A Champagne House to Thrill & Excite

I cannot help myself, I really do like Champagne. There is nothing more enjoyable than good sparkling wine in my opinion and there is no potentially finer sparkling wine than Champagne. What is more there is so much variety in Champagne, some houses produce a rich style, some a soft one, others a mellow one – surely there is something for everyone.

Rather excitingly I have recently stumbled across a small Champagne house that I am convinced deserves far greater fame.

Champagne Legras & Haas is a Champagne domaine founded as recently as 1991, but if the name rings any bells then you might well be thinking of Champagne R & L Legras which is a famous old Champagne house in the village of Chouilly in the Côte des Blancs. I have never tried their wines, but they have a very high reputation. Before he created his own estate in 1991, together with his wife Brigitte – whose maiden name was Haas, François Legras was the winemaker here as his forebears had been since the sixteenth century.

François Legras
Amongst other things it was his desire to be a true vigneron, a grower with a domaine that made him strike out on his own and today the house has 31 hectares mainly in the Grand Cru village of Chouilly, although the conditions of the region mean that they do still buy grapes in from trusted local growers – mainly for their standard Tradition Non Vintage (N.V.) Brut. Their Pinot Noir is grown mainly in the slightly warmer Aube area to the south.

Today the house is run by François’s sons Rémi and Olivier Legras and I think the wines they produce are remarkably fine.

Map of Champagne – click for a larger view – non watermarked PDF versions are available by agreement

Terroir
As they are based in Chouilly in the Côte des Blancs, with its chalky fossil rich soils, they concentrate on Blanc de Blancs style wines – that is Champagnes made solely from white grapes which by and large means Chardonnay in Champagne. Contrary to popular belief Pinot Blanc - Pinot Vrai locally – can be used in the region too, but it is very rare.

Much of the soil in Chouilly is Kimmeridgian clay as in Chablis and this together with the cold climate and short growing season really does dominate the style of wines.

The wines

Legras & Haas Blanc de Blancs Grand Cru Brut N.V.

The nose was lovely, fresh is the main word I would use, but there were little touches of apricot, lemon zest, pastry crumbs and stone – this really did entice and hint rather than deliver fully formed characters. It is a tease of a wine, smelling this is like watching a burlesque act.

The palate was clean and crisp with high acidity and lots of flavour of citrus fruit, green apples and minerality as well as some biscuit-like characters. The mousses was persistent and fine – and I am not one to comment on the fizz normally as it depends on too many other factors.

At only 7 grams dosage this is a very dry Brut Champagne which allows the purity and minerality to dominate. All in all this wine really excited me – 91/100 points.

Legras & Haas Blanc de Blancs Grand Cru Extra Brut N.V.

Good as that was though it was this wine that really caught my imagination. Extra Brut has a dosage of less than 5 grams per litre, so the wine is allowed to dominate the style. There is no softness here, no fat, just precision and austerity. This means that the Champagne has to be perfect first time – like a water colour.

They got it right, the wine has concentration, but is about minerality and tension. If you like Chablis you will enjoy this. It has that same nervy character and stony depth to it. The bubbles really are tiny and persistent and add some structure to the wine. Four years ageing on the lees has also added little flourishes of flakey pastry, but for me this is all about the minerality, finesse and elegant austerity – 93/100 points.

Do try these Champagnes if you can, they really are superb. I would enjoy the Brut on its own, but I think they would be particularly good with food – some fruits de mer perhaps, especially the Extra Brut.

Legras & Haas Champagnes are available in the UK from the Alaistair Nugent, Handford Wines and Private Cellar.

Legras & Haas Champagnes are available in the US from United Estates Imports and Exclusive Wine Imports. 

Birth of the Crus

I take a great deal of pleasure from experiencing wines that are new to me or made from grapes and places that are new to me. So I was delighted to attend a tasting that celebrated new things recently – by the way do remember to click on all the links.

Map of the Languedoc-Roussillon – click for a larger view – non watermarked PDF versions are available by agreement

Languedoc-Roussillon is a terrific wine region and I am a great admirer of many wines from both Roussillon, the Catalan bit by the Spanish border and the Languedoc, which is further north and east – towards Narbonne and beyond. I have written about Roussillon before, but not enough about the Languedoc.

There are some fabulous wines produced in this rugged landscape, but they often do not receive the notice they deserve and the whole place suffers from the poor reputation that it’s wines were saddled with in the past. Historically the region made lots and lots of vins ordinaire to nourish and quench the thirst of working people, but those days have long gone. However the memory of this has hung around and incorrectly informs many consumer’s choices to this day. The majority of UK wine drinkers still seem to regard the Languedoc as mainly a source of cheap wines and as a consequence favour France’s more famous regions when they are seeking something special. Which is really a great shame, as the Languedoc produces many wonderful wines. They are overwhelmingly red, but increasingly the few whites are proving their worth too, as the popularity of Picpoul de Pinet shows.

Château Camplazens, photo by kind permission

Sure there are still some cheap wines made there, but really nowadays the place is more a source of great value good wines and even some that are truly ambitious. Wonderful experiences will pass drinkers by if they expect Languedoc wines to only be cheap. It pains me therefore when I come across people who only drink a wine from the likes of Minervois, Fitou, Corbières, Cabardès, Saint-Chinian or Faugères when nothing else is available, but these and the other appellations of the region produce wines that really are worth drinking.

There have been many attempts in the past to prove to consumers that this part of the world makes quality wine. In 1948 Fitou was the first place in Languedoc to be awarded A.C. status and all those others followed over the next few decades, but I remain unconvinced that drinkers – in the UK anyway – have either noticed or been much impressed by these wines gaining their appellation d’origine contrôlée. They still seem to want them to be cheaper than regions whose reputation is higher, even if the wines they drink from those are not necessarily better.

Well now so many areas of the Languedoc have their own AC, the next stage of this process is well underway. The local appellation are quite bitty and seem to offer little rationale to many drinkers, so the local powers that be, in conjunction with the growers have set about identifying little pockets of potential excellence within these areas. This is the creation of “Crus” or specific sites within a larger area – Pouilly-Fuissé within Mâcon or Bourgogne Côtes du Couchois would be similarly more specific appellations. Some of these will remain an additionally identifying piece of information on the label, while others will eventually become appellations in their own right.

The beautiful & magnificent Château de Pennautier in Carbadès

I have a history with some of these wines, I was what technology people call an “early adopter”. Long ago I sold wine by mail order and 15 years or so ago I had been selling a lovely wine from Cabardès – a fascinating area that is the only place in France where A.C. wines are made using blends of Atlantic grapes, Cabernet and Merlot, and Mediterranean grapes, Syrah etc. The producer was the beautiful and historic Château de Pennautier and everything I have ever tasted from them has been well worth trying and Brits can buy one of their lovely Cabardès wines here and another here. Well my customers enjoyed the wines and when the producer, Nicolas de Lorgeril, branched out with an estate in nearby Minervois his Domaine de La Borie Blanche I listed that too and it became a firm favourite. I knew Minervois and the value it represented, so I was hesitant when offered a premium version. This was Les Hauts de la Borie Blanche and the label proclaimed it to be a Minervois-la-Livinière. This it transpired was a Cru or small, specific vineyard area contained within Minervois surrounding the village of la Livinière and I had never heard of it. The wine was twice the price of the normal version, but when I tasted it I was blown away and it quickly became my best selling wine, by some margin, despite being relatively expensive by the standards of the time. It’s still available by the way, but is now called Domaine La Borie Blanche Terroirs d’Altitude. This experience led me to seek out other wines and I quickly discovered Pic-St-Loup, a similarly special area or Cru within the Coteaux de Languedoc appellation.

A great many things set these places apart from the more ordinary, but still good, wines that surround them, but the two things that seem consistent are height – these areas tend to be highish and so the air is a little cooler and produces more elegance, the other is the dedication and ambition of the growers and wine makers.

I have retained interest in these types of wines over the years, but have been well aware that they haven’t really caught on to the degree that they should and have by and large remained the speciality of fine wine shops rather than being stocked by the supermarkets and multiple merchants where most people actually buy their wine. I was thrilled therefore to attend a tasting and dinner of three of the Languedoc Crus that are leading the way for quality in this exciting part of the world and I thought that I would bring some of the stars to your attention.

The appellations and Crus:

Languedoc La Clape
Once an island, La Clape is now a limestone mountain some 214 metres above sea level. The sea tempers the heat of the sun allowing the production of ripe, yet elegant wines. The A.C. was created in 2009.

Minervois-la-Livinière
This enclave within Minervois forms a south facing limestone plateau, the “Petit Causse” , which produces wonderfully concentrated wines. The A.C. was created in 1999 making it the oldest of the Crus.

Corbières-Boutenac
The relatively high, heartland of Corbières this puts me in mind of the relationship between Chianti and Chianti-Classico, Boutenac specialises in Carignan, particularly old vine Carignan, which must make up between 30 and 50% of the blend, it a rocky, wild land of limestone and garrigue. The A.C. was created in 2005.

The wines are overwhelmingly red, but the few whites from this part of the world are really interesting and will surely win many friends if they become more readily available:

White Wines

2010 Château d’Anglès Classique Blanc
Château d’Anglès
A.C. Languedoc La Clape
The old Coteaux de Languedoc was replaced with the bolder and more wide reaching Languedoc as the basic appellation for this region in 2007. La Clape has long been respected by those in the know, but is now beginning to emerge as something better than anyone would have imagined. Situated between Narbonne and the sea it is small – 17 km by 7 km – and high – rising to 214 metres above sea level. As for white wines it is home to a beguiling grape – this area is thought to be the French home of Bourbelonc and although it is used throughout the South, it is only here that it gets given a starring rôle.
Château d’Anglès dates back to 1796 but had fallen into disrepair and was reestablished in 2002 by Bordelais Eric Fabre and his winemaker son Vianney who bought it to realise their dream of creating fine Mediterranean wines. They came to make red wines, but have become increasingly excited by the potential for their white wines.
50% Bourboulenc and 40% Grenache with Roussanne and Marsanne – aged on the lees for 5 months.

Nice attractive nose with herbs, citrus, white peach, a little heather and honey lurking in the background as well as a whiff of the sea.
The palate has a gentle texture, soft almost creamy with a little fat and a touch of peach-skin like tannins and a pithy feel giving rich herbal mouthfeel. The acidity is pretty low, but it does balance the wine nicely with some freshness, but it is the richness, rather than any crispness that dominates, although there is a tanginess and a touch of bitter olives as well as a juicy quality to the long finish. I liked this very much indeed, it is an exciting white wine and very food friendly as being a lovely aperitif – 89/100 points.

£9.99 a bottle in the UK from Wine Rack.

2008 Château d’Anglès Grand Vin Blanc
Château d’Anglès
A.C. Languedoc La Clape
50% Bourboulenc and 40% Grenache with Roussanne and Marsanne – aged barriques and on the lees in for 7 months.
This top white from the estate was markedly richer and fatter. The aromas were lovely, oily and creamy, honey and herbal with rosemary and thyme together with some pine and aromatic savoury, garrigues aromas and again it was slightly saline. The palate was full with lots of fat, but still some lively balancing mineral notes, not high or obvious acidity though. A terrific, complex, beautifully made dry white with lots of interest, flavour and texture – 92/100 points.

£19.99 a bottle in the UK from Ocado.

By the way the red wines from Château d’Anglès are very good as well.

La Clape to the sea

La Clape mountain – showing the wild, rugged landscape

Red Wines

2008 Château Camplazens Cuvée La Garrigue
Château Camplazens
A.C. Languedoc La Clape
I have been an admirer of Château Camplazens‘s wines ever since I worked next to the owners Susan and Peter Close at a wine fair. As you might imagine from their name, they too are outsiders who have come to La Clape in order to make the wine of their dreams. In 2000 they found this amazing site on the top of the limestone mountain of La Clape itself. The whole area was once a Roman pleasure camp, hence the name and that of “a pleasance” in later history.

60% Syrah with 40% Grenache only 40% is oak aged to emphasise the juicy freshness.

This is a wine to really enjoy, everything from the bright attractive colour is pleasing. The nose is rich and aromatic with powerful red and black fruit together with a stony character, a touch of spice and a wild herbal note. The palate is nicely concentrated and bursting with juicy fruit that has lovely balancing freshness within it. The tannins are gentle and soft and all the while those savoury garrigue flavours peep through together with spice and a touch of smokiness. Not all that complex, but it is a delicious and very user friendly wine that delivers excellent value for money – 89/100 points.

£8.99 a bottle in the UK from the City Beverage Company.

Château Camplazens produce some other excellent red wines that are worth seeking out too.

2011 Château Sainte Eulalie Cuvée La Cantilène
Château Sainte Eulalie
A.C. Minervois-la-Livinière
Isabelle and Laurent Coustal set about resurrecting this old estate in 1996 and it is now one of the leading lights of the area.
55% Syrah, 20% Grenache and 25% Carignan aged 12 months in oak barrels, 25% new.

This is deeply coloured, smoky and aromatic with savoury herbs and a dash of cocoa and liquorice. The palate is juicy, brambly, soft and open with black and red fruit and a touch of firm, smoky tannins and an inky quality to the long finish. An attractive and very pleasurable wine that has a soft and drinkable quality to it – 87/100 points.

£11.50 a bottle in the UK from The Wine Society (2010 vintage). Also £25.00 per magnum.

2009 Château Maris Les Planels (formerly Old Vine Syrah)

Château Maris

A.C. Minervois-la-Livinière

Yet another fine estate that is run by an outsider and what’s more another Englishman. Robert Eden has lived in the Languedoc for over twenty years and is one of the prime movers behind the emergence of La Livinière on to the world’s fine wine map. Robert is convinced that good wine is made in the vineyard and focuses enormous care and attention how his vines grow. Château Maris is certified as organic and biodynamic, the only one in Minervois-la-Livinière and I strongly believe that whether biodynamics work or not, the process imposes such a level of care and attention on the vigneron that good results often seem to follow and from the 2010 vintage the estate will be a Cru Classé du Languedoc.

This single vineyard – Les Planels – Syrah is a case in point, fermented in oak tanks and aged for 12 months in barrels it is a really lovely wine.

The colour is an intense, opaque blueberry blue black colour, while the nose is lifted, scented and aromatic with savoury herbs, garrigue, tarry earth and a core of brighter blackcurrant and dried fruit. The palate is concentrated, full and juicy with very soft tannins – just a chalky smear giving definition. The fruit is cassis and prune by turns with a smoky earthy, mineral liquorice note. This is a really delicious crowd pleaser of real quality and while the fruit dominates right now I am sure the complexity will out in a few years – 91/100 points.

£17.95 a bottle in the UK from Vintage Roots.

Once again I would say that everything Château Maris make is pretty good and well worth drinking, like their standard Château Maris Minervois La Livinière from Waitrose in the UK.

Domaine de Villmajou

2010 Château de Villmajou
Domaines Gérard Bertrand

A.C. Corbières-Boutenac

Gérard Bertrand’s father owned this property from 1970 and this is where he grew up. After his rugby career they ran it together and it is where his wine story began, it is also the oldest wine estates in Corbières.

40% Carignan, 30% Grenache, 20% Syrah and 10% Mourvèdre aged 12 months in oak barrels.
This looked most attractive in the glass, deeply coloured, purpley-red to black.
The enticing aromas were herbal and savoury, along with a seaweed / umami and mineral nose and hints of sweeter lavender, that seemed promising, but quite closed for now.
The palate was direct, vibrant and juicy with loads of cassis, blackberry and plum with spices and herbs in background. It was a very modern palate with loads of fruit and very soft tannins, but they are there in the background, as is a touch of coffe too. The finish is nicely balanced and it delivers a great deal of pleasure – 89/100 points.

£11.99-14.99 a bottle in the UK from Majestic.

2010 Château les Ollieux Romains Cuveé d’Or

Château les Ollieux
A.C. Corbières-Boutenac

44% Carignan, 23% Grenache, 23% Mourvèdre and 10% Syrah of between 60 and 100 years old. Aged for 12 months in new French oak.
The colour was a deep opaque plummy and blackcurrant purple with some rhubarb red.
The nose was earthy, vibrant and powerful with blackcurrant, cocoa and coffee notes.
The palate had a nice texture, rich creamy ripe fruit and a cleansing touch saline quality. It was attractively savoury with a slightly charred and toasty, smoky back palate and a little caramel. A beautifully balanced wine with some real tension between the fruit and structure making it very elegant and it was very long – 91/100 points.

It was a wonderful tasting and a great chance to catch up on wines from this exciting part of France. If the creation of appellation contrôlée was supposed to codify tradition and encapsulate best practice – although frankly that is all debatable – then these new appellations and Crus, where there is only a short history of making anything other than everyday wines, are all about embracing the potential of these exciting places and creating ambitions for the future.

I do urge you to try some of these exciting new wines from the Languedoc.

Greece – Part 2: A Taste of Monastic Life

The delightful sights of the coast of Mount Athos

Earlier in the year I had a wonderful tour around the vineyards of Northern Greece. Initially our little party were guests of Tsantalis (pronounced Santar-lee), who make some really good wines that are widely available.

The first part of the trip was a couple of days at their headquarters and main winery near Thessaloniki together with a visit to the wilds of Rapsani near Mount Olympus. The scenery was beautiful, the people welcoming, the food stunning and the wines – even for a longtime fan of Greek wine like me – were a revelation.

If the delights of Greek wine have passed you by, Tsantali produce two wines that are amongst my favourite for great value right now: Tsantali Rapsani and Tsantali Organic Cabernet – they really do take a lot of beating for price and quality.

With the nights closing in and the onset of Winter I find myself reliving the heat, clear blue skies and fierce sun of the Eastern Mediterranean and thought that I would share more of the experiences with you.

Mount Athos taken from near Lerissos

Some of you may remember from reading part 1 that we were a small all male group because the centrepiece of the trip was a visit to Mount Athos, where women are not allowed – hell even female animals are forbidden! This area takes its name from The Holy Mountain of Mount Athos and is actually a peninsula which forms a closed community made up of some 20 Monasteries. 17 of these are Greek Orthodox with the others being Serbian, Bulgarian and Russian and we were to be guests of the Agiou Panteleimonos, or St. Panteleimon, Russian Monastery.

Mount Athos is a part of Greece, but is basically self-governing and enjoys ‘special status’ within the Greek State and the E.U., so a permit – essentially a visa – is needed to get there, but the centuries old ban on women is still in force. Frankly I don’t suppose I would have ever have got to visit if I had not been the guest of Tsantali, but more of them later.

Our journey to The Holy Mountain started early – there’s nothing like a little suffering to make you feel like a pilgrim. We were breakfasted and packed by 7 a.m. and waiting in the cool morning air for the straggler to materialise so that we could finally set off. There was a sort of reality show sense of jeopardy about all this as time was finite – we had a ferry to catch. There is only one ferry a day and the implication was that all our plans would come to nothing if we didn’t get there on time.

It was a long drive East from Thessaloniki to our destination, the distance is only about 150 kilometres, but we were on small roads in a heavily laden van and all the while we were in a race against the clock and frankly it looked as though we were going to loose.

Map of Greece & Mount Athos – click for a larger view – non watermarked PDF versions are available by agreement

Mount Athos forms the lower two thirds of the Easternmost prong sticking down from the Halkidiki Peninsula and although there is a road of sorts it seems that the only way to visit the Monasteries on the Western shore of the peninsula is to catch a ferry from Ouranoupoli, the last town on the Greek side of the border. A similar service operates from Lerissos on the East coast which we passed through and both these ports seemed very attractive towns –  information that I filed away for another day.

Possibly my favourite shop sign in the world!

My permit to enter The Holy Mountain

All the excitement ended in a bit of an anticlimax really. We were definitely late, but the ferry was still there and even though our hosts had to spend ages in the Pilgrims’ Bureau getting our permissions in order we made the ship easily. For the first time in my life I was officially a Pilgrim and on my way to Mount Athos!

The voyage was delightfully relaxing and the views of Mount Athos were stunning, so I thought I would just show you my photographs and comment where appropriate…please click the photographs for a larger view.

Leaving Ouranoupoli behind.

Left: Last glimpse of Ouranoupoli. Right: A skete.

Views from the ferry – olives by the shore & a monastic settlement or skete.

The shoreline of the Mount Athos peninsula was dotted with little settlements and often the ferry would pull up by their jetty and waiting groups of monks would board – we were forbidden to photograph the monks I am afraid.

Our happy band of Pilgrims arrives at Agiou Panteleimonos. At times I was put in mind of Lhasa by the monastery buildings we saw.

The ferry & our speedboat to the vineyards…

After touring the monastery for a while – which we were not allowed to photograph, but whose gift shop sold blessings as well as icons of Tsar Nicholas 11 and President Putin – we were taken by speedboat to the Tsantali managed vineyards of Metoxi Chromitsa whose winery is housed in a cloister settlement belonging to the Agiou Panteleimonos Monastery.

Tsantali vineyards – Metoxi Chromitsa with Ouranoupoli in the distance.

My first experience of the landscape amazed me. There was such tranquility and beauty, the vistas magnificent and the weather was perfection, I am not sure I have ever seen such beautiful vineyards and the feeling of peace was quite overwhelming.

Metoxi Chromitsa – vineyards around the cloisters of St. Panteleimon / Agiou Panteleimonos.

Nothing had prepared me for the grandeur of arriving at the Cloister, we were on dirt tracks rather than roads, so it was the closest I will ever get to the feeling that a mediaeval person would have had when arriving at a castle or monastery. The building dominated the landscape and reassured by its very presence and I felt quite detached from the modern world.

Our Pilgrim band arriving at the winery in the cloisters. The right hand photo is taken from the balcony you can see in the left hand one at top right.

The winery, and our little group, were housed in a part of the Cloister that appeared quite tumbledown, but the important bits had been done up and our quarters were perfectly comfortable, while the views from the balcony were stunning.

Left: The Cloister’s garden and vineyards. Right: Pilgrims going about their devotions in the room that backs onto the balcony in photo above.

The meals we were served were superb and consisted of many dishes like rather grand mezes. In the main the monks and any visitors are vegetarian, but there is some leeway to allow them to eat fish. All the vegetable were locally grown, the honey was made by the monks and their bees and all seemed right with the world.

Around the cloisters.

All over Europe monasteries had been the keepers of knowledge for centuries, and that included knowing how to grow grapes and make wine, but it seems the twentieth century saw a marked decline in winemaking on Mount Athos.  The Tsantali company have been producing wine and spirits since long before this region was part of Greece, Ottoman rule finally ended here in 1913. Evangelos Tsantalis came to Metoxi Chromitsa in 1971 and noticing that the vineyards were no longer tended he offered his family’s expertise to bring them back to life – as long as he could also make some commercial wine. The deal was done and soon wines from Mount Athos were commercially available for the first time.

Evangelos knew a good thing when he saw one. The place has a classic Mediterranean climate, the winters relatively mild and dry, with just enough rain and snow melt water off Mount Athos and sea breezes that temper the dry heat of summer. I suspect these conditions that suit grapes so well also made it a perfect place for the monks to settle too.

These growing conditions allow Tsantalis to farm organically which helps with the biodiversity of this beautiful place. Also the deep sandy-clay soils are pretty thin with have very little organic matter which forces the vine to put down deep roots seeking out nutrients, which can help to keep yields down and to increase complexity in a finished wine.

In order to experience the wines from this amazing place we headed off down the slopes towards the sea and sat on the terrace of a beautiful tasting room that overlooks the vineyards and the sparkling waters of the Singitic Gulf or Gulf of Agion Oros / Holy Mountain with the Sithonia Peninsula shimmering in the distance.

Probably the best view I have ever seen from a tasting…

The Wines

2011 Agioritikos white
PGI (Vin de Pays) Mount Athos
A dry white wine blend of Assyrtiko, Athiri & Roditis grapes
The colour is very pale straw with a little lemon citrine brightness.
The nose is very fresh and clean with lively with citrus and  some herbal components too.
The palate is surprisingly soft rather than crisp, fresh though with enough acidity to keep it zesty, some weight makes it feel quite like a fat, floral and rich Vinho Verde. The zing is rich like lemon peel rather than light lemon juice. This is not a wine to particularly think about, but it is very good with Greek cuisine and I found myself returning to it again and again with lunch – 86/100 points.

Widely available in Greece, it really is good with the food, it is stocked in the UK by Wine Rack at £8.99.

2011 Metoxi Chromitsa X white
PGI (Vin de Pays) Mount Athos
This blend of 40% Assyrtico, 40% Sauvignon Blanc & 20% Athiri is one of the top white wines they produce here and the quality shows in the concentration and complexity.

The nose is wonderfully aromatic, but not in a sweet perfumed way, but more akin to a herb garden; broom, thyme and fennel herb notes dominate and are kept fresh by some underlying lemon and lime.
The mouthfeel is fatter and richer than crisp, textured even, even the high acidity has a richness rather than crisp or tart quality. There is a stony flinty mineral character too as well as a fresh citric tang giving a long citric finish. This is a pretty good wine and goes superbly with classic Greek food – 88/100 points.

2007 Metoxi Chromitsa X red
PGI (Vin de Pays) Mount Athos
This limited release wine is a blend of some of the best parcels of grapes grown on the estate; 20% Xinomavro (pronounced Kersi-naw-mav-ro), 30% Limnio and 50% Cabernet Sauvignon and aged for 12 months in heavy toast French oak barrels.
The colour is a bright, just opaque plum with some garnet showing. The nose is warm, soft and deep with rich plum and cherry fruit and some crunchy raspberry fruit adding a fresh acidic note as well as a touch of vanilla, like cream soda, some spice and pepper. A little twist of dried cranberry is there too, showing that the wine has a little age.
The palate offers rich black cherry mingling with a little brighter more acidic red cherry too. The texture is quite chewy with dry tannins, quite high acid and tangy raspberry characters all the way through. This medium bodied wine is surprisingly fresh and elegant – 89/100 points.

2007 Agioritiko Abaton
PGI (Vin de Pays) Mount Athos
This 80% Cabernet Sauvignon & 20% Limnio blend is almost the top tier of production and represents a rigorous selection of fruit, fermented in open topped wooden vats with the finished wine being aged 12 months in new French oak. Abaton by the way means ‘untrodden’ and refers to the cut off and monastic nature of Mount Athos.
Deep red with very little black, but more garnet. The nose gives cedar and developed leather notes, a touch of prune and even some leather. It smells mature with bitter cherry, chocolate and cassis.
The palate is very soft  and pretty juicy with ripe black cherry verging on over ripe. There is prune, toffee, coffee and earth making it quite complex and nice with a smoky mocha quality. This wine feels very traditional, even attractively rustic and it cries out for all the meat dishes we could not eat on Mount Athos – 89/100 points

2001 Metoxi Chromitsa red
PGI (Vin de Pays) Mount Athos
This mature example predated the production of the higher rated Metoxi Chromitsa X wines, but gave us a good idea as to what these wines do with some age. It is a blend of Cabernet Sauvignon & Limnio fermented in old open wooden vats and then aged in new French oak barrels for 8 months.
The colour showed much more brown and had a brambly hue too.
The nose was a little meaty and singed and had some earthiness, dried fruit, coffee and smoke.
The palate was lovely, supple and concentrated with smoky dried leather and fruit, cedar, spice, mocha and caramel. There was a little acidity and supple tannins giving a nice texture – 90/100 points.

The 1999 Metoxi Chromitsa red was equally good if a little more fragile with orange peel and cranberry characters.

As the Monastery is Russian their top wine, Kormilitsa Gold – which we didn’t taste – is frequently served at the Kremlin.

Left: sunset from the vineyards. Right: the border.

I’m not sure that I would want to spend my whole life here – the cells were very hot at night – but visiting Mount Athos, seeing some of the Monasteries and the stunning landscape was a great experience that I will cherish. As was getting a taste of what the monks eat and trying these fascinating wines in the place where they are made.

Can I thank the Agiou Panteleimonos Monastery and the Tsantali company for their wonderful hospitality and the great Ted Lelekas (his blog is here, in Greek) for doing all the hard work and making it happen. Thank you all, the visit was a superb experience.

Please, the next time you visit Greece take a little care over the wines you have and I think you will be astonished by how good they can be. By the same token, the next time you want to drink something different at home – give Greek wines a go. You will not be disappointed and if you drink it while looking at my photographs here, then you won’t really need to go abroad –  will you?

Mountains, Saints and Satellites – stunning quality in Montagne-St Émilion

It is so easy to fall into a rut with wine. There is so much wine available from so many different places nowadays that you have to make a cut off somewhere and for many years for me that cut off was the classic wines of France. Only the cheaper versions though, I have always retained my love of France’s great wines.

My focus is always to find really lovely wine that over performs for its price and for many years the famous bits of France usually failed to do that at the cheaper end. Many of the classic regions of France have enormous fame, but the quality of the affordable examples seldom showed what the top end ones were like – and most of us have to drink the cheaper versions. The result of this was that consumers were often buying the lesser examples of Sancerre, Chablis, Châteauneuf-du-Pape, St Émilion and the like and yet they were never truly cheap, so still seen as bit of a treat. Sadly many of these wines were a pale shadow of the wines that have made the name on their label so prestigious and sought after and so for long gave the impression that France offered bad value for money. For quite a long time the affordable versions of classic French wines were dilute, unattractive and uninspiring as well as being more expensive than many good wines from elsewhere.

By the way it isn’t snobbery that made me avoid them, those who know me will know that price tags do not impress me at all. No, it was the lack of character and concentration that made me avoid these wines. Who wants a Chablis that could pass for a Muscadet in a blind tasting, or a Châteauneuf that offers less character than a Fitou or Minervois?

This lack of quality at the lower end was, in my opinion at least partly responsible for the sizeable minority of UK consumers who nowadays claim to avoid and dislike all French wine.

My Summer Wine Part 2 – Welsh Riesling?

The weather has changed and Summer feels a long time ago now, but I thought you might well be interested in these wines that I was able to try when the weather was a little better.

I love trying new things, so I was thrilled to be able to taste some Welsh wines during the Summer. I suppose I knew there was some Welsh wine, Sweden can make it for heaven’s sake, and so Wales certainly can. However, tasting Welsh wines was a first for me and although they were not actually made from Riesling, but I can never resist a pun. I wish they did grow Riesling in Wales, how could a grower pass up the chance to label a wine as Welsh Riesling?

Monnow Valley Vineyards by kind permission

Savennières – a rebooted classic?

Looking south from the Château des Vaults – Domaine du Closel

It seemed pretty hot for a cool wine growing region. Standing on top of the slope looking out at the stunning beauty of the countryside I felt enveloped in peace and drenched in the sun’s hot rays. Strangely the scene was made all the more peaceful for the birdsong and the peal of distant church bells as I looked at the vines and listened to the winemakers around me. I heard their passion and their commitment and I hoped that the wines I would soon taste were as good and as interesting as the story I was being told.

You see, I had come on this trip to Angers deliberately because I was pretty sure that I didn’t like these wines. All the books and many experts say that Savennières ranks as one of the greatest wines of France – certainly that country’s finest dry white made from Chenin Blanc. Personally though I have never been able to see what the fuss was about – much as I fail to find the pleasure in Condrieu. Savennières was certainly dry and had that typical Chenin high acid, but I could never see its charm. It was hard and unyielding and seemed reminiscent of sucking a pumice stone – austere might be the kindest word to use. We were always told that they needed to be old to show at their best, but frankly who wants old white wine nowadays?

So, I was here on this hill-top to confront my lack of knowledge and understanding – I wanted to see what I was missing and whether I should update my view.

Greece – Part 1: Tsantali and Rapsani

Rapsani Vineyards

One of the best things about wine for me is the excitement of new experiences. Too many wine drinkers seem to restrict themselves to a very narrow range of possibilities, so I love to show them just what an amazing variety of good wine there is. Just because a wine seems unusual to us does not make it necessarily an oddity or a niche wine, just one we have not yet tried.

So, whether they are made from grapes I have never experienced before or produced in regions that are new to me I get very excited by new wines – as long as they are good. You can imagine my excitement therefore when I was invited on a tour of vineyards in northern Greece. I had never been before, but did know something about the wines from my days at The Greek Wine Bureau in London during the early 1990s. I was only a small cog there, but I helped to create a little interest in Greek wines in the UK and have retained a love of them ever since. Updating that knowledge and actually seeing the regions sounded like a wonderful opportunity.

We were a small, all male group of wine writers, bloggers and educators who set off to explore the wine regions of Macedonia, it is unusual for these things to be men only, but that was a stipulation this time. You see the centrepiece of our journey was a visit to Mount Athos and this self governing part of Greece is a monastery-covered peninsula where women are not allowed to set foot.

I have been back from Greece for a few weeks now and have been telling everyone I meet how great it was and how good the wines were. They all seem to expresses amazement that I find Greek wines so interesting and it seems that even those who have enjoyed holidays there have a low opinion of the wines. Well I don’t know what they drank, but we tasted dozens of different wines from different regions, made from many different grapes in a wide variety of styles. A few were merely acceptable quality, but most were very good indeed.

The trip was made possible by the generosity of the Tsantali (pronounced Santar-lee) company and they certainly did us proud by taking us to places that were either physically very hard to get to or, as in the case of Mount Athos, just picky – apparently very few non monks or pilgrims are allowed to visit.

North Star – a great dessert wine

The other day, while doing something else entirely different I was given an intriguing wine to try. The first thing I noticed was how good it looked, the presentation was stylish – from the appearance of the bottle and label I would have sworn it was a Canadian Icewine. On closer examination though I discovered that it came from Nottinghamshire, which is in England‘s Midlands and is not somewhere that I often associate with wine.

2006 Eglantine Vineyard North Star
Eglantine Vineyard
Ash Lane, Costock, Nr Loughborough, Leicestershire LE12 6UX, UK
http://www.eglantinevineyard.co.uk

I have since spoken to Tony Skuriat who makes it and he really is a fascinating man and I intend to visit his vineyard soon. He only makes a tiny amount of North Star as it is made from a selection of his vineyard’s best fruit. It is 100% Madeleine Angevine, which is quite hardy and can ripen well in unlikely places – not for nothing is it one of Müller-Thurgau‘s parents.

North Star is a ‘technical Icewine‘, which means that the grapes are frozen in a freezer rather than on the vine – England just does not get cold enough to freeze grapes on the vine. I know from speaking to producers in Canada and New York that many people consider it gives better and cleaner results if you freeze the grapes after the harvest as it gives greater control of when the grapes are picked and can prevent all sorts of rot problems. Basically whichever way you do it the grape is frozen solid, so when it is pressed the water content stays behind as ice and you get just a tiny amount of intensely sweet juice from which a dessert wine can be made. The residual sugar content of this wine is 174 grams per litre, to put that in perspective most French dry white wines are around 2!

Tony Skuriat in his winery

On tasting it North Star had a wonderful concentration of rich apricot-like fruit with real depth of honeyed and marmalade sweetness, with some barley sugar and even a richer touch of butterscotch. What made the wine sing though was the vibrant acidity that cut through the sweetness, made the wine balanced in the mouth and the finish gloriously long.

It really is a great dessert wine and does not fall into the typical icewine trap of being clean, delicious and one dimensional, this is complex and layered. When I asked Tony about this he explained that he ages it for at least 2 years on the lees. These are the dead yeast cells left over from fermentation and this ageing adds complexity and texture as well as developing the creamy characters which are alien to most icewines.

Rather wonderfully too the wine is made within the designated region of Stilton production, so at last we can truly eat a great British cheese and partner it with a perfect local English wine – who would have thought it?

I was seriously impressed and awarded this great wine 93/100 points.

At £32 per half bottle in the UK it isn’t cheap, but is well worth the money. A little is still available from the vineyard and if you get in quick from The English Wine Pantry in London’s Borough Market.

Hungarian Rhapsody

Everywhere I go at the moment I keep stumbling across excitingly different white wines. Many of them are made from grapes and in regions that I am aware of, but have only very limited experience of tasting until now - I suspect that is a good thing as wines are so much better now than in my youth. I am sure that if I had tried wines from these places 28 years ago then I might have not been anything like as impressed as I am now.

The Cinque Terre – a hidden land

I have long wanted to visit the Cinque Terre, it is a place that has captured my imagination, so the other week I seized my chance and visited this tiny wine region.

The place is named for the five towns – Cinque Terre - which sit in a spectacular landscape of intricately terraced agricultural land covering steep cliff faces all the way down to the sea. The towns themselves cascade down the cliffs in the most amazing way that makes them achingly picturesque – especially in the sunshine.

Manarola

These towns sit at the head of small valleys, ravines really, which means they can be at sea level rather than on the cliff tops – historically these lands were quite isolated and, before the railways, the main form of communication between them would have been by water. Even today the best way to see the vineyards is by boat as they are dispersed away from the towns and getting around is still hard. Corniglia is the one exception, it sits on the cliff-top and has no harbour.