Austria part 1: passionate wine makers

Neusiedlersee from the vineyards.

A little while ago I was lucky enough to have a fabulous trip around most of Austria’s wine regions. I was pretty excited about it as I had long wanted to get a real look at this resurgent wine producing country.

Personally I have always been drawn to the Austrian /  Central European culture and have always enjoyed the food and the beer and liked the look of this part of the world. So, I was looking forward to getting better acquainted with it as well as seeing the wine regions and meeting many of the important winemakers.

For reasons of economy I flew in through Bratislava, which is very close to Vienna and was for hundreds of years the Imperial Austrian city of Pressburg or Preßburg. I didn’t have time for a meal, unusually for me I didn’t have the inclination either as I knew my plans for later that evening in Vienna, so I grabbed a sandwich and a beer at the airport.

I was already somewhere interesting when something as a simple ham and cheese sandwich bore no relation to its counterparts at home. It came on black bread with smoky Black Forest ham, rich cream cheese, loads of pickles and was delicious. The beer too was far better than such a simple thing as a lager would normally be in my life, it had a rich hoppy character and a depth of flavour that would astonish most members of CAMRA.

Arriving in Vienna for the first time in 27 years I strolled around this grand city trying out some of the wonderful coffee houses and cafés for which the place is justly famous. It seemed as though almost every building housed a cake shop – do they really eat that much cake I wondered? Watching the Viennese at play over the course of the evening it seemed that they really did – and later I joined them myself.

Dinner that night was a sort of pilgrimage for me. All my life I have been excited by schnitzels – I know it sounds strange, it even looks odd to me now I have actually typed the words, which is akin to saying them out loud. Hell, it’s cheaper than therapy! I am always drawn to schnitzel on a menu though, even if there is finer fare to be had. I have this theory that schnitzel is the best dish in the world – no not a theory, a belief! So I went to the place where the schnitzel began.

The Wiener Schnitzel is a classic dish, but it seems that no one can actually find much of a history for it. I remember reading that General Joseph Radetzky von Radetz – he of the march / waltz fame – was supposed to have brought it back to Austria after campaigning in Lombardy and Milan. A Milanese Cutlet / Cotoletta alla Milanese is superficially similar and the Austrians were supposed to have refined it by bashing the meat out to tenderise it and make it very thin. Sadly it seems that this is a myth though and no one knows exactly where it came from or when.

Wiener Schnitzel at Figlmüller alongside a €2 to compare the sizes.

In Vienna there is a restaurant called Figlmüller that not only claims to have invented the schnitzel, but to have done so as recently as 1905. I find that extraordinary as 1905 is only just beyond living memory, my grandfather was 20 and my own parents births were only 22 years away. How can something so famous and so universal be that recent? Anyway I went and had a most excellent Wiener Schnitzel washed down with a rather splendid beer and copious amounts of Grüner Veltliner from the restaurants’ own vineyards.

For desert I visited the Café Sacher inthe world famous Hotel Sacher, which makes probably the most famous chocolate cake in the world. I felt that at least once in my life I should try the original in the actual place that gave the world the sachertorte. The café is rather lovely with genuine old world charm, open till midnight and serves a stunning red Zweigelt Beerenauslese, from Weingut Kracher in Burgenland, which is absolutely perfect with a slice of sachertorte - a better match than coffee actually.

Having immersed myself in the most famous, possibly clichéd, but certainly delicious, aspects of Austria’s gastronomic culture, the next morning I felt ready to explore her wines.

Austria’s wine regions – click for a larger view.

Touring the Vineyards
The start of my trip was billed as a vineyard rally through Leithaberg and Neusiedlersee. Of course with my new found instant knowledge I knew that Leithaberg was a Districtus Austriae Controllatus / D.A.C wine region near Eisenstadt that covered the lower reaches of the Leithaberg mountain and faced south east towards the beautiful lake called Neusiedlersee.

Despite sounding mysterious, the vineyard rally turned out to be simplicity itself, no hard hat or special training was required. We were taken to two different spots in the surrounding vineyards to meet some winemakers and taste their wines.

Our first stop was right in the middle of the vines with barely a building insight – other than church towers in the far, far distance. The weather was warm with clear blue skies and the spot stunningly beautiful with that feeling of total peace that I associate more with vineyards than anywhere else. Spying a falcon in flight just added to the feeling of being somewhere special.

Leo Sommer

Weingut Sommer
There we were met by the impossibly youthful looking Leo Sommer who was representing Weingut Sommer, the winery his family have run since 1698. Leo had set up a tasting for us right where the slope stopped at the foot of a rocky ridge. Looking one way I saw the vineyards sloping gently down towards the lake that shimmered enticingly in the distance. In the other direction the land became much steeper with fewer vineyards.

Looking towards the lake.

The Sommers farm 30 hectares here and they aim to capture the essence of the place in their wines. The summer here is hot and dry, with ripening helped by the warm winds blowing in from Hungary’s Pannonian plain. The nearby lake though manages to temper and balance that heat in the height of summer, while helping to keep the autumn cold at bay during the later part of the ripening season. This is the important Altweibersommer or Indian Summer that allows them to harvest very late in this area.

Looking away from the lake you can see how the slope changes. We had our tasting by the van.

A close up of the same scene.

White Leithaberg D.A.C. wines can be made from Pinot Blanc  / Weißburgunder, Chardonnay, Neuburger, Grüner Veltliner or a blend of any of these and we tasted two of the Sommer’s Grüner Veltliners. One had some oak with lees stirring, while the other was all stainless steel, yet they both summed this place up to my mind. To different degrees they both had a richly textured ripeness leading to a taut, stony mineral finish and when looking around this glorious sun drenched landscape with its sandy loam and slate soils, it struck me – this was precisely what these slopes should produce.

In many ways standing here felt as though I was in a little protected pocket by other less forgiving climates – much like Alsace or Central Otago. The more I thought about that when we visited all the different regions the more I realised that is exactly what the Austrian wine regions are – mountains and more extreme weather dominate the rest of the country – we often glimpsed snow-capped ridges , so these places in the far east of Austria are an oasis of temperate growing conditions.

Our next port of call reinforced this view. This time we were nearer the lake, right at the bottom of the gentle slope before the flat land that surrounds the Neusiedlersee and our hosts were Martin Palser and Birgit Braunstein, a married couple who just happen to both be winemakers and each runs their own winery.

Birgit Braunstein & Martin Palser

Martin Palser 
Down here it seems there is much more limestone and Martin grows Chardonnay on this soil, which makes his take on the Leithaberg D.A.C. very different from Leo Sommer’s wines. His 2011 Chardonnay Reserve impressed me very much with its lovely balance, very Burgundian character and pronounced minerality – I know, I know – and Martin told us that this minerality was the character of the place and was more important than grape variety in his opinion.

Looking towards the lake.

Birgit Braunstein
Then Martin handed over to his wife who presented two red wines made from the region’s signature black grape – Blaufränkisch. Red Leithaberg D.A.C. wines must contain at least 85% of this with up to 15% of St. Laurent, Zweigelt or Pinot Noir. I have enjoyed Blaufränkisch before – even as Lemberger in New York’s Finger Lakes, but none have impressed me quite as much as these two made by Brigit Braunstein. Her 2009 Blaufränkisch Reserve Leithaberg D.A.C. was beautifully fruity and balanced with gorgeously ripe fruit together with elegant spice, the delicious cherry-like acidity that I associate with the grape – and a streak of pure minerality. Somehow the wine managed to keep quiet about the 18 months it had spent in new oak and was superbly integrated.

Standing on their terrace looking across the vineyards to the lake I was struck by the place, conditions and landscape and how they seemed to echo the wines that I had just tasted. The breezes blew the otherwise searing heat away – “air conditioning for the vines” as Martin put it – and these are ripe, cool climate wines. They are keen on biodiversity here and the fields were a colourful riot of cherry trees, wildflowers, grasses and herbs as covercrop between and around the vines, while the sandy loam soil, slate and limestone that it all grows in is key here. The defining characteristic of Leithaberg D.A.C. seems to be the minerality and I felt that it was all around me as well as being in the glass.

All in all it was an excellent beginning to the day, I felt peaceful, invigorated, more experienced and better informed and it wasn’t yet 11 o’clock.

Weingut Birgit Eichinger
Funny things wine trips. You live in close proximity to people you barely see the rest of your life, you lose all track of time and get dragged from one place to the next at breakneck speed with barely a backward glance – until you start writing anyway. You get given far more meals in a day than is strictly required – and sadly get to like them. What does stand out though, what makes all the suffering (really?) worthwhile is when we visit somewhere that touches the heart and a good few of the visits on this Austrian trip did just that, but one of the most memorable was to Weingut Birgit Eichinger.

Brigit Eichinger

There aren’t many women winemakers in Austria, so Brigit Eichinger is pretty unnusual – strangely the only other one we met was also called Birgit, Birgit Braunstein – what’s more Birgit Eichinger and her builder husband Christian have only been running their estate since 1992 when they started with 3.5 hectares. The winery was built in 1994 and they have been adding vineyards when they can and today they farm some 15 hectares in Strass.

Strass is in Kamptal which in turn is part of Niederösterreich, which is in many ways the heartland of Austrian wine as it includes the famous regions of Wachau, Kremstal and Wagram amongst many others and so certainly defines my view of Austrian wine – the whites anyway.

Site matters here as there is no one single terroir. Many of the vineyards have loess over gravel and loam, but others have sandstone, slate and schist, so as in Alsace matching the grape variety to the site makes real differences to the wine. There is even volcanic rock on the Heiligenstein slope from where Birgit produces a stunning, spicy, pure and intensely mineral Riesling.

To qualify as Kamptal D.A.C. a wine must be made from Grüner Veltliner or Riesling, so Birgit’s deliciously floral and exotic Roter Veltliner – also known as the Roter Muskateller and no relation to Grüner at all – and her Chardonnay are simply labelled as coming from the wider area of Niederösterreich.

The view from Weingut Birgit Eichinger

The landscape here is spectacularly beautiful – actually everywhere we went was – with the terraced vineyards cascading down the slopes towards the small town of Strass where Birgit’s winery sits at the foot of the Gaisberg slope.

All the wines were superb and I know that many of us would have purchased a few bottles if we had had the space in our luggage. The Rieslings and Grüner Veltliners in particular showed their class with a concentration and yet lightness of touch that gave them a feeling of tension and sophistication that certainly brought a smile to my face.

Birgit’s beautiful wines are available in the UK from John Armit Wines and in the US through Weygandt-Metzler Importing for other teritories check here.

The whole trip was a delight – apart from being locked out of my hotel room and two of my colleagues missing their flights – and my enthusiasm for the country and its wines has been totally rekindled. I will write about some of the other places I visited and wines I tasted in Austria soon.

If Austrian wines have passed you by then you really do owe it to yourself to give them a go. There is a great deal of pleasure to be had by exploring the wines of Austria.

South Africa – a beautiful land of wonderful wine

Table Mountain from Stellenbosch

My relationship with South Africa has taken off quite dramatically in recent years. For a long time I had reservations about the quality of many of the wines coming out of the country. To me there seemed to be flashes of brilliance amidst a sea of unreliability and perhaps I unfairly focussed on the latter.

My first visit to the Cape, in 2005, reinforced that view – luckily I mainly visited the brilliant producers and was able to see for myself how ambitious and capable many of the winemakers were – something that might not have been apparent from the general supermarket offerings of South African wines in the UK at the time. What I had not expected though was to be quite so bowled over by the place. The Western Cape of South Africa is one of the most beautiful places on the planet and a wonderful part of the world to visit and I fell in love with it.

The dramatic landscape of Stellenbosch at Kleine Zalze Vineyards

So much so that when I was invited to become a judge at the excellent Michelangelo International Wine Awards I leapt at the chance. This is one of the leading South African wine competitions and is run by the wonderful Lorraine Immelman and Sue van Wyk. I am so glad that they invited me as my trips down there to taste and judge hundreds of wines – overwhelmingly, but not exclusively from South Africa – has allowed me to experience the wines of the region in a way that I would otherwise not have been able to do. It means that I have been able to really see what is going on in South Africa and to notice the amazing development over a very short period of time. It has also allowed me to make friends with many of my fellow judges from around the world and to get to know Stellenbosch very well indeed. In fact nowadays the place really does feel a little like home when I arrive at Cape Town.

Another benefit is the wonderful visits we judges get to make to a an array of wineries who sometimes mark the occasion by giving us some of their prized bottles to taste:

1937 KWV fortified Muscadelle – ‘Likeurwyn’ in Afrikaans, it was outstanding & a real privilege to taste it – especially as there were only 168 bottles ever made!

Charles Back spoilt us with one of Fairview’s earliest vintages of Pinotage. It was the 1976, look carefully at the bottom left of the label, & it had a savoury fragility that showed up the Pinot Noir side of its parentage.

In my visits there I have come to know and greatly admire a range of stunning wine estates that are producing wines that are at least the equal of anywhere else – Springfield and Diemersdal for instance never fail to impress me. For quite a few years now I have been a judge in the Michelangelo – with perhaps a year or 2 gap between each visit – and the progress South African wines have made in such a short time is remarkable. On my first visit the style of South African red wines was overwhelmingly not mine. It seemed to me, for quite a long time that there was over extraction, over oaking, over working – just too much of everything really, which resulted in many bitter and tarry wines – which I do not enjoy.

I have seen this fading for a while now, but my visit in 2012 saw pretty much all the wines that I tasted had emerged from this old style and were now triumphantly almost all tasting bright, fresh, fruity and balanced. The entire experience pleased me immensely and I gained an even keener love for South Africa and her wines. The trip was one of my many highlights of 2012 – but for some reason I failed to mention it in my round up of the year.

Sunset in the vineyards at Kaapzicht

Sauvignon Blanc
The first thing I noticed last summer was just how good the white wines have become. Drop in anywhere around Cape Town and the winelands – the bars and restaurants are spectacular – and you can order a Sauvignon Blanc with confidence – even at the lower price points. Because it has such wide distribution over there I drank a good few bottles of Durbanville Hills Sauvignon Blanc and not only was it pretty cheap, but it was also pretty good – just the thing with the stunning seafood in Cape Town. Lourensford, Klein Constantia, Kaapzicht and Allée Bleue Sauvignon Blancs also all hit the spot with some of the wonderful calamari they serve down there too – as does Springfield‘s Life From Stone and Special Cuvée, Dornier‘s Cocoa Hill and the lovely Sauvignon from Southern Right and those from the Diemersdal Estate – including the rosé version.

It is crude to generalise, but broadly speaking I reckon that South African Sauvignons lean towards a French style – dry, mineral and crisp, but with more ripe fruit, without ever becoming quite as aromatic or upfront as classic New Zealand examples. As a style I like it very much – of course that is an oversimplification as there is huge variety, but there is enough of a truth in it to make it a reliable guide for the average drinker.

The seafood in Cape Town is amazing – strangely the calamari is always what excites me most – it’s superb there

Chenin Blanc
Good though South Africa’s Sauvignons are – and they are. The traditional white grape here is that other Loire Valley white grape – Chenin Blanc. For me these really come into their own when some richness is involved and I love drinking the tropical (ripe guava flavours), delicately honeyed and concentrated examples from Kleine Zalze, Oldenburg and Stellenrust - and Stellenrust’s Sauvignon Blanc is pretty good too by the way. These are wonderful with fish pie and rich pork or chicken dishes – even asian flavours.

Red Wines
All of these were lovely and a delight to taste in the competition or enjoy during our time off, but what really amazed me last year were the red wines. I tasted hundreds of red wines from the Cape and flight after flight showed balance, fruit and careful tannin management.

Some of the Merlots that we judged at the Michelangelo Awards were especially impressive - Lourensford‘s 2011 Winemaker’s Selection Merlot and uniWines Fairtrade Palesa Merlot 2011 were both superb, with lovely fruit and supple tannins.

I have also been very impressed by Cabernet Sauvignons from Springfield – their Whole Berry Cabernet 2008 is a seductive marvel – while the magnificent Kleine Zalze Cabernet Sauvignon Family Reserve 2008 is layered, complex and fine, as was the Oldenburg Cabernet Sauvignon 2009 that I tasted recently.

Lourensford Estate – looking south to False Bay & Somerset West

Pinotage
All these were very good, but I personally became very excited by Pinotage – of all things. Pinotage gets a very bad press, or at best seems to divide people, much like Marmite. Well I love Marmite, but until last year I would not even remotely have considered myself to be a fan of Pinotage. I had enjoyed a few in my time – Flagstone‘s wittily named The Writer’s Block Pinotage always impresses me and the 2011 rightly won a Gold Medal at the 2012 Michelangelo – but something has usually held me back from enjoying most of the Pinotages that had come my way until recently. Well it seems that something about the wines – or me – has changed, because during my time in South Africa in 2012 I started to really enjoy Pinotage – so much so that I ordered Pinotage twice while I was last in South Africa and even requested a refill during a dinner at KWV / Laborie.

This unusual grape is South Africa’s speciality and it originated here as a cross between Pinot Noir and Cinsaut / Cinsault (historically known as Hermitage in South Africa). Like most things that appear traditional though it isn’t actually as old as you might think. The cross does go back to the 1920s, but commercially it has only really been around since the 1960s. In the past people have said that Pinotage smelled and tasted of rusty nails and bananas, which may be true, but it no longer seems to be the case in the ones that I have tasted of late. Rich fruit and supple tannins seem to be the hallmark, together with a spicy quality.

I have tasted a few different vintages now of the Diemersdal Pinotage Reserve and their 2011 vintage walked with the Pinotage Trophy (Sue van Wyk Pinotage Trophy) at the 2012 Michelangelo and it was well deserved – grab a bottle if you can find one. It was this wine more than any other that started my change of mind about the grape, but Deetlefs Estate Pinotage 2011 was very nearly as impressive and for sheer drinkability I also greatly enjoyed the spicy and juicily fruity KWV Mentors Pinotage 2010 - indeed it was this one that I requested more of during a rather fine dinner!

I have also tried and enjoyed the following Pinotages over the last few months – Wine of Origin / W.O. is the South African appellation system and guarantees the source of the grapes:

2010 Durbanville Hills Pinotage
W.O. Durbanville, South Africa
Medium-bodied, supple and juicy with very soft tannins and a gentle touch of spice. This is easy drinking, but very enjoyable and well made and would go with almost anything meaty – 86/100 points.

Durbanville Hills is a big brand, but they seem to be very reliable – their Sauvignon Blanc is very good for the price – and as they are well distributed in South Africa they are quite hard to miss, most of the umbrellas outside restaurants in Cape Town seem to be theirs.

£8.50 a bottle in the UK from SA Wines On Line.
Distributed in the US by Aveniu Brands.

2010 Southern Right Pinotage 
W.O. Hemel-en-Aarde, Hermanus, South Africa
This concentrated example is made by Anthony Hamilton-Russell, who is normally thought of as a Pinot Noir specialist, but here he shows that he can coax wonderful flavours and mouthfeel out of Pinotage, albeit with tiny amounts of Cabernet Sauvignon, Cabernet Franc, Malbec and Syrah blended in.
The palate is rich, smooth and silky with ripe damson and blackberry fruit and soft spice notes as well as cocoa from the oak ageing. This is beautifully made and very elegant – 89/100 points.

£13.50 a bottle in the UK from Waitrosedirect.com.
Distributed in the US by Vineyard Brands.

2009 Kleine Zalze Family Reserve Pinotage  
W.O. Coastal Region, South Africa
Wow this is an amazingly concentrated wine, deep, opaque blue-black. The nose delivers damson, espresso coffee, liquorice, dark chocolate and aromatic spices. The palate is towards full-bodied and is very supple with velvety tannins and some nice refreshing acidity too and rich dark fruit, leather, coffee and beautifully integrated vanilla and mocha oak. This is a glorious wine with an epically long finish – 92/100 points.

This is Kleine Zalze‘s top Pinotage, but their more humble examples under the Zalze label are rather good too. They also have a rather lovely restaurant at the winery by the way.

£26.99 a bottle in the UK from SA Wines On Line.

2009 Wildekrans Estate Osiris Pinotage  
W.O. Bot River, South Africa
Lifted aromas of smoky spices and chocolate together with dried red fruit and ripe black fruit. The palate offers coffee as well as damsons, blackberry and cooked strawberry fruit. Again the tannins are a very silky and the finish is long, but slightly marred by some heat from the alcohol – 91/100 points.

Wildekrans wines are in the UK from SA Wines On Line.

From my recent tastings of Pinotage I would say that the at its best the grape has a decidedly Mediterranean character showing spice and warmth – as you might expect from the Cinsault side of its ancestry. However the fruit is richer and glossier, when handled correctly – as you might imagine from the fact that it is used in a sunny place so the grapes can ripen fully. In addition the tannins seem to be very light – as indeed they are in both the parent grapes – so the good examples seem very soft and supple. And that is the key, for that delicious fruity, velvety smoothness to shine, the grapes must be really ripe and any touch of greeness will throw that balance out of kilter and spoil the pleasure I now take in a good example of Pinotage.

Much more besides
Of course it isn’t only those grapes and blends that can do well in South Africa, Altydgedacht Estate produces a stunning Gewürztraminer and possibly the best Gamay that I have ever tasted, while KWV delighted me with their fabulously drinkable, ripe and juicy Mentors Cabernet Franc, which rightly won a trophy at the 2012 Michelangelo Awards. I have also become very impressed by some of the Syrahs, especially the wonderfully supple, delicately spicy and seductive Oldenburg Estate Syrah 2009.

Michelangelo International Wine Awards
Remember that if you want to explore the wines of South Africa, but are unsure where to start, the Michelangelo International Wine Awards website lists all the winners they ever had since the competition started in 1997, take a look, it might well help you to choose some interesting wines to try. I know the effort that we put into judging them and the high standards that we adhere to, so if it won a medal or trophy at the Michelangelo it is going to be a good wine and an excellent example of its type.

Another thing to bear in mind is that South Africa is one of the best wine countries to visit as the countryside and main wine towns of Paarl, Franschhoek and Stellenbosch are all beautiful, and unlike Europe the wineries are superbly geared up for visitors with lovely restaurants and elegant tasting rooms.  What’s more everything is very compact and within an hour or 2 of Cape Town airport, which makes it an easy place to tour around.

If you do visit – and I highly recommend it – make sure you see a bit of Cape Town too, it is a delightful city and the V&A Waterfront complex is an absolute gem, stuffed with bars, shops and restaurants of very fine quality. While you are there be sure to drop in at Vaughan Johnson’s Wine Shop. Vaughan is one of the wine trade’s great characters and a delight to chat to while browsing the bottles in his lovely shop.

The man himself – Vaughan Johnson

Vaughan’s words of wisdom

So, if you have not really got into exploring South African wines yet, now is a great time to start as the quality of the wines coming out of the Cape now is very high indeed.

Santorini – A Great Wine Region

The stunning, rugged beauty of Santorini

I had thought that I wouldn’t write anymore about Greece and Greek wines for a while, but the sheer excitement of some wines that I have tasted from Santorini recently mean that I really have to share them with you.

Over the last month I have been giving some Greek wine tastings and as I had expected the quality of the wines won lots of sceptics over and made people look at Greek wines in a new light.

All the wines were well received and all showed very well indeed, but one region consistently proved to be the crowd pleaser. This was the white wines from the beautiful volcanic island of Santorini.

Map of Greece’s Wine Regions – click for a larger view – see Santorini north of Crete & south of Paros

Sadly I have yet to visit the vineyards of Santorini – I hope to put that right this year though – but I have known and loved the white wines from this island for a long, long time and have almost always enjoyed them. I have found that as long as the alcohol level is not above 13.5% then these wines always deliver pleasure. Above that, and a handful are, the alcohol burn ruins the balance for me – so check the alcohol level when you first buy one.

Satellite photograph of Santorini clearly showing that it is the lip of a volcano.

Many of you will know Santorini I am sure, it is basically the lip of a volcano, so a settlement perched at the very top of a mountain as the rest just happens to be underwater. The place is tiny and basically solid volcanic rock which has very little organic matter and a complete absence of clay which means that Phylloxera never took hold. As a result Santorini can boast some of the most ancient vine roots in the world – up to 300 years old it seems.

Santorini’s wild rocky terrain showing the low trained vines in the terraced vineyards or ‘pezoules’.

The problems here are wind and lack of water and they solve both of these in the same way. In order to protect the vines from the extreme winds that blow across the island, they basically train the vines close to the ground and weave the stems into a basket to contain and protect the grapes as they ripen. Growing this low to the ground also maximises the effect of the morning dew on the vines.

Santorini vines woven into baskets on the ground – note the rocky soils.

Backbreaking work.

Unfortunately it also means that tending these vines is backbreaking work, but like so may other extreme vineyards around the world – Mosel, Côte-Rôtie, Cinque-Terre, Etna, Ribera Sacra etc. – the results do seem to make the effort worthwhile.

Everything about grape growing on Santorini makes for naturally low yields and good concentration, so it is hardly surprising that the island has enjoyed a high reputation for its wines for thousands of years. Whatever the wines were like in antiquity though the modern wines are of excellent quality and that is thanks to these extreme natural conditions and the high quality local grapes.

Santorini is home to a handful of grape varieties and all of them are of interest, but one stands out as being especially fine, capable of being the standard-bearer for Greek wine much as Sauvignon Blanc is for New Zealand wine. That grape is the wonderful Assyrtiko – Ass-err-tick-OH – and frankly if you like Sauvignon Blanc (or Verdejo and Grüner Veltliner for that matter) you will like it. Who knows you might even prefer it, some of the people at my recent tastings did.

The wonderful thing about Assyrtiko is that it retains its freshness and acidity even when grown in desert conditions like those on Santorini.

The harvest

The wines:

2012 Santorini Assyrtiko
Santo Wines – the Santorini cooperative whose wines are marketed by Tsanatli
Santorini Protected Designation of Origin / P.D.O (like an A.O.C.)
100% Assyrtiko
I had tried the 2011 while in Greece last year and it was excellent, a real standout wine, but if anything this had the edge. The nose was stony and mineral, citrus and fresh, while the palate was crisp, bone dry and nervy. There seemed to be a purity and concentration to it that I found thrilling, the fruit was there in a lemon/lime kind of way with hints of apricots too, but it was the acidity and mineral quality that gave this its finesse and elegance and the finish was wonderously long. A great wine, how I wish I had had a bit of fish with me – 92/100 points.

As far as I am aware this is not yet available in the UK, but it really should be – check with Venus Wines.

2011 Atlantis White
Argyros Estate, Santorini
P.G.I. Cyclades (like a Vin de Pays, but actually could be labelled as a P.D.O.Santorini)
90% Assyrtiko with 5% each of Aidani & Athiri
The other grapes make this slightly less crisp, it is softer and even slightly fleshy and textured, so it feels less pure and less mineral, but is still a gorgeous dry white wine and what it lacks in minerality and complexity compared to the pure Assyrtiko it more than makes up for in sheer drinkability. The palate gives a touch of pear that softens the citrus, while the nose has a touch of the sea – 89/100 points.

Around £10 a bottle in the UK from Marks & Spencer online.
Distributed in the US by Athenee Importers.

Santorini grapes drying in the sun

2004 Vinsanto
Santo Wines – the Santorini cooperative whose wines are marketed by Tsanatli
Santorini Protected Designation of Origin / P.D.O (like an A.O.C.)
85% Assyrtiko with 15% Aidani
Vinsanto desert wines are an old tradition on Santorini and if they are all as good as this one I can see why it caught on. Very ripe grapes are harvested and then dried in the sun for 10 days or so to further concentrate the sugars. As with all really top notch desert wine the sugar here, although high, was balanced by the sheer class of the wine and the cleansing high acidity. The flavours were astonishing with great depth, concentration and complexity. Toffee, caramel, honey nuts, nougat, apricots, orange, coffee, fig, clove show what long ageing in old oak will do, but the dominating character was freshness and liquor orange. A great, great desert wine that was superb on its own and with the baklava, but would be equally good with apple pie or strudel, and blue cheese - 93/100 points.

As far as I am aware this is not yet available in the UK, but it really should be – check with Venus Wines.

Oia on Santorini

On this showing – and past experience – I really believe that Santorini is one of the great wine regions and Assyrtiko one of the world’s finest white wine grapes. Do try some when you can, you will not regret it, there might be nothing better with simply cooked fresh fish and seafood.

Thanks to my friends at Tsantali for most of the photographs.

A Champagne House to Thrill & Excite

I cannot help myself, I really do like Champagne. There is nothing more enjoyable than good sparkling wine in my opinion and there is no potentially finer sparkling wine than Champagne. What is more there is so much variety in Champagne, some houses produce a rich style, some a soft one, others a mellow one – surely there is something for everyone.

Rather excitingly I have recently stumbled across a small Champagne house that I am convinced deserves far greater fame.

Champagne Legras & Haas is a Champagne domaine founded as recently as 1991, but if the name rings any bells then you might well be thinking of Champagne R & L Legras which is a famous old Champagne house in the village of Chouilly in the Côte des Blancs. I have never tried their wines, but they have a very high reputation. Before he created his own estate in 1991, together with his wife Brigitte – whose maiden name was Haas, François Legras was the winemaker here as his forebears had been since the sixteenth century.

François Legras
Amongst other things it was his desire to be a true vigneron, a grower with a domaine that made him strike out on his own and today the house has 31 hectares mainly in the Grand Cru village of Chouilly, although the conditions of the region mean that they do still buy grapes in from trusted local growers – mainly for their standard Tradition Non Vintage (N.V.) Brut. Their Pinot Noir is grown mainly in the slightly warmer Aube area to the south.

Today the house is run by François’s sons Rémi and Olivier Legras and I think the wines they produce are remarkably fine.

Map of Champagne – click for a larger view – non watermarked PDF versions are available by agreement

Terroir
As they are based in Chouilly in the Côte des Blancs, with its chalky fossil rich soils, they concentrate on Blanc de Blancs style wines – that is Champagnes made solely from white grapes which by and large means Chardonnay in Champagne. Contrary to popular belief Pinot Blanc - Pinot Vrai locally – can be used in the region too, but it is very rare.

Much of the soil in Chouilly is Kimmeridgian clay as in Chablis and this together with the cold climate and short growing season really does dominate the style of wines.

The wines

Legras & Haas Blanc de Blancs Grand Cru Brut N.V.

The nose was lovely, fresh is the main word I would use, but there were little touches of apricot, lemon zest, pastry crumbs and stone – this really did entice and hint rather than deliver fully formed characters. It is a tease of a wine, smelling this is like watching a burlesque act.

The palate was clean and crisp with high acidity and lots of flavour of citrus fruit, green apples and minerality as well as some biscuit-like characters. The mousses was persistent and fine – and I am not one to comment on the fizz normally as it depends on too many other factors.

At only 7 grams dosage this is a very dry Brut Champagne which allows the purity and minerality to dominate. All in all this wine really excited me – 91/100 points.

Legras & Haas Blanc de Blancs Grand Cru Extra Brut N.V.

Good as that was though it was this wine that really caught my imagination. Extra Brut has a dosage of less than 5 grams per litre, so the wine is allowed to dominate the style. There is no softness here, no fat, just precision and austerity. This means that the Champagne has to be perfect first time – like a water colour.

They got it right, the wine has concentration, but is about minerality and tension. If you like Chablis you will enjoy this. It has that same nervy character and stony depth to it. The bubbles really are tiny and persistent and add some structure to the wine. Four years ageing on the lees has also added little flourishes of flakey pastry, but for me this is all about the minerality, finesse and elegant austerity – 93/100 points.

Do try these Champagnes if you can, they really are superb. I would enjoy the Brut on its own, but I think they would be particularly good with food – some fruits de mer perhaps, especially the Extra Brut.

Legras & Haas Champagnes are available in the UK from the Alaistair Nugent, Handford Wines and Private Cellar.

Legras & Haas Champagnes are available in the US from United Estates Imports and Exclusive Wine Imports. 

Burgundy – it just seems complicated

Santenay Clos des Cornières

Recently I was invited over to Burgundy as the guest of a campaign called Discover the Origin whose job is to promote traditional European products that have a clearly defined place of origin – Burgundy is a classic example. It was a wonderful trip and gave me a realinsight into this incredible wine region.

Beaune, Burgundy’s main town, is a delightful place to explore.

All those medieval building still need looking after, so the old skills still exist here.

Many of my students find the sheer variety of Burgundy wines intimidating and the array of labels bewildering, which is presumably why some of the easier to understand examples are the best sellers.

I agree that at first glance Burgundy can look complicated, but actually it isn’t hard once you strip it down to basics and learn to trust Burgundy rather than fight it.

Of course that does depend on how much you really want to get to grips with the place and its wines. Becoming a world authority on Burgundy will be fiendishly difficult, but the good thing is that no one really needs to understand everything about it. Most of us just need enough information to enable us to enjoy the stuff without worrying too much about the potential pitfalls.

Here is my best advice to those of you who would like to get to grips with Burgundy, but find the complications off-putting – oh and if you do know about Burgundy, look away now, this is for the many interested, but nervous wannabe-Burgundy drinkers I meet.

Please remember to click on all the links.

The basic thing to get to grips with, perhaps more than any other wine region, is the geography. The wines are not big, rich and fruity, but dry and savoury because they come from somewhere cold with short summers. The fundamental dimensions and weight of most of the wines are similar as you would expect given that almost all the white wines are made from Chardonnay and the reds from Pinot Noir – both these grapes originate here. The winemaking is pretty similar too and the grapes are grown over a relatively small area, so the climate does not change much and variations are subtle. Every time I taste a lot of Burgundy I find myself writing many of the same words. I know the wines are different, but those differences are so subtle that they are very hard to sum up in a simple way.

Tradition

Frédéric Drouhin, urbane and charming director of Maison Joseph Drouhin which was started by his grandfather. The visit here was delightful and the wines had all the elegance you would expect.

En garde – the delightful Alain Hasard with his pigeage plunger. Note the small scale of the vats at his wonderful little domaine Les Champs de l’Abbaye. All his viticulture is organic and indeed biodynamic inspired – I liked him and his wines.

Jean-François Chapelle of Domaine Chapelle in Santenay – his wines are superb too.

Marion Javiller of Domaine Patrick Javiller. They made 2 of my favourite wines from the trip and rather wonderfully I could (almost) afford them too – 2010 Bourgogne Blanc Cuveé Oligocène and their wonderfully silky 2010 Savigny-les-Beaune 1er Cru Les Serpentières.

The tool rack at Domaine Joseph Voillot, note the Tastevin. I loved their Volnay wines, especially the sumptuous, yet mineral 2010 Volnay 1er Cru Les Caillerets.

Patrice Olliver of Domaine Fougeray de Beauclair in Marsannay. Amongst many other lovely wines he makes an intriguing and rather good white Marsannay from 100% Pinot Beurot which is the local name for Pinot Blanc.

Remember that Burgundy is a deeply traditional wine region where most of the producers are really just small family owned farms. This is not a place of big brands and industrial sized wineries and this traditional outlook shows in the wines, probably more than any other place in the world today. These wines are made by people who passionately believe this is the best place on earth to make wines and that the wines of their region are the best in the world.

As a consequence the idea of a wine being bright, bold and very fruity is almost an impossible concept for a traditional Burgundian to understand. Therefore expect elegance not weight, delicacy not power and the wines to be fundamentally savoury rather than sweetly fruity. As a consequence Burgundy wines really are best suited to being drunk with food. Most Burgundians would never think to drink a glass of wine on its own, that is what a Kir or Kir Royale is for. Wine, Burgundy wine anyway, accompanies food.

Vineyards

Santenay again

Marsannay

Something else that is a little different here. Very few vineyards in Burgundy have just one owner. Usually a single vineyard site is owned by several different growers and producers all making their own version of the wine. That is why a wine that appears to come from a specific vineyard often has many different labels. That is why wines that perhaps ought to be the same can sometimes taste more varied. If there is a single owner of a specific vineyard it will usually say ‘monopole‘ on the label to show it is that grower’s monopoly.

Geography
To enjoy and appreciate Burgundy you need to either be vaguely aware of the geography or at least choose to accept it or find it interesting rather than intimidating. All the important information on the labels is geographical, it’s all just place names, the region, district names, village names or vineyard names. Personally I find it useful to embrace the unknown on a wine label – if you have never heard of the place or grape on a label, try it. What is the worst that can happen?

Understanding the Labels

A good quality Bourgogne from a famous producer – this one informs us that it made from Chardonnay, most Burgundy labels do not mention grape variety.

The more basic wines from Burgundy are labelled as Bourgogne, which is French for Burgundy and is the catch all appellation for the whole region. Bourgogne is an appellation d’origine contrôlée (AOC or AC), which is a system of guaranteeing provenance to the consumer. Similar controls are found throughout the EU - and beyond - to regulate traditional products like ham, cheese and spirits, but wine is the most famous.

Some seemingly humble Bourgogne wines are very good and will give you an idea of the fundamental style of the region. These wines tend to be the more affordable ones – but that is not always the case and knowing the exceptions is where your hard won experience will eventually count.

Districts

The district names of Burgundy appear on many labels as a more specific place of origin than Bourgogne. These show that the wines comes from a distinct part of the region, rather than  the region as a whole. Chablis and Mâcon are districts, as are Bourgogne followed by the name of an area, such as Bourgogne Côte Chalonnaise, Bourgogne Côtes-du-Couchois, Bourgogne Côtesd’Auxerre or Bourgogne Hautes-Côtes-de-Beaune. No one knows them all, well I don’t anyway, but once you understand the principle this sort of labelling is quite straightforward.

After a while you will start to notice the subtle differences in how these various wines taste. For instance the wines of Mâcon are clearly softer, fruitier and taste as though they come from somewhere warmer than the cold northerly slopes of Chablis. While Chablis wines are more mineral, taut and crisp than a Mâcon – the cool climate shows in the wine.

Villages

This white wine comes from the village of Puligny-Montrachet

Quality in Burgundy is supposed to be all about the vineyard site – remember those subtle variations – so in the quest for quality it is always good to know where your grapes were grown. Therefore the benchmark for Burgundy is the wines that have the name of a village on their label. The grapes that the wine is made from were grown in vineyards that surround that particular village, so we know where the wine originates. Meursault, Beaune, Nuits-St-Georges, Puligny-Montrachet, Mercurey and Givry are examples of these village wines.

Premier Cru & Grand Cru
You have to remember that grapes have been grown and wine has been made in Burgundy for hundreds and hundreds of years. Over that time certain places have come to be regarded as having the inherent ability to produce better wine than others. This accounts for why some villages are so famous.

Some specific vineyard sites within the villages can also be thought of as producing better wines than others, or at least to be capable of producing better wines. To celebrate and affirm the potential quality of these vineyard sites many have been awarded Premier Cru /1er Cru status and if the fruit all comes from a single 1er Cru vineyard the name of that site will appear on the label together with the village name.

This white also comes from Puligny-Montrachet, but more specifically the 1er Cru site called Les Folatières.

The very pinnacle of Burgundy production though is the Grand Cru vineyard sites. These are places that are thought to be capable of producing the very finest and most concentrated Burgundy wines of all – there are not many of them and they do not produce much wine at all, so are often eye-wateringly expensive.

The Montrachet vineyard is shared between the villages of Puligny and Chassagne and has been added to the name of both villages.

So many UK wine drinkers brought up on wines labelled by grape variety seem to want to rant, rail and kick against the traditional French way of doing things. It makes life much easier to just accept it, pay attention to the information on the label that is useful to you and ignore the rest. I always warn my students to never go looking for consistency or logic in French wine regulations as they often mean subtly different things from region to region even when they use the same words.

On my trip I visited a wide range of producers, from big names with grand cellars and lots of employees to tiny, hands on vigneron who scratch a living from a tiny patch of vines. All were passionate about Burgundy though. They all loved their land and thought the site mattered. None of them in their hearts believed they were producing Pinot Noir or Chardonnay wines. They were merely using those grapes to express the character of the land they farmed – they were bottling Meursault, Volnay, Savigny-les-Beaune, Mercurey or Montagny. Their wines were capturing and celebrating the subtle differences and variations that make each of these wines unique.

It is precisely these differences that make Burgundy so interesting and worthwhile to the wine enthusiast and over time the very real, but subtle variations between wines from the Côte de Nuits, Côte de Beaune and the Côte Chalonnaise become apparent.

The beautiful cellars of Domaine Heresztyn who make lovely wines in Gevrey-Chambertin.

What makes the differences is best shown by using the Côte d’Or as my illustration. This part of Burgundy is the most celebrated and contains most of the really famous wine villages of the region. Of the truly renowned Burgundy areas and villages, only Pouilly-Fuissé and Chablis are not found in the Côte d’Or.

Map of Burgundy – click for a larger view – non watermarked PDF versions are available by agreement

At first glance the Côte d’Or, made up of the Côte de Beaune and the Côte de Nuits, would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

Luckily for us we don’t have to learn what the soil composition is of each and every village, let alone vineyard site, which is good because there is a great deal of overlap and variation making it very difficult to generalise to any useful degree. No, we only have to try the wines and see which ones we particularly enjoy.

So the next time you fancy some good charcuterie, try a red Burgundy with it, or it would be perfect with Boeuf Bourguignon or Coq au Vin too, those wonderful classic dishes of the region. White Burgundy really comes into its own with soft, squidgy cheeses or a simply cooked piece of fish.

If you really want to open your eyes to Burgundy though I would really recommend visiting the place for yourself, there is so much to see and enjoy.

Reluctantly leaving Beaune behind.

Birth of the Crus

I take a great deal of pleasure from experiencing wines that are new to me or made from grapes and places that are new to me. So I was delighted to attend a tasting that celebrated new things recently – by the way do remember to click on all the links.

Map of the Languedoc-Roussillon – click for a larger view – non watermarked PDF versions are available by agreement

Languedoc-Roussillon is a terrific wine region and I am a great admirer of many wines from both Roussillon, the Catalan bit by the Spanish border and the Languedoc, which is further north and east – towards Narbonne and beyond. I have written about Roussillon before, but not enough about the Languedoc.

There are some fabulous wines produced in this rugged landscape, but they often do not receive the notice they deserve and the whole place suffers from the poor reputation that it’s wines were saddled with in the past. Historically the region made lots and lots of vins ordinaire to nourish and quench the thirst of working people, but those days have long gone. However the memory of this has hung around and incorrectly informs many consumer’s choices to this day. The majority of UK wine drinkers still seem to regard the Languedoc as mainly a source of cheap wines and as a consequence favour France’s more famous regions when they are seeking something special. Which is really a great shame, as the Languedoc produces many wonderful wines. They are overwhelmingly red, but increasingly the few whites are proving their worth too, as the popularity of Picpoul de Pinet shows.

Château Camplazens, photo by kind permission

Sure there are still some cheap wines made there, but really nowadays the place is more a source of great value good wines and even some that are truly ambitious. Wonderful experiences will pass drinkers by if they expect Languedoc wines to only be cheap. It pains me therefore when I come across people who only drink a wine from the likes of Minervois, Fitou, Corbières, Cabardès, Saint-Chinian or Faugères when nothing else is available, but these and the other appellations of the region produce wines that really are worth drinking.

There have been many attempts in the past to prove to consumers that this part of the world makes quality wine. In 1948 Fitou was the first place in Languedoc to be awarded A.C. status and all those others followed over the next few decades, but I remain unconvinced that drinkers – in the UK anyway – have either noticed or been much impressed by these wines gaining their appellation d’origine contrôlée. They still seem to want them to be cheaper than regions whose reputation is higher, even if the wines they drink from those are not necessarily better.

Well now so many areas of the Languedoc have their own AC, the next stage of this process is well underway. The local appellation are quite bitty and seem to offer little rationale to many drinkers, so the local powers that be, in conjunction with the growers have set about identifying little pockets of potential excellence within these areas. This is the creation of “Crus” or specific sites within a larger area – Pouilly-Fuissé within Mâcon or Bourgogne Côtes du Couchois would be similarly more specific appellations. Some of these will remain an additionally identifying piece of information on the label, while others will eventually become appellations in their own right.

The beautiful & magnificent Château de Pennautier in Carbadès

I have a history with some of these wines, I was what technology people call an “early adopter”. Long ago I sold wine by mail order and 15 years or so ago I had been selling a lovely wine from Cabardès – a fascinating area that is the only place in France where A.C. wines are made using blends of Atlantic grapes, Cabernet and Merlot, and Mediterranean grapes, Syrah etc. The producer was the beautiful and historic Château de Pennautier and everything I have ever tasted from them has been well worth trying and Brits can buy one of their lovely Cabardès wines here and another here. Well my customers enjoyed the wines and when the producer, Nicolas de Lorgeril, branched out with an estate in nearby Minervois his Domaine de La Borie Blanche I listed that too and it became a firm favourite. I knew Minervois and the value it represented, so I was hesitant when offered a premium version. This was Les Hauts de la Borie Blanche and the label proclaimed it to be a Minervois-la-Livinière. This it transpired was a Cru or small, specific vineyard area contained within Minervois surrounding the village of la Livinière and I had never heard of it. The wine was twice the price of the normal version, but when I tasted it I was blown away and it quickly became my best selling wine, by some margin, despite being relatively expensive by the standards of the time. It’s still available by the way, but is now called Domaine La Borie Blanche Terroirs d’Altitude. This experience led me to seek out other wines and I quickly discovered Pic-St-Loup, a similarly special area or Cru within the Coteaux de Languedoc appellation.

A great many things set these places apart from the more ordinary, but still good, wines that surround them, but the two things that seem consistent are height – these areas tend to be highish and so the air is a little cooler and produces more elegance, the other is the dedication and ambition of the growers and wine makers.

I have retained interest in these types of wines over the years, but have been well aware that they haven’t really caught on to the degree that they should and have by and large remained the speciality of fine wine shops rather than being stocked by the supermarkets and multiple merchants where most people actually buy their wine. I was thrilled therefore to attend a tasting and dinner of three of the Languedoc Crus that are leading the way for quality in this exciting part of the world and I thought that I would bring some of the stars to your attention.

The appellations and Crus:

Languedoc La Clape
Once an island, La Clape is now a limestone mountain some 214 metres above sea level. The sea tempers the heat of the sun allowing the production of ripe, yet elegant wines. The A.C. was created in 2009.

Minervois-la-Livinière
This enclave within Minervois forms a south facing limestone plateau, the “Petit Causse” , which produces wonderfully concentrated wines. The A.C. was created in 1999 making it the oldest of the Crus.

Corbières-Boutenac
The relatively high, heartland of Corbières this puts me in mind of the relationship between Chianti and Chianti-Classico, Boutenac specialises in Carignan, particularly old vine Carignan, which must make up between 30 and 50% of the blend, it a rocky, wild land of limestone and garrigue. The A.C. was created in 2005.

The wines are overwhelmingly red, but the few whites from this part of the world are really interesting and will surely win many friends if they become more readily available:

White Wines

2010 Château d’Anglès Classique Blanc
Château d’Anglès
A.C. Languedoc La Clape
The old Coteaux de Languedoc was replaced with the bolder and more wide reaching Languedoc as the basic appellation for this region in 2007. La Clape has long been respected by those in the know, but is now beginning to emerge as something better than anyone would have imagined. Situated between Narbonne and the sea it is small – 17 km by 7 km – and high – rising to 214 metres above sea level. As for white wines it is home to a beguiling grape – this area is thought to be the French home of Bourbelonc and although it is used throughout the South, it is only here that it gets given a starring rôle.
Château d’Anglès dates back to 1796 but had fallen into disrepair and was reestablished in 2002 by Bordelais Eric Fabre and his winemaker son Vianney who bought it to realise their dream of creating fine Mediterranean wines. They came to make red wines, but have become increasingly excited by the potential for their white wines.
50% Bourboulenc and 40% Grenache with Roussanne and Marsanne – aged on the lees for 5 months.

Nice attractive nose with herbs, citrus, white peach, a little heather and honey lurking in the background as well as a whiff of the sea.
The palate has a gentle texture, soft almost creamy with a little fat and a touch of peach-skin like tannins and a pithy feel giving rich herbal mouthfeel. The acidity is pretty low, but it does balance the wine nicely with some freshness, but it is the richness, rather than any crispness that dominates, although there is a tanginess and a touch of bitter olives as well as a juicy quality to the long finish. I liked this very much indeed, it is an exciting white wine and very food friendly as being a lovely aperitif – 89/100 points.

£9.99 a bottle in the UK from Wine Rack.

2008 Château d’Anglès Grand Vin Blanc
Château d’Anglès
A.C. Languedoc La Clape
50% Bourboulenc and 40% Grenache with Roussanne and Marsanne – aged barriques and on the lees in for 7 months.
This top white from the estate was markedly richer and fatter. The aromas were lovely, oily and creamy, honey and herbal with rosemary and thyme together with some pine and aromatic savoury, garrigues aromas and again it was slightly saline. The palate was full with lots of fat, but still some lively balancing mineral notes, not high or obvious acidity though. A terrific, complex, beautifully made dry white with lots of interest, flavour and texture – 92/100 points.

£19.99 a bottle in the UK from Ocado.

By the way the red wines from Château d’Anglès are very good as well.

La Clape to the sea

La Clape mountain – showing the wild, rugged landscape

Red Wines

2008 Château Camplazens Cuvée La Garrigue
Château Camplazens
A.C. Languedoc La Clape
I have been an admirer of Château Camplazens‘s wines ever since I worked next to the owners Susan and Peter Close at a wine fair. As you might imagine from their name, they too are outsiders who have come to La Clape in order to make the wine of their dreams. In 2000 they found this amazing site on the top of the limestone mountain of La Clape itself. The whole area was once a Roman pleasure camp, hence the name and that of “a pleasance” in later history.

60% Syrah with 40% Grenache only 40% is oak aged to emphasise the juicy freshness.

This is a wine to really enjoy, everything from the bright attractive colour is pleasing. The nose is rich and aromatic with powerful red and black fruit together with a stony character, a touch of spice and a wild herbal note. The palate is nicely concentrated and bursting with juicy fruit that has lovely balancing freshness within it. The tannins are gentle and soft and all the while those savoury garrigue flavours peep through together with spice and a touch of smokiness. Not all that complex, but it is a delicious and very user friendly wine that delivers excellent value for money – 89/100 points.

£8.99 a bottle in the UK from the City Beverage Company.

Château Camplazens produce some other excellent red wines that are worth seeking out too.

2011 Château Sainte Eulalie Cuvée La Cantilène
Château Sainte Eulalie
A.C. Minervois-la-Livinière
Isabelle and Laurent Coustal set about resurrecting this old estate in 1996 and it is now one of the leading lights of the area.
55% Syrah, 20% Grenache and 25% Carignan aged 12 months in oak barrels, 25% new.

This is deeply coloured, smoky and aromatic with savoury herbs and a dash of cocoa and liquorice. The palate is juicy, brambly, soft and open with black and red fruit and a touch of firm, smoky tannins and an inky quality to the long finish. An attractive and very pleasurable wine that has a soft and drinkable quality to it – 87/100 points.

£11.50 a bottle in the UK from The Wine Society (2010 vintage). Also £25.00 per magnum.

2009 Château Maris Les Planels (formerly Old Vine Syrah)

Château Maris

A.C. Minervois-la-Livinière

Yet another fine estate that is run by an outsider and what’s more another Englishman. Robert Eden has lived in the Languedoc for over twenty years and is one of the prime movers behind the emergence of La Livinière on to the world’s fine wine map. Robert is convinced that good wine is made in the vineyard and focuses enormous care and attention how his vines grow. Château Maris is certified as organic and biodynamic, the only one in Minervois-la-Livinière and I strongly believe that whether biodynamics work or not, the process imposes such a level of care and attention on the vigneron that good results often seem to follow and from the 2010 vintage the estate will be a Cru Classé du Languedoc.

This single vineyard – Les Planels – Syrah is a case in point, fermented in oak tanks and aged for 12 months in barrels it is a really lovely wine.

The colour is an intense, opaque blueberry blue black colour, while the nose is lifted, scented and aromatic with savoury herbs, garrigue, tarry earth and a core of brighter blackcurrant and dried fruit. The palate is concentrated, full and juicy with very soft tannins – just a chalky smear giving definition. The fruit is cassis and prune by turns with a smoky earthy, mineral liquorice note. This is a really delicious crowd pleaser of real quality and while the fruit dominates right now I am sure the complexity will out in a few years – 91/100 points.

£17.95 a bottle in the UK from Vintage Roots.

Once again I would say that everything Château Maris make is pretty good and well worth drinking, like their standard Château Maris Minervois La Livinière from Waitrose in the UK.

Domaine de Villmajou

2010 Château de Villmajou
Domaines Gérard Bertrand

A.C. Corbières-Boutenac

Gérard Bertrand’s father owned this property from 1970 and this is where he grew up. After his rugby career they ran it together and it is where his wine story began, it is also the oldest wine estates in Corbières.

40% Carignan, 30% Grenache, 20% Syrah and 10% Mourvèdre aged 12 months in oak barrels.
This looked most attractive in the glass, deeply coloured, purpley-red to black.
The enticing aromas were herbal and savoury, along with a seaweed / umami and mineral nose and hints of sweeter lavender, that seemed promising, but quite closed for now.
The palate was direct, vibrant and juicy with loads of cassis, blackberry and plum with spices and herbs in background. It was a very modern palate with loads of fruit and very soft tannins, but they are there in the background, as is a touch of coffe too. The finish is nicely balanced and it delivers a great deal of pleasure – 89/100 points.

£11.99-14.99 a bottle in the UK from Majestic.

2010 Château les Ollieux Romains Cuveé d’Or

Château les Ollieux
A.C. Corbières-Boutenac

44% Carignan, 23% Grenache, 23% Mourvèdre and 10% Syrah of between 60 and 100 years old. Aged for 12 months in new French oak.
The colour was a deep opaque plummy and blackcurrant purple with some rhubarb red.
The nose was earthy, vibrant and powerful with blackcurrant, cocoa and coffee notes.
The palate had a nice texture, rich creamy ripe fruit and a cleansing touch saline quality. It was attractively savoury with a slightly charred and toasty, smoky back palate and a little caramel. A beautifully balanced wine with some real tension between the fruit and structure making it very elegant and it was very long – 91/100 points.

It was a wonderful tasting and a great chance to catch up on wines from this exciting part of France. If the creation of appellation contrôlée was supposed to codify tradition and encapsulate best practice – although frankly that is all debatable – then these new appellations and Crus, where there is only a short history of making anything other than everyday wines, are all about embracing the potential of these exciting places and creating ambitions for the future.

I do urge you to try some of these exciting new wines from the Languedoc.

50 Shades of Gris

Domaine Jones

Wine isn’t all noir and blanc

I know what you’re thinking. I bet you think this piece is about Pinot Gris, dont’y ya, don’t ya?

Well you are wrong, I might mention Pinot Gris in passing – see I just did – but actually this piece is going to be about a couple of others grapes with Gris in their name.

Pinot Gris is not a grape that I gravitate towards, I think it is usually just too low in acidity for me, but there are some honourable exceptions - what’s more, I am so broadminded I have even been known to enjoy the odd Pinot Grigio.

Until 10 years or so ago I was under the impression that Pinot Gris was the only grape called Gris. I knew there were others that are ‘gris’ or pink skinned, just as grapes called ‘noir’ are red or purple skinned and those called ‘blanc’ have green skins – I think they named them from engravings before colour photography was invented. Gewürztraminer of course has pink skins when fully ripe, so does Koshu and Moschofilero which makes Mantinia in the Peloponnese region of Greece, but none of those have ‘gris’ in their name.

Sauvignon Gris
Well, one day in 2003 I was with a group of fellow wine educators in Chile and we were served a bottle of white wine with our fish that I – and most of our party – assumed was Sauvignon Blanc. Only it didn’t taste quite like Sauvignon Blanc, we even wondered if it was a dodgy bottle for a while until one bright eyed individual noticed that the label didn’t claim it to be a Sauvignon Blanc at all, but a Sauvignon Gris. It was made by a famous old producer from the Maipo Valley called Cousiño-Macul and it was pretty good, but most of all it was interesting. I have tried more recent vintages of this wine and it seems to me that like almost everything else they have improved greatly over that time.

I later learnt that the vine was imported into Chile in the nineteenth century in mistake for Sauvignon Blanc – mind you they did the same thing with Sauvignon Vert too, which is also known as Sauvignonasse and (Tocai) Friulano.

A few days later I was able to try another example of Sauvignon Gris, this time it was made from very old vines in Colchagua Valley by a winery called Casa Silva and I loved it.

Sauvignon Gris is thought be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and is fatter and less aromatic than its sibling. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape, indeed so excited was I by the Casa Silva wine that I actually became the first person ever to ship a few cases to the UK.

A few others followed my lead and now you can find some Sauvignon Gris wines if you shop around. Mark and Spencer lead the pack as they offers two, one from Argentina that I have not tasted and another from Chile that I like very much indeed. I have mentioned Viña Leyda before, they are a great producer in Chile’s Leyda Valley and they also make the excellent Secano Estate wines whose Sauvignon Gris is a delight.

It can be found in France too, where there appears to be renewed interest with this ancient grape in Graves and parts of the Loire, where Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose.

Recently I was able to taste this terrific example from the flamboyantly named Xavier Frissant of Touraine-Amboise at the Absolutely Cracking Wines From France event:

2010 Les Roses du Clos
Cépage Fié Gris
Xavier Frissant, A.C. Touraine
Touraine is usually associated with Sauvignon Blanc, so this is an interesting variation on the theme. The grapes are harvested by hand and the wine is fermented and aged on the lees in 400 litre oak barrels, but the oak does not show at all – unless it adds to the texture.
The nose was bright, vibrant and fresh with an underlying stoney / mineral quality and a deeper, denser apricot-like note too.
The palate offers high, but rich, not citric, apricot acidity and textured apricot fruit, while some grapefruit characters freshen it up and keep it balanced by giving it some real tang, in fact it is more tangy than zingy. It is clean and fresh, but has a lovely juicy weight to to as well which balances the high acidity and makes the wine very attractive and pleasurable to drink. It is dry with a long finish and I can imagine it goes with a wide array of foods – 89/100 points.

£14.75 a bottle in the UK from H2Vin.

Grenache Gris
The other gris that has been exciting me recently is Grenache Gris. Grenache is originally a Spanish grape, so perfectly suits the Mediterranean climate and should really be called Garnacha. It spread throughout the Mediterranean world during the time of Aragon and Catalan strength in the middle ages and because Roussillon was a part of Catalonia until 1659 – and who knows it might be again soon – Grenache remains a dominant grape in the region.

Grenache comes in all colours and I understand that Grenache Gris is a natural mutation of Grenche Noir, the one that makes the red wines. Like all the other gris grapes, you can make a pale rosé from them – like Pinot Grigio Ramato (coppered) – but it seems more normal to use them to make rich-ish white wines that often have a deep colour.

I have tasted a couple of examples recently that stand out and show that Grenache Gris really should be a more widely appreciated grape:

2011 Domaine Jones Blanc
Grenache Gris
Katie Jones, I.G.P. (Vin de Pays) Côtes Catalanes
Katie is from Ashby-de-la Zouch in Leicestershire and perhaps the French name got to her because she finally ended up in Paziols near Tautavel in Roussillon. Joining the local cooperative and eventually becoming their Export Sales and Marketing Director Katie worked with the local wine and loved it so much that eventually she bought her own parcel of vines near Maury and settled down to craft some stunning wines in this beautiful, rugged landscape.
This wine betrays a slightly coppery hue, just the merest tinge mind, while the nose is gloriously scented and lifted with grapefruit, softer mandarin notes and exotic wild herbs and even a touch of honey. The palate has richness with a slightly creamy and oily texture making it fat and mouth filling. The citrus fruit and richer stone fruit – nectarine – balance this beautifully and there is an enticing gently smoky character that together with touches of herb makes the wine nice and savoury. It finishes long and is balanced, fresh, flavoursome, mouth-filling and juicy – 91/100 points.

£14.95 a bottle in the UK from The Wine Society and direct from Domaine Jones.

Katie Jones (second from left)

Reading about Katie Jones I kept getting this feeling that I had met her or heard of her before. Then I realised, her story has much in common with Charlotte Allen‘s. They are equally determined, dedicated and passionate about their wines, they ended up in different parts of Europe – but similarly rugged and beautiful ones and they use many similar grapes. It is so wonderful that there are people like Katie out there as the wine world needs them and their wines.

This example was one of the first Grenache Gris wines that captured my imagination and it is made quite close to Domaine Jones:

2009 Domaine Préceptorie de Centernach Coume Marie
Domaine La Préceptorie
A.C. Cotes du Roussillon Blanc
Mainly Grenache Gris, this also has some Grenache Blanc, Macabeu (Viura) and Carignan Banc and is fermented in 400 litre oak vats and aged in them for some 8 months.

This exciting wine is elegant, richly textured and quite delicious, but sadly the Wine Society no longer stock it, so I do not know how to get hold of any right now.

Grenache Gris is so versatile and gets so ripe that it can, like Grenache Noir, be used to make some stunning fortified wines and one of the great bargains of the moment is this amazing Vin Doux Naturel from Rivesaltes in Roussillon, which makes it just the thing for Christmas:

1985 Rivesaltes Ambré Hors d’Age Arnaud de Villeneuve
A.C. Rivesaltes Ambré
Grenache Gris with some Macabeu and Grenache Blanc – whatever Waitrose say on their website!
An Ambré must be aged for 30 months before release, which changes the colour to that oxidised caramel hue and  Hors d’Age Rivesaltes wines have to be aged for a minimum of 6 years in barrel.
The nose was slightly caramelised with coffee notes and hints of orange.
The palate offered figs and prunes and honeysuckle and more coffee and the sort of caramel on the top of a creme brulée – but it was not overtly sweet at all. The richness was balanced by a seam of clean acidity too.
A stunning wine full of complexity, richness and finesse, the grapes are different, but it is not so very far removed from a great Oloroso sherry – 93/100 points.

£13.99 per 50cl bottle in the UK from Waitrose – and it is not made from Muscat, whatever they say!

Thoughts on varietal labels
Thinking about how lovely these wines are convinces me all the more that selling wines by grape variety, choosing wines by grape variety and labelling wines by grape variety is all very well, but it actually restricts consumer choice and makes everyone drink the same small number of wine types. We have been told to think grape variety for 20-30 years and country’s like France are criticised by many drinkers nowadays for not putting the grape variety on the label, but surely that only helps if the wine is made from the six or so grapes people seem to know about and are prepared to buy. It seems to me that if anything other than one of those is on a label, people resist buying it because they haven’t heard of it. I increasingly believe that although varietal labelling has simplified wine enough to get people to drink it, having the grape variety on the label has then stopped them becoming truly adventurous and curious about the subject. I wrote a piece about it here.

Port and the Douro – perfect for Christmas

In my quest to tell you about some great wine books this Christmas I am currently reading the third edition of Port and the Douro by Richard Mayson. What better subject is there to read about at Christmas?

Richard Mayson

Port and the Douro
by Richard Mayson
with illustrations by Leo Duff
Published by Infinite Ideas at £30.00
Also available from Amazon.com as well as Amazon.co.uk and Waterstones in the UK at around £27.00.

It is a sadness to me that I do not drink very much Port as I am very fond of the stuff and find it fascinating. I also regret the fact that as yet I still have not visited the Douro, although I hope to put that right very soon. In the meantime I will have to experience the region through Richard Mayson’s eyes and writing.

Luckily I am in capable hands. Richard clearly knows his subject and writes well in an authoritative and almost learned style.

Much to my surprise I greatly enjoyed the first section which gives a general history of Portugal as it relates to Port and the Douro, her wars, politics, culture and gastronomy – my only quibble would be the reference to Oliver Cromwell as a ‘Puritan’, which he certainly was not – but that aside I had learnt a great deal of interesting stuff by page 6.

Given the seeming long history of Port drinking and how closely it is associated with the British in our minds, I found it fascinating that Baltic and Hanseatic merchants actually got the trade going before we Brits arrived – even the Scots beat the English to it in the years before the Union.

I was also astonished by the fact that Port was a dry wine until well into the Eighteenth Century and had the English nickname of ‘black-strap‘. As this term is nowadays associated with molasses I had always understood it to be an archaic colloquial word for Royal Navy rum, but apparently it originally referred to Port.

The development of the wine bottle and of the style of Port we know today seem to go pretty much hand in hand and it seems that it was not really until the beginning of the Nineteenth Century that Port as we know it appeared on the scene. The first recorded use of a Port house name – Croft – as a brand did not occur until 1810 and the practice was not commonplace for another eighty years or so – so only around the time my grandfather was born.

After all this wonderful background Richard settles down to inform us about the geography and geology of the region together with sections that detail the grape varieties that they use. There are maps too and profiles of all the estates marked on them.

The chapter that deals with how Port is made is endlessly interesting – the throw away line about the return to the use of lagares in the the 1990s, after they had been pretty much unused since the mid 1970s, and what that has meant for quality I found very illuminating. Surely it can be no coincidence that this overlaps with something of a Port renaissance.

The chapter on Port Types – referring to the wines rather than the people –  is endlessly fascinating fleshing out details on types of wine that I thought I knew and detailing odd little facts on the classifications and all the styles from Tawny to Rosé and Colheita to Vintage by way of White Port and Moscatel do Douro.

Vintage Port enjoys such fame that it deserves and receives a chapter to itself with vintage details going back to 1844. There is also a directory of Port producers and shippers, which I for one will find invaluable.

Add in sections that deal with the Douro’s table wines of the region, the storage and service of Port and what the future may hold for this great wine region, then I think Richard has done the Port proud and may well have produced the definitive book on the subject.

I have only seen an E book version and not the real thing, so have not felt it or flicked through it as I normally would and therefore have no idea if the book is has that undefinable lovely, tactile and pleasurable feeling that a good book should, but I did like the contents very much.

It is an excellent and beautifully illustrated book that covers Port and the Douro in depth and detail. It’s not a light read, but a serious volume for people who are genuinely interested in the subject and those who need a reference book on this fascinating subject.

 

Mountains, Saints and Satellites – stunning quality in Montagne-St Émilion

It is so easy to fall into a rut with wine. There is so much wine available from so many different places nowadays that you have to make a cut off somewhere and for many years for me that cut off was the classic wines of France. Only the cheaper versions though, I have always retained my love of France’s great wines.

My focus is always to find really lovely wine that over performs for its price and for many years the famous bits of France usually failed to do that at the cheaper end. Many of the classic regions of France have enormous fame, but the quality of the affordable examples seldom showed what the top end ones were like – and most of us have to drink the cheaper versions. The result of this was that consumers were often buying the lesser examples of Sancerre, Chablis, Châteauneuf-du-Pape, St Émilion and the like and yet they were never truly cheap, so still seen as bit of a treat. Sadly many of these wines were a pale shadow of the wines that have made the name on their label so prestigious and sought after and so for long gave the impression that France offered bad value for money. For quite a long time the affordable versions of classic French wines were dilute, unattractive and uninspiring as well as being more expensive than many good wines from elsewhere.

By the way it isn’t snobbery that made me avoid them, those who know me will know that price tags do not impress me at all. No, it was the lack of character and concentration that made me avoid these wines. Who wants a Chablis that could pass for a Muscadet in a blind tasting, or a Châteauneuf that offers less character than a Fitou or Minervois?

This lack of quality at the lower end was, in my opinion at least partly responsible for the sizeable minority of UK consumers who nowadays claim to avoid and dislike all French wine.

Louis Jadot at The Criterion

The delights to come – © Quentin Sadler 2012

At their best the wines of Burgundy are without peer, but the region produces such a relatively small amount of wine with high world demand that they can be very expensive indeed and even then can frequently disappoint. When they are good though they really let you know it.

It is interesting that the wines of Burgundy do get to you over time. I well remember that twenty odd years ago their beguiling beauty passed me by. Not any more.

As good as many others are, no where on earth uses Chardonnay to make such exquisitely poised and balanced white wines with tension between the richness and freshness. The red wines of Burgundy though are more tricky to get your head around. I think this is because they defy the wine norms of our time. We are used to big wines, full-bodied wines are widely favoured over other styles, yet Pinot Noir grown in the coolish climate of Burgundy simply does not produce truly full-bodied wines. They are generally lighter and more savoury than most other famous types of red wines and I think they really do need food to show at their best.

I have been fortunate to visit Burgundy a good few times over the years and am slowly acquiring a good working knowledge of the place and its wines. In addition I have been involved with Louis Jadot, one of the great producers of Burgundy on and off for some 25 years. In a region which is usually a patchwork of very small vineyards and producers it is very hard to get an overview of the place from this array of tiny farmer-winemakers. So a producer like Louis Jadot who is the largest landowner in the Côte d’Or really serves a useful purpose in providing a wide range of Burgundy wines.

There are other famous districts of Burgundy, Chablis, Mercurey and Pouilly-Fuissé amongst them, but it is really the Côte d’Or that sets the tone and provides much of the region’s fame. It is home to some of the most famous and sought after wines in the world including Meursault, Pommard, Gevrey-Chambertin and Nuits-St-Georges.

At first glance the Côte d’Or would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

The other day I was asked to put on a fine red Burgundy tasting in The Criterion Restaurant in London’s Piccadilly. I had never been there before and what a place it is. Founded in 1874 hard by the Eros statue in Piccadilly Circus the restaurant is a sumptuous confection of such exuberance that to my uneducated eye seems a heady combination fin de Siècle and art nouveau styles. The shiny gold mosaic tiles made me feel I was inside a Klimt painting and the general ambience made it seem possible that Oscar and Bosie would walk through the door at any moment.

The glorious interior of The Criterion during my tasting – © Quentin Sadler 2012