Hardscrabble & Feasts in the Douro

The Americans have a genius for words that describe exactly what they mean, so that you can understand it even if you have never heard it before.

Hardscrabble is just such a word and means that the land is so difficult to farm and so poor in nutrients that all you can do is to scratch a subsistence living. I first came across the expression at Linden Vineyards, where Jim Law had bought an abandoned “hardscrabble” farm and turned it into one of Virginia’s most exciting wineries. The place was so steep and stoney that Jim even named the vineyard and the wines produced from it “hardscrabble”.

Rugged, unforgiving vineyards are very often the best place for wine grape growing though, as they force the vine to work hard at surviving and so produce a small crop of tiny grapes with concentrated flavours and depth. In fact land like that, steep, stoney, inhospitable, inaccessible and harsh is perfect for wine grapes, but almost useless for any other marketable crop, which is why so many of these places have become famous as vineyard regions. These hard landscapes tend to be a feature of European wine making more than anywhere else and seem to be most frequently found in the Mediterranean world. Roussillon, Cinque Terre, Santorini, Pantelleria, Rapsani and Priorat could all be regarded as “hardscrabble” wine regions.

Portugal and Galicia do not actually have Mediterranean coasts, but surely they are culturally part of that world too, so I would add the astonishing Ribera Sacra to that list and perhaps the most wild and romantic wine landscape of them all – Portugal’s Douro Valley.

The Douro – vineyards and cruise ship.

Terraced vineyards in the beautiful Douro Valley.

Untended vineyards are a common sight in the Douro.

The terraces soften the landscape and look very appealing.

The Douro is the 3rd longest river in Iberia, after the Tagus and the Ebro. In Spain – where it is called the Duero – it flows through Castilla y León, home to Ribera del Duero and Toro. The countryside here is beautiful, but not rugged or particularly harsh, that comes later once we are within sight of Portugal.  Arribes (del Duero) – where the river marks the frontier – is where the dramatic landscapes start, from here to Vila Nova de Gaia, near Porto, major centres of population are scarce and the wild, rugged, steep, hardscrabble hillsides dominate. In Portugal’s Douro Valley these slopes are home to the vineyards that create Port wines and the still / table wines of  D.O.C. Douro.

The Douro is one of the world’s great wine regions, but I had never managed to visit the place for myself until just the other week as a guest of the Discover the Origin campaign. What I saw fascinated me and educated me about the wines from this beautiful place.

New terraces side by side with rubbed out vineyards.

The region is renowned today for the rich, sweet, fortified Ports, but of course it wasn’t always like that. In the middle ages – and before – this valley made normal wine, probably quite ordinary stuff as far as we can make out from the sparse records. It is even possible that the first wines known as Ports to the outside world were more akin to red Vinho Verde – light-bodied, low in alcohol and very acidic. We certainly know that even though Cromwell favoured them these wines did not catch on with English consumers until the early eighteenth century.

In those days the spirit was only added as the wine was being shipped, this was to protect it from turning bad on the voyage, so that ‘Port’ would most certainly have been dry – as long as the alcoholic fermentation was complete. It seems that until well into the 1820s there was no set time to add the spirit and no set amount of spirit either, so wines labelled Port could have varied enormously from dry red wines to something like the Port we know today. From what I have read it would appear that adding the spirit before the fermentation was complete – and creating a sweet wine – was not universal practice until the 1850s.

Even then not everyone approved, the influential Joseph James Forrester – created Baron Forrester in 1855 in recognition of his important work in mapping the Douro wine region – was campaigning against fortification and trying to persuade Port makers to return to making normal, but high quality, red wines.

Looking at the vineyards it really struck me just how much Port some people must drink! I like Port, very much but just cannot drink very much of it and yet, looking at the vast expanse of vineyards, someone must drink it all. Looking at those intensively planted slopes it is astonishing that is took so long for table wine production to catch on here. It was not until 1952 that a serious attempt was made to produce a fine red table wine from the region, the legendary Barca Velha made by Ferreira. It was slow to catch on at first, but gained in reputation until eventually the tide turned and more and more growers started making table wines in the Douro region. Finally in 1979 the Douro Denominacão de Origem Controlada / D.O.C. was created for the dry, still / table wines of the region – Port had already had its production zone defined by charter in 1756, making it probably the earliest such official wine region in the world.

Even today though the wines of this valley remain less famous than Port, which is a shame because many of the wines that I tasted were really good, but then so were the Ports themselves.

I have often wondered why the ‘Port’ region is so far away from the city whose name it takes. Well the reason is simple, near the coast the weather is wetter and more humid, so the grapes are grown further East and inland where they are sheltered from the Atlantic rains and winds by the Marão and Montemuro mountains. This gives the Douro a more continental climate with extremely hot summers and harsh winters – there are some pockets of a Mediterranean climate too the closer you get to the Spanish border.

Map of the Douro – click for a larger view – non watermarked PDF versions are available by agreement.

Baixo Corgo – the original area where it all began. This westernmost subregion is wetter than the others and is widely regarded as most suitable for the production of the simpler Ruby and Tawny Ports. However, some of the wines that I tried from this area were superb.

Cima Corgo – the heartland of Port production, this is where the majority of the famous Quintas, or grape farms, are located.

Douro Superior / Upper Douro – this is the hottest and driest zone and extends all the way to the Spanish border. Because it is so cut off it is the most recent zone to be cultivated and so is not intensively planted. Much of this zone is used for table wines rather than Ports.

Large terraces at Quinta do Noval.

Classically the vineyards for Port production are on the well drained schist soils – decayed slate – and are terraced to make them easier to farm and to counter soil erosion. The traditional terraces look lovely, either the socalcos – the original type that look like dry stone wall steps, or the bigger nineteenth century type terrace that is a gentle slope contained by a dry stone wall that allows use of horses and mules.

Patamares at front right, terraces behind.

The more modern patamares, with their big earth banks and very low density planting are not nearly so attractive or in keeping with the landscape and I understand they are now out of favour again.

Everywhere you look in the Douro there is a feast for your eyes, it truly is beautiful and you can clearly see why the wines are like they are. It is a place that draws in the heat and almost abuses the vines that grow here by denying them water and nutrients – all so they can produce tiny amounts of deeply flavoured juice that always has a deep mineral character to it. When drinking the wines you can almost imagine that you are tasting these hillsides.

I will write more about some of the wineries I visited and some of the wines I tasted, but here are some of the highlights of my trip, the first of which had nothing to do with wine:

Trainspotting in the Douro
It has long been a dream of mine to travel on the Douro railway, the wonderful meandering train track that opened up this inaccessible valley in the mid to late nineteenth century. Sadly this was a short visit, so that ambition is still to be fulfilled. However, I was able to se the famous railway station in the delightful town of Pinhão. It’s a famous tourist attraction in its own right because of the beautiful tile decorations, which really are worth seeing.

Pinhão Railway Station.

Pinhão Railway Station.

And now for some wine highlights:

Alves de Sousa, Quinta da Gaviosa
The first stop on my visit was at Alves de Sousa, this turned into a real highlight because they made us feel so at home – oh and the wines were really very good indeed.

Tiago Alves de Sousa telling us about his 80 year old Abandonado vineyard.

This is a true family concern run by Domingos Alves de Sousa and his son Tiago. The impression I got was of a really good balance between Domingos, who seemed traditional and old fashioned in all the good ways and Tiago, who clearly loves his land, but would have been equally at home in a New York bar or an architects practice. The family have long owned some superb vineyards, but have only been producing and bottling their own Ports and table wines since 1987.

They own several Quintas, but we were at the beautiful Quinta da Gaviosa near Régua in the Baixo Corgo, which is the hub of their operation and the family home. The slopes are steep and the deep schist soils clearly visible through the thin ground cover.

The 80-100 year old vines in their Abandonado vineyard. It was abandoned and has been nurtured back to productive life.

The Alves de Sousa were among the pioneers of table wine production in the Douro and I thought all their wines were fascinating. Good though their reds and Ports are – and they  are very good – it was a couple of whites that really fired my imagination here.

For their white wines they use traditional white Douro grapes – a mixture of Malvasia Fina, Gouveio, Viosinho and Arinto – from a mixture of very old vines – 60 years old or so – and newer carefully planted vineyards very high up on north facing slopes where the air is cooler and so the grape’s acids are better preserved.

The 2009 Alves de Sousa Branco de Gaivosa Reserva is a beautifully complex, textured, richly fruity, herbal and flavoursome wine, full of flavour and all balanced by a wonderfully crisp acidity – 88/100 points.

The 2007 Alves de Sousa Reserva Pessoal Branco  is an altogether more individualistic sort of wine, full of character and depth. For this dry white they decided to make a wine with some of the personality and intensity of a white Port. To achieve this it was fermented (on the skins for the first 48 hours) in new French oak with hyper-oxidation and hard pumping over and a further 6 months in new French oak. The result is extraordinary, full flavoured, concentrated and quirky with barley sugar, caramelised orange, rich apricot, spices and honey, in fact it sort of tastes like a very rich Sauternes, but is bone dry. It put me in mind of those new wave amphora aged wines and orange wines, but unlike most of those it is utterly delicious  – 93/100 points.

The entrance to Quinta do Noval.

Quinta do Noval.

Quinta do Noval
A wonderful highlight was staying at the beautiful Quinta do Noval, whose Ports and table wines are justifiably famous. It was tremendously exciting to spend a night at this wonderful place surrounded by the neatly ordered terraced vineyards. A comprehensive tasting of their range followed by a stroll around these terraces gave spectacular views – mind you the one from my bedroom took a lot of beating too – and helped get an overview of this amazing place.

The view from my bedroom, the building bottom right is Noval’s winery.

The beautiful terrace at Quinta do Noval.

Later a civilised aperitif of Noval Extra Dry White Port and tonic prepared our palates for a fabulously traditional dinner of roast goat that paired perfectly with the superb Quinta do Noval red table wines. My favourites were:

2009 Quinta do Noval Touriga Nacional

D.O.C. Douro

 

This had a deep and beautiful colour, while the nose was scented, aromatic and herbal with heather, oregano and rosemary, spices and an earthy, rocky, granite minerality.

The palate was savoury and rich with deep sugar plum fruit, earthy and granitic savoury characters, round tannins with just a touch of bite and great length – 89/100 points.

2009 Quinta do Noval

D.O.C. Douro

 

If anything this blend of 80% Touriga Nacional; 20% Touriga Franca was even more exciting, more intense and vibrant.

The colour was a lovely opaque and intense cassis, while the very rich nose offered liquorice, earthy mineral notes, wild herbs, mocha and a hint of spice.

The palate was very smooth and supple with fine grain tannins, fleshy black fruit to the fore, a supple texture and touches of warm granite, clean earth, leather and eucalyptus. I really loved this wine, it was rich, concentrated and pretty full-bodied, but still had plenty of freshness and elegance – 93/100 points

As I say it was only a short trip of a few days, but I was able to visit some wonderful places and try some superb Ports and wines that really made me aware of the great quality and wonderful things that are produced in this astonishingly beautiful valley. It may be a hard place to grow grapes, but the results do seem to make all the hard work worthwhile.

Other delights
I will tell you about some of my other experiences another time, but I will leave you this time with one of the great simple pleasures of Portugal – the coffee.

Coffee is everywhere in Portugal and the bars all announce who their coffee supplier is on their signs, much as pubs here used to indicate their brewery. The coffee in Portugal always seems very high quality to me and much hotter than the strangely cold coffee they serve in Italy. My favoured style is the Café Pingo or sometimes Pingado, the local term for a cortado, noisette or macchiato. I have been told that the same coffee in Lisbon and southern Portugal is a Café Garoto, but some people describe that as a weaker version as well, so order with care.

As well as coffee the Portuguese like their cakes too, and what cakes they have too. My favourite and the signature cake of Portugal is the scrummy pastel de nata – or if you are greedy (yes, yes, like me) the plural is pastéis de nata. Some people translate these as custard tarts, but that is to do them an injustice. Made properly the pastry has a crisp and flaky texture that makes these tarts irresistible when partnered with the rich creamy, eggy custard-like filling.

Pasteis de nata really are delicious…

The lovely city of Porto / Oporto – I can never work out whether it starts with an O or a P! –  has a vibrant café culture and boasts a handful of wonderful cafés from the late nineteenth and early twentieth century, all are worth a visit. So far my favourite is the beautiful fin de siècle Café Majestic.

The beautiful Café Majestic.

A café Pingu.

So, you see the Douro is an amazing place, beautiful, a joy to visit and full of delights. I will tell you a bit more about my trip there and to Porto very soon.

Classic Wines at GREAT Value Prices

A couple of times over the years I have mentioned Aldi in these pages because I really like their Toro Loco Tempranillo red and Toro Loco Bobal Rosado / Rosé from the Spain’s Utiel-Requena wine region. They are extremely good quality wines, deliver loads of pleasure and will disappoint no one at the £3.69 asking price.

Well, Aldi seem to have noticed as they recently sent me a few of their other bottles for me to try:

2012 Gavi ‘The Exquisite Collection’
D.O.C.g. Gavi, Piemonte, Italy
Made by Fratelli Martini Secondo Luigi / Casa Sant Orsola

I like Gavi and think it is one of the best of Italy’s traditional dry white wines from indigenous grapes – of course recently I have discovered the wonderful whites of Etna and Campania. This had the little bit of weight, almost creaminess like a Mâcon, that I associate with good Gavi and a slightly nutty character, fresh acidity and was just a tad richer than crisp making it very attractive and enjoyable.
Extraordinaryly good wine for £4.99.

The beautiful rolling hills of Piemonte – photo courtesy of Fratelli Martini Secondo Luigi.

2011 Albariño Rías Baixas ‘The Exquisite Collection’
D.O. Rías Baixas, Galicia, Spain
Made by Bodegas Martin Codax

Another stunning value bottle of wine made by one of the top producers of the region. This is not the finest Albariño I have ever tasted – it lacks a little acidity, minerality and poise for me – but only a little and it is a lovely and enjoyable dry white wine. It is concentrated and tasty with some succulent fruit and some freshness from the acidity. An excellent aromatic, floral and peachy dry white wine  and a good Albariño for beginners. And the price is just £5.99!

2012 Mâcon-Villages
A.C. Mâcon-Villages, France
Henri de Lorgère

I like Mâcon wines and think they can be really very attractive indeed, provide value and sometimes really great quality too. Well, this is a nice wine, it is very classic and European – not a fruit bomb – there are discrete apple and pear notes, nice acidity and flinty minerality even. This is very much on the light end of the Mâcon spectrum, but it isn’t dilute, it is fresh, very dry – verging on crisp –  and just medium-bodied, so refreshing and gently rounded too, but clearly unoaked. It is nice and great value, but the Gavi is better – £4.99.

(2012) Côtes de Provence Rosé ‘The Exquisite Collection’
A.C. Côtes de Provence, France

I don’t often choose to drink a Provence rosé – I don’t really know why, I just never think of it, so did not know what to expect from this Grenache, Cinsault and Syrah blend. It looked attractive having deeper colour than I often associate with Provence and was in the classic curvaceous bottle. Incidentally I have been informed that this was from the 2012 vintage, but I searched the bottle in vain for that information. This is a very drinkable rosé – judging by how fast the bottle emptied – very fresh and lively with good acidity and a core of juicy  red currant, cranberry and strawberry fruit. A great deal of pleasure for just £5.99.

(2011) Pinot Noir
Vignobles Roussellet, Vin de France

To be honest I put off trying this. Cheap / inexpensive Pinot always makes me wary and Vin de France is roughly what used to be called Vin de Table, so it theoretically pretty basic stuff, but I tried it in the end. Again you will scour the label in vain for the vintage, but that doesn’t really matter. What matters is the wine and this is quite remarkably good, soft, juicy and fruity. It has the soft tannins and bright fruit of a nice Beaujolais, but some Pinot-like earthy fruit quality too. It is not a great Pinot by any means, but it is a very good Pinot for the price and a nice drop of easy drinking, soft red wine. Amazing value and very versatile, with food, without food, room temperature, chilled, even mixed with lemonade and all for £4.49.

N.V. Champagne Veuve Monsigny Brut No: 3
Champagne, France
Made by Champagne Philizot & Fils

I was half looking forward to this and half dreading it. Somedays I thought it was going to be ok and others undrinkable. Well it was better than both those thoughts. This is genuinely a nice bottle of Champagne, fresh, lively and very appley with a soft mousse and palate. Frankly for the £12.99 price tag it is stunning!

The only odd thing about really is the back label, where it claims; ‘Ageing in cellars 5 years more than the legal minimum has enhanced its complexity.’ Really, this spent 75 months on the lees – the legal minimum is 15 months for Champagne – it doesn’t taste like it, which is a good thing I think in this instance and it would cost an enormous amount to do that!

The vineyards of Champagne.

I haven’t given these wines any points as that would be, er well… pointless actually. All of them are just right, absolutely what you want, extremely well made and very good value for anything like the price. So, if you want nice wines and no surprises – except for the low price tag – then it seems to me that Aldi can offer much more pleasure at their normal on the shelf prices than most of their competitors do with their special offers.

Aldi didn’t only send me wine by the way, there was also a bottle of Oliver Cromwell London Dry Gin in the box and as I type this I am enjoying a rather good Gin and tonic made with it. As a republican – American readers note the small ‘R’ – and admirer of Cromwell, given the times he lived in, I could not resist trying it and I am glad that I did because it really is pretty good, nicely perfumed and aromatic with a good depth of flavour and at just £9.65 per bottle it is a steal for a properly made gin – where the botanicals have been redistilled in a pot-still with the base alcohol.

You can find your nearest UK Aldi branch here.

Southwest France – like a box of chocolates

Variety is the spice of life. We have all heard that old saying and most of us know that there is some truth in it.

Certainly I like variety in wine. I am never more excited by a wine than when I am tasting it for the first time, or experiencing a grape variety or region that is new to me.

I suppose that is why I find Spanish, Greek and Italian wines so interesting, there is such great variety in all those places. Of course France does offer variety – but the whole focus on established classic wine styles means that there are normally fewer big surprises.

Vineyards at Château Clément Termes – photo courtesy of Château Clément Termes.

One ‘classic’ region of France though seems to be capable of delivering enough surprises for everyone. That region is the Southwest or Sud-Ouest and with the wines from here you never know what you’re going to get.

Actually that isn’t entirely true, but there is enormous variety here. That is because it isn’t really one region at all, but a mosaic made up of lots of small wine regions or sub-zones, many very traditional and some quite famous, but all believing they have more clout and potential together than they do divided.

As you can see from my map the region covers great swathes of France:

Map of Southwest France – click for a larger view – non watermarked PDF versions are available by agreement.

Dordogne and Bergerac – wines here are very Bordeaux-like and include Bergerac, Côtes de Duras and Monbazillac.

The Garonne – wines here are more varied in style and include Buzet, Côtes du Marmandais, Cahors and Gaillac.

Gascony – for me this is very much the heart of the Southwest and wines include Madiran, Pacherenc du Vic-Bilh and Saint-Mont, as well as the excellent Côte de Gascogne IGP / Vin de Pays wines from the Armagnac region.

The Basque Country and Béarn – nestling in the Pyrenees  these sub-zones produce Jurançon, Béarn and Irouléguy.

I find myself very drawn to the wines from this part of the world, because of the variety, that feel of the unexpected and the fact that they are honest country wines made by farmers in remote sounding backwaters. These are wines that with some exceptions are slightly out of the mainstream, beloved by the locals and the people who make them, but a difficult thing to sell on more international markets. All of which makes them fascinating and worth trying when you get the chance – oh and lest I forget, on this showing they taste really good too!

This part of the world is also home to some interesting Vins de Pays or IGP – Indication Géographique Protégée –  as we now call them. As well as Côte de Gascogne, the other IGPs are; Côtes du Tarn, Côtes du Lot, Ariège, Landes, Condomois and Gers, while the whole region is covered by IGP du Comté Tolosan.

Recently I was able to try a really interesting range of wines from this part of the world and I thought they showed extremely well and convinced me that they were deserving of a wider audience and more of a following than they seem to enjoy at the moment – what’s more they offer really good value for money.

White Wines
I found these an exciting bunch of wines, really well made and giving lots of pleasure. The first 2 came from the Côte de Gascogne and were superb examples from star producers, both of whom I have known for a long time – and indeed used to sell once upon a time.

2012 Domaine de Grachies Côte de Gascogne Sec
Vignobles Fontan
Aline et Jean-Claude Fontan own 2 estates Domaine de Maubet and Domaine de Grachies and both make lovely wines, Floc de Gascogne and Armagnac. For many years I used to sell their delightful Domaine de Maubet (sometimes Domaine de Grachies) Gros Manseng Cuvée Coup de Coeur, which was a little sweet and simply stunning with melon and ham.
This is a simple and utterly delicious zesty dry aromatic white made from a blend of 45 % Colombard, 30 % Ugni blanc, 15 % Gros Manseng, 10 % Sauvignon Blanc. It is light-bodied, zesty and very fruity in a richly citrus way and will go with almost anything from being nice on its own to fish and chips and spicy foods – every fridge needs some of this in the summer! Not a complex wine, but gives great pleasure – 86/100 points.

Available in the UK at £6.75 per bottle from Nethergate Wines.
Domaine de Grachies Gros Manseng Cuvée Coup de Coeur is also available from Nethergate Wines.
The estate also has a gîte.

2011 Domaine du Tariquet Les 4 Réserve Côte de Gascogne Sec
Château du Tariquet,Yves Grassa
Altogether more ambitious, this took me a little while to get the hang of, but once I did I loved it – although I think Tariquet’s Classic dry white and their stunningly good Côté Tariquet Sauvignon-Chardonnay blend might prove bigger crowd pleasers – this is a blend of 45% Gros Manseng, 35% Chardonnay, 15% Sauvignon, 5% Sémillon all aged for 12 months in oak barrels. The oak does not dominate though, just adds texture and complexity. This is dry, but with big fruit and a touch of weight and softness to the palate – 86/100 points.

Available in the UK at £11.50 per bottle from Next Wine – I had no idea Next did wine!
Tariquet wines are available in the US through Robert Kacher Selections.

Different, but equally good, Fontan wines and Tariquet wines are also available in the UK from The Oxford Wine Company.

Gaillac
I have heard about Gaillac all my working life – the very lightly sparkling Gaillac Perlé was widely listed in the 1970s and ’80s – but have never in the past been especially excited about them. I cannot imagine why, I thought the 2 I tasted the other day were lovely wines and entirely different from the Gascogne contingent, these were dry and stony with taut green fruit. What’s more they are absolute bargains:

2012 Château Clement Termes
Gaillac Blanc Perlé
A blend of Muscadelle with Loin de l’Oeil / Len de l’el aged on the lees over winter. At only 12% this is delightfully light and fresh with high but not tart acidity, scented and herbal with green tinged fruit and a nettle-like, stony character. If you enjoy Sauvignon Blanc I cannot imagine you not falling for this wines’s delicate, linear charms, certainly I intend to drink much more of this stuff in the future. That tiny hint of spritz keeps it fresh and emphasises the savoury side too, which makes it a lovely aperitif or serve with anything light – the back label proclaims it to be ‘indispensable with fruits de mers’ and I would love to try it with goats cheese some time – 86/100 points.

Available in the UK at £7.50 per bottle from Underwood Wine Warehouse & The Smiling Grape Company.

Vineyards at Château Clément Termes – photo courtesy of Château Clément Termes.

2012 Saint Michel
Gaillac Blanc Perlé
Les Vignerons de Rabastens
A blend of Loin de l’Oeil / Len de l’el, Muscadelle and Mauzac this time and although the 2 wines are not massively different this does have a little more weight, feeling fuller in the mouth – but it is still light and fresh with that stony, flinty minerality and high acidity without being tart. A lovely versatile dry white wine that again only has 12% alcohol – 86/100 points.

Available in the UK at £7.99 per bottle from Majestic Wine Warehouses.

Reading about the grapes used in Gaillac I can see why the world might have ignored them in the past. Some of them, it appears, are prone to oxidation and so before modern wine making techniques came they would not have made wines anything like the modern examples. The same is true for a lot of the white wines of Spain, Portugal and Italy – they had to wait for modern know-how and equipment for their local grapes to produce world-class white wines.

Saint Mont
Originally known as Côte de Saint Mont when it was created as a V.D.Q.S. – a sort of junior A.C. or aspirant appellation –   in 1981, but changed its name to just Saint Mont when it was promoted to full A.C. status in 2007. The area is home to some of the oldest working vines in France – up to 150 years old – some of which are grape varieties that are unknown anywhere else in the world.

2011 Saint Mont Les Vignes Retrouvées
Plaimont Producteurs
Made from a blend of 60% Gros Manseng, 20 % Petit Courbu and 20% Arrufiac, this is an exciting wine, dry, medium-bodied and tangy with a rich citrus acidity and a richer stone fruit and pithy citric palate with texture and a juicy succulence – 88/100 points.

Available in the UK at £10.00 per bottle from Les Caves de Pyrène & The Smiling Grape Company.

Red Wines
So, the whites were terrific, but the reds were good too and again there was a lot of variety with very different textures and structures to the different wines.

2010 Domaine d’Escausses La Croix Petite
Gaillac
La Croix Petite – named after a small stone cross in the vineyard – is a blend of 45% Fer Servadou, 45% Syrah, and 10% Cabernet Sauvignon, 1/3 of which is aged in new Allier oak barrels. I don’t drink much Fer, but when I do I always like it and wonder why it isn’t more popular and widely grown. It always has supple fruit and beautifully soft and drinkable tannins that are very agreeable even in everyday wines.The fruit here is beautifully ripe, almost creamy in fact with blackberry, vanilla and sweet spices and black pepper, the tannins give a gentle chalky feel and there is a touch of iron too. A savoury wine that demands food, but is really delicious – 89/100 points.

Available in the UK from Les Caves de Pyrène

2010 Saint Mont L’Empreinte de Saint Mont
Saint Mont
Plaimont Terroirs & Châteaux
The Plaimont cooperative are rightly well known for making very good quality wines and this is no exception. This Tannat and Pinenc – the local name for Fer Servadou is concentrated, weight, but soft, supple and richly fruity. In fact the key word is soft, it is also very smooth with no obvious tannin feel and very drinkable, as there is also a freshness running through it that stops it being jammy – 87/100 points.

2008 vintage available in the UK at £14.99 per bottle from Vinopic.

2010 Domaine de Berthoumieu Cuvée Charles de Batz
Madiran
Didier Barré makes some of the finest of all Madiran at Domaine de Berthoumieu, which his family have owned since 1850. Charles de Batz is his top cuvée, a blend of 90% Tannat and 10% Cabernet Sauvignon made from very old vines hand harvested and aged for 12 months in new oak barrels. Charles de Batz by the way was the inspiration for my favourite hero in literature, D’Artagnan. This is a great wine, dark concentrated and brooding with aromatic black fruit, smoke and spice on the nose. The palate is rich and dry with deep black fruit, round spice, sweet oak spice, espresso, mocha, surprisingly smooth tannins and a touch of bitter chocolate. I liked the firmness that it shows now, but it will soften and become more complex for quite a few years yet. A lovely classic food wine that will appeal to lovers of claret and Syrah – 91/100 points.

2009 vintage available in the UK at £17.99 per bottle from The Smiling Grape Company other UK stockist information available from Boutinot.

Pacherenc du Vic-Bilh & Madiran vineyards – photo courtesy of winesofsouthwestfrance.com.

Sweet Wine
This part of France is home to many excellent dessert wines, of course Sauternes and Barsac are not far away, while Monbazillac and Saussignac produce very similar wines from the same grape varieties in nearby Bergerac.

The speciality regions for sweet wines in the Sud-Ouest proper though are Jurançon, which uses the wonderful Petit-Manseng to great effect, and Pacherenc du Vic-Bilh. This PDO / AOC covers the same territory as Madiran, but is only for white wines made from Arrufiac, Courbu, Gros Manseng, Petit Courbu and Petit Manseng. Wines labelled Pacherenc du Vic-Bilh Sec are dry.

2011 Pacherenc du Vic-Bilh Saint-Albert
Plaimont Producteurs
A late harvest wine made from a blend Gros Manseng, Petit Manseng and Petit Courbu left to ripen on the vine until 15 November – Saint Albert’s day. It really is delicious as it seems very fresh and lively with the sweetness keeping in the background, there are some orange marmalade notes, apricot and something more exotic about it too and the acidity keeps the luscious sweetness from dominating your palate. A lovely, beautifully balanced dessert wine, not massively complex, but very attractive – 90/100 points.

Available in the UK at £13.99 per 50 cl bottle from Corney & Barrow.

I know this selection is small, but I have tried many other wines from this varied region, and my conclusion would be that these are wines well worth trying. There are lovely wines here, interesting styles, interesting grape varieties and a whole range of wines that feel classic, but with a twist.

If you want to drink classic European wines – dry, elegant and restrained, then do try more of the wines of Spain, Italy, Portugal and Greece, but for sheer variety, difference and value for money you can add  Southwest France to that list too.

Bordeaux – much more than just wine

In the world of wine we talk about Bordeaux all the time, we all know what we mean by the word. Strangely though I take it for granted and never think about what we do not mean by it. And we do not really mean the city of Bordeaux at all. I have been to Bordeaux quite a few times over the years, but have hardly ever seen the city itself.

The Garonne in Bordeaux

No, by Bordeaux we generally mean the wines of Bordeaux and the vineyard areas around the city where the grapes are grown and these wines are made. So I was delighted to be invited to spend some time in Bordeaux recently getting to know the city a little and some of the delights that it has to offer the visitor.

Bordeaux’s beautiful La Porte Cailhau.

Of course wine looms large in Bordeaux and is hard to avoid, especially – I suppose – as we were guests of Olivier Dauga the larger than life consultant wine maker, style guru and former rugby player. Yes Olivier wanted us to taste his wines and to understand his views on winemaking, but he also wanted us to experience his Bordeaux, his friends as well as the restaurants and bars that he loves.

The ever colourful Olivier Dauga – I started to wonder if he always matched the paintings?

It was to be a wine visit with no vineyards, wineries or bottling lines. In fact the only vines I saw all trip were the ones that decorate Bordeaux Airport. I had met Olivier before, in London, at a tasting of his Ukranian wines and knew that he was a very interesting winemaker and well worth talking to, so I was really looking forward to the trip.

Our little group was put up in the lovely Maison Fredon, an arty boutique hotel in the Rue Porte de la Monnaie. It is housed in a beautiful old house and only has 5 rooms, but each one has a distinct personality and is furnished in a different and quirky style. The hotel is the latest venture of Olivier’s friend Jean-Pierre Xiradakis who has been one of the stars of the local restaurant scene ever since he created La Tupina – just over the road from the hotel – in 1968.

La Tupina from my window.

La Tupina is a lovely relaxed restaurant that specialises in the flavoursome traditional food of Bordeaux and the Sud-Ouest. This includes foie gras prepared in many different ways and a wonderful array of grilled and spit roast meats.

Spit roast chicken being cooked at la Tupina – photo courtesy of La Tupina.

Apparently when Jean-Pierre started here the area was pretty run down and considered to be far from the centre. Now he has made the area quite the place to go to for good food. In fact Jean-Pierre calls Rue Porte de la Monnaie the ‘Rue Gourmande‘ as over the years he has created quite a few interesting bars and restaurants here that includes the informal wine bar / bistrot Cave Bar de la Monnaie and Kuzina the Greek influenced fish restaurant – after all Jean-Pierre’s surname is Xiradakis! As if that wasn’t enough the Café Tupina is a lovely neighbourhood bar while the delightful Au Comestible is a casual restaurant and fine grocery store – Jean-Pierre is right, this street really is foodie heaven.

Rue Porte de la Monnaie.

Jean-Pierre showing us how to cook asparagus.

La Tupina.

The next morning we were up and ready to explore the city with a stroll around the old ramparts and the lively Marché des Capucins, the historic food market of Bordeaux. The place is a delight to stroll around with fabulous fish stalls, butchers, charcuterie stalls, bakers, cheese stalls, greengrocers, basque food specialists  – and, as is normal in civilised countries, the odd bar to provide liquid refreshment.

Marché des Capucins.

Bordeaux is a terrific city to wander around, the centre is small and so none of the distances seem daunting and there is always something to catch the eye and bring the lovely narrow streets to life, whether its interesting shops, churches, peaceful squares or lively cafés.

Place Saint-Pierre.

Repairing Bordeaux’s cobble stones.

Our wanderings were not just random by the way, we were touring the city centre and stopped off here and there for a tasting of some of Olivier’s wines. Our first such pit-stop was at one of the city’s many fabulous wine shops, La C.U.V. or Cave Utile en Ville or Urban Wine Shop is a great place to while away a little time looking at the array of bottles from all corners of France and beyond. The original branch is situated in 7 Place Maucaillou, very near the market, the little place has that village-like feel of a place where people actually live and work. So successful have these self confessed inquisitive terroirs lovers been that they have opened a second shop in Place Nansouty, which just goes to show – that contrary to what people think – the French consumer is open to trying and buying wines from places other than their own region and country. In fact one of the things that particularly delighted me about Bordeaux was the vibrant wine shop and wine bar scene with the differences between the two often being blurred.

The First Wine Tasting
Here we had our first formal tasting of some of the wines that Olivier makes in his role as consultant winemaker. I had spoken to him a little before this and I was very impressed by what he sought to do. It is his intention to respect the wishes of the owner in terms of style and to faithfully reflect the terroir of the estate. He does not seek to impose his own winemaking style on the wines at all and there was a great deal of difference across the wines that he is responsible for. Often you can tell if the same winemaker has made a range of wines, but in these it was nigh on impossible to detect a common style. There was a common thread though, which was fruit and delicacy – none of these were blockbusters, but none were dusty either – which is pretty much exactly the style of wine that Olivier told me he approves of. Simply put he seems to believe that wine should be approachable and enjoyable – and I certainly think those are laudable aims.

This first tasting was all red wines and, with one exception, they were all from Bordeaux. If you are looking for good quality and value red Bordeaux then you could do a lot worse than try any of these:

2010 Château Les Gravières de la Brandille, Bordeaux Supérieur
65% Merlot, 20% Cabernet Sauvignon and 15% Cabernet Franc. I really liked this unoaked, juicy claret and think it would make many friends who want a good medium bodied dry red that has ample fruit and supple tannins. 86/100 points.
2010 of course was a great Bordeaux year of course, but so was 2009 and you can buy the 2009 in the UK from Stone, Vine & Sun @ £9.75. 

2010 Château Roques Mauriac Cuvée Classique, Bordeaux Supérieur
40% Merlot, 40% Cabernet Franc and 20% Cabernet Sauvignon. Another unoaked clare that I enjoyed, it has a freshness and fleshy quality to the fruit that makes it very drinkable and pleasurable, especially as the tannins are very soft. 86/100 points.
I am told that it is available in the UK from Virgin Wines @ £9.49.

2011 Château de Rivereau, Côtes de Bourg
70% Merlot and 30% Cabernet Sauvignon – although Olivier did say there was a drop of cabernet franc here too. This has a little time in oak and it showed with some coffee tinges and fruit cake spice just adding a little complexity to the supple fruit and attractive, clean chalky tannins. 86/100 points.

2011 Château de La Jaubertie, Bergerac
This estate is of course not in Bordeaux, but nearby Bergerac, but this area makes wines in a similar style and offers superb value for money. Jaubertie is famously owned by the Ryman family of stationery fame. 60% Merlot, 15% Cabernet Sauvignon, 15% Cabernet Franc, 10% Malbec with 20% fermented in barrel and the whole wine was aged on the lees for 6 months with 10% aged in new American oak for 6 months. I thought this was a nice wine, direct honest and juicy with a slight oak spice tinge and a delicate herbal green edge to the black fruit. Nicely balanced, very drinkable and utterly classic, but well made – 86/100 points.

2011 Château La Pirouette, Cru Bourgeois Médoc
50% Cabernet Sauvignon, 45% Merlot, 5% Petit Verdot, 25% aged 12 months in new oak barrels. The extra class and complexity showed here. There was a precision to the wine and a structure to it that made it very clean and taut, but still had good fruit and lovely balance. 88/100 points.

Amélie Durand with her Cuvée Amélie red wine in La C.U.V.

2010 Château Doms Cuvée Amélie, Graves
80% Merlot and 20% Cabernet Sauvignon, 45% Merlot, 5% Petit Verdot, 25% aged in oak barrels, one third new. This is the top cuvée from the estate and is named in honour of the owner’s mother, while the estate is run and the wine is made – with Olivier’s help – by the owner’s daughter, Amélie. She was there to present her wines to us and what’s more she drove me to the airport the next day when I had been left behind!
I like Amélie’s wines, very much indeed. They have an elegance and a finesse that pleased me, as well as good concentration and balance. The fruit was fleshy and plump while the oak spice was nicely integrated giving mocha notes and complexity. There was a nice cut of acidity too and the tannins were ripe and not astringent – 90/100 points.

The Second Wine Tasting
Having done the reds we set off once more for a stroll through Bordeaux’s attractive cobbled streets to sample some of Olivier’s white wines along with some excellent local seafood at Le Rince Doigt, a casual little place that calls itself a guinguette , guinguette à fruits de mer in fact and it aims to be a seaside seafood bar in the middle of the city. To give that relaxed holiday feel  the whole place was dressed up as though we actually were on the beach, with sandy floors and deck chairs and the simple menu was wonderful with oysters, moules frites, moules farcies, spicy cod fritters and much more.

The indoor beach at Le Rince Doigt and yes that is John Salvi eyeing the table football!

So we settled on to our indoor beach and the white wines started flowing – sometimes my work is just too hard. I really like white Bordeaux wines, I think they are very underrated – like white Rioja – and can be some of the best – and best value – dry white wines around. These were my favourites here:

2012 Château Les Combes, Bordeaux Blanc – although the estate is in Lussac-St. Émilion
90% Sauvignon Blanc and 10% Sémillon – no oak, but 3 months on the lees.
A lovely beautifully balanced and aromatic dry white bursting with elderflower aromas, green fruit, lemon, lime and salad herbs, the lees ageing has introduced a nice layer of complexity too. A very good dry white, much more interesting than budget Sancerre – 86/100 points.
Available in the UK from Stone, Vine & Sun @ £9.75. 

2012 Château Marzin, Bordeaux Blanc
Sauvignon Gris and Sauvignon Blanc.
I liked this bright dry white with its crisp green fruit aromas and slightly fatter smoky palate that reduces the impact of the acidity – 85/100 points.

2012 Château Piote, Bordeaux Blanc – although the estate is in Lussac-St. Émilion
70% Sémillon and 30% Colombard.
Virginie Aubrion makes some lovely organic wines and this relatively unusual white blend is very attractive with real herbal characters, even some lavender, and a nice touch of weight on the palate – 85/100 points.

2012 Château Doms, Graves
60% Sémillon and 40% Sauvignon Blanc.
Amélie’s white wine was my absolute favourite here and really is fine. It is unoaked, but still has lovely weight and creamy texture backed up by fresh, crisp acidity, this really punches above its weight. Right now it is fresh and lean with crisp mineral acidity with the texture just adding some plushness and creaminess. It will age well becoming richer and creamier – 90/100 points.

The Cheese Course
Rather than have dessert we took some of our favourite bottles with us and strolled down to the Fromagerie Deruelle which is an amazing cheese shop in Bordeaux’s Rue du Pas-Saint-Georges. I always love cheese shops, they are truly fascinating places to spend some time – the only problem is they always cause me spend far too much money. Deruelle is one of the very, very best cheese shops that I have ever visited with all the cheeses perfectly stored, all clearly labelled and beautifully presented.

Part of the display at Fromagerie Deruelle.

More of the display at Fromagerie Deruelle.

Here were treated to a taste of 3 different cheeses to try with a white wine, a rosé and a red wine. The cheeses were:
Palet Frais – a fresh goat cheese from Lot et Garonne.
L’Estive – a (semi) hard sheep cheese from the Basque country.
Fourme de Montbrison – is a hard cow’s-milk cheese made in the Rhône-Alpes and Auvergne.

In my opinion the 2012 Château Les Combes white was the best with the cheeses as it went perfectly with the first and second cheese, the Fourme seemed to overpower everything really, so needed a really big red wine with lots of fruit.

Our cheese tasting.

The End of the Line
So we were now approaching the end of this wine trip with no winery visits and we finished in one of this lovely city’s trendy wine bars – La Ligne Rouge. Right by the beautiful La Porte Cailhau, La Ligne Rouge is a great place where you can browse the shelves from around the world and buy a bottle to take home or drink there with some cheese or charcuterie. They specialise in artisanal wines, often organic or biodynamic and have a terrific range from across France, especially Roussillon and the Languedoc – Bordeaux wines would seem to be in a minority in their range. Surprisingly they list more wines that come from places other than France and have a great selection from Spain, Austria, Chile, Argentina and much more, so next time you are in Bordeaux drop into this lovely shop…bar…shop – whatever, it’s a great place.

Olivier at La Ligne Rouge.

This was a wine trip with a real difference and I enjoyed it very much. It was very interesting seeing a totally different side to Bordeaux and experiencing for myself what a terrific place it is to stay, to walk around, to eat in and to drink in.

You could do a lot worse than visit Bordeaux for your next break.

Wine Woman and Song – my visit to Donnafugata

Recently I enjoyed an amazing tour of wine regions and producers in Sicily. I had never been before and was very excited to see this wonderful island. It is a beautiful place that really provides a feast for the senses, the landscape is stunning, the food  a revelation and the wines were generally very impressive indeed. Along with visits to the great estates of  Benanti, Planeta and Tasca d’Almerita, seeing the Donnafugata estate was a real highlight.

A view from Donnafugata

Like all good winery visits – and indeed wines – it started in the vineyards. Standing in Donnafugata’s Contessa Entellina estate near Sambuca di Sicilia I was taken aback by the sheer beauty of the place. I had never been to Sicily before and every time we de-bussed I was thrilled by the variety and vitality of the landscape. The wild flowers in particular – fields of scarlet poppies intermingled with vibrant yellow, purple, pink and blue flowers were everywhere – made my heart sing.

So, here I was at Donnafugata, a winery I only knew about vaguely and even then mainly because of their lovely labels. I was greeted by the lively and animated José Rallo – I found it really hard to take good photographs of Sicilian winemakers as they never seem to keep their hands still. José is the daughter of Giacomo and Gabriella Rallo whose family have produced Marsala for over 150 years and who created the Donnafugata estate to produce premium still wines in 1983.

José Rallo

The wonderful name by the way means ‘fugitive woman’ or ‘woman in flight’ and refers to Maria Carolina, sister of Maria-Antoinette and Queen of Naples and Sicily. In 1799 she fled the invading Republican French troops – under General Napoleon Bonaparte – and found refuge in the country estates of a noble. These same estates are now home to the Rallo’s vineyards and in Di Lampedusa’s great novel, The Leopard, he christened them Donnafugata and the name was adopted by the Rallos as an evocative name for their new winery.

Donnafugata appears to be one of those wineries – as all the best ones are – that never stands still, but continually evolves. Originally Marsala producers, they then became trailblazers of fine Sicilian wines made from international grape varieties, before becoming champions of indigenous Sicilian grapes and creating an experimental project, with other growers, to pinpoint the perfect site for each grape variety to thrive in Sicily.

One of the experimental vineyards.

The cool interior of the winery gave our little group shelter from the searing heat of the sun and we were treated to an informative presentation about the estate and a terrific, comprehensive, but relaxed tasting of their wines. The quality was high, sometimes very high, but certain wines stood out from the crowd:

2002 Donnafugata Vigna di Gabri
This single vineyard wine – Vigna di Gabri in Contessa Entellina – is a blend of Ansonica, the Marsala grape, with some Chardonnay, Viognier, Sauvignon Blanc and Catarratto.
85% of the wine was fermented in stainless steel vats, while 15% was fermented in second use French oak barrels.
The 2002 was wonderfully deep and rich with pithy citrus, wild flowers and pine nut notes, while the dry palate offered dry honey, herbs, a waxy texture, citric acidity and  touch of saltiness on the long sapid finish.
I liked this together with the fresher, more creamy, less waxy 2011 as well.

This wine and vineyard is named in honour of José’s mother Gabriella Rallo who created it  and whose signature graces every bottle. Apparently Gabriellas believe that Ansonica is capable of producing quality table wines as well as Marsala and so she created this vineyard and set out to prove her point with this wine. José seems very proud of her mother, especially that she ‘was the first woman in Sicily to put on boots and supervise her workers in the field’. It is clear that Gabriella has green fingers for things other than vines too, as the gardens she created around the winery and family house are stunningly beautiful and peaceful.

The gardens

More of the gardens

N.V. Donnafugata Brut Metodo Classico
This Chardonnay and Pinot Noir blend was my favourite Sicilian sparkling wine of the whole trip and interestingly the grapes are purposely grown on high north-east facing slopes which protect the grapes from the sun and so preserve the grape’s acids. It was nicely balanced with good fruit and acidity as well as complexity from 28 months ageing on the lees.

Pantelleria 
For me though the wine highlight of this visit was the sweet Zibibbo wines of Pantelleria. I have long been fascinated by this volcanic island that – though politically a part of Sicily – is nearer to Tunisia than Italy.The main grape here of course is Moscato or Muscat of Alexandria, but they traditionally  call it Zibibbo in these parts as it came here via North Africa and apparently zibibb means dried grapes in Arabic.

Donnafugata make 2 very different styles here:

Donnafugata Kabir D.O.C. Moscato di Pantelleria is an aromatic and attractive Moscato with a light, fresh character – there is even a little touch of frizzante to it – and I enjoyed the 2011 vintage of this wine as well as its lovely label.

Altogether more serious, more complex and hedonistic – but no less pleasurable – is the amazingly concentrated Donnafugata Ben Ryé D.O.C. Passito di Pantelleria.
This extraordinary wine is made from grapes that are harvested in August and dried in the sun for 3-4 weeks. Then in September they pick another load of fresh, but very ripe grapes and start a normal fermentation. At this point they de-stem the dried grapes by hand and add them in batches to the fermenting fresh Moscato so that they impart their deeper flavours, higher sugars and great complexity. The fermentation finally stops around the end of November and the wine is then aged in bottle.

I was instantly seduced by the complexity and stunning figgy and salty caramel richness of the 2004, while the orangey panforte-like 2006 was very nearly as complex – give it time. The 2010 was altogether fresher and more straightforward, but still delicious and I am sure will age to be just as memorable as its older siblings.

Donnafugata vineyard terraces on Pantelleria. © Donnafugata – Credit: Anna Pakula – by kind permission

Sadly I have yet to visit Pantelleria, but it seems to be a place of heroic viticulture like Santorini, Cinque Terre, Ribera Sacra and Ischia. It must be back breaking work tending these low lying 100 year old bush vines, harvesting them by hand, drying them in the sun, harvesting another lot and then fermenting them for the best part of 3 months, but it all seems to be worth it.

After a wonderful lunch José sang for us, serenading my friend Keith Grainger with ‘An Older Man is Like an Elegant Wine’ – the day after his birthday too, so I cannot decide if that was apt or just rubbing it in. José is a fine singer who has recorded 2 CDs pairing wines with a mixture of Jazz standards, Brazilian and Sicilian songs and she gave us each a copy of her second CD as a gift.

José serenading the ever elegant Keith.

Happily José had paired my favourite track on the album – her version of Rita Lee’s Agora Só Falta Você with my favourite dry Donnafugata wine, the Vigna di Gabri – I like them both in isolation and will have to try them together sometime to see if fusion works for me.

The whole visit was a great experience and a privilege to get an insight into this beautiful estate and to witness at first hand the passion and love they have for their land and what they do.

Donnafugata wines are available in the UK through Liberty Wines.

Donnafugata wines are available in the US through Folio Fine Wine Partners.

Donnafugata wines are available in Australia through Arquilla.