A Greek Original – Naoussa & Xinomavro

Naoussa vineyards.

As some of you will know I visited Greece last year to tour some of that country’s amazing northern wine regions. I have written about some of the highlights already in my articles about Rapsani and the amazing Mount Athos, but I thought that I should tell you all about some of the wines made from Greece’s star northern black grape – Xinomavro.

My favourite road sign – photographed in Macedonia in 2012.

Do, please remember to click on all the links…starting with this one about my Greek wine tasting in London perhaps?

This part of Greece is where some of their truly classic wines originate and I was fortunate enough to experience a wide range of them last year and to visit many of the really exciting producers in this beautiful part of the world.

Xinomavro (pronounced K-see-NOH-mah-vroh) is the signature grape of Macedonia and makes some of Greece’s finest red wines. Agiorgitiko (pronounced Ay-yor-yitiko) from Nemea region in the Peloponnese is arguably Greece’s other really important black grape and I think they should both be a more widely grown. Indeed in my opinion both could well have a future as international grape varieties – as should Spain’s Tempranillo and Italy’s Aglianico.

Map of Greece’s Wine Regions – click for a larger view

Xinomavro is grown across the north of Greece and is the only grape permitted in the mono-grape wine region appellations / PDOs of Goumenissa, Amynteo and most importantly Naoussa. It is Naoussa (pronounced Now-sir) that is considered to be the finest of all the regions up here and to have the greatest potential for even more future greatness. The others must not be ignored, but it is easy to see why this particular place has earned such a high reputation.

How it used to be done – the Dalamára Winery in Naoussa in the mid 1950s.

How it’s done now – the Dalamára Winery in Naoussa in 2012.

Kostis Dalamaras – the 5th generation of his family to farm at the Dalamára Winery. He now makes beautifully supple and elegant modern wines from organically grown grapes.

As you might suspect the area has a long history of wine production, so much so that the artist Cousinery wrote in 1831: “The wine of Naousa is to Macedonia what Burgundy wine is to France. I am in a position to say that the wine of Naousa is the best in the Ottoman Empire .” In truth though I would be willing to bet that with a few exceptions we would barely recognise the wines made around here before the Second World War. Phylloxera hit this part of the world very late, so when it did arrive in the 1930s it was just one of the many problems to be coped with – world wide recession and world war followed closely by civil war must have seemed like more urgent horrors. So it was not until the tourist boom of the 1960s that the region began to be properly replanted and new wineries built – interestingly the timing is identical to the blossoming of California and Spanish wines, which just goes to show that all wine needs to develop is a long period of peace and relative prosperity.

What makes Xinomavro stand out from the crowd is its potential for elegance. The wines it makes, especially in Naoussa, can be very fine indeed. The whole place is basically a south facing slope, sheltered so the extremes of climate that other parts of Macedonia are subject to are somewhat tempered here – and it shows. What’s more the sun exposure balances the grapes variety’s natural high acidity very well indeed.

Some people like to compare Xinomavro to Pinot Noir and in terms of colour and tannin that contrast gives you a pretty good idea of what it is like. If I have to compare it to anything though, and it does make things easier if you have never tried one, then I think Nebbiolo might be a better bet. True it is less tannic, but everything else is bang on, body (not that full, whatever the books may say) and acidity, more improtantly it has red fruit characters and a similar deeply savoury, umami nature.

Delicious traditional nibbles at the Dalamára Winery in Naoussa.

While Pinot always makes think of red cherry and raspberries, I see from my notes that Xinomavro for me is often very tomato-like in flavour and aroma. Sometimes the tomato feels fresh, other times more sun-dried or cooked and even occasionally just tomato stalk, but it is always there and makes the wines go superbly with the wonderful local cuisine.

My favourite Naoussa wines so far:

Tsantali’s Naoussa vineyards.

1997 Tsantali Naousa Reserve
Tsantali
PDO Naousa
Originally from Thrace, the Tsantali company created their Naoussa estate and winery in 1970. is one of Greece’s major producers of wines – and spirits. In my opinion their quality is pretty high, whether you are just drinking one of their straightforward everyday wines or indulging in something a little more special.
40% fermented in small open fermentors and hand plunged four times daily and 60% in stainless steal tanks. 12 months in French oak, just 10% of which is new.
A little tawny and earthy red, but the colour is still quite vibrant.
The nose was smoky with prunes and concentrated cooked tomato notes.
Loads of sweet deep dried fruit and ready vanilla and caramel, some spice and raisins and prunes. Very elegant, and joyous the tannins dry the finish and the acidity just sits in the background. Superbly balanced and stunning. The finish is fresh and lively still with studs of rich sweet, smoky bacon, tomato and savoury meaty characters.
Amazingly long and intense and the finish is really smooth. A great wine that is ageing very slowly – 92/100 points.

As far as I am aware the Tsantali Naousa Reserve is not available in the UK at the present, but their tasty and excellent value non-reserve Naousa is available from Wine Rack at £7.49 a bottle.
Tsantali wines are available in the US via Fantis Foods Inc.

Stelios Boutaris, charismatic winemaker and owner of KIR-YIANNI evangelist for Greek wine and the 5th generation of his family to make wine, but the first to embrace a true ‘estate’ concept.

The beautiful Ktima (Domaine) Kir-Yianni.

1997 Kir-Yianni Ramnista Estate Naoussa
Ktima (Domaine) Kir-Yianni
PDO Naousa
The Boutari family have been a key part of the development of Greek wine. In many ways it was their negociant company that put Naoussa and Santorini on the wine map as quality regions and that family firm continues to this day, but Yianni Boutari, Stelios’s father branched out on his own to create this estate in 1997. When he was a negociant all the grape growers had respectfully referred to him as “Mister Yianni” or Kir-Yianni in Greek. The grapes are from selected vineyard blocks on their Yianakohori vineyard and the wine spends 12 months in a mix of 225 and 500 litre oak barrels.
Deep earthy savoury aromas mingle with black treacle and leather notes together with an underlying mix of cherry and sun-dried tomatoes.
Lovely integrated palate of wild raspberry and leather, tomato and earthy minerality. High in acid, but very soft, with smooth fine smoky tannins and tomato stem flavours. Lovely texture and tension between the freshness and richness. The finish is slightly drying, but has great balance and real finesse – 93/100 points.

Kir-Yianni wines are available in the UK through London General Trading.
Kir-Yianni wines are available in the US through different companies listed here.

Ktima Chrisohoou.

The delightfully hospitable Keimis & Betty Chrisohoou.

2001 Chrisohoou Naoussa
Ktima Chrisohoou
PDO Naousa
The Chrisohoous are delightful people and their beautiful winery includes a fabulous museum of local culture and wine together with an amazing restaurant. Our little group were the only guests the night I was there and we were treated to course after course of stunning food – do go if you are anywhere near. The family have made wine since the 1940s, but they were basically negociants until 1978 when they started specialising in estate bottled Naoussas. They still make an enormous array of different wines, but the Naoussas are where the quality is. They are aged for 12 months in French oak barrels.
Earthy red with a kiss of orange pink in the rim too.
Delightfully vibrant nose, with red cherry and leaf mulch forest floor sort of aromas.
Plenty of soft fruit, red raspberry and deep cherry on the palate. Lovely almost creamy texture with some spice and oak characters like toffee and coffee and the acidity provides a balancing touch of freshness.
The most Pinot Noir like Xinomavro I tasted on the trip, beautifully balanced and ageing very very slowly – 92/100 points.

Kostis Dalamaras in his vineyard.

Kostis Dalamaras amongst his vines.

Feeding time at Dalamara – they really are inseparable pals!

2008 Paliokalias Naoussa
Dalamara Winery
PDO Naousa
Kostis Dalamaras farms his vineyards organically and seems to really love this land that his family have tended since 1840. The place is small, homely and teeming with cats. It reeks of tradition, but there is nothing old-fashioned about Kostis’s wines, they really are exquisite and very Burgundian in feel. His Paliokalias is a lieu-dit and is a remarkable wine made from 80 years old vines and is aged for 12 months in French oak barrels.
The nose was very Burgundy-like here, earthy and savoury, while the palate was a beautifully poised and elegant wine with gorgeous balance between the fruit and gently spicy oak. Lots of red berries and plums gave way to sun-dried tomatoes and then a twist of tapenade for good measure – 91/100 points.

Naoussa vineyards.

2011 Thymiopoulos Young Vine Naoussa
Domaine Thymiopoulos
PDO Naousa
31 year old Apostolos Thymiopoulos is great winemaker and like Kostis Dalamaras is a rising star of Naoussa. He doesn’t make much, so his top wines are hard to track down – in the UK anyway. Luckily the same problem does not exist for this wine made from the younger vines on the estate and vinified using only the wild yeast and 30% is aged for 3 months in a mixture of 225 litre, 300 litre & 500 litre oak barrels – both of these give more complexity.
This could well be the best wine to try first, if you have never tasted a Naoussa. It is gloriously bright and seductive, bursting with cherry and raspberry fruit with fresh acidity and attractively chalky light tannins. Fresh tomato and tomato stalk characters provide the savoury notes to balance the sweetness of the red fruit. A lovely user-friendly wine that goes with all manner of lighter dishes and tastes good lightly chilled too, if you like good Gamay, Pinot Noir, Nebbiolo or Barbera this is the wine for you – 89/100 points, it scores especially high marks for value.

Available in the UK from The Wine Society for £10.50 a bottle.
Available in the US from K&L Wines for $14 a bottle.

But wait, there’s more: Alpha Estate – Amynteo
So, if wines in the Nebbiolo, Pinot Noir mould are your thing then you have a wonderful new region to explore in Naoussa. Excitingly though there is even more for you to discover. It isn’t in Naoussa, but no article about Xinomavro would be complete without a mention of the Alpha Estate.

Angelos Latridis the evangelistic winemaker and owner of the Alpha Estate.

The Alpha Estate.

Alpha Estate vineyards, note the sandy soil.

The Alpha Estate was the brainchild of Angelos Latrides and Makis Mavridis who saw great potential in the underused Amynteo region. It is higher and cooler than Naoussa with more rain in the winter, but enjoys hot summers, which are tempered by the nearby lakes and excellent sun exposure. In addition the sandy soil is protection against phylloxera and because of that there are pockets of very old vines in the region.

Old Xinomavro vine – more than 80 years old – in sandy soil at the Alpha Estate.

Alpha Estate is an exciting wine producer, it has the feeling of being cutting edge and experimental and as a consequence they grow lots of different grape varieties, including Syrah, Merlot, Negro Amaro and Barbera, but the signature grape for them is ungrafted Xinomavro and they make several different examples, all of which are very, very good, even the more affordable Hedgehog label. It seemed to me that the hallmark was freshness and terrific integration in their wines and it was interesting that they use oak with almost no toast at all.

2006 Alpha Estate Old Vine Xinomavro
Alpha Estate
PDO Amynteo
Medium to deep black cherry colour with deep black cherry aromas together with freshly cooked tomato aromas, dried cherry, cherry stone, herbs and molasses. The palate has a lovely succulent texture with fantastic freshness and gentle opulence. The fruit is the thing right now with bright tomato and cherry and cooked tomato dominating the underlying dryness and austerity. Real freshness, elegance and finesse, but very very drinkable too and no sign of leather or ageing yet – 92/100 points.

Alpha Estate wines are available in the UK through Novum Wines.
Alpha Estate wines are available in the US through Diamond Importers Inc.

I do hope all this has whetted your appetite to go and try some Xinomavro from Naoussa or Amynteo. There is a wonderful array of quality Greek wines just waiting for intrepid wine drinkers to discover. What appeals to me is that they are classic European wines, but with new and different flavour profiles, so both familiar in many ways, but also exciting and different.

Go on, try some and let let us all know what you made of them.

Burgundy – it just seems complicated

Santenay Clos des Cornières

Recently I was invited over to Burgundy as the guest of a campaign called Discover the Origin whose job is to promote traditional European products that have a clearly defined place of origin – Burgundy is a classic example. It was a wonderful trip and gave me a realinsight into this incredible wine region.

Beaune, Burgundy’s main town, is a delightful place to explore.

All those medieval building still need looking after, so the old skills still exist here.

Many of my students find the sheer variety of Burgundy wines intimidating and the array of labels bewildering, which is presumably why some of the easier to understand examples are the best sellers.

I agree that at first glance Burgundy can look complicated, but actually it isn’t hard once you strip it down to basics and learn to trust Burgundy rather than fight it.

Of course that does depend on how much you really want to get to grips with the place and its wines. Becoming a world authority on Burgundy will be fiendishly difficult, but the good thing is that no one really needs to understand everything about it. Most of us just need enough information to enable us to enjoy the stuff without worrying too much about the potential pitfalls.

Here is my best advice to those of you who would like to get to grips with Burgundy, but find the complications off-putting – oh and if you do know about Burgundy, look away now, this is for the many interested, but nervous wannabe-Burgundy drinkers I meet.

Please remember to click on all the links.

The basic thing to get to grips with, perhaps more than any other wine region, is the geography. The wines are not big, rich and fruity, but dry and savoury because they come from somewhere cold with short summers. The fundamental dimensions and weight of most of the wines are similar as you would expect given that almost all the white wines are made from Chardonnay and the reds from Pinot Noir – both these grapes originate here. The winemaking is pretty similar too and the grapes are grown over a relatively small area, so the climate does not change much and variations are subtle. Every time I taste a lot of Burgundy I find myself writing many of the same words. I know the wines are different, but those differences are so subtle that they are very hard to sum up in a simple way.

Tradition

Frédéric Drouhin, urbane and charming director of Maison Joseph Drouhin which was started by his grandfather. The visit here was delightful and the wines had all the elegance you would expect.

En garde – the delightful Alain Hasard with his pigeage plunger. Note the small scale of the vats at his wonderful little domaine Les Champs de l’Abbaye. All his viticulture is organic and indeed biodynamic inspired – I liked him and his wines.

Jean-François Chapelle of Domaine Chapelle in Santenay – his wines are superb too.

Marion Javiller of Domaine Patrick Javiller. They made 2 of my favourite wines from the trip and rather wonderfully I could (almost) afford them too – 2010 Bourgogne Blanc Cuveé Oligocène and their wonderfully silky 2010 Savigny-les-Beaune 1er Cru Les Serpentières.

The tool rack at Domaine Joseph Voillot, note the Tastevin. I loved their Volnay wines, especially the sumptuous, yet mineral 2010 Volnay 1er Cru Les Caillerets.

Patrice Olliver of Domaine Fougeray de Beauclair in Marsannay. Amongst many other lovely wines he makes an intriguing and rather good white Marsannay from 100% Pinot Beurot which is the local name for Pinot Blanc.

Remember that Burgundy is a deeply traditional wine region where most of the producers are really just small family owned farms. This is not a place of big brands and industrial sized wineries and this traditional outlook shows in the wines, probably more than any other place in the world today. These wines are made by people who passionately believe this is the best place on earth to make wines and that the wines of their region are the best in the world.

As a consequence the idea of a wine being bright, bold and very fruity is almost an impossible concept for a traditional Burgundian to understand. Therefore expect elegance not weight, delicacy not power and the wines to be fundamentally savoury rather than sweetly fruity. As a consequence Burgundy wines really are best suited to being drunk with food. Most Burgundians would never think to drink a glass of wine on its own, that is what a Kir or Kir Royale is for. Wine, Burgundy wine anyway, accompanies food.

Vineyards

Santenay again

Marsannay

Something else that is a little different here. Very few vineyards in Burgundy have just one owner. Usually a single vineyard site is owned by several different growers and producers all making their own version of the wine. That is why a wine that appears to come from a specific vineyard often has many different labels. That is why wines that perhaps ought to be the same can sometimes taste more varied. If there is a single owner of a specific vineyard it will usually say ‘monopole‘ on the label to show it is that grower’s monopoly.

Geography
To enjoy and appreciate Burgundy you need to either be vaguely aware of the geography or at least choose to accept it or find it interesting rather than intimidating. All the important information on the labels is geographical, it’s all just place names, the region, district names, village names or vineyard names. Personally I find it useful to embrace the unknown on a wine label – if you have never heard of the place or grape on a label, try it. What is the worst that can happen?

Understanding the Labels

A good quality Bourgogne from a famous producer – this one informs us that it made from Chardonnay, most Burgundy labels do not mention grape variety.

The more basic wines from Burgundy are labelled as Bourgogne, which is French for Burgundy and is the catch all appellation for the whole region. Bourgogne is an appellation d’origine contrôlée (AOC or AC), which is a system of guaranteeing provenance to the consumer. Similar controls are found throughout the EU – and beyond – to regulate traditional products like ham, cheese and spirits, but wine is the most famous.

Some seemingly humble Bourgogne wines are very good and will give you an idea of the fundamental style of the region. These wines tend to be the more affordable ones – but that is not always the case and knowing the exceptions is where your hard won experience will eventually count.

Districts

The district names of Burgundy appear on many labels as a more specific place of origin than Bourgogne. These show that the wines comes from a distinct part of the region, rather than  the region as a whole. Chablis and Mâcon are districts, as are Bourgogne followed by the name of an area, such as Bourgogne Côte Chalonnaise, Bourgogne Côtes-du-Couchois, Bourgogne Côtes d’Auxerre or Bourgogne Hautes-Côtes-de-Beaune. No one knows them all, well I don’t anyway, but once you understand the principle this sort of labelling is quite straightforward.

After a while you will start to notice the subtle differences in how these various wines taste. For instance the wines of Mâcon are clearly softer, fruitier and taste as though they come from somewhere warmer than the cold northerly slopes of Chablis. While Chablis wines are more mineral, taut and crisp than a Mâcon – the cool climate shows in the wine.

Villages

This white wine comes from the village of Puligny-Montrachet

Quality in Burgundy is supposed to be all about the vineyard site – remember those subtle variations – so in the quest for quality it is always good to know where your grapes were grown. Therefore the benchmark for Burgundy is the wines that have the name of a village on their label. The grapes that the wine is made from were grown in vineyards that surround that particular village, so we know where the wine originates. Meursault, Beaune, Nuits-St-Georges, Puligny-Montrachet, Mercurey and Givry are examples of these village wines.

Premier Cru & Grand Cru
You have to remember that grapes have been grown and wine has been made in Burgundy for hundreds and hundreds of years. Over that time certain places have come to be regarded as having the inherent ability to produce better wine than others. This accounts for why some villages are so famous.

Some specific vineyard sites within the villages can also be thought of as producing better wines than others, or at least to be capable of producing better wines. To celebrate and affirm the potential quality of these vineyard sites many have been awarded Premier Cru /1er Cru status and if the fruit all comes from a single 1er Cru vineyard the name of that site will appear on the label together with the village name.

This white also comes from Puligny-Montrachet, but more specifically the 1er Cru site called Les Folatières.

The very pinnacle of Burgundy production though is the Grand Cru vineyard sites. These are places that are thought to be capable of producing the very finest and most concentrated Burgundy wines of all – there are not many of them and they do not produce much wine at all, so are often eye-wateringly expensive.

The Montrachet vineyard is shared between the villages of Puligny and Chassagne and has been added to the name of both villages.

So many UK wine drinkers brought up on wines labelled by grape variety seem to want to rant, rail and kick against the traditional French way of doing things. It makes life much easier to just accept it, pay attention to the information on the label that is useful to you and ignore the rest. I always warn my students to never go looking for consistency or logic in French wine regulations as they often mean subtly different things from region to region even when they use the same words.

On my trip I visited a wide range of producers, from big names with grand cellars and lots of employees to tiny, hands on vigneron who scratch a living from a tiny patch of vines. All were passionate about Burgundy though. They all loved their land and thought the site mattered. None of them in their hearts believed they were producing Pinot Noir or Chardonnay wines. They were merely using those grapes to express the character of the land they farmed – they were bottling Meursault, Volnay, Savigny-les-Beaune, Mercurey or Montagny. Their wines were capturing and celebrating the subtle differences and variations that make each of these wines unique.

It is precisely these differences that make Burgundy so interesting and worthwhile to the wine enthusiast and over time the very real, but subtle variations between wines from the Côte de Nuits, Côte de Beaune and the Côte Chalonnaise become apparent.

The beautiful cellars of Domaine Heresztyn who make lovely wines in Gevrey-Chambertin.

What makes the differences is best shown by using the Côte d’Or as my illustration. This part of Burgundy is the most celebrated and contains most of the really famous wine villages of the region. Of the truly renowned Burgundy areas and villages, only Pouilly-Fuissé and Chablis are not found in the Côte d’Or.

Map of Burgundy – click for a larger view – non watermarked PDF versions are available by agreement

At first glance the Côte d’Or, made up of the Côte de Beaune and the Côte de Nuits, would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

Luckily for us we don’t have to learn what the soil composition is of each and every village, let alone vineyard site, which is good because there is a great deal of overlap and variation making it very difficult to generalise to any useful degree. No, we only have to try the wines and see which ones we particularly enjoy.

So the next time you fancy some good charcuterie, try a red Burgundy with it, or it would be perfect with Boeuf Bourguignon or Coq au Vin too, those wonderful classic dishes of the region. White Burgundy really comes into its own with soft, squidgy cheeses or a simply cooked piece of fish.

If you really want to open your eyes to Burgundy though I would really recommend visiting the place for yourself, there is so much to see and enjoy.

Reluctantly leaving Beaune behind.

Great British Food – it is great

It was only in 2005 that French President Jacques Chirac memorably damned British food with those astonishingly ill-chosen words, “you can’t trust people who cook like that“. So, there was no doubting his view, which was once that of the world at large – even the British themselves. When I was growing up in the 1960s and ’70s, very few people seemed interested in good food in Britain at all and looking back it seems the menus, both at home and out, were very limited and dull. I well remember watching items about the French lifestyle on Blue Peter and hearing that old cliché; “the British eat to live, while the French live to eat.”

In those days there were still the last vestiges of the old British view that things should be plainly cooked, that anything fancy was suspect and that being interested in food was not quite right and really a funny foreign idea altogether. Certainly the British of the day were unlikely to indulge in earnest conversation about food, the way Spaniards will about Jamón, the French about cheese or the Italians the relative merits of oils and vinegars.

So, if Chirac has made that statement in 1975 I would have probably agreed with him, but all that really has changed now. Enjoyment of food now seems to be an integral part of British life and food is no longer regarded as just fuel. I love eating out anywhere I go in Europe, but in reality the variety and quality of food available in Britain now is as good as anywhere – different, but certainly as good. I don’t just mean fine dining either, this country is full of exciting affordable places that turn out delicious food at all price levels and from an enormous array of ethnic backgrounds.

However food isn’t only about eating out, restaurants and fine-dining. It’s also about the ingredients and this is where it seems to me there has been a more profound change. Everywhere I go there seem to be local producers of fabulously tasty things, wonderful cheese shops and delis and nowadays we all take it for granted – my mother would have loved it. She died in 1978 when just buying spaghetti involved a special journey to an Italian shop in town and we had to bring our garlics and olive oil back from Spain.

One of these exciting food producers really appeals to me – The Artisan Smokehouse – and I have been fortunate enough to try quite a few of their products. Frankly if you are at one of the events where they show their wares – I regularly bump into them at the excellent Three Wine Men tastings – then you just cannot miss them as the smell is wonderfully enticing. I love the smell of smoked food and so it always beckons me over.

However, much as I like the aromas and flavours of smoked food, Tim Matthews has a palpable passion for it – which is why he and his wife Gillian started The Artisan Smokehouse some seven years ago. Talking to him he really does come across as a sort of Heston Blumenthal of smoking. There doesn’t seem to be anything he won’t have a go at smoking and precious few things that he hasn’t actually smoked – even maple syrup apparently.

Indeed Maple seems quite a thing with Tim, he does all his smoking over natural maple wood chippings and I know from personal experience that maple wood has a wonderful smell of sugary maple syrup.

Tim and Gill Matthews

“It started off as something fun to do, but we now supply delis county-wide and see ourselves as part of the growing Suffolk food mafia!” said Tim.

In truth the smoking process is only something that I have a superficial understanding of, but whenever I speak to Tim he really draws me in. He is passionate about his craft and food in general, flavour seems very important to him and this enthusiasm is infectious.

His passion shows in the foods he produces and in the raw materials he smokes. The flavours he achieves strike me as being very delicate. Sometimes with smoked food that is all you can taste – the smoke. With Tim’s products the smoking seems subtle and integral to the other flavours. The texture and the flavour of the raw material are as important as the smokiness.

Truthfully though the thing that originally got me interested in his wares seems pretty unsubtle, it was smoked garlic. He smokes whole heads of British garlic and the aromas are just so enticing. Wrapped in foil and roasted, the soft flesh of the garlic is unctuous and delicious with a rich smoky note and pungent character – trust me it is fabulous on toast!

I am not the greatest fan of smoked salmon, but their Freedom Food Smoked Scottish Salmon was a revelation with a deep flavour that seemed to have a fruity quality to it. Even better, to my mind, was the Freedom Food Hot Smoked Scottish Salmon Fillet, the flakes of fish were firm yet succulent with a fragrant flavour reminiscent of Chinese tea. The hot smoking actually cooks the fish and so the texture is unlike most smoked salmon and like a piece of cooked fish, but with that delicious fragrant smoky quality.

Just before trying the smoked fish I wondered what wine to have with it. Something about the aromas of the food made me think of  that Grüner Veltliner would be good, so went in search of a bottle. However I found a lone bottle of something else that got me thinking and changed my mind. I am glad I did as the combination was perfect:

2008 Dr Frank Rkatsiteli
Dr Konstantin Frank’s Vinifera Wine Cellars
Hammondsport
New York Finger Lakes A.V.A.
New York State

An unusual grape, Rkatsiteli is from Georgia, but was widely used throughout the USSR, including Ukraine as well as more widely in Eastern Europe. It has an aromatic, floral and spicy kind of character, so will appeal to fans of Grüner Veltliner and dry Furmint.

This was great with both the smoked salmons. Just a lingering succulent softness showed this was a mature white and it balanced the acidity, which was still enough to be a perfect foil to the smoky flavours and fatty feel of the smoked salmon. The aromatic and fragrant nature of the wine was a great match for the fish too, as was the delicate spice character. A terrific dry white wine and a great combination – 90/100 points.

The 2010 vintage is available in the US from the winery at $15 a bottle.
Dr Frank’s wines are available in the UK from Wine Equals Friends.

A hamper from The Artisan Smokehouse

The meats are equally good by the way, the Smoked British Fillet Beef is so tender and fresh tasting with the flavour of the meat and that of the smoke sitting perfectly together. Tim’s Smoked Free Range Duck Breast is delicious too, despite being smoked you can taste the duck as well as the fragrant smoky flavour – it would be great in a gourmet salad.

I was also delighted to be able to try his speciality Violino di Capra – marinated, cured and smoked goat leg – which was stunningly delicious, fragrant, delicately meaty and fragrantly smoky.

The smoked meats would be wonderful with any red that wasn’t too strong by the way, earthy, umami flavours help too. Wines with the weight of a rich Beaujolais or fruity Pinot Noir are perfect. A smooth Syrah or a Barolo could be good too, like Spar’s excellent value earthy and meaty 2007 Valle Vento Barolo.

So, as you can see from my reaction to a small cross section of the range from The Artisan Smokehouse, what they make is delicious and terrific quality. It strikes me that one of their hampers would make a wonderful present for the foodie in your life.

The Artisan Smokehouse
Tim and Gill Matthews
Telephone: 01394 270609
Email: info@artisansmokehouse.co.uk
http://www.artisansmokehouse.co.uk

The Rusty Pig’s cooking chorizo

The Rusty Pig 
As if all this smoked gorgeousness wasn’t enough, I was recently tutoring a wine tasting and Robin Rea was giving tastes of the charcuterie that he makes down in Ottery St Mary in Devon. Robin is an experienced chef and still cooks at River Cottage HQ, but he has a passion for curing and air drying charcuterie. I really think what he makes is as good as anything I have had from France, Spain or Italy – the chilli salami was amazing, intensely hot and sweetly tasty by turn, like a gourmet’s Russian Roulette! It was all, as Robin says, “pigging delicious.”

What’s more, it isn’t only a shop where you buy amazing sausages and bacon, you also can eat there.

Robin in full swing

Rusty Pig
Robin Rea
Telephone: 01404 815580
Email: robin@rustypig.co.uk
http://www.rustypig.co.uk/gb.aspx

It would seem that Chirac was completely wrong, we have thrown out that old view of British food and are now as keen as anyone else to eat great food, cook great food and to produce great food.