my Wine of the Week.

I was teaching a WSET level 2 course and none of my students had ever tasted a really mature wine, so we cooked up a plan to share an old bottle from my collection.

I spent a happy hour browsing through my bottles, wiping off the dust, and eventually I chose something really exciting. It had sat in my wine rack for well over twenty years just waiting for its moment and I crossed my fingers that it would live up to the hopes that we had for it.

Actually I just hoped it was still alive and not corked.

The bottle was a Rioja, but not just any old wine from that region. No this was the single vineyard 1970 Viña Tondonia Gran Reserva from the great Bodegas López de Heredia in Haro.

Looking south across Rioja’s vineyards from the Sierra de Cantabria mountains.

López de Heredia are unapologetically old fashioned even now, with long ageing and even producing oaky whites and rosés, but this wine was 45 years old. Franco was still dictator of Spain when it was made and Ted Heath was the UK Prime Minister. It was a very different world back then, without computers or the internet, cheap air travel or mobile phones – what’s more The Beatles hadn’t even officially split up and the first Moon landing was only the year before!

I have visited the bodega once, a long time ago, but it always stays with you as the place is one of the iconic wineries of Spain and their story is pretty good too. Still family run, they were founded in 1877 by Don Rafael López de Heredia Landeta who was actually born in Santiago, Chile. However he was Spanish and when the family returned to Spain in 1869 he went to nearby Bayonne in France to study business. While he was there he must have seen the problems the French were having with their vines – this was in the depths of the phylloxera crisis – and the business potential of applying Spanish wine to French producers who had no wine of their own to sell – click here to read about this period of Rioja’s history.

Map of Rioja – – click for a larger view – non watermarked PDF versions are available by agreement.

Don Rafael established his winery in Haro, in the barrio, near the railway station – this area is home to a great concentration of the fine old established Rioja producers, including CVNE and Muga, as the railway made exporting the wines much easier than it was in the past. At first the winery was pretty small, but as demand grew he sought to expand – in every direction.

First they set about digging cellars into the local hillside and then he wanted to enlarge the bodega buildings too. He did this by employing Galician stonemasons to turn the excavated stone into building material and then got an architect to design him an up to date winery that was much larger than he needed to allow for future growth. Amazingly it is still larger than they need, although they have expanded several times in to vacant buildings that Don Rafael put up back in the nineteenth century.

The beautiful López de Heredia winery, complete with the Txori Toki tower. Photo courtesy of the bodega.

As if developing downwards, by digging cellars, and outwards with more buildings was not enough, the winery was finished off with a lovely art nouveau tower that dominates that part of Haro and makes it impossible to miss the winery. This tower is known as the Txori Toki – bird tower in Basque – and its picture graces their wine labels to this day.

López de Heredia is a lovely bodega to visit, the buildings are beautiful and seem to capture the spirit of a time and a place in Rioja’s early history. The cellars are simply amazing with cavern after cavern opening up as you walk through them and you briefly like an explorer from a different age. At the heart of the cellars is a huge tasting room with an enormous round table and enjoying a tasting there is an experience that you never forget.

Unusually for Rioja their production has always been based upon their own vineyards and the core of their range is a series of single vineyard wines such as Viña Gravonia, Viña Cubillo, Viña Bosconia and most importantly the famous Viña Tondonia. This large, 100 hectare vineyard is so synonymous with the company, that its official name is Bodegas R. López de Heredia Viña Tondonia. This extraordinary site produces some of the most iconic and traditional Rioja ones in the form of their great reds, whites and one of the very last of the old style long barrel aged Rosados.

The tasting room deep in the cellars, photo courtesy of the winery.

1970 Viña Tondonia Gran Reserva
Bodegas R. López de Heredia Viña Tondonia
Haro, Rioja
The blend is something like 75% Tempranillo with 15% Garnacha and some Mazuelo and Graciano.  It fermented in wooden fermentation vats, before being aged for 10 years in 225 litre American oak barrels before being bottled.

Opening wine as old as this is always a gamble and a bit of a worry, but I had stored it well in my small cellar the Big Yellow Wine Storage in Fulham, so I should not have worried and as soon as I sniffed it, I knew it was good.
The colour was a real tawny orange and it had become transparent with age. The aroma was deep and savoury with leathery, earthy, meaty, mushroom notes together with some dried fruit – cherry, raspberry, prune, raisin – as well as orange, walnuts and rich coffee, it was really exciting sniffing this.
The palate too was extraordinary, with plenty of life in it still. There was a nice refreshing, elegant cut of acidity and even a little smear of tannins on the finish, but everything was superbly integrated and had become a whole entity with a silky mouthfeel. The flavours were overwhelmingly savoury with smoky, meaty tones, dried fruit giving that glimmer of sweetness and an intensity that totally dominated my senses. Whats more I have never had a dry wine that had such a long finish, it went on for around 2 minutes!
This was a great wine by any measure and what’s more showed no sign of being tired yet. Probably the finest old Rioja I have ever tasted – 95/100 points.

I don’t drink, or even taste, anything like this very often, but when I do it reinforces my joy of wine and excites me enormously. The sense of history I get when I taste old wine is a real part of the pleasure, so if you ever get the chance to taste a really old Rioja, do give it a go.

The Good Campanians – stories, grapes and wines from Italy’s deep south

The other week I was a guest at Campania Stories, which is a wonderful event designed to immerse wine writers and wine educators in the exciting world of Campania wine.

The view from my Naples hotel balcony, Mount Vesuvius is pretty dominating and dramatic and could erupt again any time. It last erupted seriously in 1944.

Campania is a fascinating region, very beautiful, amazingly varied, steeped in history and full of wonderful things to see. Naples is of course at its heart, but there is so much more here too. Sorrento, the Amalfi Coast and the islands of Capri and Ischia all offer rewarding experiences for the traveller, as do the ancient wonders of Pompeii and Herculaneum. However the less well known inland areas are also extremely interesting and whilst they are a little off the tourist trail, they do produce some of the region’s – and Italy’s – most exciting wines. At first glance the wines here seem very traditional and almost the antithesis of the soft, overtly fruity new world wines that dominate the wine selections in supermarkets around the world. They are of course labelled by place name as is the custom in Europe, but many Italian wine names include the name of the grape variety too, as is often the case here. Pretty much everything in Campania is made from local indigenous grapes, some of which are very old indeed, with histories that reach back into ancient times. These grape varieties are the driving force of Campania, they define the types of wine the region can make, while the climate and soils reinforce those definitions. Man of course can make choices and adjustments, so there can be some differing styles and emphasis in the wines.

Naples fishing harbour with Capri in the distance.

Ancient Grapes Any search for new flavours and excitement should take in Campania as it is home to such fabulous grape varieties.

The Black Grapes:

Aglianico is the region’s mainstay black grape and its name is either a corruption of ellenico or Helleni that betray Ancient Greek origins, or Apulianicum, the Latin term for southern Italy. Either way we know it is very old and was used to make Falernian which was the most highly rated wine of Ancient Rome, the modern Falerno del Massico is made in the same area. Aglianico is traditionally full-bodied, with high acidity – perfect with food – and high tannin that can seem a little rustic in the wrong hands. Luckily many winemakers increasingly seem to know how to tame those hard tannins.

Piedirosso, was apparently mentioned by Pliny the Elder and its name translates as ‘red foot’ because the stems are red in colour. In fact, in the local dialect it is called Palombina or Per’e Palummo which means ‘little dove’ and ‘dove’s foot’ because the stems are made up of 3 stalks that make it resemble a bird’s foot. This grape also has high acid, but is lighter in tannin, so produces quite soft wines. It is often blended with Aglianico to make the wine fresher, especially in Fallerno del Massico and Lacryma Christi del Vesuvio.

The White Grapes:

Fiano is also an ancient variety that is believed to have been used to make the famous Apianum wine in Roman times. Back then the grape was known as Vitis Apiana beacuse it apparently attracted bees (apis). Of all Campania’s whites I find the best Fiano to be the most balanced in terms of fruit and acidity.

Greco is a fascinating grape, capable of making some great dry whites, the best are traditionally made in the area around the town of Tufo and are very mineral and fine. The jury is out about the origins of the name though. Most books say it was brought to Italy by the Ancient Greeks, but Ferrante di Somma di Circello, whose Cantine di Marzo produces fine Greco di Tufo, told me that it was called Greco because it was the best grape to make Greek style wine, by which people used to mean sweet wine from dried grapes. These were the most sought after wines in the middle ages and were known as Romneys by the English wine trade.

Falanghina, much as I love Fiano and Greco, I reckon Falanghina is Campania’s calling card for white wines. It is capable of being much softer and fruitier than the others and can easily be enjoyed without food. Again this was used by the ancient Romans to produce the famous Falernian.

Coda di Volpe was apparently even named by Pliny the Elder, because the bunches are thought to resemble a fox’s tail. The wines seem to have less acidity and to be more textured than the other Campanian whites. The Caprettone, which is used to make white Lacryma Christi del Vesuvio, was long thought to be Coda di Volpe, but recent research has shown it to be a variety on its own.

Ancient Wines I have never been anywhere where so much of the ancient world is still visible and all round you. The Campanians are very proud of their past, both as part of the Roman world and as the separate Kingdom of the Two Sicilies and some producers are keen to keep the links with the ancients alive and I came across two fascinating projects that do just that.

A restaurant in Pompeii, busy, but a little understaffed.

True Amphora Wine
Villa Matilde is a terrific producer which specialises in Falerno del Massico – every time I tasted their wines I marked them very highly indeed – and farms some of the original vineyard slopes that made the Roman Falernian wine. This was the first cult wine of Rome and  records show that it was served to Julius Caesar and even shipped to England. Salvatore Avallone owns Villa Matilde and wanted to create a wine that harked back to how the Romans made it, but was also recognisably wine – the Romans made wines that as far as we can tell were like a sweet syrup to which they added water and spices.

Villa Matilde’s Amphora wine, the seal has just been broken and you can see the grape matter in the wine.

So he created a wine that is a blend of Aglianico di Falernia with 3% Piedirosso that was fermented and aged in 25 litre amphora that are lined with bee’s wax. The resulting wine is rich and delicious with concentrated fruit and lots of character.

Up From the Ashes
Every region needs a large scale pioneer and guiding hand, and Campania is lucky enough to have at least two, but the original is Mastroberardino which for a century, between 1878 and about 1980, was the only important commercial winery in the region – everyone else made wine for local consumption. Mastroberardino intially led the way to produce quality wines, to breathe new life into this region and to rescue its indigenous grape varieties. That task has now been taken up by others including Feudo di San Gregorio, but Mastroberardino are still important and make some very fine wines indeed.

One of the Mastroberardino vineyards in Pompeii with Vesuvius in the background. Mount Vesuvius erupted in AD 79 destroying the city and killing everyone within it.

In 1996 they helped the archeological superintendent of Pompeii to investigate five vineyard sites within the boundaries of Pompeii town itself. They carefully made casts of the vine roots from the holes that had left behind – just as they famously did with the human victims at Pompeii – and identified the vines. They were Piedirosso and Sciascinoso and both are still grown here. Then using all the sources they could they replanted the vineyards using the same viticultural techniques they think the Romans used, which I have to say look very modern to my eye. The resulting wine is called Villa die Misteri and is named after the large villa just outside the city walls that has the most spectacular wall paintings. Sadly I have not tried it as it is very expensive, but the whole project is very exciting and thought provoking.

Stories of Wines & Wineries
Frankly I was spoiled for choice on this trip, so many producers went out of their way to show me wonderful wines and to give me great experiences. Here are the ones that stay with me and for me sort of encapsulate the region. As there is so much ground to cover, I will restrict myself to the highest grade of Italian wines, the Denominazione di Origine Controllata e Garantita / DOCGs – I will tell you about some of the other wines another day.

Wine map of Campania – click for a larger view – non watermarked PDF versions are available by agreement.

Campania’s most well known and leading wines all come from the Irpinia region, which covers the same territory as Avellino province around 30 miles inland from Naples. The three most important DOCG, one red and two white, nestle together. This dominance of white wine shows just how cool the region can be. The winters are long and harsh judging by the conditions in March and while the summers are hot and dry there is always a tempering influence from the mountains that dominate the landscape.

Vines in Taurasi.

Taurasi DOCG is arguably the most well known wine from the region and was made famous by Mastroberardino, which was the only serious, export led winemaker here until the late 1980s, there are now nearly 300 producers. The dominant grape is Aglianico, but it can be blended with up to 15% of Barbera, Piedirosso and Sangiovese, all of which have softer tannins than Aglianico, so make the wines fresher. To give you an idea of what it is like, Taurasi is rather lazily called ‘the Barolo of the south’ and I can see why. The wines have similar tannins and acidity to Barolo, but in truth are more properly full-bodied and are normally much more mineral – I always think you can taste the slate and the salt in Taurasi. The soil is actually sand and sandstone and so the area is Phyloxerra free and the vines are on their own roots. This can be a hard edged and unrelenting wine and so not to everyone’s taste. The best examples though manage to tame the grape’s wilder instincts and make the wines approachable, if still very savoury and dry. I struggled to see the charms in some, but my favourites were simply superb.

Raffaele Guastaferro of Cantine Guastaferro.

Cantine Guastaferro This small estate made the most impressive Taurasi wines that I tried all trip, indeed they were some of the best red wines that I have tasted over the last 12 months. Raffaele Guastaferro farms 7 hectares at around 300 metres above sea level on south east facing slopes. The great secret is that the vines are – are you sitting down? – between 150 and 200 years old! This means they produce tiny amounts of very concentrated juice and that shows in the finished wines. Raffaele modestly told me that he has a magic vineyard and so he does not have to do much work in the cellar!

Ancient vines at Cantine Guastaferro. The Pergola system is a traditional way to train vines in Campania. It allows the farmer to use the land below for growing food crops and keeps the grapes away from the humid conditions on the ground.

All Cantine Guastaferro’s wines are superb, although I didn’t taste his white, but his Primum Taurasi  and Primum Riserva was magnificent with great concentration, ripe fruit, beautifully managed tannins, lots of minerality and even a twist of blood orange. My favourite was the 2006, but they all wowed me and deserve a place in any serious cellar.

2006 Guastaferro Primum Riserva Taurasi DOCG 1-2 years in Botti (large barrels) From 150-200 year old vines. Opaque, almost black and treacley colour, some slight tawny on the rim. Smoky nose, cinders, meat, ash, caramel, dried red fruit, blood orange and some leather too, as well as that tight minerality. Gorgeous palate, really oily rich and mouth coating, totally dry wine with a fine balance between the fruit and austerity, makes it taut, that slate taste creeps in here too. Glorious, with fine grain tannins, tasty, smoky wood, cooked fruit, gamey and absolutely superb. Some refreshing blood orange acidity lends purity. Lovely spicy tingle on the finish. Simply stunning, the tannins are firm but not too much, they are enjoyable and the finish is epic – 94/100 points.

Feudo di San Gregorio
Produced on an entirely different scale and readily available all around the world, I also found the Taurasi from Feudo di San Gregorio to be very impressive – as well as everything else they made in fact. This is a big winery, but their passion and attention to detail cannot be denied. They have only been in existence since the mid 1980s, but in many ways are the engine – the Mondavi, the Torres – of Campania and put it on the map at least as much as Mastroberardino. For many of us our first taste of this region was a wine from Feudo di San Gregorio. When I visited it was a bitterly cold day, so sadly I saw nothing of the vineyards, I was just grateful to get into the warm of the winery, which also boasts a Michelin starred restaurant.

Antonio Capaldo the energetic and charismatic Chairman of Feudo di San Gregorio.

2010 Feudo di San Gregorio Taurasi Taurasi DOCG Deep opaque colour, deep ruby with just a garnet tinge. Gamey, basalt nose, smoky, iron, roses, plums, red cherry, it still offers primary fruit despite being 5 years old. Beautiful palate, very tight and drying fine grain tannins, loads of black fruit, it’s earthy and beginning to be leathery, with coffee and mocha oak and running through it all is some refreshing, balancing acidity. Really good wine, gamey, meaty, rich and fine with liquorice spice and that touch of slate. The fruit carries the tannins and drying character well, without being aggressive – 91/100 points.

There is plenty of Aglianico grown outside the Taurasi zone of course, and many of them are very good wines indeed, have a look at this one which is a very drinkable IGT from Benevento. Tenuta Cavalier Pepe too make a very wide range of quite excellent wines. This blend of 70% Aglianico with 30% Sangiovese was quite delicious and would be my Wine of the Week if it was available in the UK.  In fact Tenuta Cavalier Pepe is an excellent winery and everything I have tasted from them has been very well made, including their Taurasi and Aglianico rosé.

The White DOCGs

The view from my hotel in Avellino – it was bitterly cold.

Fiano di Avellino DOCG is probably the most impressive of the three white wine styles produced in Irpinia, although they are all good. Avellino is ringed by mountains and apart from grapes the big crop here is hazelnuts as it has been since Roman times. Although the Italian for hazelnut is nocciola, the Latin is abellana and the Spanish is a still recognisable avellana. I really fell for the Fiano grape, it seems to me that it makes very fine wine indeed, mineral and acidic to be sure – the area has volcanic soils which often make for mineral wines, think of Etna and Santorini – but the best have lovely deep flavours, often of hazelnuts and almonds. The best examples often had orange peel characters too that I like very much, as well as apricot, which put me in mind of Viognier or Gewürztraminer, but with much more acidity, in fact by having texture and acidity, they remind me of the best examples of  Godello from Galicia.

I tasted many fine Fianos, but the stand out wines came from Rocca del Principe. This delightful winery is in Lapio, right on the border between the Taurasi and Fiano di Avellino zones, which means they can make both wines here. The name means fortress of the Prince, because a local royal house were based in Lapio in the early middle ages. Rocca del Principe Fiano vines are grown high at 500-600 metres above sea level, on south east facing slopes. They age the wines for 6 months on the fine lees, which imparts complexity and a delicately creamy richness.

Aurelia Fabrizio and her husband Ercole Zarrella who own Rocca del Principe.

I tasted 9 vintages of the Fiano here, from 2014 tank samples, which were delicious, lovely and fresh, to the 2006 which was showing some age, but was still a great wine. The young wines had a more linear style, while the older bottles had more rounded richness, which suits the wines, I think. They were all superb dry white wines, but my absolute favourite was the 2009. 2009 Rocca del Principe Fiano di Avellino Fiano di Avellino DOCG Musky notes, butterscotch, cinder toffee, apricot and orange peel on the nose, together with some hazelnuts. The palate offers lovely sweet fruit, making it round and rich, but balanced by the minerality and cleansing acidity. I found it very like a dry Gewürztraminer, or perhaps a Godello. The texture is big and mouth coating, oily even, while the fruit and complexity gives it elegance , which together with the acidity and minerality give superb balance. A great dry white wine – 92/100 points.

I also tasted a range of vintages at Ciro Picariello, which is another superb little, 7 hectares again, estate that produces excellent Fiano di Avellino, as well as Fiano Irpinia from outside the boundaries of the DOCG, and once again the wines are well worth trying.

I also found the 2013 Fiano di Avellino from Feudo di San Gregorio was very good indeed, while their single vineyard version, the 2013 Pietracalda Fiano di Avellino had a little more fat on its bones, so was richer and finer, yet still very mineral and had great finesse.

Vineyards in Lapio.

The fortress in Lapio.

Fiano is also grown outside the boundaries of Avellino too and especially good examples are available from the Sannio DOC just to the north, take a look at this one here.

Greco di Tufo is quite different. The wines made from this grape, in the area around Tufo anyway, tend to be leaner and more overtly mineral. In fact some of them reminded me of bone dry Rieslings, although a better comparison might be to Assyrtico from Santorini. Greco of course is more widely grown in southern Italy, but can be pretty inconsequential from elsewhere. It seems to need the  tuff soils of Tufo, after which the town is named, which is compressed volcanic ash, which allows the minerality to really shine through.

Once again Feudo di San Gregorio’s wines were a very good introduction to the grape, both their normal Greco di Tufo and their single vineyard Cutizzi Greco di Tufo are very good quality indeed. I loved the taut mineral style, but with concentrated fruit and just a touch of richer cream adding weight.

The flamboyant and charming Ferrante di Somma di Circello of Cantine di Marzo, whose ancestor brought the Greco grape to Tufo.

I was also very impressed with the Greco di Tufo made by the venerable Cantine di Marzo, I really approved of the lithe, taut, mineral style, which also suits their excellent traditional method sparkling Greco called Anni Venti.

Equally good were the Greco di Tufo from the wonderful Tenuta Cavalier Pepe, all of whose wines seem to be first rate, and the excellent low sulphur example from the Azienda Vitivinicola Le Ormere, but I will tell you about those producers another day.

One last DOCG Aglianico is widely grown and the increasing quality caused the authorities to create a new DOCG in 2011. This is Aglianico del Taburno which covers the Benevento area, where much more easy drinking Aglianico is produced as well, much of it IGT. The vineyards are often very high, up to 650 metres above sea level and the wines that I have tasted certainly have a fresher style than the intensely mineral Taurasi wines. I especially enjoyed the two example that I tried at Fattoria La Rivolta. This is an excellent winery that is one of the leading lights of  Benevento and farms in a near organic way. Their wines pleased me greatly, but then I was eating a rather lovely rustic lunch at the same time, so I might be biased!

Vincenzo Mercurio the winemaker at Fattoria La Rivolta, which is a rising star in Benevento.

2013 Le Mongolfiere a San Bruno rosé DOCG Aglianico del Taburno Fattoria La Rivolta 100% Aglianico The colour was most attractive, a sort of cross between copper and coral with ripe strawberry and cherry. The palate was very pure and fresh with high acidity and ripe cherry all the way through to the end. I enjoyed this very dry rosé, which was perfect with the local salami – 88/100 points.

Fattoria La Rivolta vineyards.

2011 Terra di Rivolta Aglianico del Taburno DOCG Aglianico del Taburno Fattoria La Rivolta 100% Aglianico aged 18 months in barriques The nose was rich and offered ripe black cherry and plums, some coffee spice, earthiness, liquorice and dark chocolate too. The palate had lovely supple tannins, sugar plums and black cherry flavours and some refreshing high acidity. There was a savoury bitterness that built up from the mid palate, but it was delicious, like the inherent astringency in Nebbiolo. I thought this wine was very good indeed – 91/100 points.

The Good Campanians

There is much to enjoy from Campania. There are good wines, exciting grapes and fascinating stories everywhere you look. There is so much passion there, so much dedication and so much determination to make great wines. I have only scratched the surface in this piece with a peep at the DOCGs, and a few other delights, but I hope that something took your interest. Anyone who loves good wine would enjoy most of the wines that I have mentioned. The variety of wine in Campania is enormous, but so too is the potential. We shall return to Campania soon, so keep dropping back.

Wine of the Week 46 – it’s Zinfandel, but not as most people imagine it

Zinfandel is a wonderful grape variety, that is pretty hard to pin down – in many different ways. What it actually is and where it comes from has taken a very long time to get straight. The grape is often regarded as America’s own grape, but if any vine can make that claim it is actually the wayward Norton. Of course Zinfandel made its reputation in California, but it was a long time coming. For much of its time there Zinfandel has been regarded as a very inferior grape indeed and it has only been in the last 20 years or so that it has received the attention that it deserves.

Zinfandel vines in the Napa Valley.

As far as we can tell, the grape that became Zinfandel was taken to the eastern United States from Europe in the 1820’s – long before the annexation of California. Records show that it was taken from the Austrian Imperial nursery in Vienna to Boston and was originally sold as a table grape in New England, but destiny called when cuttings were shipped to California to take advantage of the boom caused by the Gold Rush in 1849. That was all we knew until the 1990s when DNA testing discovered that Zinfandel was identical to the Primitivo that is widely used in Puglia, the heel of Italy.

Plavac Mali vines in the amazing Dingac vineyards on the Pelješac Peninsula near Dubrovnik in Croatia.

Further investigation and DNA work then discovered that Primitivo/Zinfandel were one of the parents of the Plavac Mali grape which is used on Croatia’s Dalmation coast. The other parent was Dobričić, an incredibly obscure Croatian grape that only grows on the Dalmatian island of Šolta. This find narrowed the search down and in 2001 a vine that matched Zinfandel’s DNA was discovered in a single vineyard in Kaštel Novi north west of Split on the Croatian coast. The vine was known as Crljenak Kaštelanski, or ‘the red grape of Kaštela’. In 2011 the researchers discovered another match, this time with a grape called Tribidrag which is also used on the Dalmatian coast. Crljenak Kaštelanski and Tribidrag are as alike as different clones of Pinot Noir, or Tempranillo and Tinto Fino, but  Tribidrag is the more common name, although not much of it is left, so it too is obscure. However, records show the name has been used since at least 1518 and what’s more, Primitivo derives from the Latin for early, while Tribidrag derives from the Croatian for early – they are both early ripening grapes.

Ok, so the roots of Zinfandel are sorted, but then we have the the worry as to exactly what sort of wine Zinfandel makes. Many UK consumers assume that Zinfandel primarily makes sweetish rosé, white Zinfandel, but most of the books and wine courses tell us that it makes high alcohol (15% and more), rich, dry, spicy red wines with rich dried fruit – prune and raisin – characters. That can certainly be true of the old vine Zinfandels that are produced in the hot Central Valley areas of Amador and Lodi, but there is another, totally different style of Zinfandel in California too.

This style comes from cooler production areas nearer the coast and is more elegant – by which I mean less powerful, less of a blunt instrument, instead it has delicate fruit characters, normally red – raspberry in fact – together with some freshness too. I recently tasted a delicious example, that is very good value for money, so I made it my Wine of the Week.

The wine regions of Sonoma – click map for a larger view.

 

2013 De Loach Heritage Reserve Zinfandel
De Loach Vineyards,
Russian River Valley, Sonoma
California
100% Zinfandel aged for a few months in American and Hungarian oak barrels. The grapes mainly come from De Loach’s own organic and biodynamically farmed vineyards, with some fruit from other, warmer areas of California. Sonoma’s Russian River Valley has a long slow even growing season that seems to coax real elegance out of Zinfandel, making the wines quite different from the usual take on the grape. The alcohol is a modest 13.5%.

The colour is a lovely deep, but bright ruby red, while the nose is scented and lifted, offering rich, intense raspberry together with black pepper, smoke and vanilla. The palate is medium-bodied, but is richly textured with rounded ripe fruit filling the mouth with flavour. Those flavours are raspberry and cracked pepper spice together with some cherry and blackberry too. While this is not the most complex Zinfandel in the world, the tannins are soft and velvety and while the fruit dominates from start to finish, making the wine juicy and soft, there is a lovely seam of freshness in the wine, that makes it deliciously drinkable too – 87/100 points.

Available in the UK for around £11 a bottle from Eclectic Tastes and Exel Wines, further stockist information is available from the UK distributor, Liberty Wines.
US stockist information is available here.

If your experience of Zinfandel makes you think they are all huge monsters with high alcohol, this gives a totally different take on the grape and is superb value for money too. A very food friendly wine, this is perfect with almost anything, from burgers, pastas and pizzas, to Sunday roasts and finer fare.

Wine of the Week 45 – an elegant and delicious Port

I love Port, as well as the unfortified wines of Portugal’s Douro region (do try this one here), and given how reluctant winter is to leave us this year, in the UK anyway, I thought this delicious Port that I discovered recently would be a lovely, warming Wine of the Week.

The beautiful terraced vineyards of the Douro Valley.

Port has long been dominated by the big brands, many of them still with British names, such as Grahams, Dows, Cockburns, Taylors etc., but that has been changing ever since 1986. Until that year, Port had to be taken from the vineyards in the Upper Douro Valley to the Port Lodges in Vila Nova de Gaia, near Porto, where the big Port houses are based. It was these companies who aged and shipped the wine rather than the grape growers. After 1986 though, the growers were allowed to age and ship their own wines direct from their estates or Quintas in the Upper Douro.

This means that more and more Port is now made by the growers on their own estates, which can only add to the romance of the product. It is also in keeping with the rest of the wine world, where it is very common to find estates that have been growing grapes for decades, or longer, who in recent years have stopped selling their grapes to the big local producer, or cooperative and instead have started making the wines for themselves.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

This is exactly what happened with the Quinta do Infantado, which is a delightful family run Port estate near the lovely village of Pinhão in the heart of the Douro. The Roseira family have been in charge here for well over a century, but the Quinta actually dates back to 1816, when it was founded by the Portuguese Crown Prince, or Infante – hence Infantado. Of course, like all the other growers, the Roseiras, and the Infante before them, sold their grapes to the big names shippers until 1986 – which is presumably explains why the Port houses were called ‘shippers’ rather than producers, which was something I always found odd.

The beautiful tiled railway station in Pinhão.

The beautiful tiled railway station in Pinhão.

The Douro is a very beautiful, rugged, wild place with a very hot climate in the growing season. The land slopes dramatically down to the Douro River and so much of the landscape is terraced to allow for efficient agriculture and to stop soil erosion. The soil is schist, which is decayed slate, so everything makes this a hard landscape to work and ensures that pretty much everything still has to be done by hand – and sometimes by foot – just as it always has. Rather wonderfully at Quinta do Infantado they do still tread the grapes in the traditional manner – this gives a rapid extraction of colour in the shallow, stone fermentation tanks called a lagares.

Vineyards are everywhere you look in Pinhão.

Large wooden vats for ageing Port. These are at Quinta do Noval, which is near Quinta do Infantado.

2009 Quinta do Infantado LBV Port
Port
The blend is 30% Touriga Franca, 30% Touriga Nacional, 30% Tinta Roriz (Tempranillo) with 10% of other local grapes. The grapes are trodden and the finished Port is aged for around 4 years in large (25,000) wooden vats that are over 100 years old and so give no wood flavour to the wine, but do soften the tannins. The finished wine is not filtered or fined before bottling. An LBV, or Late Bottled Vintage, is technically a Reserve Ruby Port from a single vintage.

The colour is an enticing intense, vibrant, deep ruby.
The nose is lifted, scented and lively with rich black fruit notes of blackberry and black cherry, warming spice, liquorice, aniseed, clove, smoke and cedar. There is a floral prettiness there too, even a twist of orange peel.
The palate is sumptuous and fresh tasting with delicious sweet black fruit and lots of red fruit too – rich red plum and cherry, gentle sweet spice, some dry spice and a little smoky, fine grain tannin on the finish. This was also a pretty dry style of Port, not dry exactly, but drier than most.
This is joyous, vibrant and beautifully balanced with excellent integration between the fruit and the alcohol, indeed for a Port it carries its 19.5% alcohol very well indeed.
If more affordable Port tasted this fresh and juicy, I would drink more of it – 91/100.

I greatly enjoyed this with some Manchego and Gorgonzola cheese, but it also goes superbly with chocolate.

Available in the UK for around £15 a bottle from The Wine Reserve, Slurp, Eclectic Tastes, The Drink Shop, Little Big Wine, Exel Wines and the Fine Wine Company. Further stockist information is available from the UK distributor, Liberty Wines.
The US distributor is Louis/Dressner Selections / LDM WINES INC and more stockist information is available here.

Do try this if you get the chance, it is utterly delicious without being overly heavy or spirity either, Quinta do Infantado also produce a wide range of other Ports and table wines too. If I get the chance to taste them I will report back on what those are like too.