Austria part 1: passionate wine makers

Neusiedlersee from the vineyards.

A little while ago I was lucky enough to have a fabulous trip around most of Austria’s wine regions. I was pretty excited about it as I had long wanted to get a real look at this resurgent wine producing country.

Personally I have always been drawn to the Austrian /  Central European culture and have always enjoyed the food and the beer and liked the look of this part of the world. So, I was looking forward to getting better acquainted with it as well as seeing the wine regions and meeting many of the important winemakers.

For reasons of economy I flew in through Bratislava, which is very close to Vienna and was for hundreds of years the Imperial Austrian city of Pressburg or Preßburg. I didn’t have time for a meal, unusually for me I didn’t have the inclination either as I knew my plans for later that evening in Vienna, so I grabbed a sandwich and a beer at the airport.

I was already somewhere interesting when something as a simple ham and cheese sandwich bore no relation to its counterparts at home. It came on black bread with smoky Black Forest ham, rich cream cheese, loads of pickles and was delicious. The beer too was far better than such a simple thing as a lager would normally be in my life, it had a rich hoppy character and a depth of flavour that would astonish most members of CAMRA.

Arriving in Vienna for the first time in 27 years I strolled around this grand city trying out some of the wonderful coffee houses and cafés for which the place is justly famous. It seemed as though almost every building housed a cake shop – do they really eat that much cake I wondered? Watching the Viennese at play over the course of the evening it seemed that they really did – and later I joined them myself.

Dinner that night was a sort of pilgrimage for me. All my life I have been excited by schnitzels – I know it sounds strange, it even looks odd to me now I have actually typed the words, which is akin to saying them out loud. Hell, it’s cheaper than therapy! I am always drawn to schnitzel on a menu though, even if there is finer fare to be had. I have this theory that schnitzel is the best dish in the world – no not a theory, a belief! So I went to the place where the schnitzel began.

The Wiener Schnitzel is a classic dish, but it seems that no one can actually find much of a history for it. I remember reading that General Joseph Radetzky von Radetz – he of the march / waltz fame – was supposed to have brought it back to Austria after campaigning in Lombardy and Milan. A Milanese Cutlet / Cotoletta alla Milanese is superficially similar and the Austrians were supposed to have refined it by bashing the meat out to tenderise it and make it very thin. Sadly it seems that this is a myth though and no one knows exactly where it came from or when.

Wiener Schnitzel at Figlmüller alongside a €2 to compare the sizes.

In Vienna there is a restaurant called Figlmüller that not only claims to have invented the schnitzel, but to have done so as recently as 1905. I find that extraordinary as 1905 is only just beyond living memory, my grandfather was 20 and my own parents births were only 22 years away. How can something so famous and so universal be that recent? Anyway I went and had a most excellent Wiener Schnitzel washed down with a rather splendid beer and copious amounts of Grüner Veltliner from the restaurants’ own vineyards.

For desert I visited the Café Sacher inthe world famous Hotel Sacher, which makes probably the most famous chocolate cake in the world. I felt that at least once in my life I should try the original in the actual place that gave the world the sachertorte. The café is rather lovely with genuine old world charm, open till midnight and serves a stunning red Zweigelt Beerenauslese, from Weingut Kracher in Burgenland, which is absolutely perfect with a slice of sachertorte - a better match than coffee actually.

Having immersed myself in the most famous, possibly clichéd, but certainly delicious, aspects of Austria’s gastronomic culture, the next morning I felt ready to explore her wines.

Austria’s wine regions – click for a larger view.

Touring the Vineyards
The start of my trip was billed as a vineyard rally through Leithaberg and Neusiedlersee. Of course with my new found instant knowledge I knew that Leithaberg was a Districtus Austriae Controllatus / D.A.C wine region near Eisenstadt that covered the lower reaches of the Leithaberg mountain and faced south east towards the beautiful lake called Neusiedlersee.

Despite sounding mysterious, the vineyard rally turned out to be simplicity itself, no hard hat or special training was required. We were taken to two different spots in the surrounding vineyards to meet some winemakers and taste their wines.

Our first stop was right in the middle of the vines with barely a building insight – other than church towers in the far, far distance. The weather was warm with clear blue skies and the spot stunningly beautiful with that feeling of total peace that I associate more with vineyards than anywhere else. Spying a falcon in flight just added to the feeling of being somewhere special.

Leo Sommer

Weingut Sommer
There we were met by the impossibly youthful looking Leo Sommer who was representing Weingut Sommer, the winery his family have run since 1698. Leo had set up a tasting for us right where the slope stopped at the foot of a rocky ridge. Looking one way I saw the vineyards sloping gently down towards the lake that shimmered enticingly in the distance. In the other direction the land became much steeper with fewer vineyards.

Looking towards the lake.

The Sommers farm 30 hectares here and they aim to capture the essence of the place in their wines. The summer here is hot and dry, with ripening helped by the warm winds blowing in from Hungary’s Pannonian plain. The nearby lake though manages to temper and balance that heat in the height of summer, while helping to keep the autumn cold at bay during the later part of the ripening season. This is the important Altweibersommer or Indian Summer that allows them to harvest very late in this area.

Looking away from the lake you can see how the slope changes. We had our tasting by the van.

A close up of the same scene.

White Leithaberg D.A.C. wines can be made from Pinot Blanc  / Weißburgunder, Chardonnay, Neuburger, Grüner Veltliner or a blend of any of these and we tasted two of the Sommer’s Grüner Veltliners. One had some oak with lees stirring, while the other was all stainless steel, yet they both summed this place up to my mind. To different degrees they both had a richly textured ripeness leading to a taut, stony mineral finish and when looking around this glorious sun drenched landscape with its sandy loam and slate soils, it struck me – this was precisely what these slopes should produce.

In many ways standing here felt as though I was in a little protected pocket by other less forgiving climates – much like Alsace or Central Otago. The more I thought about that when we visited all the different regions the more I realised that is exactly what the Austrian wine regions are – mountains and more extreme weather dominate the rest of the country – we often glimpsed snow-capped ridges , so these places in the far east of Austria are an oasis of temperate growing conditions.

Our next port of call reinforced this view. This time we were nearer the lake, right at the bottom of the gentle slope before the flat land that surrounds the Neusiedlersee and our hosts were Martin Palser and Birgit Braunstein, a married couple who just happen to both be winemakers and each runs their own winery.

Birgit Braunstein & Martin Palser

Martin Palser 
Down here it seems there is much more limestone and Martin grows Chardonnay on this soil, which makes his take on the Leithaberg D.A.C. very different from Leo Sommer’s wines. His 2011 Chardonnay Reserve impressed me very much with its lovely balance, very Burgundian character and pronounced minerality – I know, I know – and Martin told us that this minerality was the character of the place and was more important than grape variety in his opinion.

Looking towards the lake.

Birgit Braunstein
Then Martin handed over to his wife who presented two red wines made from the region’s signature black grape – Blaufränkisch. Red Leithaberg D.A.C. wines must contain at least 85% of this with up to 15% of St. Laurent, Zweigelt or Pinot Noir. I have enjoyed Blaufränkisch before – even as Lemberger in New York’s Finger Lakes, but none have impressed me quite as much as these two made by Brigit Braunstein. Her 2009 Blaufränkisch Reserve Leithaberg D.A.C. was beautifully fruity and balanced with gorgeously ripe fruit together with elegant spice, the delicious cherry-like acidity that I associate with the grape – and a streak of pure minerality. Somehow the wine managed to keep quiet about the 18 months it had spent in new oak and was superbly integrated.

Standing on their terrace looking across the vineyards to the lake I was struck by the place, conditions and landscape and how they seemed to echo the wines that I had just tasted. The breezes blew the otherwise searing heat away – “air conditioning for the vines” as Martin put it – and these are ripe, cool climate wines. They are keen on biodiversity here and the fields were a colourful riot of cherry trees, wildflowers, grasses and herbs as covercrop between and around the vines, while the sandy loam soil, slate and limestone that it all grows in is key here. The defining characteristic of Leithaberg D.A.C. seems to be the minerality and I felt that it was all around me as well as being in the glass.

All in all it was an excellent beginning to the day, I felt peaceful, invigorated, more experienced and better informed and it wasn’t yet 11 o’clock.

Weingut Birgit Eichinger
Funny things wine trips. You live in close proximity to people you barely see the rest of your life, you lose all track of time and get dragged from one place to the next at breakneck speed with barely a backward glance – until you start writing anyway. You get given far more meals in a day than is strictly required – and sadly get to like them. What does stand out though, what makes all the suffering (really?) worthwhile is when we visit somewhere that touches the heart and a good few of the visits on this Austrian trip did just that, but one of the most memorable was to Weingut Birgit Eichinger.

Brigit Eichinger

There aren’t many women winemakers in Austria, so Brigit Eichinger is pretty unnusual – strangely the only other one we met was also called Birgit, Birgit Braunstein – what’s more Birgit Eichinger and her builder husband Christian have only been running their estate since 1992 when they started with 3.5 hectares. The winery was built in 1994 and they have been adding vineyards when they can and today they farm some 15 hectares in Strass.

Strass is in Kamptal which in turn is part of Niederösterreich, which is in many ways the heartland of Austrian wine as it includes the famous regions of Wachau, Kremstal and Wagram amongst many others and so certainly defines my view of Austrian wine – the whites anyway.

Site matters here as there is no one single terroir. Many of the vineyards have loess over gravel and loam, but others have sandstone, slate and schist, so as in Alsace matching the grape variety to the site makes real differences to the wine. There is even volcanic rock on the Heiligenstein slope from where Birgit produces a stunning, spicy, pure and intensely mineral Riesling.

To qualify as Kamptal D.A.C. a wine must be made from Grüner Veltliner or Riesling, so Birgit’s deliciously floral and exotic Roter Veltliner – also known as the Roter Muskateller and no relation to Grüner at all – and her Chardonnay are simply labelled as coming from the wider area of Niederösterreich.

The view from Weingut Birgit Eichinger

The landscape here is spectacularly beautiful – actually everywhere we went was – with the terraced vineyards cascading down the slopes towards the small town of Strass where Birgit’s winery sits at the foot of the Gaisberg slope.

All the wines were superb and I know that many of us would have purchased a few bottles if we had had the space in our luggage. The Rieslings and Grüner Veltliners in particular showed their class with a concentration and yet lightness of touch that gave them a feeling of tension and sophistication that certainly brought a smile to my face.

Birgit’s beautiful wines are available in the UK from John Armit Wines and in the US through Weygandt-Metzler Importing for other teritories check here.

The whole trip was a delight – apart from being locked out of my hotel room and two of my colleagues missing their flights – and my enthusiasm for the country and its wines has been totally rekindled. I will write about some of the other places I visited and wines I tasted in Austria soon.

If Austrian wines have passed you by then you really do owe it to yourself to give them a go. There is a great deal of pleasure to be had by exploring the wines of Austria.

A Greek Original – Naoussa & Xinomavro

Naoussa vineyards.

As some of you will know I visited Greece last year to tour some of that country’s amazing northern wine regions. I have written about some of the highlights already in my articles about Rapsani and the amazing Mount Athos, but I thought that I should tell you all about some of the wines made from Greece’s star northern black grape – Xinomavro.

My favourite road sign – photographed in Macedonia in 2012.

Do, please remember to click on all the links…starting with this one about my Greek wine tasting in London perhaps?

This part of Greece is where some of their truly classic wines originate and I was fortunate enough to experience a wide range of them last year and to visit many of the really exciting producers in this beautiful part of the world.

Xinomavro (pronounced K-see-NOH-mah-vroh) is the signature grape of Macedonia and makes some of Greece’s finest red wines. Agiorgitiko (pronounced Ay-yor-yitiko) from Nemea region in the Peloponnese is arguably Greece’s other really important black grape and I think they should both be a more widely grown. Indeed in my opinion both could well have a future as international grape varieties – as should Spain’s Tempranillo and Italy’s Aglianico.

Map of Greece’s Wine Regions – click for a larger view

Xinomavro is grown across the north of Greece and is the only grape permitted in the mono-grape wine region appellations / PDOs of Goumenissa, Amynteo and most importantly Naoussa. It is Naoussa (pronounced Now-sir) that is considered to be the finest of all the regions up here and to have the greatest potential for even more future greatness. The others must not be ignored, but it is easy to see why this particular place has earned such a high reputation.

How it used to be done – the Dalamára Winery in Naoussa in the mid 1950s.

How it’s done now – the Dalamára Winery in Naoussa in 2012.

Kostis Dalamaras – the 5th generation of his family to farm at the Dalamára Winery. He now makes beautifully supple and elegant modern wines from organically grown grapes.

As you might suspect the area has a long history of wine production, so much so that the artist Cousinery wrote in 1831: “The wine of Naousa is to Macedonia what Burgundy wine is to France. I am in a position to say that the wine of Naousa is the best in the Ottoman Empire .” In truth though I would be willing to bet that with a few exceptions we would barely recognise the wines made around here before the Second World War. Phylloxera hit this part of the world very late, so when it did arrive in the 1930s it was just one of the many problems to be coped with – world wide recession and world war followed closely by civil war must have seemed like more urgent horrors. So it was not until the tourist boom of the 1960s that the region began to be properly replanted and new wineries built – interestingly the timing is identical to the blossoming of California and Spanish wines, which just goes to show that all wine needs to develop is a long period of peace and relative prosperity.

What makes Xinomavro stand out from the crowd is its potential for elegance. The wines it makes, especially in Naoussa, can be very fine indeed. The whole place is basically a south facing slope, sheltered so the extremes of climate that other parts of Macedonia are subject to are somewhat tempered here – and it shows. What’s more the sun exposure balances the grapes variety’s natural high acidity very well indeed.

Some people like to compare Xinomavro to Pinot Noir and in terms of colour and tannin that contrast gives you a pretty good idea of what it is like. If I have to compare it to anything though, and it does make things easier if you have never tried one, then I think Nebbiolo might be a better bet. True it is less tannic, but everything else is bang on, body (not that full, whatever the books may say) and acidity, more improtantly it has red fruit characters and a similar deeply savoury, umami nature.

Delicious traditional nibbles at the Dalamára Winery in Naoussa.

While Pinot always makes think of red cherry and raspberries, I see from my notes that Xinomavro for me is often very tomato-like in flavour and aroma. Sometimes the tomato feels fresh, other times more sun-dried or cooked and even occasionally just tomato stalk, but it is always there and makes the wines go superbly with the wonderful local cuisine.

My favourite Naoussa wines so far:

Tsantali’s Naoussa vineyards.

1997 Tsantali Naousa Reserve
Tsantali
PDO Naousa
Originally from Thrace, the Tsantali company created their Naoussa estate and winery in 1970. is one of Greece’s major producers of wines – and spirits. In my opinion their quality is pretty high, whether you are just drinking one of their straightforward everyday wines or indulging in something a little more special.
40% fermented in small open fermentors and hand plunged four times daily and 60% in stainless steal tanks. 12 months in French oak, just 10% of which is new.
A little tawny and earthy red, but the colour is still quite vibrant.
The nose was smoky with prunes and concentrated cooked tomato notes.
Loads of sweet deep dried fruit and ready vanilla and caramel, some spice and raisins and prunes. Very elegant, and joyous the tannins dry the finish and the acidity just sits in the background. Superbly balanced and stunning. The finish is fresh and lively still with studs of rich sweet, smoky bacon, tomato and savoury meaty characters.
Amazingly long and intense and the finish is really smooth. A great wine that is ageing very slowly – 92/100 points.

As far as I am aware the Tsantali Naousa Reserve is not available in the UK at the present, but their tasty and excellent value non-reserve Naousa is available from Wine Rack at £7.49 a bottle.
Tsantali wines are available in the US via Fantis Foods Inc.

Stelios Boutaris, charismatic winemaker and owner of KIR-YIANNI evangelist for Greek wine and the 5th generation of his family to make wine, but the first to adopt embrace a true ‘estate’ concept.

The beautiful Ktima (Domaine) Kir-Yianni.

1997 Kir-Yianni Ramnista Estate Naoussa
Ktima (Domaine) Kir-Yianni
PDO Naousa
The Boutari family have been a key part of the development of Greek wine. In many ways it was their negociant company that put Naoussa and Santorini on the wine map as quality regions and that family firm continues to this day, but Yianni Boutari, Stelios’s father branched out on his own to create this estate in 1997. When he was a negociant all the grape growers had respectfully referred to him as “Mister Yianni” or Kir-Yianni in Greek. The grapes are from selected vineyard blocks on their Yianakohori vineyard and the wine spends 12 months in a mix of 225 and 500 litre oak barrels.
Deep earthy savoury aromas mingle with black treacle and leather notes together with an underlying mix of cherry and sun-dried tomatoes.
Lovely integrated palate of wild raspberry and leather, tomato and earthy minerality. High in acid, but very soft, with smooth fine smoky tannins and tomato stem flavours. Lovely texture and tension between the freshness and richness. The finish is slightly drying, but has great balance and real finesse – 93/100 points.

Kir-Yianni wines are available in the UK through London General Trading.
Kir-Yianni wines are available in the US through different companies listed here.

Ktima Chrisohoou.

The delightfully hospitable Keimis & Betty Chrisohoou.

2001 Chrisohoou Naoussa
Ktima Chrisohoou
PDO Naousa
The Chrisohoous are delightful people and their beautiful winery includes a fabulous museum of local culture and wine together with an amazing restaurant. Our little group were the only guests the night I was there and we were treated to course after course of stunning food – do go if you are anywhere near. The family have made wine since the 1940s, but they were basically negociants until 1978 when they started specialising in estate bottled Naoussas. They still make an enormous array of different wines, but the Naoussas are where the quality is. They are aged for 12 months in French oak barrels.
Earthy red with a kiss of orange pink in the rim too.
Delightfully vibrant nose, with red cherry and leaf mulch forest floor sort of aromas.
Plenty of soft fruit, red raspberry and deep cherry on the palate. Lovely almost creamy texture with some spice and oak characters like toffee and coffee and the acidity provides a balancing touch of freshness.
The most Pinot Noir like Xinomavro I tasted on the trip, beautifully balanced and ageing very very slowly – 92/100 points.

Kostis Dalamaras in his vineyard.

Kostis Dalamaras amongst his vines.

Feeding time at Dalamara – they really are inseparable pals!

2008 Paliokalias Naoussa
Dalamara Winery
PDO Naousa
Kostis Dalamaras farms his vineyards organically and seems to really love this land that his family have tended since 1840. The place is small, homely and teeming with cats. It reeks of tradition, but there is nothing old-fashioned about Kostis’s wines, they really are exquisite and very Burgundian in feel. His Paliokalias is a lieu-dit and is a remarkable wine made from 80 years old vines and is aged for 12 months in French oak barrels.
The nose was very Burgundy-like here, earthy and savoury, while the palate was a beautifully poised and elegant wine with gorgeous balance between the fruit and gently spicy oak. Lots of red berries and plums gave way to sun-dried tomatoes and then a twist of tapenade for good measure – 91/100 points.

Naoussa vineyards.

2011 Thymiopoulos Young Vine Naoussa
Domaine Thymiopoulos
PDO Naousa
31 year old Apostolos Thymiopoulos is great winemaker and like Kostis Dalamaras is a rising star of Naoussa. He doesn’t make much, so his top wines are hard to track down – in the UK anyway. Luckily the same problem does not exist for this wine made from the younger vines on the estate and vinified using only the wild yeast and 30% is aged for 3 months in a mixture of 225 litre, 300 litre & 500 litre oak barrels – both of these give more complexity.
This could well be the best wine to try first, if you have never tasted a Naoussa. It is gloriously bright and seductive, bursting with cherry and raspberry fruit with fresh acidity and attractively chalky light tannins. Fresh tomato and tomato stalk characters provide the savoury notes to balance the sweetness of the red fruit. A lovely user-friendly wine that goes with all manner of lighter dishes and tastes good lightly chilled too, if you like good Gamay, Pinot Noir, Nebbiolo or Barbera this is the wine for you – 89/100 points, it scores especially high marks for value.

Available in the UK from The Wine Society for £10.50 a bottle.
Available in the US from K&L Wines for $14 a bottle.

But wait, there’s more: Alpha Estate – Amynteo
So, if wines in the Nebbiolo, Pinot Noir mould are your thing then you have a wonderful new region to explore in Naoussa. Excitingly though there is even more for you to discover. It isn’t in Naoussa, but no article about Xinomavro would be complete without a mention of the Alpha Estate.

Angelos Latridis the evangelistic winemaker and owner of the Alpha Estate.

The Alpha Estate.

Alpha Estate vineyards, note the sandy soil.

The Alpha Estate was the brainchild of Angelos Latrides and Makis Mavridis who saw great potential in the underused Amynteo region. It is higher and cooler than Naoussa with more rain in the winter, but enjoys hot summers, which are tempered by the nearby lakes and excellent sun exposure. In addition the sandy soil is protection against phylloxera and because of that there are pockets of very old vines in the region.

Old Xinomavro vine – more than 80 years old – in sandy soil at the Alpha Estate.

Alpha Estate is an exciting wine producer, it has the feeling of being cutting edge and experimental and as a consequence they grow lots of different grape varieties, including Syrah, Merlot, Negro Amaro and Barbera, but the signature grape for them is ungrafted Xinomavro and they make several different examples, all of which are very, very good, even the more affordable Hedgehog label. It seemed to me that the hallmark was freshness and terrific integration in their wines and it was interesting that they use oak with almost no toast at all.

2006 Alpha Estate Old Vine Xinomavro
Alpha Estate
PDO Amynteo
Medium to deep black cherry colour with deep black cherry aromas together with freshly cooked tomato aromas, dried cherry, cherry stone, herbs and molasses. The palate has a lovely succulent texture with fantastic freshness and gentle opulence. The fruit is the thing right now with bright tomato and cherry and cooked tomato dominating the underlying dryness and austerity. Real freshness, elegance and finesse, but very very drinkable too and no sign of leather or ageing yet – 92/100 points.

Alpha Estate wines are available in the UK through Novum Wines.
Alpha Estate wines are available in the US through Diamond Importers Inc.

I do hope all this has whetted your appetite to go and try some Xinomavro from Naoussa or Amynteo. There is a wonderful array of quality Greek wines just waiting for intrepid wine drinkers to discover. What appeals to me is that they are classic European wines, but with new and different flavour profiles, so both familiar in many ways, but also exciting and different.

Go on, try some and let let us all know what you made of them.

Burgundy – it just seems complicated

Santenay Clos des Cornières

Recently I was invited over to Burgundy as the guest of a campaign called Discover the Origin whose job is to promote traditional European products that have a clearly defined place of origin – Burgundy is a classic example. It was a wonderful trip and gave me a realinsight into this incredible wine region.

Beaune, Burgundy’s main town, is a delightful place to explore.

All those medieval building still need looking after, so the old skills still exist here.

Many of my students find the sheer variety of Burgundy wines intimidating and the array of labels bewildering, which is presumably why some of the easier to understand examples are the best sellers.

I agree that at first glance Burgundy can look complicated, but actually it isn’t hard once you strip it down to basics and learn to trust Burgundy rather than fight it.

Of course that does depend on how much you really want to get to grips with the place and its wines. Becoming a world authority on Burgundy will be fiendishly difficult, but the good thing is that no one really needs to understand everything about it. Most of us just need enough information to enable us to enjoy the stuff without worrying too much about the potential pitfalls.

Here is my best advice to those of you who would like to get to grips with Burgundy, but find the complications off-putting – oh and if you do know about Burgundy, look away now, this is for the many interested, but nervous wannabe-Burgundy drinkers I meet.

Please remember to click on all the links.

The basic thing to get to grips with, perhaps more than any other wine region, is the geography. The wines are not big, rich and fruity, but dry and savoury because they come from somewhere cold with short summers. The fundamental dimensions and weight of most of the wines are similar as you would expect given that almost all the white wines are made from Chardonnay and the reds from Pinot Noir – both these grapes originate here. The winemaking is pretty similar too and the grapes are grown over a relatively small area, so the climate does not change much and variations are subtle. Every time I taste a lot of Burgundy I find myself writing many of the same words. I know the wines are different, but those differences are so subtle that they are very hard to sum up in a simple way.

Tradition

Frédéric Drouhin, urbane and charming director of Maison Joseph Drouhin which was started by his grandfather. The visit here was delightful and the wines had all the elegance you would expect.

En garde – the delightful Alain Hasard with his pigeage plunger. Note the small scale of the vats at his wonderful little domaine Les Champs de l’Abbaye. All his viticulture is organic and indeed biodynamic inspired – I liked him and his wines.

Jean-François Chapelle of Domaine Chapelle in Santenay – his wines are superb too.

Marion Javiller of Domaine Patrick Javiller. They made 2 of my favourite wines from the trip and rather wonderfully I could (almost) afford them too – 2010 Bourgogne Blanc Cuveé Oligocène and their wonderfully silky 2010 Savigny-les-Beaune 1er Cru Les Serpentières.

The tool rack at Domaine Joseph Voillot, note the Tastevin. I loved their Volnay wines, especially the sumptuous, yet mineral 2010 Volnay 1er Cru Les Caillerets.

Patrice Olliver of Domaine Fougeray de Beauclair in Marsannay. Amongst many other lovely wines he makes an intriguing and rather good white Marsannay from 100% Pinot Beurot which is the local name for Pinot Blanc.

Remember that Burgundy is a deeply traditional wine region where most of the producers are really just small family owned farms. This is not a place of big brands and industrial sized wineries and this traditional outlook shows in the wines, probably more than any other place in the world today. These wines are made by people who passionately believe this is the best place on earth to make wines and that the wines of their region are the best in the world.

As a consequence the idea of a wine being bright, bold and very fruity is almost an impossible concept for a traditional Burgundian to understand. Therefore expect elegance not weight, delicacy not power and the wines to be fundamentally savoury rather than sweetly fruity. As a consequence Burgundy wines really are best suited to being drunk with food. Most Burgundians would never think to drink a glass of wine on its own, that is what a Kir or Kir Royale is for. Wine, Burgundy wine anyway, accompanies food.

Vineyards

Santenay again

Marsannay

Something else that is a little different here. Very few vineyards in Burgundy have just one owner. Usually a single vineyard site is owned by several different growers and producers all making their own version of the wine. That is why a wine that appears to come from a specific vineyard often has many different labels. That is why wines that perhaps ought to be the same can sometimes taste more varied. If there is a single owner of a specific vineyard it will usually say ‘monopole‘ on the label to show it is that grower’s monopoly.

Geography
To enjoy and appreciate Burgundy you need to either be vaguely aware of the geography or at least choose to accept it or find it interesting rather than intimidating. All the important information on the labels is geographical, it’s all just place names, the region, district names, village names or vineyard names. Personally I find it useful to embrace the unknown on a wine label – if you have never heard of the place or grape on a label, try it. What is the worst that can happen?

Understanding the Labels

A good quality Bourgogne from a famous producer – this one informs us that it made from Chardonnay, most Burgundy labels do not mention grape variety.

The more basic wines from Burgundy are labelled as Bourgogne, which is French for Burgundy and is the catch all appellation for the whole region. Bourgogne is an appellation d’origine contrôlée (AOC or AC), which is a system of guaranteeing provenance to the consumer. Similar controls are found throughout the EU - and beyond - to regulate traditional products like ham, cheese and spirits, but wine is the most famous.

Some seemingly humble Bourgogne wines are very good and will give you an idea of the fundamental style of the region. These wines tend to be the more affordable ones – but that is not always the case and knowing the exceptions is where your hard won experience will eventually count.

Districts

The district names of Burgundy appear on many labels as a more specific place of origin than Bourgogne. These show that the wines comes from a distinct part of the region, rather than  the region as a whole. Chablis and Mâcon are districts, as are Bourgogne followed by the name of an area, such as Bourgogne Côte Chalonnaise, Bourgogne Côtes-du-Couchois, Bourgogne Côtesd’Auxerre or Bourgogne Hautes-Côtes-de-Beaune. No one knows them all, well I don’t anyway, but once you understand the principle this sort of labelling is quite straightforward.

After a while you will start to notice the subtle differences in how these various wines taste. For instance the wines of Mâcon are clearly softer, fruitier and taste as though they come from somewhere warmer than the cold northerly slopes of Chablis. While Chablis wines are more mineral, taut and crisp than a Mâcon – the cool climate shows in the wine.

Villages

This white wine comes from the village of Puligny-Montrachet

Quality in Burgundy is supposed to be all about the vineyard site – remember those subtle variations – so in the quest for quality it is always good to know where your grapes were grown. Therefore the benchmark for Burgundy is the wines that have the name of a village on their label. The grapes that the wine is made from were grown in vineyards that surround that particular village, so we know where the wine originates. Meursault, Beaune, Nuits-St-Georges, Puligny-Montrachet, Mercurey and Givry are examples of these village wines.

Premier Cru & Grand Cru
You have to remember that grapes have been grown and wine has been made in Burgundy for hundreds and hundreds of years. Over that time certain places have come to be regarded as having the inherent ability to produce better wine than others. This accounts for why some villages are so famous.

Some specific vineyard sites within the villages can also be thought of as producing better wines than others, or at least to be capable of producing better wines. To celebrate and affirm the potential quality of these vineyard sites many have been awarded Premier Cru /1er Cru status and if the fruit all comes from a single 1er Cru vineyard the name of that site will appear on the label together with the village name.

This white also comes from Puligny-Montrachet, but more specifically the 1er Cru site called Les Folatières.

The very pinnacle of Burgundy production though is the Grand Cru vineyard sites. These are places that are thought to be capable of producing the very finest and most concentrated Burgundy wines of all – there are not many of them and they do not produce much wine at all, so are often eye-wateringly expensive.

The Montrachet vineyard is shared between the villages of Puligny and Chassagne and has been added to the name of both villages.

So many UK wine drinkers brought up on wines labelled by grape variety seem to want to rant, rail and kick against the traditional French way of doing things. It makes life much easier to just accept it, pay attention to the information on the label that is useful to you and ignore the rest. I always warn my students to never go looking for consistency or logic in French wine regulations as they often mean subtly different things from region to region even when they use the same words.

On my trip I visited a wide range of producers, from big names with grand cellars and lots of employees to tiny, hands on vigneron who scratch a living from a tiny patch of vines. All were passionate about Burgundy though. They all loved their land and thought the site mattered. None of them in their hearts believed they were producing Pinot Noir or Chardonnay wines. They were merely using those grapes to express the character of the land they farmed – they were bottling Meursault, Volnay, Savigny-les-Beaune, Mercurey or Montagny. Their wines were capturing and celebrating the subtle differences and variations that make each of these wines unique.

It is precisely these differences that make Burgundy so interesting and worthwhile to the wine enthusiast and over time the very real, but subtle variations between wines from the Côte de Nuits, Côte de Beaune and the Côte Chalonnaise become apparent.

The beautiful cellars of Domaine Heresztyn who make lovely wines in Gevrey-Chambertin.

What makes the differences is best shown by using the Côte d’Or as my illustration. This part of Burgundy is the most celebrated and contains most of the really famous wine villages of the region. Of the truly renowned Burgundy areas and villages, only Pouilly-Fuissé and Chablis are not found in the Côte d’Or.

Map of Burgundy – click for a larger view – non watermarked PDF versions are available by agreement

At first glance the Côte d’Or, made up of the Côte de Beaune and the Côte de Nuits, would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

Luckily for us we don’t have to learn what the soil composition is of each and every village, let alone vineyard site, which is good because there is a great deal of overlap and variation making it very difficult to generalise to any useful degree. No, we only have to try the wines and see which ones we particularly enjoy.

So the next time you fancy some good charcuterie, try a red Burgundy with it, or it would be perfect with Boeuf Bourguignon or Coq au Vin too, those wonderful classic dishes of the region. White Burgundy really comes into its own with soft, squidgy cheeses or a simply cooked piece of fish.

If you really want to open your eyes to Burgundy though I would really recommend visiting the place for yourself, there is so much to see and enjoy.

Reluctantly leaving Beaune behind.

Louis Jadot at The Criterion

The delights to come – © Quentin Sadler 2012

At their best the wines of Burgundy are without peer, but the region produces such a relatively small amount of wine with high world demand that they can be very expensive indeed and even then can frequently disappoint. When they are good though they really let you know it.

It is interesting that the wines of Burgundy do get to you over time. I well remember that twenty odd years ago their beguiling beauty passed me by. Not any more.

As good as many others are, no where on earth uses Chardonnay to make such exquisitely poised and balanced white wines with tension between the richness and freshness. The red wines of Burgundy though are more tricky to get your head around. I think this is because they defy the wine norms of our time. We are used to big wines, full-bodied wines are widely favoured over other styles, yet Pinot Noir grown in the coolish climate of Burgundy simply does not produce truly full-bodied wines. They are generally lighter and more savoury than most other famous types of red wines and I think they really do need food to show at their best.

I have been fortunate to visit Burgundy a good few times over the years and am slowly acquiring a good working knowledge of the place and its wines. In addition I have been involved with Louis Jadot, one of the great producers of Burgundy on and off for some 25 years. In a region which is usually a patchwork of very small vineyards and producers it is very hard to get an overview of the place from this array of tiny farmer-winemakers. So a producer like Louis Jadot who is the largest landowner in the Côte d’Or really serves a useful purpose in providing a wide range of Burgundy wines.

There are other famous districts of Burgundy, Chablis, Mercurey and Pouilly-Fuissé amongst them, but it is really the Côte d’Or that sets the tone and provides much of the region’s fame. It is home to some of the most famous and sought after wines in the world including Meursault, Pommard, Gevrey-Chambertin and Nuits-St-Georges.

At first glance the Côte d’Or would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

The other day I was asked to put on a fine red Burgundy tasting in The Criterion Restaurant in London’s Piccadilly. I had never been there before and what a place it is. Founded in 1874 hard by the Eros statue in Piccadilly Circus the restaurant is a sumptuous confection of such exuberance that to my uneducated eye seems a heady combination fin de Siècle and art nouveau styles. The shiny gold mosaic tiles made me feel I was inside a Klimt painting and the general ambience made it seem possible that Oscar and Bosie would walk through the door at any moment.

The glorious interior of The Criterion during my tasting – © Quentin Sadler 2012

Franciaorta – sparkling wine with a future

The lovely Azienda Agricola Villa

I have long wanted to try the sparkling wines of Lombardy’s Franciaorta region, so I leapt at a chance to attend a tasting and dinner hosted by the Azienda Agricola Villa.

It was quite an event and it took place in the wonderfully stylish Dego just off Great Portland Street near Oxford Circus in London. This is an Italian restaurant and wine bar that is incredibly chic and nothing like your normal stereotypical Italian eatery.

Real quality on the outer reaches of Burgundy

Stephen Taylor (on right) with Pascal & Veronique Therain

When we think of Burgundy it is almost always the famous names that goes through our mind – names like Gevrey-Chambertin, Nuits-St-Georges, Chablis and Meursault. Sometimes I think this is a pity as there is a wealth of other, less famous areas that are well worth exploring. We are all on the look out for less expensive Burgundy that gives attractive drinking and some of these places provide precisely that.

Less famous than these are the wine districts on the outer reaches of Burgundy; Irancy, St Bris – this village applellation makes only white wines made from Sauvignon Blanc. There is also a host of areas that produce wines labelled up as ‘Bourgogne’ plus the name of their area or village; Bourgogne Côte d’Auxerre, Bourgogne Côte Saint-Jacques, Bourgogne Coulanges-La-Vineuse can all be worth a try.

Austria – fascinating wines

I have recently had some experiences of Austrian wines and they were so good I thought that I would share them with you.

I was invited to a lunch and tasting at Merry Widows Wine. This is the brainchild of Canadian born musician Linn Rothstein. Basically her idea was to offer really good wines in smaller sizes for when drinking alone, so they offer a range of wines in 25cl and 50cl as well as full bottles.

Interestingly her career in music took Linn to Austria, where she was invited to a wedding and found herself sitting next to a winemaker. They were drinking his wines and Linn enjoyed them, took a case home to London where everyone she tasted them with thought they were something special.

Chardonnay & Pinot Noir – contrasting terroirs

The Côte de Beaune at Pernand-Vergelesses

The other day I was invited to present the Burgundy half of a masterclass tasting to contrast Chardonnay and Pinot Noir wines from two very different regions.

In order to have a control and a focus we were using wines from a single producer in each country; Chile’s Viña Ventisquero and Louis Jadot from Burgundy.

My job was to give an introduction to Louis Jadot and to explain the terroir and conditions of Burgundy before leading the tasting. Ventisquero’s winemaker, Alejandro Galaz provided the same function for their wines.

The event took place at Vinopolis and Tom Forrest, their chief wine educator, prepared some food that we tried with the wines.

Return to Sonoma – the Russian River Valley

I have been hugely impressed and very excited recently by an array of wines from California’s Sonoma Valley.

The wines that I tasted were all very good and the people who made them interesting and dedicated, but what also made them fascinating to me was the chance it gives to really get to grips with understanding wine, winemaking and growing conditions.

This is because as a European I can look at the variety from Sonoma with a much more open mind than I can Burgundy, for instance. I can taste the wines and really get a grip on what makes them different and why – with no preconceptions as to what they should be like.

Louis Jadot – a tasting of their 2008 vintage

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Recently I attended a wonderful tasting of fine Louis Jadot Burgundy wines from the 2008 vintage. They were young and need to develop a little, although some were drinking surprisingly well already – but it is so unusual to try such a wide range of famous wines from a single producer and  a single year that I think it is well worth telling you about the experience.

Like the preceding 2007 vintage, 2008 was a difficult year with a wet spring and quite a cold, wet summer making ripeness pretty tricky to achieve. In the end it came down to care in the vineyard and very rigorous selection of the grapes used.

Jacques Lardière