A Champagne House to Thrill & Excite

I cannot help myself, I really do like Champagne. There is nothing more enjoyable than good sparkling wine in my opinion and there is no potentially finer sparkling wine than Champagne. What is more there is so much variety in Champagne, some houses produce a rich style, some a soft one, others a mellow one – surely there is something for everyone.

Rather excitingly I have recently stumbled across a small Champagne house that I am convinced deserves far greater fame.

Champagne Legras & Haas is a Champagne domaine founded as recently as 1991, but if the name rings any bells then you might well be thinking of Champagne R & L Legras which is a famous old Champagne house in the village of Chouilly in the Côte des Blancs. I have never tried their wines, but they have a very high reputation. Before he created his own estate in 1991, together with his wife Brigitte – whose maiden name was Haas, François Legras was the winemaker here as his forebears had been since the sixteenth century.

François Legras
Amongst other things it was his desire to be a true vigneron, a grower with a domaine that made him strike out on his own and today the house has 31 hectares mainly in the Grand Cru village of Chouilly, although the conditions of the region mean that they do still buy grapes in from trusted local growers – mainly for their standard Tradition Non Vintage (N.V.) Brut. Their Pinot Noir is grown mainly in the slightly warmer Aube area to the south.

Today the house is run by François’s sons Rémi and Olivier Legras and I think the wines they produce are remarkably fine.

Map of Champagne – click for a larger view – non watermarked PDF versions are available by agreement

Terroir
As they are based in Chouilly in the Côte des Blancs, with its chalky fossil rich soils, they concentrate on Blanc de Blancs style wines – that is Champagnes made solely from white grapes which by and large means Chardonnay in Champagne. Contrary to popular belief Pinot Blanc - Pinot Vrai locally – can be used in the region too, but it is very rare.

Much of the soil in Chouilly is Kimmeridgian clay as in Chablis and this together with the cold climate and short growing season really does dominate the style of wines.

The wines

Legras & Haas Blanc de Blancs Grand Cru Brut N.V.

The nose was lovely, fresh is the main word I would use, but there were little touches of apricot, lemon zest, pastry crumbs and stone – this really did entice and hint rather than deliver fully formed characters. It is a tease of a wine, smelling this is like watching a burlesque act.

The palate was clean and crisp with high acidity and lots of flavour of citrus fruit, green apples and minerality as well as some biscuit-like characters. The mousses was persistent and fine – and I am not one to comment on the fizz normally as it depends on too many other factors.

At only 7 grams dosage this is a very dry Brut Champagne which allows the purity and minerality to dominate. All in all this wine really excited me – 91/100 points.

Legras & Haas Blanc de Blancs Grand Cru Extra Brut N.V.

Good as that was though it was this wine that really caught my imagination. Extra Brut has a dosage of less than 5 grams per litre, so the wine is allowed to dominate the style. There is no softness here, no fat, just precision and austerity. This means that the Champagne has to be perfect first time – like a water colour.

They got it right, the wine has concentration, but is about minerality and tension. If you like Chablis you will enjoy this. It has that same nervy character and stony depth to it. The bubbles really are tiny and persistent and add some structure to the wine. Four years ageing on the lees has also added little flourishes of flakey pastry, but for me this is all about the minerality, finesse and elegant austerity – 93/100 points.

Do try these Champagnes if you can, they really are superb. I would enjoy the Brut on its own, but I think they would be particularly good with food – some fruits de mer perhaps, especially the Extra Brut.

Legras & Haas Champagnes are available in the UK from the Alaistair Nugent, Handford Wines and Private Cellar.

Legras & Haas Champagnes are available in the US from United Estates Imports and Exclusive Wine Imports. 

Burgundy – it just seems complicated

Santenay Clos des Cornières

Recently I was invited over to Burgundy as the guest of a campaign called Discover the Origin whose job is to promote traditional European products that have a clearly defined place of origin – Burgundy is a classic example. It was a wonderful trip and gave me a realinsight into this incredible wine region.

Beaune, Burgundy’s main town, is a delightful place to explore.

All those medieval building still need looking after, so the old skills still exist here.

Many of my students find the sheer variety of Burgundy wines intimidating and the array of labels bewildering, which is presumably why some of the easier to understand examples are the best sellers.

I agree that at first glance Burgundy can look complicated, but actually it isn’t hard once you strip it down to basics and learn to trust Burgundy rather than fight it.

Of course that does depend on how much you really want to get to grips with the place and its wines. Becoming a world authority on Burgundy will be fiendishly difficult, but the good thing is that no one really needs to understand everything about it. Most of us just need enough information to enable us to enjoy the stuff without worrying too much about the potential pitfalls.

Here is my best advice to those of you who would like to get to grips with Burgundy, but find the complications off-putting – oh and if you do know about Burgundy, look away now, this is for the many interested, but nervous wannabe-Burgundy drinkers I meet.

Please remember to click on all the links.

The basic thing to get to grips with, perhaps more than any other wine region, is the geography. The wines are not big, rich and fruity, but dry and savoury because they come from somewhere cold with short summers. The fundamental dimensions and weight of most of the wines are similar as you would expect given that almost all the white wines are made from Chardonnay and the reds from Pinot Noir – both these grapes originate here. The winemaking is pretty similar too and the grapes are grown over a relatively small area, so the climate does not change much and variations are subtle. Every time I taste a lot of Burgundy I find myself writing many of the same words. I know the wines are different, but those differences are so subtle that they are very hard to sum up in a simple way.

Tradition

Frédéric Drouhin, urbane and charming director of Maison Joseph Drouhin which was started by his grandfather. The visit here was delightful and the wines had all the elegance you would expect.

En garde – the delightful Alain Hasard with his pigeage plunger. Note the small scale of the vats at his wonderful little domaine Les Champs de l’Abbaye. All his viticulture is organic and indeed biodynamic inspired – I liked him and his wines.

Jean-François Chapelle of Domaine Chapelle in Santenay – his wines are superb too.

Marion Javiller of Domaine Patrick Javiller. They made 2 of my favourite wines from the trip and rather wonderfully I could (almost) afford them too – 2010 Bourgogne Blanc Cuveé Oligocène and their wonderfully silky 2010 Savigny-les-Beaune 1er Cru Les Serpentières.

The tool rack at Domaine Joseph Voillot, note the Tastevin. I loved their Volnay wines, especially the sumptuous, yet mineral 2010 Volnay 1er Cru Les Caillerets.

Patrice Olliver of Domaine Fougeray de Beauclair in Marsannay. Amongst many other lovely wines he makes an intriguing and rather good white Marsannay from 100% Pinot Beurot which is the local name for Pinot Blanc.

Remember that Burgundy is a deeply traditional wine region where most of the producers are really just small family owned farms. This is not a place of big brands and industrial sized wineries and this traditional outlook shows in the wines, probably more than any other place in the world today. These wines are made by people who passionately believe this is the best place on earth to make wines and that the wines of their region are the best in the world.

As a consequence the idea of a wine being bright, bold and very fruity is almost an impossible concept for a traditional Burgundian to understand. Therefore expect elegance not weight, delicacy not power and the wines to be fundamentally savoury rather than sweetly fruity. As a consequence Burgundy wines really are best suited to being drunk with food. Most Burgundians would never think to drink a glass of wine on its own, that is what a Kir or Kir Royale is for. Wine, Burgundy wine anyway, accompanies food.

Vineyards

Santenay again

Marsannay

Something else that is a little different here. Very few vineyards in Burgundy have just one owner. Usually a single vineyard site is owned by several different growers and producers all making their own version of the wine. That is why a wine that appears to come from a specific vineyard often has many different labels. That is why wines that perhaps ought to be the same can sometimes taste more varied. If there is a single owner of a specific vineyard it will usually say ‘monopole‘ on the label to show it is that grower’s monopoly.

Geography
To enjoy and appreciate Burgundy you need to either be vaguely aware of the geography or at least choose to accept it or find it interesting rather than intimidating. All the important information on the labels is geographical, it’s all just place names, the region, district names, village names or vineyard names. Personally I find it useful to embrace the unknown on a wine label – if you have never heard of the place or grape on a label, try it. What is the worst that can happen?

Understanding the Labels

A good quality Bourgogne from a famous producer – this one informs us that it made from Chardonnay, most Burgundy labels do not mention grape variety.

The more basic wines from Burgundy are labelled as Bourgogne, which is French for Burgundy and is the catch all appellation for the whole region. Bourgogne is an appellation d’origine contrôlée (AOC or AC), which is a system of guaranteeing provenance to the consumer. Similar controls are found throughout the EU - and beyond - to regulate traditional products like ham, cheese and spirits, but wine is the most famous.

Some seemingly humble Bourgogne wines are very good and will give you an idea of the fundamental style of the region. These wines tend to be the more affordable ones – but that is not always the case and knowing the exceptions is where your hard won experience will eventually count.

Districts

The district names of Burgundy appear on many labels as a more specific place of origin than Bourgogne. These show that the wines comes from a distinct part of the region, rather than  the region as a whole. Chablis and Mâcon are districts, as are Bourgogne followed by the name of an area, such as Bourgogne Côte Chalonnaise, Bourgogne Côtes-du-Couchois, Bourgogne Côtesd’Auxerre or Bourgogne Hautes-Côtes-de-Beaune. No one knows them all, well I don’t anyway, but once you understand the principle this sort of labelling is quite straightforward.

After a while you will start to notice the subtle differences in how these various wines taste. For instance the wines of Mâcon are clearly softer, fruitier and taste as though they come from somewhere warmer than the cold northerly slopes of Chablis. While Chablis wines are more mineral, taut and crisp than a Mâcon – the cool climate shows in the wine.

Villages

This white wine comes from the village of Puligny-Montrachet

Quality in Burgundy is supposed to be all about the vineyard site – remember those subtle variations – so in the quest for quality it is always good to know where your grapes were grown. Therefore the benchmark for Burgundy is the wines that have the name of a village on their label. The grapes that the wine is made from were grown in vineyards that surround that particular village, so we know where the wine originates. Meursault, Beaune, Nuits-St-Georges, Puligny-Montrachet, Mercurey and Givry are examples of these village wines.

Premier Cru & Grand Cru
You have to remember that grapes have been grown and wine has been made in Burgundy for hundreds and hundreds of years. Over that time certain places have come to be regarded as having the inherent ability to produce better wine than others. This accounts for why some villages are so famous.

Some specific vineyard sites within the villages can also be thought of as producing better wines than others, or at least to be capable of producing better wines. To celebrate and affirm the potential quality of these vineyard sites many have been awarded Premier Cru /1er Cru status and if the fruit all comes from a single 1er Cru vineyard the name of that site will appear on the label together with the village name.

This white also comes from Puligny-Montrachet, but more specifically the 1er Cru site called Les Folatières.

The very pinnacle of Burgundy production though is the Grand Cru vineyard sites. These are places that are thought to be capable of producing the very finest and most concentrated Burgundy wines of all – there are not many of them and they do not produce much wine at all, so are often eye-wateringly expensive.

The Montrachet vineyard is shared between the villages of Puligny and Chassagne and has been added to the name of both villages.

So many UK wine drinkers brought up on wines labelled by grape variety seem to want to rant, rail and kick against the traditional French way of doing things. It makes life much easier to just accept it, pay attention to the information on the label that is useful to you and ignore the rest. I always warn my students to never go looking for consistency or logic in French wine regulations as they often mean subtly different things from region to region even when they use the same words.

On my trip I visited a wide range of producers, from big names with grand cellars and lots of employees to tiny, hands on vigneron who scratch a living from a tiny patch of vines. All were passionate about Burgundy though. They all loved their land and thought the site mattered. None of them in their hearts believed they were producing Pinot Noir or Chardonnay wines. They were merely using those grapes to express the character of the land they farmed – they were bottling Meursault, Volnay, Savigny-les-Beaune, Mercurey or Montagny. Their wines were capturing and celebrating the subtle differences and variations that make each of these wines unique.

It is precisely these differences that make Burgundy so interesting and worthwhile to the wine enthusiast and over time the very real, but subtle variations between wines from the Côte de Nuits, Côte de Beaune and the Côte Chalonnaise become apparent.

The beautiful cellars of Domaine Heresztyn who make lovely wines in Gevrey-Chambertin.

What makes the differences is best shown by using the Côte d’Or as my illustration. This part of Burgundy is the most celebrated and contains most of the really famous wine villages of the region. Of the truly renowned Burgundy areas and villages, only Pouilly-Fuissé and Chablis are not found in the Côte d’Or.

Map of Burgundy – click for a larger view – non watermarked PDF versions are available by agreement

At first glance the Côte d’Or, made up of the Côte de Beaune and the Côte de Nuits, would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

Luckily for us we don’t have to learn what the soil composition is of each and every village, let alone vineyard site, which is good because there is a great deal of overlap and variation making it very difficult to generalise to any useful degree. No, we only have to try the wines and see which ones we particularly enjoy.

So the next time you fancy some good charcuterie, try a red Burgundy with it, or it would be perfect with Boeuf Bourguignon or Coq au Vin too, those wonderful classic dishes of the region. White Burgundy really comes into its own with soft, squidgy cheeses or a simply cooked piece of fish.

If you really want to open your eyes to Burgundy though I would really recommend visiting the place for yourself, there is so much to see and enjoy.

Reluctantly leaving Beaune behind.

Birth of the Crus

I take a great deal of pleasure from experiencing wines that are new to me or made from grapes and places that are new to me. So I was delighted to attend a tasting that celebrated new things recently – by the way do remember to click on all the links.

Map of the Languedoc-Roussillon – click for a larger view – non watermarked PDF versions are available by agreement

Languedoc-Roussillon is a terrific wine region and I am a great admirer of many wines from both Roussillon, the Catalan bit by the Spanish border and the Languedoc, which is further north and east – towards Narbonne and beyond. I have written about Roussillon before, but not enough about the Languedoc.

There are some fabulous wines produced in this rugged landscape, but they often do not receive the notice they deserve and the whole place suffers from the poor reputation that it’s wines were saddled with in the past. Historically the region made lots and lots of vins ordinaire to nourish and quench the thirst of working people, but those days have long gone. However the memory of this has hung around and incorrectly informs many consumer’s choices to this day. The majority of UK wine drinkers still seem to regard the Languedoc as mainly a source of cheap wines and as a consequence favour France’s more famous regions when they are seeking something special. Which is really a great shame, as the Languedoc produces many wonderful wines. They are overwhelmingly red, but increasingly the few whites are proving their worth too, as the popularity of Picpoul de Pinet shows.

Château Camplazens, photo by kind permission

Sure there are still some cheap wines made there, but really nowadays the place is more a source of great value good wines and even some that are truly ambitious. Wonderful experiences will pass drinkers by if they expect Languedoc wines to only be cheap. It pains me therefore when I come across people who only drink a wine from the likes of Minervois, Fitou, Corbières, Cabardès, Saint-Chinian or Faugères when nothing else is available, but these and the other appellations of the region produce wines that really are worth drinking.

There have been many attempts in the past to prove to consumers that this part of the world makes quality wine. In 1948 Fitou was the first place in Languedoc to be awarded A.C. status and all those others followed over the next few decades, but I remain unconvinced that drinkers – in the UK anyway – have either noticed or been much impressed by these wines gaining their appellation d’origine contrôlée. They still seem to want them to be cheaper than regions whose reputation is higher, even if the wines they drink from those are not necessarily better.

Well now so many areas of the Languedoc have their own AC, the next stage of this process is well underway. The local appellation are quite bitty and seem to offer little rationale to many drinkers, so the local powers that be, in conjunction with the growers have set about identifying little pockets of potential excellence within these areas. This is the creation of “Crus” or specific sites within a larger area – Pouilly-Fuissé within Mâcon or Bourgogne Côtes du Couchois would be similarly more specific appellations. Some of these will remain an additionally identifying piece of information on the label, while others will eventually become appellations in their own right.

The beautiful & magnificent Château de Pennautier in Carbadès

I have a history with some of these wines, I was what technology people call an “early adopter”. Long ago I sold wine by mail order and 15 years or so ago I had been selling a lovely wine from Cabardès – a fascinating area that is the only place in France where A.C. wines are made using blends of Atlantic grapes, Cabernet and Merlot, and Mediterranean grapes, Syrah etc. The producer was the beautiful and historic Château de Pennautier and everything I have ever tasted from them has been well worth trying and Brits can buy one of their lovely Cabardès wines here and another here. Well my customers enjoyed the wines and when the producer, Nicolas de Lorgeril, branched out with an estate in nearby Minervois his Domaine de La Borie Blanche I listed that too and it became a firm favourite. I knew Minervois and the value it represented, so I was hesitant when offered a premium version. This was Les Hauts de la Borie Blanche and the label proclaimed it to be a Minervois-la-Livinière. This it transpired was a Cru or small, specific vineyard area contained within Minervois surrounding the village of la Livinière and I had never heard of it. The wine was twice the price of the normal version, but when I tasted it I was blown away and it quickly became my best selling wine, by some margin, despite being relatively expensive by the standards of the time. It’s still available by the way, but is now called Domaine La Borie Blanche Terroirs d’Altitude. This experience led me to seek out other wines and I quickly discovered Pic-St-Loup, a similarly special area or Cru within the Coteaux de Languedoc appellation.

A great many things set these places apart from the more ordinary, but still good, wines that surround them, but the two things that seem consistent are height – these areas tend to be highish and so the air is a little cooler and produces more elegance, the other is the dedication and ambition of the growers and wine makers.

I have retained interest in these types of wines over the years, but have been well aware that they haven’t really caught on to the degree that they should and have by and large remained the speciality of fine wine shops rather than being stocked by the supermarkets and multiple merchants where most people actually buy their wine. I was thrilled therefore to attend a tasting and dinner of three of the Languedoc Crus that are leading the way for quality in this exciting part of the world and I thought that I would bring some of the stars to your attention.

The appellations and Crus:

Languedoc La Clape
Once an island, La Clape is now a limestone mountain some 214 metres above sea level. The sea tempers the heat of the sun allowing the production of ripe, yet elegant wines. The A.C. was created in 2009.

Minervois-la-Livinière
This enclave within Minervois forms a south facing limestone plateau, the “Petit Causse” , which produces wonderfully concentrated wines. The A.C. was created in 1999 making it the oldest of the Crus.

Corbières-Boutenac
The relatively high, heartland of Corbières this puts me in mind of the relationship between Chianti and Chianti-Classico, Boutenac specialises in Carignan, particularly old vine Carignan, which must make up between 30 and 50% of the blend, it a rocky, wild land of limestone and garrigue. The A.C. was created in 2005.

The wines are overwhelmingly red, but the few whites from this part of the world are really interesting and will surely win many friends if they become more readily available:

White Wines

2010 Château d’Anglès Classique Blanc
Château d’Anglès
A.C. Languedoc La Clape
The old Coteaux de Languedoc was replaced with the bolder and more wide reaching Languedoc as the basic appellation for this region in 2007. La Clape has long been respected by those in the know, but is now beginning to emerge as something better than anyone would have imagined. Situated between Narbonne and the sea it is small – 17 km by 7 km – and high – rising to 214 metres above sea level. As for white wines it is home to a beguiling grape – this area is thought to be the French home of Bourbelonc and although it is used throughout the South, it is only here that it gets given a starring rôle.
Château d’Anglès dates back to 1796 but had fallen into disrepair and was reestablished in 2002 by Bordelais Eric Fabre and his winemaker son Vianney who bought it to realise their dream of creating fine Mediterranean wines. They came to make red wines, but have become increasingly excited by the potential for their white wines.
50% Bourboulenc and 40% Grenache with Roussanne and Marsanne – aged on the lees for 5 months.

Nice attractive nose with herbs, citrus, white peach, a little heather and honey lurking in the background as well as a whiff of the sea.
The palate has a gentle texture, soft almost creamy with a little fat and a touch of peach-skin like tannins and a pithy feel giving rich herbal mouthfeel. The acidity is pretty low, but it does balance the wine nicely with some freshness, but it is the richness, rather than any crispness that dominates, although there is a tanginess and a touch of bitter olives as well as a juicy quality to the long finish. I liked this very much indeed, it is an exciting white wine and very food friendly as being a lovely aperitif – 89/100 points.

£9.99 a bottle in the UK from Wine Rack.

2008 Château d’Anglès Grand Vin Blanc
Château d’Anglès
A.C. Languedoc La Clape
50% Bourboulenc and 40% Grenache with Roussanne and Marsanne – aged barriques and on the lees in for 7 months.
This top white from the estate was markedly richer and fatter. The aromas were lovely, oily and creamy, honey and herbal with rosemary and thyme together with some pine and aromatic savoury, garrigues aromas and again it was slightly saline. The palate was full with lots of fat, but still some lively balancing mineral notes, not high or obvious acidity though. A terrific, complex, beautifully made dry white with lots of interest, flavour and texture – 92/100 points.

£19.99 a bottle in the UK from Ocado.

By the way the red wines from Château d’Anglès are very good as well.

La Clape to the sea

La Clape mountain – showing the wild, rugged landscape

Red Wines

2008 Château Camplazens Cuvée La Garrigue
Château Camplazens
A.C. Languedoc La Clape
I have been an admirer of Château Camplazens‘s wines ever since I worked next to the owners Susan and Peter Close at a wine fair. As you might imagine from their name, they too are outsiders who have come to La Clape in order to make the wine of their dreams. In 2000 they found this amazing site on the top of the limestone mountain of La Clape itself. The whole area was once a Roman pleasure camp, hence the name and that of “a pleasance” in later history.

60% Syrah with 40% Grenache only 40% is oak aged to emphasise the juicy freshness.

This is a wine to really enjoy, everything from the bright attractive colour is pleasing. The nose is rich and aromatic with powerful red and black fruit together with a stony character, a touch of spice and a wild herbal note. The palate is nicely concentrated and bursting with juicy fruit that has lovely balancing freshness within it. The tannins are gentle and soft and all the while those savoury garrigue flavours peep through together with spice and a touch of smokiness. Not all that complex, but it is a delicious and very user friendly wine that delivers excellent value for money – 89/100 points.

£8.99 a bottle in the UK from the City Beverage Company.

Château Camplazens produce some other excellent red wines that are worth seeking out too.

2011 Château Sainte Eulalie Cuvée La Cantilène
Château Sainte Eulalie
A.C. Minervois-la-Livinière
Isabelle and Laurent Coustal set about resurrecting this old estate in 1996 and it is now one of the leading lights of the area.
55% Syrah, 20% Grenache and 25% Carignan aged 12 months in oak barrels, 25% new.

This is deeply coloured, smoky and aromatic with savoury herbs and a dash of cocoa and liquorice. The palate is juicy, brambly, soft and open with black and red fruit and a touch of firm, smoky tannins and an inky quality to the long finish. An attractive and very pleasurable wine that has a soft and drinkable quality to it – 87/100 points.

£11.50 a bottle in the UK from The Wine Society (2010 vintage). Also £25.00 per magnum.

2009 Château Maris Les Planels (formerly Old Vine Syrah)

Château Maris

A.C. Minervois-la-Livinière

Yet another fine estate that is run by an outsider and what’s more another Englishman. Robert Eden has lived in the Languedoc for over twenty years and is one of the prime movers behind the emergence of La Livinière on to the world’s fine wine map. Robert is convinced that good wine is made in the vineyard and focuses enormous care and attention how his vines grow. Château Maris is certified as organic and biodynamic, the only one in Minervois-la-Livinière and I strongly believe that whether biodynamics work or not, the process imposes such a level of care and attention on the vigneron that good results often seem to follow and from the 2010 vintage the estate will be a Cru Classé du Languedoc.

This single vineyard – Les Planels – Syrah is a case in point, fermented in oak tanks and aged for 12 months in barrels it is a really lovely wine.

The colour is an intense, opaque blueberry blue black colour, while the nose is lifted, scented and aromatic with savoury herbs, garrigue, tarry earth and a core of brighter blackcurrant and dried fruit. The palate is concentrated, full and juicy with very soft tannins – just a chalky smear giving definition. The fruit is cassis and prune by turns with a smoky earthy, mineral liquorice note. This is a really delicious crowd pleaser of real quality and while the fruit dominates right now I am sure the complexity will out in a few years – 91/100 points.

£17.95 a bottle in the UK from Vintage Roots.

Once again I would say that everything Château Maris make is pretty good and well worth drinking, like their standard Château Maris Minervois La Livinière from Waitrose in the UK.

Domaine de Villmajou

2010 Château de Villmajou
Domaines Gérard Bertrand

A.C. Corbières-Boutenac

Gérard Bertrand’s father owned this property from 1970 and this is where he grew up. After his rugby career they ran it together and it is where his wine story began, it is also the oldest wine estates in Corbières.

40% Carignan, 30% Grenache, 20% Syrah and 10% Mourvèdre aged 12 months in oak barrels.
This looked most attractive in the glass, deeply coloured, purpley-red to black.
The enticing aromas were herbal and savoury, along with a seaweed / umami and mineral nose and hints of sweeter lavender, that seemed promising, but quite closed for now.
The palate was direct, vibrant and juicy with loads of cassis, blackberry and plum with spices and herbs in background. It was a very modern palate with loads of fruit and very soft tannins, but they are there in the background, as is a touch of coffe too. The finish is nicely balanced and it delivers a great deal of pleasure – 89/100 points.

£11.99-14.99 a bottle in the UK from Majestic.

2010 Château les Ollieux Romains Cuveé d’Or

Château les Ollieux
A.C. Corbières-Boutenac

44% Carignan, 23% Grenache, 23% Mourvèdre and 10% Syrah of between 60 and 100 years old. Aged for 12 months in new French oak.
The colour was a deep opaque plummy and blackcurrant purple with some rhubarb red.
The nose was earthy, vibrant and powerful with blackcurrant, cocoa and coffee notes.
The palate had a nice texture, rich creamy ripe fruit and a cleansing touch saline quality. It was attractively savoury with a slightly charred and toasty, smoky back palate and a little caramel. A beautifully balanced wine with some real tension between the fruit and structure making it very elegant and it was very long – 91/100 points.

It was a wonderful tasting and a great chance to catch up on wines from this exciting part of France. If the creation of appellation contrôlée was supposed to codify tradition and encapsulate best practice – although frankly that is all debatable – then these new appellations and Crus, where there is only a short history of making anything other than everyday wines, are all about embracing the potential of these exciting places and creating ambitions for the future.

I do urge you to try some of these exciting new wines from the Languedoc.

50 Shades of Gris

Domaine Jones

Wine isn’t all noir and blanc

I know what you’re thinking. I bet you think this piece is about Pinot Gris, dont’y ya, don’t ya?

Well you are wrong, I might mention Pinot Gris in passing – see I just did – but actually this piece is going to be about a couple of others grapes with Gris in their name.

Pinot Gris is not a grape that I gravitate towards, I think it is usually just too low in acidity for me, but there are some honourable exceptions - what’s more, I am so broadminded I have even been known to enjoy the odd Pinot Grigio.

Until 10 years or so ago I was under the impression that Pinot Gris was the only grape called Gris. I knew there were others that are ‘gris’ or pink skinned, just as grapes called ‘noir’ are red or purple skinned and those called ‘blanc’ have green skins – I think they named them from engravings before colour photography was invented. Gewürztraminer of course has pink skins when fully ripe, so does Koshu and Moschofilero which makes Mantinia in the Peloponnese region of Greece, but none of those have ‘gris’ in their name.

Sauvignon Gris
Well, one day in 2003 I was with a group of fellow wine educators in Chile and we were served a bottle of white wine with our fish that I – and most of our party – assumed was Sauvignon Blanc. Only it didn’t taste quite like Sauvignon Blanc, we even wondered if it was a dodgy bottle for a while until one bright eyed individual noticed that the label didn’t claim it to be a Sauvignon Blanc at all, but a Sauvignon Gris. It was made by a famous old producer from the Maipo Valley called Cousiño-Macul and it was pretty good, but most of all it was interesting. I have tried more recent vintages of this wine and it seems to me that like almost everything else they have improved greatly over that time.

I later learnt that the vine was imported into Chile in the nineteenth century in mistake for Sauvignon Blanc – mind you they did the same thing with Sauvignon Vert too, which is also known as Sauvignonasse and (Tocai) Friulano.

A few days later I was able to try another example of Sauvignon Gris, this time it was made from very old vines in Colchagua Valley by a winery called Casa Silva and I loved it.

Sauvignon Gris is thought be either an ancestor of or a mutant clone of Sauvignon Blanc – for some reason it is not clear which came first, which reminds me of a joke – and is fatter and less aromatic than its sibling. In France they are historically blended together to give more texture and richness than Sauvignon Blanc would have on its own. Personally I think Sauvignon Gris is potentially a very interesting grape, indeed so excited was I by the Casa Silva wine that I actually became the first person ever to ship a few cases to the UK.

A few others followed my lead and now you can find some Sauvignon Gris wines if you shop around. Mark and Spencer lead the pack as they offers two, one from Argentina that I have not tasted and another from Chile that I like very much indeed. I have mentioned Viña Leyda before, they are a great producer in Chile’s Leyda Valley and they also make the excellent Secano Estate wines whose Sauvignon Gris is a delight.

It can be found in France too, where there appears to be renewed interest with this ancient grape in Graves and parts of the Loire, where Sauvignon Gris can sometimes be found blended into the finer examples of Sauvignon de Touraine and is something of a speciality grape of the tiny Touraine-Mesland sub-region. The grape has a long history in Touraine and it is often referred to there by its ancient local names of Fié or Fié Gris or even Sauvignon Rose.

Recently I was able to taste this terrific example from the flamboyantly named Xavier Frissant of Touraine-Amboise at the Absolutely Cracking Wines From France event:

2010 Les Roses du Clos
Cépage Fié Gris
Xavier Frissant, A.C. Touraine
Touraine is usually associated with Sauvignon Blanc, so this is an interesting variation on the theme. The grapes are harvested by hand and the wine is fermented and aged on the lees in 400 litre oak barrels, but the oak does not show at all – unless it adds to the texture.
The nose was bright, vibrant and fresh with an underlying stoney / mineral quality and a deeper, denser apricot-like note too.
The palate offers high, but rich, not citric, apricot acidity and textured apricot fruit, while some grapefruit characters freshen it up and keep it balanced by giving it some real tang, in fact it is more tangy than zingy. It is clean and fresh, but has a lovely juicy weight to to as well which balances the high acidity and makes the wine very attractive and pleasurable to drink. It is dry with a long finish and I can imagine it goes with a wide array of foods – 89/100 points.

£14.75 a bottle in the UK from H2Vin.

Grenache Gris
The other gris that has been exciting me recently is Grenache Gris. Grenache is originally a Spanish grape, so perfectly suits the Mediterranean climate and should really be called Garnacha. It spread throughout the Mediterranean world during the time of Aragon and Catalan strength in the middle ages and because Roussillon was a part of Catalonia until 1659 – and who knows it might be again soon – Grenache remains a dominant grape in the region.

Grenache comes in all colours and I understand that Grenache Gris is a natural mutation of Grenche Noir, the one that makes the red wines. Like all the other gris grapes, you can make a pale rosé from them – like Pinot Grigio Ramato (coppered) – but it seems more normal to use them to make rich-ish white wines that often have a deep colour.

I have tasted a couple of examples recently that stand out and show that Grenache Gris really should be a more widely appreciated grape:

2011 Domaine Jones Blanc
Grenache Gris
Katie Jones, I.G.P. (Vin de Pays) Côtes Catalanes
Katie is from Ashby-de-la Zouch in Leicestershire and perhaps the French name got to her because she finally ended up in Paziols near Tautavel in Roussillon. Joining the local cooperative and eventually becoming their Export Sales and Marketing Director Katie worked with the local wine and loved it so much that eventually she bought her own parcel of vines near Maury and settled down to craft some stunning wines in this beautiful, rugged landscape.
This wine betrays a slightly coppery hue, just the merest tinge mind, while the nose is gloriously scented and lifted with grapefruit, softer mandarin notes and exotic wild herbs and even a touch of honey. The palate has richness with a slightly creamy and oily texture making it fat and mouth filling. The citrus fruit and richer stone fruit – nectarine – balance this beautifully and there is an enticing gently smoky character that together with touches of herb makes the wine nice and savoury. It finishes long and is balanced, fresh, flavoursome, mouth-filling and juicy – 91/100 points.

£14.95 a bottle in the UK from The Wine Society and direct from Domaine Jones.

Katie Jones (second from left)

Reading about Katie Jones I kept getting this feeling that I had met her or heard of her before. Then I realised, her story has much in common with Charlotte Allen‘s. They are equally determined, dedicated and passionate about their wines, they ended up in different parts of Europe – but similarly rugged and beautiful ones and they use many similar grapes. It is so wonderful that there are people like Katie out there as the wine world needs them and their wines.

This example was one of the first Grenache Gris wines that captured my imagination and it is made quite close to Domaine Jones:

2009 Domaine Préceptorie de Centernach Coume Marie
Domaine La Préceptorie
A.C. Cotes du Roussillon Blanc
Mainly Grenache Gris, this also has some Grenache Blanc, Macabeu (Viura) and Carignan Banc and is fermented in 400 litre oak vats and aged in them for some 8 months.

This exciting wine is elegant, richly textured and quite delicious, but sadly the Wine Society no longer stock it, so I do not know how to get hold of any right now.

Grenache Gris is so versatile and gets so ripe that it can, like Grenache Noir, be used to make some stunning fortified wines and one of the great bargains of the moment is this amazing Vin Doux Naturel from Rivesaltes in Roussillon, which makes it just the thing for Christmas:

1985 Rivesaltes Ambré Hors d’Age Arnaud de Villeneuve
A.C. Rivesaltes Ambré
Grenache Gris with some Macabeu and Grenache Blanc – whatever Waitrose say on their website!
An Ambré must be aged for 30 months before release, which changes the colour to that oxidised caramel hue and  Hors d’Age Rivesaltes wines have to be aged for a minimum of 6 years in barrel.
The nose was slightly caramelised with coffee notes and hints of orange.
The palate offered figs and prunes and honeysuckle and more coffee and the sort of caramel on the top of a creme brulée – but it was not overtly sweet at all. The richness was balanced by a seam of clean acidity too.
A stunning wine full of complexity, richness and finesse, the grapes are different, but it is not so very far removed from a great Oloroso sherry – 93/100 points.

£13.99 per 50cl bottle in the UK from Waitrose – and it is not made from Muscat, whatever they say!

Thoughts on varietal labels
Thinking about how lovely these wines are convinces me all the more that selling wines by grape variety, choosing wines by grape variety and labelling wines by grape variety is all very well, but it actually restricts consumer choice and makes everyone drink the same small number of wine types. We have been told to think grape variety for 20-30 years and country’s like France are criticised by many drinkers nowadays for not putting the grape variety on the label, but surely that only helps if the wine is made from the six or so grapes people seem to know about and are prepared to buy. It seems to me that if anything other than one of those is on a label, people resist buying it because they haven’t heard of it. I increasingly believe that although varietal labelling has simplified wine enough to get people to drink it, having the grape variety on the label has then stopped them becoming truly adventurous and curious about the subject. I wrote a piece about it here.

Bordeaux Wine Guide – a user friendly reference book

Like many people who enjoy wine I’m a real hedonist. I like the good and sensual stuff of all types. Wine of course figures very high on the list – it’s how I make my living after all. Food is pretty important too though – in fact I hardly ever eat anything else. Like wine the love of food incorporates so much about culture, travel and history that enjoying different food helps make sense of the world and makes other people interesting rather than alarming – I often wonder what people who don’t like food actually do when they travel – answers on a postcard please.

If I can’t actually have some wine and food or travel somewhere interesting, then the next best thing is to read about it, so I love books. As a consequence I own a lot of books about exotic places, books about food and books about wine. I need a lot of wine books too as I constantly have to look things up and check facts and I don’t like to just rely on Wikipedia!

With Christmas coming I thought it might be nice to tell you about some books that I am enjoying and that all you other hedonists out there might find useful, either for your own pleasure or as gifts for others.

By the way if you were planning on giving me anything, please remember that I already have these!

Three books have caught my fancy of late and I will tell you all about them, but am starting with the one that is purely about wine:

Chris Kissack, aka the Wine Doctor, relaxing with something other than Bordeaux

Pocket Guide to the Wines of Bordeaux
by Chris Kissack
Published by MagBooks at £6.99
Also available from Amazon and on Kindle

I know Chris and like him too, he writes an amazingly fine and encyclopaedic wine website called The Wine Doctor, which I find a very useful resource. Well this is the more portable spin-off – no battery life, wifi or 3G signal required either, just a pocket. Actually my only quibble is with the size of this book, exactly how big are your pockets Chris? At 21 cm X 14.8 cm it doesn’t fit any of mine, but hey I’ll stick it in a bag – or perhaps a Christmas stocking.

Chris does write about other wine regions, but his great speciality is Bordeaux and as it is the largest fine wine region earth and the home of fine wine I can understand why. Just like his website, this book is a labour of love and it shows. Chris is steeped in the wines of Bordeaux (quite literally sometimes) he loves them with a passion so strong you cannot help but be swept along, what’s more he has an incredible eye for detail, so this book is full to bursting with useful information and the odd unexpected nugget. For instance I was unaware that the great Château Haut-Brion have 2 hectares of non-permitted grapes including Pinot Noir and Sangiovese.

In the main I would regard this as a book to refer to rather than sit down and read and I can imagine that it could become an indispensable work of reference for anyone who wants to get serious about the region. The contents are attractive and well laid out with clearly marked sections that have in depth, yet easily digested, chunks on all the topics you need for a working knowledge of the region or for buying Bordeaux wines – whether for drinking pleasure or investment.

Amongst the many good things in here is a detailed look at the vintages from 2003 to 2011 and brief notes on the rest back to 1990. There are profiles and histories of the Premier Cru Classé Châteaux, Chris’s personal selection of the top Bordeaux Châteaux for reds and the great sweet wines of Sauternes as well as his top tips for good value.

As if all that isn’t enough there are sections on how they grow the grapes and make the wines as well as chapters that give you sneaky little insights into all the appellations of the region and the various classifications, from the 1855 (official) to the 2011 (unofficial) along with Graves, St Émilion, Sauternes and Cru Bourgeois.

I had better stop heaping praise on Chris before his head totally explodes, but this is an excellent reference book and I intend to keep my copy handy. It contains pretty much anything you need to make your Bordeaux buying and drinking a less haphazard experience and is a perfect gift for those just starting to get into wine – especially Bordeaux.

I will tell you all about another couple of books very soon, so keep coming back.

Mountains, Saints and Satellites – stunning quality in Montagne-St Émilion

It is so easy to fall into a rut with wine. There is so much wine available from so many different places nowadays that you have to make a cut off somewhere and for many years for me that cut off was the classic wines of France. Only the cheaper versions though, I have always retained my love of France’s great wines.

My focus is always to find really lovely wine that over performs for its price and for many years the famous bits of France usually failed to do that at the cheaper end. Many of the classic regions of France have enormous fame, but the quality of the affordable examples seldom showed what the top end ones were like – and most of us have to drink the cheaper versions. The result of this was that consumers were often buying the lesser examples of Sancerre, Chablis, Châteauneuf-du-Pape, St Émilion and the like and yet they were never truly cheap, so still seen as bit of a treat. Sadly many of these wines were a pale shadow of the wines that have made the name on their label so prestigious and sought after and so for long gave the impression that France offered bad value for money. For quite a long time the affordable versions of classic French wines were dilute, unattractive and uninspiring as well as being more expensive than many good wines from elsewhere.

By the way it isn’t snobbery that made me avoid them, those who know me will know that price tags do not impress me at all. No, it was the lack of character and concentration that made me avoid these wines. Who wants a Chablis that could pass for a Muscadet in a blind tasting, or a Châteauneuf that offers less character than a Fitou or Minervois?

This lack of quality at the lower end was, in my opinion at least partly responsible for the sizeable minority of UK consumers who nowadays claim to avoid and dislike all French wine.

Louis Jadot at The Criterion

The delights to come – © Quentin Sadler 2012

At their best the wines of Burgundy are without peer, but the region produces such a relatively small amount of wine with high world demand that they can be very expensive indeed and even then can frequently disappoint. When they are good though they really let you know it.

It is interesting that the wines of Burgundy do get to you over time. I well remember that twenty odd years ago their beguiling beauty passed me by. Not any more.

As good as many others are, no where on earth uses Chardonnay to make such exquisitely poised and balanced white wines with tension between the richness and freshness. The red wines of Burgundy though are more tricky to get your head around. I think this is because they defy the wine norms of our time. We are used to big wines, full-bodied wines are widely favoured over other styles, yet Pinot Noir grown in the coolish climate of Burgundy simply does not produce truly full-bodied wines. They are generally lighter and more savoury than most other famous types of red wines and I think they really do need food to show at their best.

I have been fortunate to visit Burgundy a good few times over the years and am slowly acquiring a good working knowledge of the place and its wines. In addition I have been involved with Louis Jadot, one of the great producers of Burgundy on and off for some 25 years. In a region which is usually a patchwork of very small vineyards and producers it is very hard to get an overview of the place from this array of tiny farmer-winemakers. So a producer like Louis Jadot who is the largest landowner in the Côte d’Or really serves a useful purpose in providing a wide range of Burgundy wines.

There are other famous districts of Burgundy, Chablis, Mercurey and Pouilly-Fuissé amongst them, but it is really the Côte d’Or that sets the tone and provides much of the region’s fame. It is home to some of the most famous and sought after wines in the world including Meursault, Pommard, Gevrey-Chambertin and Nuits-St-Georges.

At first glance the Côte d’Or would appear to be so small that the wines it makes must surely all be pretty similar – after all it is sometimes less than half a kilometre wide. However, this is the place that really demonstrates the French concept of ‘terroir‘. The soils and conditions really matter here and make for the differences between the wines, although nuances might be a better word than differences as they are slight. The limestone ridge or escarpment that is the Côte d’Or consists of layers of different limestones, some more porous than others, as well as marls made up of clay, sand and gravel.

That makes sit sound as though it is all uniform, but it really isn’t. The limestones have weathered and decomposed at different speeds and are pierced by small rivers and dry valleys making for great variation as to which limestones dominate different parts. The topsoil also varies, as some are flinty and some a more chalky scree and the collapsing of the limestone ridge leaves different types and depths of topsoil.

Another variable is aspect, there are fissures, gaps, ravines and valleys in the limestone which change the direction a little, so some vineyards face more directly south than others – these will generally produce bigger wines as the grapes get more sun and so have more sugar which produces more alcohol and extract in the finished wine.

The other day I was asked to put on a fine red Burgundy tasting in The Criterion Restaurant in London’s Piccadilly. I had never been there before and what a place it is. Founded in 1874 hard by the Eros statue in Piccadilly Circus the restaurant is a sumptuous confection of such exuberance that to my uneducated eye seems a heady combination fin de Siècle and art nouveau styles. The shiny gold mosaic tiles made me feel I was inside a Klimt painting and the general ambience made it seem possible that Oscar and Bosie would walk through the door at any moment.

The glorious interior of The Criterion during my tasting – © Quentin Sadler 2012

My Summer Wine Part 1 – Biarritz

So, September has started and the summer is pretty much over. I haven’t written very much on Quentin Sadler’s Wine Page this summer because there has been so much going on. Quite apart from my work teaching people about wine I have visited some amazing wine regions, learnt a huge amount and been planning articles in my head.

However, I thought that I ought to mention a few things I tasted over the summer before you all completely forget about me. Back at the beginning of August I spent a few days in Biarritz for the first time since 1968 – when I was a very small boy. In those days I was more interested in the beach, pretty nice even now, than wine, but I was hugely excited by the local wines this time around.

The lovely old harbour in Biarritz

Biarritz
Biarritz is a splendid coastal town in south-west France that surrounds an old fishing and whaling harbour. I was really won over, it is lovely with a real feeling of grandeur, faded and real about it. Biarritz was put on the map in the 1850s by that fascinating character Emperor Napoleon 111 who bizarrely managed to be both France’s first president and last monarch. He and Empress Eugénie had planned to retire there – although is transpired that the Prussians had other plans – and the house they built still dominates the town as the glamorous Hôtel du Palais - and no, I didn’t stay there.

Savennières – a rebooted classic?

Looking south from the Château des Vaults – Domaine du Closel

It seemed pretty hot for a cool wine growing region. Standing on top of the slope looking out at the stunning beauty of the countryside I felt enveloped in peace and drenched in the sun’s hot rays. Strangely the scene was made all the more peaceful for the birdsong and the peal of distant church bells as I looked at the vines and listened to the winemakers around me. I heard their passion and their commitment and I hoped that the wines I would soon taste were as good and as interesting as the story I was being told.

You see, I had come on this trip to Angers deliberately because I was pretty sure that I didn’t like these wines. All the books and many experts say that Savennières ranks as one of the greatest wines of France – certainly that country’s finest dry white made from Chenin Blanc. Personally though I have never been able to see what the fuss was about – much as I fail to find the pleasure in Condrieu. Savennières was certainly dry and had that typical Chenin high acid, but I could never see its charm. It was hard and unyielding and seemed reminiscent of sucking a pumice stone – austere might be the kindest word to use. We were always told that they needed to be old to show at their best, but frankly who wants old white wine nowadays?

So, I was here on this hill-top to confront my lack of knowledge and understanding – I wanted to see what I was missing and whether I should update my view.

Looking Back at Angers

Last week I was on a rather lovely trip to the Loire Vally in France. Unusually though I didn’t just get to see vineyards and wineries, but a little bit of the surrounding area too – which could be seen as self indulgence, but I think that seeing the place, people and culture around a wine can often help with understanding what makes a wine region tick. Strolling around the French city of Angers in the middle of a working day felt like a lovely adventure – even a little naughty. It was as if it was stolen time that I should have spent doing something more productive – but what the heck.

The city feels quite small, which can be very attractive as you can see it all in a short time without having to cherry pick as you would in somewhere the size of London or Paris. The River Maine flows through the middle of the city and you get lovely glimpses of it from the ramparts of the astonishing Château d’Angers. Once home to Catherine de Medici, this is not your typical Loire Valley Château, but a huge mediaeval fortress whose harsh defensive exterior does not prepare you at all for the haven of peace inside. It is a delightful place for a stroll complete with rampart walk, gardens, orchards and even a small vineyard. Most famously though it houses the Apocalypse Tapestry - well worth a look as it really is one of the jewels of early French culture – strangely enough this castle was also the place where, as a young man the future Duke of Wellington received his military training.

Angers Castle