Austria part 1: passionate wine makers

Neusiedlersee from the vineyards.

A little while ago I was lucky enough to have a fabulous trip around most of Austria’s wine regions. I was pretty excited about it as I had long wanted to get a real look at this resurgent wine producing country.

Personally I have always been drawn to the Austrian /  Central European culture and have always enjoyed the food and the beer and liked the look of this part of the world. So, I was looking forward to getting better acquainted with it as well as seeing the wine regions and meeting many of the important winemakers.

For reasons of economy I flew in through Bratislava, which is very close to Vienna and was for hundreds of years the Imperial Austrian city of Pressburg or Preßburg. I didn’t have time for a meal, unusually for me I didn’t have the inclination either as I knew my plans for later that evening in Vienna, so I grabbed a sandwich and a beer at the airport.

I was already somewhere interesting when something as a simple ham and cheese sandwich bore no relation to its counterparts at home. It came on black bread with smoky Black Forest ham, rich cream cheese, loads of pickles and was delicious. The beer too was far better than such a simple thing as a lager would normally be in my life, it had a rich hoppy character and a depth of flavour that would astonish most members of CAMRA.

Arriving in Vienna for the first time in 27 years I strolled around this grand city trying out some of the wonderful coffee houses and cafés for which the place is justly famous. It seemed as though almost every building housed a cake shop – do they really eat that much cake I wondered? Watching the Viennese at play over the course of the evening it seemed that they really did – and later I joined them myself.

Dinner that night was a sort of pilgrimage for me. All my life I have been excited by schnitzels – I know it sounds strange, it even looks odd to me now I have actually typed the words, which is akin to saying them out loud. Hell, it’s cheaper than therapy! I am always drawn to schnitzel on a menu though, even if there is finer fare to be had. I have this theory that schnitzel is the best dish in the world – no not a theory, a belief! So I went to the place where the schnitzel began.

The Wiener Schnitzel is a classic dish, but it seems that no one can actually find much of a history for it. I remember reading that General Joseph Radetzky von Radetz – he of the march / waltz fame – was supposed to have brought it back to Austria after campaigning in Lombardy and Milan. A Milanese Cutlet / Cotoletta alla Milanese is superficially similar and the Austrians were supposed to have refined it by bashing the meat out to tenderise it and make it very thin. Sadly it seems that this is a myth though and no one knows exactly where it came from or when.

Wiener Schnitzel at Figlmüller alongside a €2 to compare the sizes.

In Vienna there is a restaurant called Figlmüller that not only claims to have invented the schnitzel, but to have done so as recently as 1905. I find that extraordinary as 1905 is only just beyond living memory, my grandfather was 20 and my own parents births were only 22 years away. How can something so famous and so universal be that recent? Anyway I went and had a most excellent Wiener Schnitzel washed down with a rather splendid beer and copious amounts of Grüner Veltliner from the restaurants’ own vineyards.

For desert I visited the Café Sacher inthe world famous Hotel Sacher, which makes probably the most famous chocolate cake in the world. I felt that at least once in my life I should try the original in the actual place that gave the world the sachertorte. The café is rather lovely with genuine old world charm, open till midnight and serves a stunning red Zweigelt Beerenauslese, from Weingut Kracher in Burgenland, which is absolutely perfect with a slice of sachertorte - a better match than coffee actually.

Having immersed myself in the most famous, possibly clichéd, but certainly delicious, aspects of Austria’s gastronomic culture, the next morning I felt ready to explore her wines.

Austria’s wine regions – click for a larger view.

Touring the Vineyards
The start of my trip was billed as a vineyard rally through Leithaberg and Neusiedlersee. Of course with my new found instant knowledge I knew that Leithaberg was a Districtus Austriae Controllatus / D.A.C wine region near Eisenstadt that covered the lower reaches of the Leithaberg mountain and faced south east towards the beautiful lake called Neusiedlersee.

Despite sounding mysterious, the vineyard rally turned out to be simplicity itself, no hard hat or special training was required. We were taken to two different spots in the surrounding vineyards to meet some winemakers and taste their wines.

Our first stop was right in the middle of the vines with barely a building insight – other than church towers in the far, far distance. The weather was warm with clear blue skies and the spot stunningly beautiful with that feeling of total peace that I associate more with vineyards than anywhere else. Spying a falcon in flight just added to the feeling of being somewhere special.

Leo Sommer

Weingut Sommer
There we were met by the impossibly youthful looking Leo Sommer who was representing Weingut Sommer, the winery his family have run since 1698. Leo had set up a tasting for us right where the slope stopped at the foot of a rocky ridge. Looking one way I saw the vineyards sloping gently down towards the lake that shimmered enticingly in the distance. In the other direction the land became much steeper with fewer vineyards.

Looking towards the lake.

The Sommers farm 30 hectares here and they aim to capture the essence of the place in their wines. The summer here is hot and dry, with ripening helped by the warm winds blowing in from Hungary’s Pannonian plain. The nearby lake though manages to temper and balance that heat in the height of summer, while helping to keep the autumn cold at bay during the later part of the ripening season. This is the important Altweibersommer or Indian Summer that allows them to harvest very late in this area.

Looking away from the lake you can see how the slope changes. We had our tasting by the van.

A close up of the same scene.

White Leithaberg D.A.C. wines can be made from Pinot Blanc  / Weißburgunder, Chardonnay, Neuburger, Grüner Veltliner or a blend of any of these and we tasted two of the Sommer’s Grüner Veltliners. One had some oak with lees stirring, while the other was all stainless steel, yet they both summed this place up to my mind. To different degrees they both had a richly textured ripeness leading to a taut, stony mineral finish and when looking around this glorious sun drenched landscape with its sandy loam and slate soils, it struck me – this was precisely what these slopes should produce.

In many ways standing here felt as though I was in a little protected pocket by other less forgiving climates – much like Alsace or Central Otago. The more I thought about that when we visited all the different regions the more I realised that is exactly what the Austrian wine regions are – mountains and more extreme weather dominate the rest of the country – we often glimpsed snow-capped ridges , so these places in the far east of Austria are an oasis of temperate growing conditions.

Our next port of call reinforced this view. This time we were nearer the lake, right at the bottom of the gentle slope before the flat land that surrounds the Neusiedlersee and our hosts were Martin Palser and Birgit Braunstein, a married couple who just happen to both be winemakers and each runs their own winery.

Birgit Braunstein & Martin Palser

Martin Palser 
Down here it seems there is much more limestone and Martin grows Chardonnay on this soil, which makes his take on the Leithaberg D.A.C. very different from Leo Sommer’s wines. His 2011 Chardonnay Reserve impressed me very much with its lovely balance, very Burgundian character and pronounced minerality – I know, I know – and Martin told us that this minerality was the character of the place and was more important than grape variety in his opinion.

Looking towards the lake.

Birgit Braunstein
Then Martin handed over to his wife who presented two red wines made from the region’s signature black grape – Blaufränkisch. Red Leithaberg D.A.C. wines must contain at least 85% of this with up to 15% of St. Laurent, Zweigelt or Pinot Noir. I have enjoyed Blaufränkisch before – even as Lemberger in New York’s Finger Lakes, but none have impressed me quite as much as these two made by Brigit Braunstein. Her 2009 Blaufränkisch Reserve Leithaberg D.A.C. was beautifully fruity and balanced with gorgeously ripe fruit together with elegant spice, the delicious cherry-like acidity that I associate with the grape – and a streak of pure minerality. Somehow the wine managed to keep quiet about the 18 months it had spent in new oak and was superbly integrated.

Standing on their terrace looking across the vineyards to the lake I was struck by the place, conditions and landscape and how they seemed to echo the wines that I had just tasted. The breezes blew the otherwise searing heat away – “air conditioning for the vines” as Martin put it – and these are ripe, cool climate wines. They are keen on biodiversity here and the fields were a colourful riot of cherry trees, wildflowers, grasses and herbs as covercrop between and around the vines, while the sandy loam soil, slate and limestone that it all grows in is key here. The defining characteristic of Leithaberg D.A.C. seems to be the minerality and I felt that it was all around me as well as being in the glass.

All in all it was an excellent beginning to the day, I felt peaceful, invigorated, more experienced and better informed and it wasn’t yet 11 o’clock.

Weingut Birgit Eichinger
Funny things wine trips. You live in close proximity to people you barely see the rest of your life, you lose all track of time and get dragged from one place to the next at breakneck speed with barely a backward glance – until you start writing anyway. You get given far more meals in a day than is strictly required – and sadly get to like them. What does stand out though, what makes all the suffering (really?) worthwhile is when we visit somewhere that touches the heart and a good few of the visits on this Austrian trip did just that, but one of the most memorable was to Weingut Birgit Eichinger.

Brigit Eichinger

There aren’t many women winemakers in Austria, so Brigit Eichinger is pretty unnusual – strangely the only other one we met was also called Birgit, Birgit Braunstein – what’s more Birgit Eichinger and her builder husband Christian have only been running their estate since 1992 when they started with 3.5 hectares. The winery was built in 1994 and they have been adding vineyards when they can and today they farm some 15 hectares in Strass.

Strass is in Kamptal which in turn is part of Niederösterreich, which is in many ways the heartland of Austrian wine as it includes the famous regions of Wachau, Kremstal and Wagram amongst many others and so certainly defines my view of Austrian wine – the whites anyway.

Site matters here as there is no one single terroir. Many of the vineyards have loess over gravel and loam, but others have sandstone, slate and schist, so as in Alsace matching the grape variety to the site makes real differences to the wine. There is even volcanic rock on the Heiligenstein slope from where Birgit produces a stunning, spicy, pure and intensely mineral Riesling.

To qualify as Kamptal D.A.C. a wine must be made from Grüner Veltliner or Riesling, so Birgit’s deliciously floral and exotic Roter Veltliner – also known as the Roter Muskateller and no relation to Grüner at all – and her Chardonnay are simply labelled as coming from the wider area of Niederösterreich.

The view from Weingut Birgit Eichinger

The landscape here is spectacularly beautiful – actually everywhere we went was – with the terraced vineyards cascading down the slopes towards the small town of Strass where Birgit’s winery sits at the foot of the Gaisberg slope.

All the wines were superb and I know that many of us would have purchased a few bottles if we had had the space in our luggage. The Rieslings and Grüner Veltliners in particular showed their class with a concentration and yet lightness of touch that gave them a feeling of tension and sophistication that certainly brought a smile to my face.

Birgit’s beautiful wines are available in the UK from John Armit Wines and in the US through Weygandt-Metzler Importing for other teritories check here.

The whole trip was a delight – apart from being locked out of my hotel room and two of my colleagues missing their flights – and my enthusiasm for the country and its wines has been totally rekindled. I will write about some of the other places I visited and wines I tasted in Austria soon.

If Austrian wines have passed you by then you really do owe it to yourself to give them a go. There is a great deal of pleasure to be had by exploring the wines of Austria.

South Africa – a beautiful land of wonderful wine

Table Mountain from Stellenbosch

My relationship with South Africa has taken off quite dramatically in recent years. For a long time I had reservations about the quality of many of the wines coming out of the country. To me there seemed to be flashes of brilliance amidst a sea of unreliability and perhaps I unfairly focussed on the latter.

My first visit to the Cape, in 2005, reinforced that view – luckily I mainly visited the brilliant producers and was able to see for myself how ambitious and capable many of the winemakers were – something that might not have been apparent from the general supermarket offerings of South African wines in the UK at the time. What I had not expected though was to be quite so bowled over by the place. The Western Cape of South Africa is one of the most beautiful places on the planet and a wonderful part of the world to visit and I fell in love with it.

The dramatic landscape of Stellenbosch at Kleine Zalze Vineyards

So much so that when I was invited to become a judge at the excellent Michelangelo International Wine Awards I leapt at the chance. This is one of the leading South African wine competitions and is run by the wonderful Lorraine Immelman and Sue van Wyk. I am so glad that they invited me as my trips down there to taste and judge hundreds of wines – overwhelmingly, but not exclusively from South Africa – has allowed me to experience the wines of the region in a way that I would otherwise not have been able to do. It means that I have been able to really see what is going on in South Africa and to notice the amazing development over a very short period of time. It has also allowed me to make friends with many of my fellow judges from around the world and to get to know Stellenbosch very well indeed. In fact nowadays the place really does feel a little like home when I arrive at Cape Town.

Another benefit is the wonderful visits we judges get to make to a an array of wineries who sometimes mark the occasion by giving us some of their prized bottles to taste:

1937 KWV fortified Muscadelle – ‘Likeurwyn’ in Afrikaans, it was outstanding & a real privilege to taste it – especially as there were only 168 bottles ever made!

Charles Back spoilt us with one of Fairview’s earliest vintages of Pinotage. It was the 1976, look carefully at the bottom left of the label, & it had a savoury fragility that showed up the Pinot Noir side of its parentage.

In my visits there I have come to know and greatly admire a range of stunning wine estates that are producing wines that are at least the equal of anywhere else – Springfield and Diemersdal for instance never fail to impress me. For quite a few years now I have been a judge in the Michelangelo – with perhaps a year or 2 gap between each visit – and the progress South African wines have made in such a short time is remarkable. On my first visit the style of South African red wines was overwhelmingly not mine. It seemed to me, for quite a long time that there was over extraction, over oaking, over working – just too much of everything really, which resulted in many bitter and tarry wines – which I do not enjoy.

I have seen this fading for a while now, but my visit in 2012 saw pretty much all the wines that I tasted had emerged from this old style and were now triumphantly almost all tasting bright, fresh, fruity and balanced. The entire experience pleased me immensely and I gained an even keener love for South Africa and her wines. The trip was one of my many highlights of 2012 – but for some reason I failed to mention it in my round up of the year.

Sunset in the vineyards at Kaapzicht

Sauvignon Blanc
The first thing I noticed last summer was just how good the white wines have become. Drop in anywhere around Cape Town and the winelands – the bars and restaurants are spectacular – and you can order a Sauvignon Blanc with confidence – even at the lower price points. Because it has such wide distribution over there I drank a good few bottles of Durbanville Hills Sauvignon Blanc and not only was it pretty cheap, but it was also pretty good – just the thing with the stunning seafood in Cape Town. Lourensford, Klein Constantia, Kaapzicht and Allée Bleue Sauvignon Blancs also all hit the spot with some of the wonderful calamari they serve down there too – as does Springfield‘s Life From Stone and Special Cuvée, Dornier‘s Cocoa Hill and the lovely Sauvignon from Southern Right and those from the Diemersdal Estate – including the rosé version.

It is crude to generalise, but broadly speaking I reckon that South African Sauvignons lean towards a French style – dry, mineral and crisp, but with more ripe fruit, without ever becoming quite as aromatic or upfront as classic New Zealand examples. As a style I like it very much – of course that is an oversimplification as there is huge variety, but there is enough of a truth in it to make it a reliable guide for the average drinker.

The seafood in Cape Town is amazing – strangely the calamari is always what excites me most – it’s superb there

Chenin Blanc
Good though South Africa’s Sauvignons are – and they are. The traditional white grape here is that other Loire Valley white grape – Chenin Blanc. For me these really come into their own when some richness is involved and I love drinking the tropical (ripe guava flavours), delicately honeyed and concentrated examples from Kleine Zalze, Oldenburg and Stellenrust - and Stellenrust’s Sauvignon Blanc is pretty good too by the way. These are wonderful with fish pie and rich pork or chicken dishes – even asian flavours.

Red Wines
All of these were lovely and a delight to taste in the competition or enjoy during our time off, but what really amazed me last year were the red wines. I tasted hundreds of red wines from the Cape and flight after flight showed balance, fruit and careful tannin management.

Some of the Merlots that we judged at the Michelangelo Awards were especially impressive - Lourensford‘s 2011 Winemaker’s Selection Merlot and uniWines Fairtrade Palesa Merlot 2011 were both superb, with lovely fruit and supple tannins.

I have also been very impressed by Cabernet Sauvignons from Springfield – their Whole Berry Cabernet 2008 is a seductive marvel – while the magnificent Kleine Zalze Cabernet Sauvignon Family Reserve 2008 is layered, complex and fine, as was the Oldenburg Cabernet Sauvignon 2009 that I tasted recently.

Lourensford Estate – looking south to False Bay & Somerset West

Pinotage
All these were very good, but I personally became very excited by Pinotage – of all things. Pinotage gets a very bad press, or at best seems to divide people, much like Marmite. Well I love Marmite, but until last year I would not even remotely have considered myself to be a fan of Pinotage. I had enjoyed a few in my time – Flagstone‘s wittily named The Writer’s Block Pinotage always impresses me and the 2011 rightly won a Gold Medal at the 2012 Michelangelo – but something has usually held me back from enjoying most of the Pinotages that had come my way until recently. Well it seems that something about the wines – or me – has changed, because during my time in South Africa in 2012 I started to really enjoy Pinotage – so much so that I ordered Pinotage twice while I was last in South Africa and even requested a refill during a dinner at KWV / Laborie.

This unusual grape is South Africa’s speciality and it originated here as a cross between Pinot Noir and Cinsaut / Cinsault (historically known as Hermitage in South Africa). Like most things that appear traditional though it isn’t actually as old as you might think. The cross does go back to the 1920s, but commercially it has only really been around since the 1960s. In the past people have said that Pinotage smelled and tasted of rusty nails and bananas, which may be true, but it no longer seems to be the case in the ones that I have tasted of late. Rich fruit and supple tannins seem to be the hallmark, together with a spicy quality.

I have tasted a few different vintages now of the Diemersdal Pinotage Reserve and their 2011 vintage walked with the Pinotage Trophy (Sue van Wyk Pinotage Trophy) at the 2012 Michelangelo and it was well deserved – grab a bottle if you can find one. It was this wine more than any other that started my change of mind about the grape, but Deetlefs Estate Pinotage 2011 was very nearly as impressive and for sheer drinkability I also greatly enjoyed the spicy and juicily fruity KWV Mentors Pinotage 2010 - indeed it was this one that I requested more of during a rather fine dinner!

I have also tried and enjoyed the following Pinotages over the last few months – Wine of Origin / W.O. is the South African appellation system and guarantees the source of the grapes:

2010 Durbanville Hills Pinotage
W.O. Durbanville, South Africa
Medium-bodied, supple and juicy with very soft tannins and a gentle touch of spice. This is easy drinking, but very enjoyable and well made and would go with almost anything meaty – 86/100 points.

Durbanville Hills is a big brand, but they seem to be very reliable – their Sauvignon Blanc is very good for the price – and as they are well distributed in South Africa they are quite hard to miss, most of the umbrellas outside restaurants in Cape Town seem to be theirs.

£8.50 a bottle in the UK from SA Wines On Line.
Distributed in the US by Aveniu Brands.

2010 Southern Right Pinotage 
W.O. Hemel-en-Aarde, Hermanus, South Africa
This concentrated example is made by Anthony Hamilton-Russell, who is normally thought of as a Pinot Noir specialist, but here he shows that he can coax wonderful flavours and mouthfeel out of Pinotage, albeit with tiny amounts of Cabernet Sauvignon, Cabernet Franc, Malbec and Syrah blended in.
The palate is rich, smooth and silky with ripe damson and blackberry fruit and soft spice notes as well as cocoa from the oak ageing. This is beautifully made and very elegant – 89/100 points.

£13.50 a bottle in the UK from Waitrosedirect.com.
Distributed in the US by Vineyard Brands.

2009 Kleine Zalze Family Reserve Pinotage  
W.O. Coastal Region, South Africa
Wow this is an amazingly concentrated wine, deep, opaque blue-black. The nose delivers damson, espresso coffee, liquorice, dark chocolate and aromatic spices. The palate is towards full-bodied and is very supple with velvety tannins and some nice refreshing acidity too and rich dark fruit, leather, coffee and beautifully integrated vanilla and mocha oak. This is a glorious wine with an epically long finish – 92/100 points.

This is Kleine Zalze‘s top Pinotage, but their more humble examples under the Zalze label are rather good too. They also have a rather lovely restaurant at the winery by the way.

£26.99 a bottle in the UK from SA Wines On Line.

2009 Wildekrans Estate Osiris Pinotage  
W.O. Bot River, South Africa
Lifted aromas of smoky spices and chocolate together with dried red fruit and ripe black fruit. The palate offers coffee as well as damsons, blackberry and cooked strawberry fruit. Again the tannins are a very silky and the finish is long, but slightly marred by some heat from the alcohol – 91/100 points.

Wildekrans wines are in the UK from SA Wines On Line.

From my recent tastings of Pinotage I would say that the at its best the grape has a decidedly Mediterranean character showing spice and warmth – as you might expect from the Cinsault side of its ancestry. However the fruit is richer and glossier, when handled correctly – as you might imagine from the fact that it is used in a sunny place so the grapes can ripen fully. In addition the tannins seem to be very light – as indeed they are in both the parent grapes – so the good examples seem very soft and supple. And that is the key, for that delicious fruity, velvety smoothness to shine, the grapes must be really ripe and any touch of greeness will throw that balance out of kilter and spoil the pleasure I now take in a good example of Pinotage.

Much more besides
Of course it isn’t only those grapes and blends that can do well in South Africa, Altydgedacht Estate produces a stunning Gewürztraminer and possibly the best Gamay that I have ever tasted, while KWV delighted me with their fabulously drinkable, ripe and juicy Mentors Cabernet Franc, which rightly won a trophy at the 2012 Michelangelo Awards. I have also become very impressed by some of the Syrahs, especially the wonderfully supple, delicately spicy and seductive Oldenburg Estate Syrah 2009.

Michelangelo International Wine Awards
Remember that if you want to explore the wines of South Africa, but are unsure where to start, the Michelangelo International Wine Awards website lists all the winners they ever had since the competition started in 1997, take a look, it might well help you to choose some interesting wines to try. I know the effort that we put into judging them and the high standards that we adhere to, so if it won a medal or trophy at the Michelangelo it is going to be a good wine and an excellent example of its type.

Another thing to bear in mind is that South Africa is one of the best wine countries to visit as the countryside and main wine towns of Paarl, Franschhoek and Stellenbosch are all beautiful, and unlike Europe the wineries are superbly geared up for visitors with lovely restaurants and elegant tasting rooms.  What’s more everything is very compact and within an hour or 2 of Cape Town airport, which makes it an easy place to tour around.

If you do visit – and I highly recommend it – make sure you see a bit of Cape Town too, it is a delightful city and the V&A Waterfront complex is an absolute gem, stuffed with bars, shops and restaurants of very fine quality. While you are there be sure to drop in at Vaughan Johnson’s Wine Shop. Vaughan is one of the wine trade’s great characters and a delight to chat to while browsing the bottles in his lovely shop.

The man himself – Vaughan Johnson

Vaughan’s words of wisdom

So, if you have not really got into exploring South African wines yet, now is a great time to start as the quality of the wines coming out of the Cape now is very high indeed.

Santorini – A Great Wine Region

The stunning, rugged beauty of Santorini

I had thought that I wouldn’t write anymore about Greece and Greek wines for a while, but the sheer excitement of some wines that I have tasted from Santorini recently mean that I really have to share them with you.

Over the last month I have been giving some Greek wine tastings and as I had expected the quality of the wines won lots of sceptics over and made people look at Greek wines in a new light.

All the wines were well received and all showed very well indeed, but one region consistently proved to be the crowd pleaser. This was the white wines from the beautiful volcanic island of Santorini.

Map of Greece’s Wine Regions – click for a larger view – see Santorini north of Crete & south of Paros

Sadly I have yet to visit the vineyards of Santorini – I hope to put that right this year though – but I have known and loved the white wines from this island for a long, long time and have almost always enjoyed them. I have found that as long as the alcohol level is not above 13.5% then these wines always deliver pleasure. Above that, and a handful are, the alcohol burn ruins the balance for me – so check the alcohol level when you first buy one.

Satellite photograph of Santorini clearly showing that it is the lip of a volcano.

Many of you will know Santorini I am sure, it is basically the lip of a volcano, so a settlement perched at the very top of a mountain as the rest just happens to be underwater. The place is tiny and basically solid volcanic rock which has very little organic matter and a complete absence of clay which means that Phylloxera never took hold. As a result Santorini can boast some of the most ancient vine roots in the world – up to 300 years old it seems.

Santorini’s wild rocky terrain showing the low trained vines in the terraced vineyards or ‘pezoules’.

The problems here are wind and lack of water and they solve both of these in the same way. In order to protect the vines from the extreme winds that blow across the island, they basically train the vines close to the ground and weave the stems into a basket to contain and protect the grapes as they ripen. Growing this low to the ground also maximises the effect of the morning dew on the vines.

Santorini vines woven into baskets on the ground – note the rocky soils.

Backbreaking work.

Unfortunately it also means that tending these vines is backbreaking work, but like so may other extreme vineyards around the world – Mosel, Côte-Rôtie, Cinque-Terre, Etna, Ribera Sacra etc. – the results do seem to make the effort worthwhile.

Everything about grape growing on Santorini makes for naturally low yields and good concentration, so it is hardly surprising that the island has enjoyed a high reputation for its wines for thousands of years. Whatever the wines were like in antiquity though the modern wines are of excellent quality and that is thanks to these extreme natural conditions and the high quality local grapes.

Santorini is home to a handful of grape varieties and all of them are of interest, but one stands out as being especially fine, capable of being the standard-bearer for Greek wine much as Sauvignon Blanc is for New Zealand wine. That grape is the wonderful Assyrtiko – Ass-err-tick-OH – and frankly if you like Sauvignon Blanc (or Verdejo and Grüner Veltliner for that matter) you will like it. Who knows you might even prefer it, some of the people at my recent tastings did.

The wonderful thing about Assyrtiko is that it retains its freshness and acidity even when grown in desert conditions like those on Santorini.

The harvest

The wines:

2012 Santorini Assyrtiko
Santo Wines – the Santorini cooperative whose wines are marketed by Tsanatli
Santorini Protected Designation of Origin / P.D.O (like an A.O.C.)
100% Assyrtiko
I had tried the 2011 while in Greece last year and it was excellent, a real standout wine, but if anything this had the edge. The nose was stony and mineral, citrus and fresh, while the palate was crisp, bone dry and nervy. There seemed to be a purity and concentration to it that I found thrilling, the fruit was there in a lemon/lime kind of way with hints of apricots too, but it was the acidity and mineral quality that gave this its finesse and elegance and the finish was wonderously long. A great wine, how I wish I had had a bit of fish with me – 92/100 points.

As far as I am aware this is not yet available in the UK, but it really should be – check with Venus Wines.

2011 Atlantis White
Argyros Estate, Santorini
P.G.I. Cyclades (like a Vin de Pays, but actually could be labelled as a P.D.O.Santorini)
90% Assyrtiko with 5% each of Aidani & Athiri
The other grapes make this slightly less crisp, it is softer and even slightly fleshy and textured, so it feels less pure and less mineral, but is still a gorgeous dry white wine and what it lacks in minerality and complexity compared to the pure Assyrtiko it more than makes up for in sheer drinkability. The palate gives a touch of pear that softens the citrus, while the nose has a touch of the sea – 89/100 points.

Around £10 a bottle in the UK from Marks & Spencer online.
Distributed in the US by Athenee Importers.

Santorini grapes drying in the sun

2004 Vinsanto
Santo Wines – the Santorini cooperative whose wines are marketed by Tsanatli
Santorini Protected Designation of Origin / P.D.O (like an A.O.C.)
85% Assyrtiko with 15% Aidani
Vinsanto desert wines are an old tradition on Santorini and if they are all as good as this one I can see why it caught on. Very ripe grapes are harvested and then dried in the sun for 10 days or so to further concentrate the sugars. As with all really top notch desert wine the sugar here, although high, was balanced by the sheer class of the wine and the cleansing high acidity. The flavours were astonishing with great depth, concentration and complexity. Toffee, caramel, honey nuts, nougat, apricots, orange, coffee, fig, clove show what long ageing in old oak will do, but the dominating character was freshness and liquor orange. A great, great desert wine that was superb on its own and with the baklava, but would be equally good with apple pie or strudel, and blue cheese - 93/100 points.

As far as I am aware this is not yet available in the UK, but it really should be – check with Venus Wines.

Oia on Santorini

On this showing – and past experience – I really believe that Santorini is one of the great wine regions and Assyrtiko one of the world’s finest white wine grapes. Do try some when you can, you will not regret it, there might be nothing better with simply cooked fresh fish and seafood.

Thanks to my friends at Tsantali for most of the photographs.

50 Shades of Gris

Domaine Jones

Wine isn’t all noir and blanc

I know what you’re thinking. I bet you think this piece is about Pinot Gris, dont’y ya, don’t ya?

Well you are wrong, I might mention Pinot Gris in passing – see I just did – but actually this piece is going to be about a couple of others grapes with Gris in their name.

Pinot Gris is not a grape that I gravitate towards, I think it is usually just too low in acidity for me, but there are some honourable exceptions - what’s more, I am so broadminded I have even been known to enjoy the odd Pinot Grigio.

Until 10 years or so ago I was under the impression that Pinot Gris was the only grape called Gris. I knew there were others that are ‘gris’ or pink skinned, just as grapes called ‘noir’ are red or purple skinned and those called ‘blanc’ have green skins – I think they named them from engravings before colour photography was invented. Gewürztraminer of course has pink skins when fully ripe, so does Koshu and Moschofilero which makes Mantinia in the Peloponnese region of Greece, but none of those have ‘gris’ in their name.

Sauvignon Gris
Well, one day in 2003 I was with a group of fellow wine educators in Chile and we were served a bottle of white wine with our fish that I – and most of our party – assumed was Sauvignon Blanc. Only it didn’t taste quite like Sauvignon Blanc, we even wondered if it was a dodgy bottle for a while until one bright eyed individual noticed that the label didn’t claim it to be a Sauvignon Blanc at all, but a Sauvignon Gris. It was made by a famous old producer from the Maipo Valley called Cousiño-Macul and it was pretty good, but most of all it was interesting. I have tried more recent vintages of this wine and it seems to me that like almost everything else they have improved greatly over that time.

I later learnt that the vine was imported into Chile in the nineteenth century in mistake for Sauvignon Blanc – mind you they did the same thing with Sauvignon Vert too, which is also known as Sauvignonasse and (Tocai) Friulano.

A few days later I was able to try another example of Sauvignon Gris, this time it was made from very old vines in Colchagua Valley by a winery called Casa Silva and I loved it.

Sauvignon Gris is thought be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and is fatter and less aromatic than its sibling. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape, indeed so excited was I by the Casa Silva wine that I actually became the first person ever to ship a few cases to the UK.

A few others followed my lead and now you can find some Sauvignon Gris wines if you shop around. Mark and Spencer lead the pack as they offers two, one from Argentina that I have not tasted and another from Chile that I like very much indeed. I have mentioned Viña Leyda before, they are a great producer in Chile’s Leyda Valley and they also make the excellent Secano Estate wines whose Sauvignon Gris is a delight.

It can be found in France too, where there appears to be renewed interest with this ancient grape in Graves and parts of the Loire, where Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose.

Recently I was able to taste this terrific example from the flamboyantly named Xavier Frissant of Touraine-Amboise at the Absolutely Cracking Wines From France event:

2010 Les Roses du Clos
Cépage Fié Gris
Xavier Frissant, A.C. Touraine
Touraine is usually associated with Sauvignon Blanc, so this is an interesting variation on the theme. The grapes are harvested by hand and the wine is fermented and aged on the lees in 400 litre oak barrels, but the oak does not show at all – unless it adds to the texture.
The nose was bright, vibrant and fresh with an underlying stoney / mineral quality and a deeper, denser apricot-like note too.
The palate offers high, but rich, not citric, apricot acidity and textured apricot fruit, while some grapefruit characters freshen it up and keep it balanced by giving it some real tang, in fact it is more tangy than zingy. It is clean and fresh, but has a lovely juicy weight to to as well which balances the high acidity and makes the wine very attractive and pleasurable to drink. It is dry with a long finish and I can imagine it goes with a wide array of foods – 89/100 points.

£14.75 a bottle in the UK from H2Vin.

Grenache Gris
The other gris that has been exciting me recently is Grenache Gris. Grenache is originally a Spanish grape, so perfectly suits the Mediterranean climate and should really be called Garnacha. It spread throughout the Mediterranean world during the time of Aragon and Catalan strength in the middle ages and because Roussillon was a part of Catalonia until 1659 – and who knows it might be again soon – Grenache remains a dominant grape in the region.

Grenache comes in all colours and I understand that Grenache Gris is a natural mutation of Grenche Noir, the one that makes the red wines. Like all the other gris grapes, you can make a pale rosé from them – like Pinot Grigio Ramato (coppered) – but it seems more normal to use them to make rich-ish white wines that often have a deep colour.

I have tasted a couple of examples recently that stand out and show that Grenache Gris really should be a more widely appreciated grape:

2011 Domaine Jones Blanc
Grenache Gris
Katie Jones, I.G.P. (Vin de Pays) Côtes Catalanes
Katie is from Ashby-de-la Zouch in Leicestershire and perhaps the French name got to her because she finally ended up in Paziols near Tautavel in Roussillon. Joining the local cooperative and eventually becoming their Export Sales and Marketing Director Katie worked with the local wine and loved it so much that eventually she bought her own parcel of vines near Maury and settled down to craft some stunning wines in this beautiful, rugged landscape.
This wine betrays a slightly coppery hue, just the merest tinge mind, while the nose is gloriously scented and lifted with grapefruit, softer mandarin notes and exotic wild herbs and even a touch of honey. The palate has richness with a slightly creamy and oily texture making it fat and mouth filling. The citrus fruit and richer stone fruit – nectarine – balance this beautifully and there is an enticing gently smoky character that together with touches of herb makes the wine nice and savoury. It finishes long and is balanced, fresh, flavoursome, mouth-filling and juicy – 91/100 points.

£14.95 a bottle in the UK from The Wine Society and direct from Domaine Jones.

Katie Jones (second from left)

Reading about Katie Jones I kept getting this feeling that I had met her or heard of her before. Then I realised, her story has much in common with Charlotte Allen‘s. They are equally determined, dedicated and passionate about their wines, they ended up in different parts of Europe – but similarly rugged and beautiful ones and they use many similar grapes. It is so wonderful that there are people like Katie out there as the wine world needs them and their wines.

This example was one of the first Grenache Gris wines that captured my imagination and it is made quite close to Domaine Jones:

2009 Domaine Préceptorie de Centernach Coume Marie
Domaine La Préceptorie
A.C. Cotes du Roussillon Blanc
Mainly Grenache Gris, this also has some Grenache Blanc, Macabeu (Viura) and Carignan Banc and is fermented in 400 litre oak vats and aged in them for some 8 months.

This exciting wine is elegant, richly textured and quite delicious, but sadly the Wine Society no longer stock it, so I do not know how to get hold of any right now.

Grenache Gris is so versatile and gets so ripe that it can, like Grenache Noir, be used to make some stunning fortified wines and one of the great bargains of the moment is this amazing Vin Doux Naturel from Rivesaltes in Roussillon, which makes it just the thing for Christmas:

1985 Rivesaltes Ambré Hors d’Age Arnaud de Villeneuve
A.C. Rivesaltes Ambré
Grenache Gris with some Macabeu and Grenache Blanc – whatever Waitrose say on their website!
An Ambré must be aged for 30 months before release, which changes the colour to that oxidised caramel hue and  Hors d’Age Rivesaltes wines have to be aged for a minimum of 6 years in barrel.
The nose was slightly caramelised with coffee notes and hints of orange.
The palate offered figs and prunes and honeysuckle and more coffee and the sort of caramel on the top of a creme brulée – but it was not overtly sweet at all. The richness was balanced by a seam of clean acidity too.
A stunning wine full of complexity, richness and finesse, the grapes are different, but it is not so very far removed from a great Oloroso sherry – 93/100 points.

£13.99 per 50cl bottle in the UK from Waitrose – and it is not made from Muscat, whatever they say!

Thoughts on varietal labels
Thinking about how lovely these wines are convinces me all the more that selling wines by grape variety, choosing wines by grape variety and labelling wines by grape variety is all very well, but it actually restricts consumer choice and makes everyone drink the same small number of wine types. We have been told to think grape variety for 20-30 years and country’s like France are criticised by many drinkers nowadays for not putting the grape variety on the label, but surely that only helps if the wine is made from the six or so grapes people seem to know about and are prepared to buy. It seems to me that if anything other than one of those is on a label, people resist buying it because they haven’t heard of it. I increasingly believe that although varietal labelling has simplified wine enough to get people to drink it, having the grape variety on the label has then stopped them becoming truly adventurous and curious about the subject. I wrote a piece about it here.

Port and the Douro – perfect for Christmas

In my quest to tell you about some great wine books this Christmas I am currently reading the third edition of Port and the Douro by Richard Mayson. What better subject is there to read about at Christmas?

Richard Mayson

Port and the Douro
by Richard Mayson
with illustrations by Leo Duff
Published by Infinite Ideas at £30.00
Also available from Amazon.com as well as Amazon.co.uk and Waterstones in the UK at around £27.00.

It is a sadness to me that I do not drink very much Port as I am very fond of the stuff and find it fascinating. I also regret the fact that as yet I still have not visited the Douro, although I hope to put that right very soon. In the meantime I will have to experience the region through Richard Mayson’s eyes and writing.

Luckily I am in capable hands. Richard clearly knows his subject and writes well in an authoritative and almost learned style.

Much to my surprise I greatly enjoyed the first section which gives a general history of Portugal as it relates to Port and the Douro, her wars, politics, culture and gastronomy – my only quibble would be the reference to Oliver Cromwell as a ‘Puritan’, which he certainly was not – but that aside I had learnt a great deal of interesting stuff by page 6.

Given the seeming long history of Port drinking and how closely it is associated with the British in our minds, I found it fascinating that Baltic and Hanseatic merchants actually got the trade going before we Brits arrived – even the Scots beat the English to it in the years before the Union.

I was also astonished by the fact that Port was a dry wine until well into the Eighteenth Century and had the English nickname of ‘black-strap‘. As this term is nowadays associated with molasses I had always understood it to be an archaic colloquial word for Royal Navy rum, but apparently it originally referred to Port.

The development of the wine bottle and of the style of Port we know today seem to go pretty much hand in hand and it seems that it was not really until the beginning of the Nineteenth Century that Port as we know it appeared on the scene. The first recorded use of a Port house name – Croft – as a brand did not occur until 1810 and the practice was not commonplace for another eighty years or so – so only around the time my grandfather was born.

After all this wonderful background Richard settles down to inform us about the geography and geology of the region together with sections that detail the grape varieties that they use. There are maps too and profiles of all the estates marked on them.

The chapter that deals with how Port is made is endlessly interesting – the throw away line about the return to the use of lagares in the the 1990s, after they had been pretty much unused since the mid 1970s, and what that has meant for quality I found very illuminating. Surely it can be no coincidence that this overlaps with something of a Port renaissance.

The chapter on Port Types – referring to the wines rather than the people –  is endlessly fascinating fleshing out details on types of wine that I thought I knew and detailing odd little facts on the classifications and all the styles from Tawny to Rosé and Colheita to Vintage by way of White Port and Moscatel do Douro.

Vintage Port enjoys such fame that it deserves and receives a chapter to itself with vintage details going back to 1844. There is also a directory of Port producers and shippers, which I for one will find invaluable.

Add in sections that deal with the Douro’s table wines of the region, the storage and service of Port and what the future may hold for this great wine region, then I think Richard has done the Port proud and may well have produced the definitive book on the subject.

I have only seen an E book version and not the real thing, so have not felt it or flicked through it as I normally would and therefore have no idea if the book is has that undefinable lovely, tactile and pleasurable feeling that a good book should, but I did like the contents very much.

It is an excellent and beautifully illustrated book that covers Port and the Douro in depth and detail. It’s not a light read, but a serious volume for people who are genuinely interested in the subject and those who need a reference book on this fascinating subject.

 

Savennières – a rebooted classic?

Looking south from the Château des Vaults – Domaine du Closel

It seemed pretty hot for a cool wine growing region. Standing on top of the slope looking out at the stunning beauty of the countryside I felt enveloped in peace and drenched in the sun’s hot rays. Strangely the scene was made all the more peaceful for the birdsong and the peal of distant church bells as I looked at the vines and listened to the winemakers around me. I heard their passion and their commitment and I hoped that the wines I would soon taste were as good and as interesting as the story I was being told.

You see, I had come on this trip to Angers deliberately because I was pretty sure that I didn’t like these wines. All the books and many experts say that Savennières ranks as one of the greatest wines of France – certainly that country’s finest dry white made from Chenin Blanc. Personally though I have never been able to see what the fuss was about – much as I fail to find the pleasure in Condrieu. Savennières was certainly dry and had that typical Chenin high acid, but I could never see its charm. It was hard and unyielding and seemed reminiscent of sucking a pumice stone – austere might be the kindest word to use. We were always told that they needed to be old to show at their best, but frankly who wants old white wine nowadays?

So, I was here on this hill-top to confront my lack of knowledge and understanding – I wanted to see what I was missing and whether I should update my view.

North Star – a great dessert wine

The other day, while doing something else entirely different I was given an intriguing wine to try. The first thing I noticed was how good it looked, the presentation was stylish – from the appearance of the bottle and label I would have sworn it was a Canadian Icewine. On closer examination though I discovered that it came from Nottinghamshire, which is in England‘s Midlands and is not somewhere that I often associate with wine.

2006 Eglantine Vineyard North Star
Eglantine Vineyard
Ash Lane, Costock, Nr Loughborough, Leicestershire LE12 6UX, UK
http://www.eglantinevineyard.co.uk

I have since spoken to Tony Skuriat who makes it and he really is a fascinating man and I intend to visit his vineyard soon. He only makes a tiny amount of North Star as it is made from a selection of his vineyard’s best fruit. It is 100% Madeleine Angevine, which is quite hardy and can ripen well in unlikely places – not for nothing is it one of Müller-Thurgau‘s parents.

North Star is a ‘technical Icewine‘, which means that the grapes are frozen in a freezer rather than on the vine – England just does not get cold enough to freeze grapes on the vine. I know from speaking to producers in Canada and New York that many people consider it gives better and cleaner results if you freeze the grapes after the harvest as it gives greater control of when the grapes are picked and can prevent all sorts of rot problems. Basically whichever way you do it the grape is frozen solid, so when it is pressed the water content stays behind as ice and you get just a tiny amount of intensely sweet juice from which a dessert wine can be made. The residual sugar content of this wine is 174 grams per litre, to put that in perspective most French dry white wines are around 2!

Tony Skuriat in his winery

On tasting it North Star had a wonderful concentration of rich apricot-like fruit with real depth of honeyed and marmalade sweetness, with some barley sugar and even a richer touch of butterscotch. What made the wine sing though was the vibrant acidity that cut through the sweetness, made the wine balanced in the mouth and the finish gloriously long.

It really is a great dessert wine and does not fall into the typical icewine trap of being clean, delicious and one dimensional, this is complex and layered. When I asked Tony about this he explained that he ages it for at least 2 years on the lees. These are the dead yeast cells left over from fermentation and this ageing adds complexity and texture as well as developing the creamy characters which are alien to most icewines.

Rather wonderfully too the wine is made within the designated region of Stilton production, so at last we can truly eat a great British cheese and partner it with a perfect local English wine – who would have thought it?

I was seriously impressed and awarded this great wine 93/100 points.

At £32 per half bottle in the UK it isn’t cheap, but is well worth the money. A little is still available from the vineyard and if you get in quick from The English Wine Pantry in London’s Borough Market.